Henri Gervex(b Paris, 10 Sept 1852; d Paris, 7 June
1929).
French painter. His artistic education began with
the Prix de Rome winner Pierre Brisset (1810–90). He
then studied under Alexandre Cabanel at the Ecole des
Beaux-Arts in Paris, where his fellow pupils included
Henri Regnault, Bastien-Lepage, Forain, Humbert
(1842–1934) and Cormon; and also informally with
Fromentin. Gervex’s first Salon picture was a
Sleeping Bather (untraced) in 1873: the nude, both
in modern and mythological settings, was to remain one
of his central artistic preoccupations. In 1876 he
painted Autopsy in the Hôtel-Dieu (ex-Limoges;
untraced), the sort of medical group portrait he
repeated in 1887 with his Dr Pean Demonstrating at
the Saint-Louis Hospital his Discovery of the Hemostatic
Clamp (Paris, Mus. Assist. Pub.), which celebrated
the progress of medical science with a sober,
quasi-photographic realism. Gervex’s most controversial
picture was Rolla (1878; Bordeaux, Mus. B.-A.),
refused by the Salon of 1878 on grounds of indecency,
partly because of the cast-off corset Degas had insisted
he include. The painting shows the central character in
a de Musset poem, Jacques Rolla, who, having dissipated
his family inheritance, casts a final glance at the
lovely sleeping form of the prostitute Marion before
hurling himself out of the window. As his friend, Manet,
had done the year before with his rejected Nana
(1877; Hamburg, Ksthalle), Gervex exhibited his work in
a commercial gallery, with great success.