English printmaker, painter and poet. His reputation as a visual artist
increased during the 20th century to the extent that his art is as well
known as his poetry. Yet in his own mind Blake never completely
separated the two, and his most original work is to be found in
hand-printed books of prophecy, which developed a personal mythology of
limitless intellectual ambition. In these books, text and design are
completely integrated in what he called ‘illuminated’ printing. He also
made many pen and watercolour drawings, prints in various media and a
small number of tempera paintings, but even in these his broader aims
were primarily theological and philosophical: he saw the arts in all
their forms as offering insights into the metaphysical world and
therefore potentially redemptive of a humanity he believed to have
fallen into materialism and doubt.
The Great Red Dragon and the Woman Clothed
with the Sun 1805-1810
watercolor
National Gallery of Art at Washington D.C.
Nebuchadnezzar
1795
Copper engraving with pen and ink and watercolour, 446 x 620 mm
Tate Gallery, London
Los
1804-20
Etching with pen, watercolour and gold, 146 x 222 mm
Yale Center for British Art, New Haven
Job Confessing his Presumption to God who Answers from the
Whirlwind
1803-05
Pen, ink and watercolour over pencil on paper, 393 x 330 mm
National Gallery of Scotland, Edinburgh
Christ as the Redeemer of Man
1808
Pen and watercolour, 496 x 393 mm
Museum of Fine Arts, Boston
The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta
1824-27
Pen and ink and watercolour, 374 x 530 mm
City Museum and Art Gallery, Birmingham
The Descent of Christ
1804-20
Etching with pen, watercolour and gold, 219 x 159 mm
Yale Center for British Art, New Haven
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