|
 |
|
|
|
 |
|
|
|
|
| |
|
|
Emile Bernard
(Encyclopaedia Britannica)
French painter who is sometimes credited with founding
Cloisonnism (see
Pont-Aven school;
Synthetism).
He was noted for his friendships with such artists as Vincent van
Gogh, Paul Gauguin, Odilon Redon, and Paul Cezanne.
In 1886 Bernard went to Pont-Aven, where he theorized a Cloisonnist
style of painting bold forms separated by dark contours that
somewhat influenced Gauguin. He also did sculpture and woodcuts and
designed furniture and tapestries. As a poet and writer, he studied
religious mysticism and philosophy. Part of the fame of Cézanne and
Redon rests on Bernard's prophetic admiration of their early work.
He toured Italy in 1894 and settled in Egypt for 10years. Returning
to France in 1904, he founded and edited the review La Rénovation
Esthétique and published his correspondence with van Gogh, Gauguin,
Redon, and Cezanne—a major contribution to the understanding of
modern art.
|
|
|
|
|
|
|
|
 |
|
|
b Lille, 28 April 1868; d Paris, 15 April 1941.
French painter and writer. He was the son of a cloth
merchant. Relations with his parents were never harmonious,
and in 1884, against his father’s wishes, he enrolled as a
student at the Atelier Cormon in Paris. There he became a
close friend of Louis Anquetin and Toulouse-Lautrec. In
suburban views of Asnières, where his parents lived, Bernard
experimented with Impressionist and then Pointillist colour
theory, in direct opposition to his master’s academic
teaching; an argument with Fernand Cormon led to his
expulsion from the studio in 1886. He made a walking tour of
Normandy and Brittany that year, drawn to Gothic
architecture and the simplicity of the carved Breton
calvaries. In Concarneau he struck up a friendship with
Claude-Emile Schuffenecker and met Gauguin briefly in
Pont-Aven. During the winter Bernard met van Gogh and
frequented the shop of the colour merchant Julien-François
Tanguy, where he gained access to the little-known work of
Cezanne. |
|
|
|
|
|
|
|
 |
Still Life with
Flowers
1887 |
|
|
|
|
|
 |
Bernard’s
Grandmother
1887
|
|
|
|
|
|
 |
Buckwheat
Harvesters at Pont-Aven
1888 |
|
|
|
|
|
 |
Madeleine au
Bois d'Amour
1888
Musee
d'Orsay at Paris |
|
|
|
|
|
 |
Self-Portrait
1888 |
|
|
|
|
|
 |
Breton Woman and Haystacks
1888 |
|
|
|
|
|
 |
Trois baigneuses
1890 |
|
|
|
|
|
 |
Buckwheat
Harvesters
1891 |
|
|
|
|
|
 |
Breton Woman
1892 |
|
|
|
|
|
 |
Breton Women on a
Wall
1892 |
|
|
|
|
|
 |
Solitude
1892 |
|
|
|
|
|
 |
Spanish
Musicians.
1897 |
|
|
|
 |
|
|