Official Art

 



(Neoclassicism, Romanticism and Art Styles in 19th century - Art Map)



 




Walter Crane



 


 
Walter Crane

(b Liverpool, 15 Aug 1845; d Horsham, W. Sussex, 14 March 1915).

English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808–59). A series of illustrations to Tennyson’s The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks. His early illustrative works included vignette wood-engravings for John R. Capel Wise’s The New Forest: Its History and its Scenery (1862).


 




 

The True Answer to Jingoism—
International Socialist and
Trade Union Congress, 1896
1896


 


Vive la Commune
1887



 


In Memory of the Paris Commune
1891


 

A Merry Christmas
Disturbed by the appearance of Socialism
1897


 

Cover for Cartoons for the Cause
1896


 

The Strong Man
1897


 

The party Fight and the New Party,
or Liberalism and Toryism
Disturbed by the appearance of Socialism
1884


 

International Solidarity of Labour
1889



 

A Garland for May Day
1895


 

The Capitalist Vampire
1903


 

The Worker's May Pole
1894


 

Mrs. Grundy Frightened at her own Shadow
1886


 

The Donkey and the Common
1898



 


 
Beset by Beasts at Bassen-Twaite
1870


 

King Arthur and the Giant,
Book I canto VIII,
engraving,
illustration from a 19th century version of Spenser's The Faerie Queene
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