French painter. His first teacher was the history painter Jean Bardin,
who took him to Rome in 1768. Back in Paris in 1772, he transferred to
the studio of Nicolas-Bernard Lépicié. In 1776 he won the Prix de Rome
with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and
returned to Rome, where he was to spend the next four years at the
Académie de France in the company of Jacques-Louis David and
Jean-François-Pierre Peyron. While witnessing at first hand Peyron’s
development of a manner indebted to Poussin and David’s conversion to
Caravaggesque realism, Regnault inclined first towards a Late Baroque
mode in a Baptism of Christ (untraced; recorded in two sketches
and an etching), then, in Perseus Washing his Hands (1779;
Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton
Raphael Mengs. Until 1787 he would sign his pictures Renaud de Rome,
to disassociate himself from the mannered taste of French painting
before the time of David.
The Descent from the Cross 1789
Oil on canvas, 425 x 233 cm
Musée du Louvre, Paris
The Three Graces
Dibutades Tracing the Portrait of a Shepherd 1785
Oil on canvas, 120 x 140 cm
Musée National du Château, Versailles
Education of Achilles
La toilette de Venus 1815
Le deluge
Socrate arrachant Alcibiade du sein
de la Volupté 1791
Cupid and Psyche 1828
The Genius of France between Liberty and Death 1795
Oil on canvas, 60 x 49 cm
Kunsthalle, Hamburg
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