(b Montauban, 29 Aug 1780; d Paris, 14 Jan 1867).
French painter. He was the last grand champion of the French classical
tradition of history painting. He was traditionally presented as the
opposing force to Delacroix in the early 19th-century confrontation of
Neo-classicism and Romanticism, but subsequent assessment has shown the
degree to which Ingres, like Neo-classicism, is a manifestation of the
Romantic spirit permeating the age. The chronology of Ingres’s work is
complicated by his obsessive perfectionism, which resulted in multiple
versions of a subject and revisions of the original. For this reason,
all works cited in this article are identified by catalogue raisonné
number: Wildenstein (W) for paintings;
Naef (N) for portrait drawings; and
Delaborde (D) for history drawings.
The Source
1820
Oil on canvas, 83 x 163 cm
Musée d'Orsay, Paris
The Vow of Louis XIII
1824
Oil on canvas, 421 x 262 cm
Cathedral of Notre-Dame, Montauban
Mademoiselle Riviere
1806
Oil on canvas, 100 x 70 cm
Musée du Louvre, Paris
The Bather
1808
Oil on canvas, 146 x 97 cm
Musée du Louvre, Paris
Francois-Marius Granet
1809
Oil on canvas, 75 x 63 cm
Musée Granet, Aix-en-Provence
The Grand Odalisque
1814
Oil on canvas, 91 x 162 cm
Musée du Louvre, Paris
The Grand Odalisque (detail)
1814
Oil on canvas, 91 x 162 cm
Musée du Louvre, Paris
Paolo and Francesca
1819
Oil on canvas, 480 x 390 cm
Musée des Beaux-Arts, Angers
The Entry of the Future Charles V into Paris in 1358
1821
Oil on canvas, 47 x 56 cm
Wadsworth Atheneum, Hartford
The Apotheosis of Homer
1827
Oil on canvas, 386 x 512 cm
Musée du Louvre, Paris
Monsieur Bertin
1832
Oil on canvas, 116 x 95 cm
Musée du Louvre, Paris
Joan of Arc at the Coronation of Charles VII 1854
oil on canvas
Musée du Louvre, Paris
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