Alexandre
Cabanel(b Montpellier, 28 Sept 1823; d Paris,
23 Jan 1889).
French painter and teacher. His skill in
drawing was apparently evident by the age of 11. His
father could not afford his training, but in 1839 his département gave him a grant to go to Paris. This
enabled him to register at the Ecole des Beaux-Arts the
following October as a pupil of François-Edouard Picot.
At his first Salon in 1843 he presented Agony in the
Garden (Valenciennes, Mus. B.-A.) and won second
place in the Prix de Rome competition (after Léon
Bénouville, also a pupil of Picot) in 1845 with
Christ at the Praetorium (Paris, Ecole N. Sup.
B.-A.). Both Cabanel and Bénouville were able to go to
Rome, as there was a vacancy from the previous year.
Cabanel’s Death of Moses (untraced), an academic
composition, painted to comply with the regulations of
the Ecole de Rome, was exhibited at the Salon of 1852.
The pictures he painted for Alfred Bruyas, his chief
patron at this time (and, like Cabanel, a native of
Montpellier), showed more clearly the direction his art
had taken during his stay in Italy. Albaydé,
Angel of the Evening, Chiarruccia and
Velleda (all in Montpellier, Mus. Fabre) were the
first of many mysterious or tragic heroines painted by
Cabanel and show his taste for the elegiac types and
suave finish of the Florentine Mannerists.