a world history of art
 

     
 
 
 






History of Literature




 

Ann Radcliffe




"The Mysteries of Udolpho"

 



"THE MYSTERIES OF UDOLPHO"



VOLUME 3 - 4

 

 

 



VOLUME 3





 

CHAPTER I 

 I will advise you where to plant yourselves;
 Acquaint you with the perfect spy o' the time,
 The moment on 't; for 't must be done to-night.
     MACBETH

Emily was somewhat surprised, on the following day, to find that Annette had heard of Madame Montoni's confinement in the chamber over the portal, as well as of her purposed visit there, on the approaching night. That the circumstance, which Barnardine had so solemnly enjoined her to conceal, he had himself told to so indiscreet an hearer as Annette, appeared very improbable, though he had now charged her with a message, concerning the intended interview. He requested, that Emily would meet him, unattended, on the terrace, at a little after midnight, when he himself would lead her to the place he had promised; a proposal, from which she immediately shrunk, for a thousand vague fears darted athwart her mind, such as had tormented her on the preceding night, and which she neither knew how to trust, or to dismiss. It frequently occurred to her, that Barnardine might have deceived her, concerning Madame Montoni, whose murderer, perhaps, he really was; and that he had deceived her by order of Montoni, the more easily to draw her into some of the desperate designs of the latter. The terrible suspicion, that Madame Montoni no longer lived, thus came, accompanied by one not less dreadful for herself. Unless the crime, by which the aunt had suffered, was instigated merely by resentment, unconnected with profit, a motive, upon which Montoni did not appear very likely to act, its object must be unattained, till the niece was also dead, to whom Montoni knew that his wife's estates must descend. Emily remembered the words, which had informed her, that the contested estates in France would devolve to her, if Madame Montoni died, without consigning them to her husband, and the former obstinate perseverance of her aunt made it too probable, that she had, to the last, withheld them. At this instant, recollecting Barnardine's manner, on the preceding night, she now believed, what she had then fancied, that it expressed malignant triumph. She shuddered at the recollection, which confirmed her fears, and determined not to meet him on the terrace. Soon after, she was inclined to consider these suspicions as the extravagant exaggerations of a timid and harassed mind, and could not believe Montoni liable to such preposterous depravity as that of destroying, from one motive, his wife and her niece. She blamed herself for suffering her romantic imagination to carry her so far beyond the bounds of probability, and determined to endeavour to check its rapid flights, lest they should sometimes extend into madness. Still, however, she shrunk from the thought of meeting Barnardine, on the terrace, at midnight; and still the wish to be relieved from this terrible suspense, concerning her aunt, to see her, and to sooth her sufferings, made her hesitate what to do.

'Yet how is it possible, Annette, I can pass to the terrace at that hour?' said she, recollecting herself, 'the sentinels will stop me, and Signor Montoni will hear of the affair.'

'O ma'amselle! that is well thought of,' replied Annette. 'That is what Barnardine told me about. He gave me this key, and bade me say it unlocks the door at the end of the vaulted gallery, that opens near the end of the east rampart, so that you need not pass any of the men on watch. He bade me say, too, that his reason for requesting you to come to the terrace was, because he could take you to the place you want to go to, without opening the great doors of the hall, which grate so heavily.'

Emily's spirits were somewhat calmed by this explanation, which seemed to be honestly given to Annette. 'But why did he desire I would come alone, Annette?' said she.

'Why that was what I asked him myself, ma'amselle. Says I, Why is my young lady to come alone?—Surely I may come with her!—What harm can I do? But he said "No—no—I tell you not," in his gruff way. Nay, says I, I have been trusted in as great affairs as this, I warrant, and it's a hard matter if I can't keep a secret now. Still he would say nothing but—"No—no—no." Well, says I, if you will only trust me, I will tell you a great secret, that was told me a month ago, and I have never opened my lips about it yet—so you need not be afraid of telling me. But all would not do. Then, ma'amselle, I went so far as to offer him a beautiful new sequin, that Ludovico gave me for a keep sake, and I would not have parted with it for all St. Marco's Place; but even that would not do! Now what can be the reason of this? But I know, you know, ma'am, who you are going to see.'

'Pray did Barnardine tell you this?'

'He! No, ma'amselle, that he did not.'

Emily enquired who did, but Annette shewed, that she COULD keep a secret.

During the remainder of the day, Emily's mind was agitated with doubts and fears and contrary determinations, on the subject of meeting this Barnardine on the rampart, and submitting herself to his guidance, she scarcely knew whither. Pity for her aunt and anxiety for herself alternately swayed her determination, and night came, before she had decided upon her conduct. She heard the castle clock strike eleven—twelve—and yet her mind wavered. The time, however, was now come, when she could hesitate no longer: and then the interest she felt for her aunt overcame other considerations, and, bidding Annette follow her to the outer door of the vaulted gallery, and there await her return, she descended from her chamber. The castle was perfectly still, and the great hall, where so lately she had witnessed a scene of dreadful contention, now returned only the whispering footsteps of the two solitary figures gliding fearfully between the pillars, and gleamed only to the feeble lamp they carried. Emily, deceived by the long shadows of the pillars and by the catching lights between, often stopped, imagining she saw some person, moving in the distant obscurity of the perspective; and, as she passed these pillars, she feared to turn her eyes toward them, almost expecting to see a figure start out from behind their broad shaft. She reached, however, the vaulted gallery, without interruption, but unclosed its outer door with a trembling hand, and, charging Annette not to quit it and to keep it a little open, that she might be heard if she called, she delivered to her the lamp, which she did not dare to take herself because of the men on watch, and, alone, stepped out upon the dark terrace. Every thing was so still, that she feared, lest her own light steps should be heard by the distant sentinels, and she walked cautiously towards the spot, where she had before met Barnardine, listening for a sound, and looking onward through the gloom in search of him. At length, she was startled by a deep voice, that spoke near her, and she paused, uncertain whether it was his, till it spoke again, and she then recognized the hollow tones of Barnardine, who had been punctual to the moment, and was at the appointed place, resting on the rampart wall. After chiding her for not coming sooner, and saying, that he had been waiting nearly half an hour, he desired Emily, who made no reply, to follow him to the door, through which he had entered the terrace.

While he unlocked it, she looked back to that she had left, and, observing the rays of the lamp stream through a small opening, was certain, that Annette was still there. But her remote situation could little befriend Emily, after she had quitted the terrace; and, when Barnardine unclosed the gate, the dismal aspect of the passage beyond, shewn by a torch burning on the pavement, made her shrink from following him alone, and she refused to go, unless Annette might accompany her. This, however, Barnardine absolutely refused to permit, mingling at the same time with his refusal such artful circumstances to heighten the pity and curiosity of Emily towards her aunt, that she, at length, consented to follow him alone to the portal.

He then took up the torch, and led her along the passage, at the extremity of which he unlocked another door, whence they descended, a few steps, into a chapel, which, as Barnardine held up the torch to light her, Emily observed to be in ruins, and she immediately recollected a former conversation of Annette, concerning it, with very unpleasant emotions. She looked fearfully on the almost roofless walls, green with damps, and on the gothic points of the windows, where the ivy and the briony had long supplied the place of glass, and ran mantling among the broken capitals of some columns, that had once supported the roof. Barnardine stumbled over the broken pavement, and his voice, as he uttered a sudden oath, was returned in hollow echoes, that made it more terrific. Emily's heart sunk; but she still followed him, and he turned out of what had been the principal aisle of the chapel. 'Down these steps, lady,' said Barnardine, as he descended a flight, which appeared to lead into the vaults; but Emily paused on the top, and demanded, in a tremulous tone, whither he was conducting her.

'To the portal,' said Barnardine.

'Cannot we go through the chapel to the portal?' said Emily.

'No, Signora, that leads to the inner court, which I don't choose to unlock. This way, and we shall reach the outer court presently.'

Emily still hesitated; fearing not only to go on, but, since she had gone thus far, to irritate Barnardine by refusing to go further.

'Come, lady,' said the man, who had nearly reached the bottom of the flight, 'make a little haste; I cannot wait here all night.'

'Whither do these steps lead?' said Emily, yet pausing.

'To the portal,' repeated Barnardine, in an angry tone, 'I will wait no longer.' As he said this, he moved on with the light, and Emily, fearing to provoke him by further delay, reluctantly followed. From the steps, they proceeded through a passage, adjoining the vaults, the walls of which were dropping with unwholesome dews, and the vapours, that crept along the ground, made the torch burn so dimly, that Emily expected every moment to see it extinguished, and Barnardine could scarcely find his way. As they advanced, these vapours thickened, and Barnardine, believing the torch was expiring, stopped for a moment to trim it. As he then rested against a pair of iron gates, that opened from the passage, Emily saw, by uncertain flashes of light, the vaults beyond, and, near her, heaps of earth, that seemed to surround an open grave. Such an object, in such a scene, would, at any time, have disturbed her; but now she was shocked by an instantaneous presentiment, that this was the grave of her unfortunate aunt, and that the treacherous Barnardine was leading herself to destruction. The obscure and terrible place, to which he had conducted her, seemed to justify the thought; it was a place suited for murder, a receptacle for the dead, where a deed of horror might be committed, and no vestige appear to proclaim it. Emily was so overwhelmed with terror, that, for a moment, she was unable to determine what conduct to pursue. She then considered, that it would be vain to attempt an escape from Barnardine, by flight, since the length and the intricacy of the way she had passed would soon enable him to overtake her, who was unacquainted with the turnings, and whose feebleness would not suffer her to run long with swiftness. She feared equally to irritate him by a disclosure of her suspicions, which a refusal to accompany him further certainly would do; and, since she was already as much in his power as it was possible she could be, if she proceeded, she, at length, determined to suppress, as far as she could, the appearance of apprehension, and to follow silently whither he designed to lead her. Pale with horror and anxiety, she now waited till Barnardine had trimmed the torch, and, as her sight glanced again upon the grave, she could not forbear enquiring, for whom it was prepared. He took his eyes from the torch, and fixed them upon her face without speaking. She faintly repeated the question, but the man, shaking the torch, passed on; and she followed, trembling, to a second flight of steps, having ascended which, a door delivered them into the first court of the castle. As they crossed it, the light shewed the high black walls around them, fringed with long grass and dank weeds, that found a scanty soil among the mouldering stones; the heavy buttresses, with, here and there, between them, a narrow grate, that admitted a freer circulation of air to the court, the massy iron gates, that led to the castle, whose clustering turrets appeared above, and, opposite, the huge towers and arch of the portal itself. In this scene the large, uncouth person of Barnardine, bearing the torch, formed a characteristic figure. This Barnardine was wrapt in a long dark cloak, which scarcely allowed the kind of half-boots, or sandals, that were laced upon his legs, to appear, and shewed only the point of a broad sword, which he usually wore, slung in a belt across his shoulders. On his head was a heavy flat velvet cap, somewhat resembling a turban, in which was a short feather; the visage beneath it shewed strong features, and a countenance furrowed with the lines of cunning and darkened by habitual discontent.

The view of the court, however, reanimated Emily, who, as she crossed silently towards the portal, began to hope, that her own fears, and not the treachery of Barnardine, had deceived her. She looked anxiously up at the first casement, that appeared above the lofty arch of the portcullis; but it was dark, and she enquired, whether it belonged to the chamber, where Madame Montoni was confined. Emily spoke low, and Barnardine, perhaps, did not hear her question, for he returned no answer; and they, soon after, entered the postern door of the gate-way, which brought them to the foot of a narrow stair-case, that wound up one of the towers.

'Up this stair-case the Signora lies,' said Barnardine.

'Lies!' repeated Emily faintly, as she began to ascend.

'She lies in the upper chamber,' said Barnardine.

As they passed up, the wind, which poured through the narrow cavities in the wall, made the torch flare, and it threw a stronger gleam upon the grim and sallow countenance of Barnardine, and discovered more fully the desolation of the place—the rough stone walls, the spiral stairs, black with age, and a suit of antient armour, with an iron visor, that hung upon the walls, and appeared a trophy of some former victory.

Having reached a landing-place, 'You may wait here, lady,' said he, applying a key to the door of a chamber, 'while I go up, and tell the Signora you are coming.'

'That ceremony is unnecessary,' replied Emily, 'my aunt will rejoice to see me.'

'I am not so sure of that,' said Barnardine, pointing to the room he had opened: 'Come in here, lady, while I step up.'

Emily, surprised and somewhat shocked, did not dare to oppose him further, but, as he was turning away with the torch, desired he would not leave her in darkness. He looked around, and, observing a tripod lamp, that stood on the stairs, lighted and gave it to Emily, who stepped forward into a large old chamber, and he closed the door. As she listened anxiously to his departing steps, she thought he descended, instead of ascending, the stairs; but the gusts of wind, that whistled round the portal, would not allow her to hear distinctly any other sound. Still, however, she listened, and, perceiving no step in the room above, where he had affirmed Madame Montoni to be, her anxiety increased, though she considered, that the thickness of the floor in this strong building might prevent any sound reaching her from the upper chamber. The next moment, in a pause of the wind, she distinguished Barnardine's step descending to the court, and then thought she heard his voice; but, the rising gust again overcoming other sounds, Emily, to be certain on this point, moved softly to the door, which, on attempting to open it, she discovered was fastened. All the horrid apprehensions, that had lately assailed her, returned at this instant with redoubled force, and no longer appeared like the exaggerations of a timid spirit, but seemed to have been sent to warn her of her fate. She now did not doubt, that Madame Montoni had been murdered, perhaps in this very chamber; or that she herself was brought hither for the same purpose. The countenance, the manners and the recollected words of Barnardine, when he had spoken of her aunt, confirmed her worst fears. For some moments, she was incapable of considering of any means, by which she might attempt an escape. Still she listened, but heard footsteps neither on the stairs, or in the room above; she thought, however, that she again distinguished Barnardine's voice below, and went to a grated window, that opened upon the court, to enquire further. Here, she plainly heard his hoarse accents, mingling with the blast, that swept by, but they were lost again so quickly, that their meaning could not be interpreted; and then the light of a torch, which seemed to issue from the portal below, flashed across the court, and the long shadow of a man, who was under the arch-way, appeared upon the pavement. Emily, from the hugeness of this sudden portrait, concluded it to be that of Barnardine; but other deep tones, which passed in the wind, soon convinced her he was not alone, and that his companion was not a person very liable to pity.

When her spirits had overcome the first shock of her situation, she held up the lamp to examine, if the chamber afforded a possibility of an escape. It was a spacious room, whose walls, wainscoted with rough oak, shewed no casement but the grated one, which Emily had left, and no other door than that, by which she had entered. The feeble rays of the lamp, however, did not allow her to see at once its full extent; she perceived no furniture, except, indeed, an iron chair, fastened in the centre of the chamber, immediately over which, depending on a chain from the ceiling, hung an iron ring. Having gazed upon these, for some time, with wonder and horror, she next observed iron bars below, made for the purpose of confining the feet, and on the arms of the chair were rings of the same metal. As she continued to survey them, she concluded, that they were instruments of torture, and it struck her, that some poor wretch had once been fastened in this chair, and had there been starved to death. She was chilled by the thought; but, what was her agony, when, in the next moment, it occurred to her, that her aunt might have been one of these victims, and that she herself might be the next! An acute pain seized her head, she was scarcely able to hold the lamp, and, looking round for support, was seating herself, unconsciously, in the iron chair itself; but suddenly perceiving where she was, she started from it in horror, and sprung towards a remote end of the room. Here again she looked round for a seat to sustain her, and perceived only a dark curtain, which, descending from the ceiling to the floor, was drawn along the whole side of the chamber. Ill as she was, the appearance of this curtain struck her, and she paused to gaze upon it, in wonder and apprehension.

It seemed to conceal a recess of the chamber; she wished, yet dreaded, to lift it, and to discover what it veiled: twice she was withheld by a recollection of the terrible spectacle her daring hand had formerly unveiled in an apartment of the castle, till, suddenly conjecturing, that it concealed the body of her murdered aunt, she seized it, in a fit of desperation, and drew it aside. Beyond, appeared a corpse, stretched on a kind of low couch, which was crimsoned with human blood, as was the floor beneath. The features, deformed by death, were ghastly and horrible, and more than one livid wound appeared in the face. Emily, bending over the body, gazed, for a moment, with an eager, frenzied eye; but, in the next, the lamp dropped from her hand, and she fell senseless at the foot of the couch.

When her senses returned, she found herself surrounded by men, among whom was Barnardine, who were lifting her from the floor, and then bore her along the chamber. She was sensible of what passed, but the extreme languor of her spirits did not permit her to speak, or move, or even to feel any distinct fear. They carried her down the stair-case, by which she had ascended; when, having reached the arch-way, they stopped, and one of the men, taking the torch from Barnardine, opened a small door, that was cut in the great gate, and, as he stepped out upon the road, the light he bore shewed several men on horseback, in waiting. Whether it was the freshness of the air, that revived Emily, or that the objects she now saw roused the spirit of alarm, she suddenly spoke, and made an ineffectual effort to disengage herself from the grasp of the ruffians, who held her.

Barnardine, meanwhile, called loudly for the torch, while distant voices answered, and several persons approached, and, in the same instant, a light flashed upon the court of the castle. Again he vociferated for the torch, and the men hurried Emily through the gate. At a short distance, under the shelter of the castle walls, she perceived the fellow, who had taken the light from the porter, holding it to a man, busily employed in altering the saddle of a horse, round which were several horsemen, looking on, whose harsh features received the full glare of the torch; while the broken ground beneath them, the opposite walls, with the tufted shrubs, that overhung their summits, and an embattled watch-tower above, were reddened with the gleam, which, fading gradually away, left the remoter ramparts and the woods below to the obscurity of night.

'What do you waste time for, there?' said Barnardine with an oath, as he approached the horsemen. 'Dispatch—dispatch!'

'The saddle will be ready in a minute,' replied the man who was buckling it, at whom Barnardine now swore again, for his negligence, and Emily, calling feebly for help, was hurried towards the horses, while the ruffians disputed on which to place her, the one designed for her not being ready. At this moment a cluster of lights issued from the great gates, and she immediately heard the shrill voice of Annette above those of several other persons, who advanced. In the same moment, she distinguished Montoni and Cavigni, followed by a number of ruffian-faced fellows, to whom she no longer looked with terror, but with hope, for, at this instant, she did not tremble at the thought of any dangers, that might await her within the castle, whence so lately, and so anxiously she had wished to escape. Those, which threatened her from without, had engrossed all her apprehensions.

A short contest ensued between the parties, in which that of Montoni, however, were presently victors, and the horsemen, perceiving that numbers were against them, and being, perhaps, not very warmly interested in the affair they had undertaken, galloped off, while Barnardine had run far enough to be lost in the darkness, and Emily was led back into the castle. As she re-passed the courts, the remembrance of what she had seen in the portal-chamber came, with all its horror, to her mind; and when, soon after, she heard the gate close, that shut her once more within the castle walls, she shuddered for herself, and, almost forgetting the danger she had escaped, could scarcely think, that any thing less precious than liberty and peace was to be found beyond them.

Montoni ordered Emily to await him in the cedar parlour, whither he soon followed, and then sternly questioned her on this mysterious affair. Though she now viewed him with horror, as the murderer of her aunt, and scarcely knew what she said in reply to his impatient enquiries, her answers and her manner convinced him, that she had not taken a voluntary part in the late scheme, and he dismissed her upon the appearance of his servants, whom he had ordered to attend, that he might enquire further into the affair, and discover those, who had been accomplices in it.

Emily had been some time in her apartment, before the tumult of her mind allowed her to remember several of the past circumstances. Then, again, the dead form, which the curtain in the portal-chamber had disclosed, came to her fancy, and she uttered a groan, which terrified Annette the more, as Emily forbore to satisfy her curiosity, on the subject of it, for she feared to trust her with so fatal a secret, lest her indiscretion should call down the immediate vengeance of Montoni on herself.

Thus compelled to bear within her own mind the whole horror of the secret, that oppressed it, her reason seemed to totter under the intolerable weight. She often fixed a wild and vacant look on Annette, and, when she spoke, either did not hear her, or answered from the purpose. Long fits of abstraction succeeded; Annette spoke repeatedly, but her voice seemed not to make any impression on the sense of the long agitated Emily, who sat fixed and silent, except that, now and then, she heaved a heavy sigh, but without tears.

Terrified at her condition, Annette, at length, left the room, to inform Montoni of it, who had just dismissed his servants, without having made any discoveries on the subject of his enquiry. The wild description, which this girl now gave of Emily, induced him to follow her immediately to the chamber.

At the sound of his voice, Emily turned her eyes, and a gleam of recollection seemed to shoot athwart her mind, for she immediately rose from her seat, and moved slowly to a remote part of the room. He spoke to her in accents somewhat softened from their usual harshness, but she regarded him with a kind of half curious, half terrified look, and answered only 'yes,' to whatever he said. Her mind still seemed to retain no other impression, than that of fear.

Of this disorder Annette could give no explanation, and Montoni, having attempted, for some time, to persuade Emily to talk, retired, after ordering Annette to remain with her, during the night, and to inform him, in the morning, of her condition.

When he was gone, Emily again came forward, and asked who it was, that had been there to disturb her. Annette said it was the Signor-Signor Montoni. Emily repeated the name after her, several times, as if she did not recollect it, and then suddenly groaned, and relapsed into abstraction.

With some difficulty, Annette led her to the bed, which Emily examined with an eager, frenzied eye, before she lay down, and then, pointing, turned with shuddering emotion, to Annette, who, now more terrified, went towards the door, that she might bring one of the female servants to pass the night with them; but Emily, observing her going, called her by name, and then in the naturally soft and plaintive tone of her voice, begged, that she, too, would not forsake her.—'For since my father died,' added she, sighing, 'every body forsakes me.'

'Your father, ma'amselle!' said Annette, 'he was dead before you knew me.'

'He was, indeed!' rejoined Emily, and her tears began to flow. She now wept silently and long, after which, becoming quite calm, she at length sunk to sleep, Annette having had discretion enough not to interrupt her tears. This girl, as affectionate as she was simple, lost in these moments all her former fears of remaining in the chamber, and watched alone by Emily, during the whole night.





 

CHAPTER II 

     unfold
 What worlds, or what vast regions, hold
 Th' immortal mind, that hath forsook
 Her mansion in this fleshly nook!
     IL PENSEROSO

Emily's mind was refreshed by sleep. On waking in the morning, she looked with surprise on Annette, who sat sleeping in a chair beside the bed, and then endeavoured to recollect herself; but the circumstances of the preceding night were swept from her memory, which seemed to retain no trace of what had passed, and she was still gazing with surprise on Annette, when the latter awoke.

'O dear ma'amselle! do you know me?' cried she.

'Know you! Certainly,' replied Emily, 'you are Annette; but why are you sitting by me thus?'

'O you have been very ill, ma'amselle,—very ill indeed! and I am sure I thought—'

'This is very strange!' said Emily, still trying to recollect the past.—'But I think I do remember, that my fancy has been haunted by frightful dreams. Good God!' she added, suddenly starting—'surely it was nothing more than a dream!'

She fixed a terrified look upon Annette, who, intending to quiet her, said 'Yes, ma'amselle, it was more than a dream, but it is all over now.'

'She IS murdered, then!' said Emily in an inward voice, and shuddering instantaneously. Annette screamed; for, being ignorant of the circumstance to which Emily referred, she attributed her manner to a disordered fancy; but, when she had explained to what her own speech alluded, Emily, recollecting the attempt that had been made to carry her off, asked if the contriver of it had been discovered. Annette replied, that he had not, though he might easily be guessed at; and then told Emily she might thank her for her deliverance, who, endeavouring to command the emotion, which the remembrance of her aunt had occasioned, appeared calmly to listen to Annette, though, in truth, she heard scarcely a word that was said.

'And so, ma'amselle,' continued the latter, 'I was determined to be even with Barnardine for refusing to tell me the secret, by finding it out myself; so I watched you, on the terrace, and, as soon as he had opened the door at the end, I stole out from the castle, to try to follow you; for, says I, I am sure no good can be planned, or why all this secrecy? So, sure enough, he had not bolted the door after him, and, when I opened it, I saw, by the glimmer of the torch, at the other end of the passage, which way you were going. I followed the light, at a distance, till you came to the vaults of the chapel, and there I was afraid to go further, for I had heard strange things about these vaults. But then, again, I was afraid to go back, all in darkness, by myself; so by the time Barnardine had trimmed the light, I had resolved to follow you, and I did so, till you came to the great court, and there I was afraid he would see me; so I stopped at the door again, and watched you across to the gates, and, when you was gone up the stairs, I whipt after. There, as I stood under the gate-way, I heard horses' feet without, and several men talking; and I heard them swearing at Barnardine for not bringing you out, and just then, he had like to have caught me, for he came down the stairs again, and I had hardly time to get out of his way. But I had heard enough of his secret now, and I determined to be even with him, and to save you, too, ma'amselle, for I guessed it to be some new scheme of Count Morano, though he was gone away. I ran into the castle, but I had hard work to find my way through the passage under the chapel, and what is very strange, I quite forgot to look for the ghosts they had told me about, though I would not go into that place again by myself for all the world! Luckily the Signor and Signor Cavigni were up, so we had soon a train at our heels, sufficient to frighten that Barnardine and his rogues, all together.'

Annette ceased to speak, but Emily still appeared to listen. At length she said, suddenly, 'I think I will go to him myself;—where is he?'

Annette asked who was meant.

'Signor Montoni,' replied Emily. 'I would speak with him;' and Annette, now remembering the order he had given, on the preceding night, respecting her young lady, rose, and said she would seek him herself.

This honest girl's suspicions of Count Morano were perfectly just; Emily, too, when she thought on the scheme, had attributed it to him; and Montoni, who had not a doubt on this subject, also, began to believe, that it was by the direction of Morano, that poison had formerly been mingled with his wine.

The professions of repentance, which Morano had made to Emily, under the anguish of his wound, was sincere at the moment he offered them; but he had mistaken the subject of his sorrow, for, while he thought he was condemning the cruelty of his late design, he was lamenting only the state of suffering, to which it had reduced him. As these sufferings abated, his former views revived, till, his health being re-established, he again found himself ready for enterprise and difficulty. The porter of the castle, who had served him, on a former occasion, willingly accepted a second bribe; and, having concerted the means of drawing Emily to the gates, Morano publicly left the hamlet, whither he had been carried after the affray, and withdrew with his people to another at several miles distance. From thence, on a night agreed upon by Barnardine, who had discovered from the thoughtless prattle of Annette, the most probable means of decoying Emily, the Count sent back his servants to the castle, while he awaited her arrival at the hamlet, with an intention of carrying her immediately to Venice. How this, his second scheme, was frustrated, has already appeared; but the violent, and various passions with which this Italian lover was now agitated, on his return to that city, can only be imagined.

Annette having made her report to Montoni of Emily's health and of her request to see him, he replied, that she might attend him in the cedar room, in about an hour. It was on the subject, that pressed so heavily on her mind, that Emily wished to speak to him, yet she did not distinctly know what good purpose this could answer, and sometimes she even recoiled in horror from the expectation of his presence. She wished, also, to petition, though she scarcely dared to believe the request would be granted, that he would permit her, since her aunt was no more, to return to her native country.

As the moment of interview approached, her agitation increased so much, that she almost resolved to excuse herself under what could scarcely be called a pretence of illness; and, when she considered what could be said, either concerning herself, or the fate of her aunt, she was equally hopeless as to the event of her entreaty, and terrified as to its effect upon the vengeful spirit of Montoni. Yet, to pretend ignorance of her death, appeared, in some degree, to be sharing its criminality, and, indeed, this event was the only ground, on which Emily could rest her petition for leaving Udolpho.

While her thoughts thus wavered, a message was brought, importing, that Montoni could not see her, till the next day; and her spirits were then relieved, for a moment, from an almost intolerable weight of apprehension. Annette said, she fancied the Chevaliers were going out to the wars again, for the court-yard was filled with horses, and she heard, that the rest of the party, who went out before, were expected at the castle. 'And I heard one of the soldiers, too,' added she, 'say to his comrade, that he would warrant they'd bring home a rare deal of booty.—So, thinks I, if the Signor can, with a safe conscience, send his people out a-robbing—why it is no business of mine. I only wish I was once safe out of this castle; and, if it had not been for poor Ludovico's sake, I would have let Count Morano's people run away with us both, for it would have been serving you a good turn, ma'amselle, as well as myself.'

Annette might have continued thus talking for hours for any interruption she would have received from Emily, who was silent, inattentive, absorbed in thought, and passed the whole of this day in a kind of solemn tranquillity, such as is often the result of faculties overstrained by suffering.

When night returned, Emily recollected the mysterious strains of music, that she had lately heard, in which she still felt some degree of interest, and of which she hoped to hear again the soothing sweetness. The influence of superstition now gained on the weakness of her long-harassed mind; she looked, with enthusiastic expectation, to the guardian spirit of her father, and, having dismissed Annette for the night, determined to watch alone for their return. It was not yet, however, near the time when she had heard the music on a former night, and anxious to call off her thoughts from distressing subjects, she sat down with one of the few books, that she had brought from France; but her mind, refusing controul, became restless and agitated, and she went often to the casement to listen for a sound. Once, she thought she heard a voice, but then, every thing without the casement remaining still, she concluded, that her fancy had deceived her.

Thus passed the time, till twelve o'clock, soon after which the distant sounds, that murmured through the castle, ceased, and sleep seemed to reign over all. Emily then seated herself at the casement, where she was soon recalled from the reverie, into which she sunk, by very unusual sounds, not of music, but like the low mourning of some person in distress. As she listened, her heart faltered in terror, and she became convinced, that the former sound was more than imaginary. Still, at intervals, she heard a kind of feeble lamentation, and sought to discover whence it came. There were several rooms underneath, adjoining the rampart, which had been long shut up, and, as the sound probably rose from one of these, she leaned from the casement to observe, whether any light was visible there. The chambers, as far as she could perceive, were quite dark, but, at a little distance, on the rampart below, she thought she saw something moving.

The faint twilight, which the stars shed, did not enable her to distinguish what it was; but she judged it to be a sentinel, on watch, and she removed her light to a remote part of the chamber, that she might escape notice, during her further observation.

The same object still appeared. Presently, it advanced along the rampart, towards her window, and she then distinguished something like a human form, but the silence, with which it moved, convinced her it was no sentinel. As it drew near, she hesitated whether to retire; a thrilling curiosity inclined her to stay, but a dread of she scarcely knew what warned her to withdraw.

While she paused, the figure came opposite to her casement, and was stationary. Every thing remained quiet; she had not heard even a foot-fall; and the solemnity of this silence, with the mysterious form she saw, subdued her spirits, so that she was moving from the casement, when, on a sudden, she observed the figure start away, and glide down the rampart, after which it was soon lost in the obscurity of night. Emily continued to gaze, for some time, on the way it had passed, and then retired within her chamber, musing on this strange circumstance, and scarcely doubting, that she had witnessed a supernatural appearance.

When her spirits recovered composure, she looked round for some other explanation. Remembering what she had heard of the daring enterprises of Montoni, it occurred to her, that she had just seen some unhappy person, who, having been plundered by his banditti, was brought hither a captive; and that the music she had formerly heard, came from him. Yet, if they had plundered him, it still appeared improbable, that they should have brought him to the castle, and it was also more consistent with the manners of banditti to murder those they rob, than to make them prisoners. But what, more than any other circumstance, contradicted the supposition, that it was a prisoner, was that it wandered on the terrace, without a guard: a consideration, which made her dismiss immediately her first surmise.

Afterwards, she was inclined to believe, that Count Morano had obtained admittance into the castle; but she soon recollected the difficulties and dangers, that must have opposed such an enterprise, and that, if he had so far succeeded, to come alone and in silence to her casement at midnight was not the conduct he would have adopted, particularly since the private stair-case, communicating with her apartment, was known to him; neither would he have uttered the dismal sounds she had heard.

Another suggestion represented, that this might be some person, who had designs upon the castle; but the mournful sounds destroyed, also, that probability. Thus, enquiry only perplexed her. Who, or what, it could be that haunted this lonely hour, complaining in such doleful accents and in such sweet music (for she was still inclined to believe, that the former strains and the late appearance were connected,) she had no means of ascertaining; and imagination again assumed her empire, and roused the mysteries of superstition.

She determined, however, to watch on the following night, when her doubts might, perhaps, be cleared up; and she almost resolved to address the figure, if it should appear again.





 

CHAPTER III 

 Such are those thick and gloomy shadows damp,
 Oft seen in charnel-vaults and sepulchres,
 Lingering, and sitting, by a new-made grave.
     MILTON

On the following day, Montoni sent a second excuse to Emily, who was surprised at the circumstance. 'This is very strange!' said she to herself. 'His conscience tells him the purport of my visit, and he defers it, to avoid an explanation.' She now almost resolved to throw herself in his way, but terror checked the intention, and this day passed, as the preceding one, with Emily, except that a degree of awful expectation, concerning the approaching night, now somewhat disturbed the dreadful calmness that had pervaded her mind.

Towards evening, the second part of the band, which had made the first excursion among the mountains, returned to the castle, where, as they entered the courts, Emily, in her remote chamber, heard their loud shouts and strains of exultation, like the orgies of furies over some horrid sacrifice. She even feared they were about to commit some barbarous deed; a conjecture from which, however, Annette soon relieved her, by telling, that the people were only exulting over the plunder they had brought with them. This circumstance still further confirmed her in the belief, that Montoni had really commenced to be a captain of banditti, and meant to retrieve his broken fortunes by the plunder of travellers! Indeed, when she considered all the circumstances of his situation—in an armed, and almost inaccessible castle, retired far among the recesses of wild and solitary mountains, along whose distant skirts were scattered towns, and cities, whither wealthy travellers were continually passing—this appeared to be the situation of all others most suited for the success of schemes of rapine, and she yielded to the strange thought, that Montoni was become a captain of robbers. His character also, unprincipled, dauntless, cruel and enterprising, seemed to fit him for the situation. Delighting in the tumult and in the struggles of life, he was equally a stranger to pity and to fear; his very courage was a sort of animal ferocity; not the noble impulse of a principle, such as inspirits the mind against the oppressor, in the cause of the oppressed; but a constitutional hardiness of nerve, that cannot feel, and that, therefore, cannot fear.

Emily's supposition, however natural, was in part erroneous, for she was a stranger to the state of this country and to the circumstances, under which its frequent wars were partly conducted. The revenues of the many states of Italy being, at that time, insufficient to the support of standing armies, even during the short periods, which the turbulent habits both of the governments and the people permitted to pass in peace, an order of men arose not known in our age, and but faintly described in the history of their own. Of the soldiers, disbanded at the end of every war, few returned to the safe, but unprofitable occupations, then usual in peace. Sometimes they passed into other countries, and mingled with armies, which still kept the field. Sometimes they formed themselves into bands of robbers, and occupied remote fortresses, where their desperate character, the weakness of the governments which they offended, and the certainty, that they could be recalled to the armies, when their presence should be again wanted, prevented them from being much pursued by the civil power; and, sometimes, they attached themselves to the fortunes of a popular chief, by whom they were led into the service of any state, which could settle with him the price of their valour. From this latter practice arose their name—CONDOTTIERI; a term formidable all over Italy, for a period, which concluded in the earlier part of the seventeenth century, but of which it is not so easy to ascertain the commencement.

Contests between the smaller states were then, for the most part, affairs of enterprize alone, and the probabilities of success were estimated, not from the skill, but from the personal courage of the general, and the soldiers. The ability, which was necessary to the conduct of tedious operations, was little valued. It was enough to know how a party might be led towards their enemies, with the greatest secrecy, or conducted from them in the compactest order. The officer was to precipitate himself into a situation, where, but for his example, the soldiers might not have ventured; and, as the opposed parties knew little of each other's strength, the event of the day was frequently determined by the boldness of the first movements. In such services the condottieri were eminent, and in these, where plunder always followed success, their characters acquired a mixture of intrepidity and profligacy, which awed even those whom they served.

When they were not thus engaged, their chief had usually his own fortress, in which, or in its neighbourhood, they enjoyed an irksome rest; and, though their wants were, at one time, partly supplied from the property of the inhabitants, the lavish distribution of their plunder at others, prevented them from being obnoxious; and the peasants of such districts gradually shared the character of their warlike visitors. The neighbouring governments sometimes professed, but seldom endeavoured, to suppress these military communities; both because it was difficult to do so, and because a disguised protection of them ensured, for the service of their wars, a body of men, who could not otherwise be so cheaply maintained, or so perfectly qualified. The commanders sometimes even relied so far upon this policy of the several powers, as to frequent their capitals; and Montoni, having met them in the gaming parties of Venice and Padua, conceived a desire to emulate their characters, before his ruined fortunes tempted him to adopt their practices. It was for the arrangement of his present plan of life, that the midnight councils were held at his mansion in Venice, and at which Orsino and some other members of the present community then assisted with suggestions, which they had since executed with the wreck of their fortunes.

On the return of night, Emily resumed her station at the casement. There was now a moon; and, as it rose over the tufted woods, its yellow light served to shew the lonely terrace and the surrounding objects, more distinctly, than the twilight of the stars had done, and promised Emily to assist her observations, should the mysterious form return. On this subject, she again wavered in conjecture, and hesitated whether to speak to the figure, to which a strong and almost irresistible interest urged her; but terror, at intervals, made her reluctant to do so.

'If this is a person who has designs upon the castle,' said she, 'my curiosity may prove fatal to me; yet the mysterious music, and the lamentations I heard, must surely have proceeded from him: if so, he cannot be an enemy.'

She then thought of her unfortunate aunt, and, shuddering with grief and horror, the suggestions of imagination seized her mind with all the force of truth, and she believed, that the form she had seen was supernatural. She trembled, breathed with difficulty, an icy coldness touched her cheeks, and her fears for a while overcame her judgment. Her resolution now forsook her, and she determined, if the figure should appear, not to speak to it.

Thus the time passed, as she sat at her casement, awed by expectation, and by the gloom and stillness of midnight; for she saw obscurely in the moon-light only the mountains and woods, a cluster of towers, that formed the west angle of the castle, and the terrace below; and heard no sound, except, now and then, the lonely watch-word, passed by the centinels on duty, and afterwards the steps of the men who came to relieve guard, and whom she knew at a distance on the rampart by their pikes, that glittered in the moonbeam, and then, by the few short words, in which they hailed their fellows of the night. Emily retired within her chamber, while they passed the casement. When she returned to it, all was again quiet. It was now very late, she was wearied with watching, and began to doubt the reality of what she had seen on the preceding night; but she still lingered at the window, for her mind was too perturbed to admit of sleep. The moon shone with a clear lustre, that afforded her a complete view of the terrace; but she saw only a solitary centinel, pacing at one end of it; and, at length, tired with expectation, she withdrew to seek rest.

Such, however, was the impression, left on her mind by the music, and the complaining she had formerly heard, as well as by the figure, which she fancied she had seen, that she determined to repeat the watch, on the following night.

Montoni, on the next day, took no notice of Emily's appointed visit, but she, more anxious than before to see him, sent Annette to enquire, at what hour he would admit her. He mentioned eleven o'clock, and Emily was punctual to the moment; at which she called up all her fortitude to support the shock of his presence and the dreadful recollections it enforced. He was with several of his officers, in the cedar room; on observing whom she paused; and her agitation increased, while he continued to converse with them, apparently not observing her, till some of his officers, turning round, saw Emily, and uttered an exclamation. She was hastily retiring, when Montoni's voice arrested her, and, in a faultering accent, she said,—'I would speak with you, Signor Montoni, if you are at leisure.'

'These are my friends,' he replied, 'whatever you would say, they may hear.'

Emily, without replying, turned from the rude gaze of the chevaliers, and Montoni then followed her to the hall, whence he led her to a small room, of which he shut the door with violence. As she looked on his dark countenance, she again thought she saw the murderer of her aunt; and her mind was so convulsed with horror, that she had not power to recall thought enough to explain the purport of her visit; and to trust herself with the mention of Madame Montoni was more than she dared.

Montoni at length impatiently enquired what she had to say? 'I have no time for trifling,' he added, 'my moments are important.'

Emily then told him, that she wished to return to France, and came to beg, that he would permit her to do so.—But when he looked surprised, and enquired for the motive of the request, she hesitated, became paler than before, trembled, and had nearly sunk at his feet. He observed her emotion, with apparent indifference, and interrupted the silence by telling her, he must be gone. Emily, however, recalled her spirits sufficiently to enable her to repeat her request. And, when Montoni absolutely refused it, her slumbering mind was roused.

'I can no longer remain here with propriety, sir,' said she, 'and I may be allowed to ask, by what right you detain me.'

'It is my will that you remain here,' said Montoni, laying his hand on the door to go; 'let that suffice you.'

Emily, considering that she had no appeal from this will, forbore to dispute his right, and made a feeble effort to persuade him to be just. 'While my aunt lived, sir,' said she, in a tremulous voice, 'my residence here was not improper; but now, that she is no more, I may surely be permitted to depart. My stay cannot benefit you, sir, and will only distress me.'

'Who told you, that Madame Montoni was dead?' said Montoni, with an inquisitive eye. Emily hesitated, for nobody had told her so, and she did not dare to avow the having seen that spectacle in the portal-chamber, which had compelled her to the belief.

'Who told you so?' he repeated, more sternly.

'Alas! I know it too well,' replied Emily: 'spare me on this terrible subject!'

She sat down on a bench to support herself.

'If you wish to see her,' said Montoni, 'you may; she lies in the east turret.'

He now left the room, without awaiting her reply, and returned to the cedar chamber, where such of the chevaliers as had not before seen Emily, began to rally him, on the discovery they had made; but Montoni did not appear disposed to bear this mirth, and they changed the subject.

Having talked with the subtle Orsino, on the plan of an excursion, which he meditated for a future day, his friend advised, that they should lie in wait for the enemy, which Verezzi impetuously opposed, reproached Orsino with want of spirit, and swore, that, if Montoni would let him lead on fifty men, he would conquer all that should oppose him.

Orsino smiled contemptuously; Montoni smiled too, but he also listened. Verezzi then proceeded with vehement declamation and assertion, till he was stopped by an argument of Orsino, which he knew not how to answer better than by invective. His fierce spirit detested the cunning caution of Orsino, whom he constantly opposed, and whose inveterate, though silent, hatred he had long ago incurred. And Montoni was a calm observer of both, whose different qualifications he knew, and how to bend their opposite character to the perfection of his own designs. But Verezzi, in the heat of opposition, now did not scruple to accuse Orsino of cowardice, at which the countenance of the latter, while he made no reply, was overspread with a livid paleness; and Montoni, who watched his lurking eye, saw him put his hand hastily into his bosom. But Verezzi, whose face, glowing with crimson, formed a striking contrast to the complexion of Orsino, remarked not the action, and continued boldly declaiming against cowards to Cavigni, who was slily laughing at his vehemence, and at the silent mortification of Orsino, when the latter, retiring a few steps behind, drew forth a stilletto to stab his adversary in the back. Montoni arrested his half-extended arm, and, with a significant look, made him return the poinard into his bosom, unseen by all except himself; for most of the party were disputing at a distant window, on the situation of a dell where they meant to form an ambuscade.

When Verezzi had turned round, the deadly hatred, expressed on the features of his opponent, raising, for the first time, a suspicion of his intention, he laid his hand on his sword, and then, seeming to recollect himself, strode up to Montoni.

'Signor,' said he, with a significant look at Orsino, 'we are not a band of assassins; if you have business for brave men employ me on this expedition: you shall have the last drop of my blood; if you have only work for cowards—keep him,' pointing to Orsino, 'and let me quit Udolpho.'

Orsino, still more incensed, again drew forth his stilletto, and rushed towards Verezzi, who, at the same instant, advanced with his sword, when Montoni and the rest of the party interfered and separated them.

'This is the conduct of a boy,' said Montoni to Verezzi, 'not of a man: be more moderate in your speech.'

'Moderation is the virtue of cowards,' retorted Verezzi; 'they are moderate in every thing—but in fear.'

'I accept your words,' said Montoni, turning upon him with a fierce and haughty look, and drawing his sword out of the scabbard.

'With all my heart,' cried Verezzi, 'though I did not mean them for you.'

He directed a pass at Montoni; and, while they fought, the villain Orsino made another attempt to stab Verezzi, and was again prevented.

The combatants were, at length, separated; and, after a very long and violent dispute, reconciled. Montoni then left the room with Orsino, whom he detained in private consultation for a considerable time.

Emily, meanwhile, stunned by the last words of Montoni, forgot, for the moment, his declaration, that she should continue in the castle, while she thought of her unfortunate aunt, who, he had said, was laid in the east turret. In suffering the remains of his wife to lie thus long unburied, there appeared a degree of brutality more shocking than she had suspected even Montoni could practise.

After a long struggle, she determined to accept his permission to visit the turret, and to take a last look of her ill-fated aunt: with which design she returned to her chamber, and, while she waited for Annette to accompany her, endeavoured to acquire fortitude sufficient to support her through the approaching scene; for, though she trembled to encounter it, she knew that to remember the performance of this last act of duty would hereafter afford her consoling satisfaction.

Annette came, and Emily mentioned her purpose, from which the former endeavoured to dissuade her, though without effect, and Annette was, with much difficulty, prevailed upon to accompany her to the turret; but no consideration could make her promise to enter the chamber of death.

They now left the corridor, and, having reached the foot of the stair-case, which Emily had formerly ascended, Annette declared she would go no further, and Emily proceeded alone. When she saw the track of blood, which she had before observed, her spirits fainted, and, being compelled to rest on the stairs, she almost determined to proceed no further. The pause of a few moments restored her resolution, and she went on.

As she drew near the landing-place, upon which the upper chamber opened, she remembered, that the door was formerly fastened, and apprehended, that it might still be so. In this expectation, however, she was mistaken; for the door opened at once, into a dusky and silent chamber, round which she fearfully looked, and then slowly advanced, when a hollow voice spoke. Emily, who was unable to speak, or to move from the spot, uttered no sound of terror. The voice spoke again; and, then, thinking that it resembled that of Madame Montoni, Emily's spirits were instantly roused; she rushed towards a bed, that stood in a remote part of the room, and drew aside the curtains. Within, appeared a pale and emaciated face. She started back, then again advanced, shuddered as she took up the skeleton hand, that lay stretched upon the quilt; then let it drop, and then viewed the face with a long, unsettled gaze. It was that of Madame Montoni, though so changed by illness, that the resemblance of what it had been, could scarcely be traced in what it now appeared. She was still alive, and, raising her heavy eyes, she turned them on her niece.

'Where have you been so long?' said she, in the same tone, 'I thought you had forsaken me.'

'Do you indeed live,' said Emily, at length, 'or is this but a terrible apparition?' she received no answer, and again she snatched up the hand. 'This is substance,' she exclaimed, 'but it is cold—cold as marble!' She let it fall. 'O, if you really live, speak!' said Emily, in a voice of desperation, 'that I may not lose my senses—say you know me!'

'I do live,' replied Madame Montoni, 'but—I feel that I am about to die.'

Emily clasped the hand she held, more eagerly, and groaned. They were both silent for some moments. Then Emily endeavoured to soothe her, and enquired what had reduced her to this present deplorable state.

Montoni, when he removed her to the turret under the improbable suspicion of having attempted his life, had ordered the men employed on the occasion, to observe a strict secrecy concerning her. To this he was influenced by a double motive. He meant to debar her from the comfort of Emily's visits, and to secure an opportunity of privately dispatching her, should any new circumstances occur to confirm the present suggestions of his suspecting mind. His consciousness of the hatred he deserved it was natural enough should at first led him to attribute to her the attempt that had been made upon his life; and, though there was no other reason to believe that she was concerned in that atrocious design, his suspicions remained; he continued to confine her in the turret, under a strict guard; and, without pity or remorse, had suffered her to lie, forlorn and neglected, under a raging fever, till it had reduced her to the present state.

The track of blood, which Emily had seen on the stairs, had flowed from the unbound wound of one of the men employed to carry Madame Montoni, and which he had received in the late affray. At night these men, having contented themselves with securing the door of their prisoner's room, had retired from guard; and then it was, that Emily, at the time of her first enquiry, had found the turret so silent and deserted.

When she had attempted to open the door of the chamber, her aunt was sleeping, and this occasioned the silence, which had contributed to delude her into a belief, that she was no more; yet had her terror permitted her to persevere longer in the call, she would probably have awakened Madame Montoni, and have been spared much suffering. The spectacle in the portal-chamber, which afterwards confirmed Emily's horrible suspicion, was the corpse of a man, who had fallen in the affray, and the same which had been borne into the servants' hall, where she took refuge from the tumult. This man had lingered under his wounds for some days; and, soon after his death, his body had been removed on the couch, on which he died, for interment in the vault beneath the chapel, through which Emily and Barnardine had passed to the chamber.

Emily, after asking Madame Montoni a thousand questions concerning herself, left her, and sought Montoni; for the more solemn interest she felt for her aunt, made her now regardless of the resentment her remonstrances might draw upon herself, and of the improbability of his granting what she meant to entreat.

'Madame Montoni is now dying, sir,' said Emily, as soon as she saw him—'Your resentment, surely will not pursue her to the last moment! Suffer her to be removed from that forlorn room to her own apartment, and to have necessary comforts administered.'

'Of what service will that be, if she is dying?' said Montoni, with apparent indifference.

'The service, at leave, of saving you, sir, from a few of those pangs of conscience you must suffer, when you shall be in the same situation,' said Emily, with imprudent indignation, of which Montoni soon made her sensible, by commanding her to quit his presence. Then, forgetting her resentment, and impressed only by compassion for the piteous state of her aunt, dying without succour, she submitted to humble herself to Montoni, and to adopt every persuasive means, that might induce him to relent towards his wife.

For a considerable time he was proof against all she said, and all she looked; but at length the divinity of pity, beaming in Emily's eyes, seemed to touch his heart. He turned away, ashamed of his better feelings, half sullen and half relenting; but finally consented, that his wife should be removed to her own apartment, and that Emily should attend her. Dreading equally, that this relief might arrive too late, and that Montoni might retract his concession, Emily scarcely staid to thank him for it, but, assisted by Annette, she quickly prepared Madame Montoni's bed, and they carried her a cordial, that might enable her feeble frame to sustain the fatigue of a removal.

Madame was scarcely arrived in her own apartment, when an order was given by her husband, that she should remain in the turret; but Emily, thankful that she had made such dispatch, hastened to inform him of it, as well as that a second removal would instantly prove fatal, and he suffered his wife to continue where she was.

During this day, Emily never left Madame Montoni, except to prepare such little nourishing things as she judged necessary to sustain her, and which Madame Montoni received with quiet acquiescence, though she seemed sensible that they could not save her from approaching dissolution, and scarcely appeared to wish for life. Emily meanwhile watched over her with the most tender solicitude, no longer seeing her imperious aunt in the poor object before her, but the sister of her late beloved father, in a situation that called for all her compassion and kindness. When night came, she determined to sit up with her aunt, but this the latter positively forbade, commanding her to retire to rest, and Annette alone to remain in her chamber. Rest was, indeed, necessary to Emily, whose spirits and frame were equally wearied by the occurrences and exertions of the day; but she would not leave Madame Montoni, till after the turn of midnight, a period then thought so critical by the physicians.

Soon after twelve, having enjoined Annette to be wakeful, and to call her, should any change appear for the worse, Emily sorrowfully bade Madame Montoni good night, and withdrew to her chamber. Her spirits were more than usually depressed by the piteous condition of her aunt, whose recovery she scarcely dared to expect. To her own misfortunes she saw no period, inclosed as she was, in a remote castle, beyond the reach of any friends, had she possessed such, and beyond the pity even of strangers; while she knew herself to be in the power of a man capable of any action, which his interest, or his ambition, might suggest.

Occupied by melancholy reflections and by anticipations as sad, she did not retire immediately to rest, but leaned thoughtfully on her open casement. The scene before her of woods and mountains, reposing in the moon-light, formed a regretted contrast with the state of her mind; but the lonely murmur of these woods, and the view of this sleeping landscape, gradually soothed her emotions and softened her to tears.

She continued to weep, for some time, lost to every thing, but to a gentle sense of her misfortunes. When she, at length, took the handkerchief from her eyes, she perceived, before her, on the terrace below, the figure she had formerly observed, which stood fixed and silent, immediately opposite to her casement. On perceiving it, she started back, and terror for some time overcame curiosity;—at length, she returned to the casement, and still the figure was before it, which she now compelled herself to observe, but was utterly unable to speak, as she had formerly intended. The moon shone with a clear light, and it was, perhaps, the agitation of her mind, that prevented her distinguishing, with any degree of accuracy, the form before her. It was still stationary, and she began to doubt, whether it was really animated.

Her scattered thoughts were now so far returned as to remind her, that her light exposed her to dangerous observation, and she was stepping back to remove it, when she perceived the figure move, and then wave what seemed to be its arm, as if to beckon her; and, while she gazed, fixed in fear, it repeated the action. She now attempted to speak, but the words died on her lips, and she went from the casement to remove her light; as she was doing which, she heard, from without, a faint groan. Listening, but not daring to return, she presently heard it repeated.

'Good God!—what can this mean!' said she.

Again she listened, but the sound came no more; and, after a long interval of silence, she recovered courage enough to go to the casement, when she again saw the same appearance! It beckoned again, and again uttered a low sound.

'That groan was surely human!' said she. 'I WILL speak.' 'Who is it,' cried Emily in a faint voice, 'that wanders at this late hour?'

The figure raised its head but suddenly started away, and glided down the terrace. She watched it, for a long while, passing swiftly in the moon-light, but heard no footstep, till a sentinel from the other extremity of the rampart walked slowly along. The man stopped under her window, and, looking up, called her by name. She was retiring precipitately, but, a second summons inducing her to reply, the soldier then respectfully asked if she had seen any thing pass. On her answering, that she had; he said no more, but walked away down the terrace, Emily following him with her eyes, till he was lost in the distance. But, as he was on guard, she knew he could not go beyond the rampart, and, therefore, resolved to await his return.

Soon after, his voice was heard, at a distance, calling loudly; and then a voice still more distant answered, and, in the next moment, the watch-word was given, and passed along the terrace. As the soldiers moved hastily under the casement, she called to enquire what had happened, but they passed without regarding her.

Emily's thoughts returning to the figure she had seen, 'It cannot be a person, who has designs upon the castle,' said she; 'such an one would conduct himself very differently. He would not venture where sentinels were on watch, nor fix himself opposite to a window, where he perceived he must be observed; much less would he beckon, or utter a sound of complaint. Yet it cannot be a prisoner, for how could he obtain the opportunity to wander thus?'

If she had been subject to vanity, she might have supposed this figure to be some inhabitant of the castle, who wandered under her casement in the hope of seeing her, and of being allowed to declare his admiration; but this opinion never occurred to Emily, and, if it had, she would have dismissed it as improbable, on considering, that, when the opportunity of speaking had occurred, it had been suffered to pass in silence; and that, even at the moment in which she had spoken, the form had abruptly quitted the place.

While she mused, two sentinels walked up the rampart in earnest conversation, of which she caught a few words, and learned from these, that one of their comrades had fallen down senseless. Soon after, three other soldiers appeared slowly advancing from the bottom of the terrace, but she heard only a low voice, that came at intervals. As they drew near, she perceived this to be the voice of him, who walked in the middle, apparently supported by his comrades; and she again called to them, enquiring what had happened. At the sound of her voice, they stopped, and looked up, while she repeated her question, and was told, that Roberto, their fellow of the watch, had been seized with a fit, and that his cry, as he fell, had caused a false alarm.

'Is he subject to fits?' said Emily.

'Yes, Signora,' replied Roberto; 'but if I had not, what I saw was enough to have frightened the Pope himself.'

'What was it?' enquired Emily, trembling.

'I cannot tell what it was, lady, or what I saw, or how it vanished,' replied the soldier, who seemed to shudder at the recollection.

'Was it the person, whom you followed down the rampart, that has occasioned you this alarm?' said Emily, endeavouring to conceal her own.

'Person!' exclaimed the man,—'it was the devil, and this is not the first time I have seen him!'

'Nor will it be the last,' observed one of his comrades, laughing.

'No, no, I warrant not,' said another.

'Well,' rejoined Roberto, 'you may be as merry now, as you please; you was none so jocose the other night, Sebastian, when you was on watch with Launcelot.'

'Launcelot need not talk of that,' replied Sebastian, 'let him remember how he stood trembling, and unable to give the WORD, till the man was gone, If the man had not come so silently upon us, I would have seized him, and soon made him tell who he was.'

'What man?' enquired Emily.

'It was no man, lady,' said Launcelot, who stood by, 'but the devil himself, as my comrade says. What man, who does not live in the castle, could get within the walls at midnight? Why, I might just as well pretend to march to Venice, and get among all the Senators, when they are counselling; and I warrant I should have more chance of getting out again alive, than any fellow, that we should catch within the gates after dark. So I think I have proved plainly enough, that this can be nobody that lives out of the castle; and now I will prove, that it can be nobody that lives in the castle—for, if he did—why should he be afraid to be seen? So after this, I hope nobody will pretend to tell me it was anybody. No, I say again, by holy Pope! it was the devil, and Sebastian, there, knows this is not the first time we have seen him.'

'When did you see the figure, then, before?' said Emily half smiling, who, though she thought the conversation somewhat too much, felt an interest, which would not permit her to conclude it.

'About a week ago, lady,' said Sebastian, taking up the story.

'And where?'

'On the rampart, lady, higher up.'

'Did you pursue it, that it fled?'

'No, Signora. Launcelot and I were on watch together, and every thing was so still, you might have heard a mouse stir, when, suddenly, Launcelot says—Sebastian! do you see nothing? I turned my head a little to the left, as it might be—thus. No, says I. Hush! said Launcelot,—look yonder—just by the last cannon on the rampart! I looked, and then thought I did see something move; but there being no light, but what the stars gave, I could not be certain. We stood quite silent, to watch it, and presently saw something pass along the castle wall just opposite to us!'

'Why did you not seize it, then?' cried a soldier, who had scarcely spoken till now.

'Aye, why did you not seize it?' said Roberto.

'You should have been there to have done that,' replied Sebastian. 'You would have been bold enough to have taken it by the throat, though it had been the devil himself; we could not take such a liberty, perhaps, because we are not so well acquainted with him, as you are. But, as I was saying, it stole by us so quickly, that we had not time to get rid of our surprise, before it was gone. Then, we knew it was in vain to follow. We kept constant watch all that night, but we saw it no more. Next morning, we told some of our comrades, who were on duty on other parts of the ramparts, what we had seen; but they had seen nothing, and laughed at us, and it was not till to-night, that the same figure walked again.'

'Where did you lose it, friend?' said Emily to Roberto.

'When I left you, lady,' replied the man, 'you might see me go down the rampart, but it was not till I reached the east terrace, that I saw any thing. Then, the moon shining bright, I saw something like a shadow flitting before me, as it were, at some distance. I stopped, when I turned the corner of the east tower, where I had seen this figure not a moment before,—but it was gone! As I stood, looking through the old arch, which leads to the east rampart, and where I am sure it had passed, I heard, all of a sudden, such a sound!—it was not like a groan, or a cry, or a shout, or any thing I ever heard in my life. I heard it only once, and that was enough for me; for I know nothing that happened after, till I found my comrades, here, about me.'

'Come,' said Sebastian, 'let us go to our posts—the moon is setting. Good night, lady!'

'Aye, let us go,' rejoined Roberto. 'Good night, lady.'

'Good night; the holy mother guard you!' said Emily, as she closed her casement and retired to reflect upon the strange circumstance that had just occurred, connecting which with what had happened on former nights, she endeavoured to derive from the whole something more positive, than conjecture. But her imagination was inflamed, while her judgment was not enlightened, and the terrors of superstition again pervaded her mind.





 

CHAPTER IV 

     There is one within,
 Besides the things, that we have heard and seen,
 Recounts most horrid sights, seen by the watch.
     JULIUS CAESAR

In the morning, Emily found Madame Montoni nearly in the same condition, as on the preceding night; she had slept little, and that little had not refreshed her; she smiled on her niece, and seemed cheered by her presence, but spoke only a few words, and never named Montoni, who, however, soon after, entered the room. His wife, when she understood that he was there, appeared much agitated, but was entirely silent, till Emily rose from a chair at the bed-side, when she begged, in a feeble voice, that she would not leave her.

The visit of Montoni was not to sooth his wife, whom he knew to be dying, or to console, or to ask her forgiveness, but to make a last effort to procure that signature, which would transfer her estates in Languedoc, after her death, to him rather than to Emily. This was a scene, that exhibited, on his part, his usual inhumanity, and, on that of Madame Montoni, a persevering spirit, contending with a feeble frame; while Emily repeatedly declared to him her willingness to resign all claim to those estates, rather than that the last hours of her aunt should be disturbed by contention. Montoni, however, did not leave the room, till his wife, exhausted by the obstinate dispute, had fainted, and she lay so long insensible, that Emily began to fear that the spark of life was extinguished. At length, she revived, and, looking feebly up at her niece, whose tears were falling over her, made an effort to speak, but her words were unintelligible, and Emily again apprehended she was dying. Afterwards, however, she recovered her speech, and, being somewhat restored by a cordial, conversed for a considerable time, on the subject of her estates in France, with clearness and precision. She directed her niece where to find some papers relative to them, which she had hitherto concealed from the search of Montoni, and earnestly charged her never to suffer these papers to escape her.

Soon after this conversation, Madame Montoni sunk into a dose, and continued slumbering, till evening, when she seemed better than she had been since her removal from the turret. Emily never left her, for a moment, till long after midnight, and even then would not have quitted the room, had not her aunt entreated, that she would retire to rest. She then obeyed, the more willingly, because her patient appeared somewhat recruited by sleep; and, giving Annette the same injunction, as on the preceding night, she withdrew to her own apartment. But her spirits were wakeful and agitated, and, finding it impossible to sleep, she determined to watch, once more, for the mysterious appearance, that had so much interested and alarmed her.

It was now the second watch of the night, and about the time when the figure had before appeared. Emily heard the passing steps of the sentinels, on the rampart, as they changed guard; and, when all was again silent, she took her station at the casement, leaving her lamp in a remote part of the chamber, that she might escape notice from without. The moon gave a faint and uncertain light, for heavy vapours surrounded it, and, often rolling over the disk, left the scene below in total darkness. It was in one of these moments of obscurity, that she observed a small and lambent flame, moving at some distance on the terrace. While she gazed, it disappeared, and, the moon again emerging from the lurid and heavy thunder clouds, she turned her attention to the heavens, where the vivid lightnings darted from cloud to cloud, and flashed silently on the woods below. She loved to catch, in the momentary gleam, the gloomy landscape. Sometimes, a cloud opened its light upon a distant mountain, and, while the sudden splendour illumined all its recesses of rock and wood, the rest of the scene remained in deep shadow; at others, partial features of the castle were revealed by the glimpse—the antient arch leading to the east rampart, the turret above, or the fortifications beyond; and then, perhaps, the whole edifice with all its towers, its dark massy walls and pointed casements would appear, and vanish in an instant.

Emily, looking again upon the rampart, perceived the flame she had seen before; it moved onward; and, soon after, she thought she heard a footstep. The light appeared and disappeared frequently, while, as she watched, it glided under her casements, and, at the same instant, she was certain, that a footstep passed, but the darkness did not permit her to distinguish any object except the flame. It moved away, and then, by a gleam of lightning, she perceived some person on the terrace. All the anxieties of the preceding night returned. This person advanced, and the playing flame alternately appeared and vanished. Emily wished to speak, to end her doubts, whether this figure were human or supernatural; but her courage failed as often as she attempted utterance, till the light moved again under the casement, and she faintly demanded, who passed.

'A friend,' replied a voice.

'What friend?' said Emily, somewhat encouraged 'who are you, and what is that light you carry?'

'I am Anthonio, one of the Signor's soldiers,' replied the voice.

'And what is that tapering light you bear?' said Emily, 'see how it darts upwards,—and now it vanishes!'

'This light, lady,' said the soldier, 'has appeared to-night as you see it, on the point of my lance, ever since I have been on watch; but what it means I cannot tell.'

'This is very strange!' said Emily.

'My fellow-guard,' continued the man, 'has the same flame on his arms; he says he has sometimes seen it before. I never did; I am but lately come to the castle, for I have not been long a soldier.'

'How does your comrade account for it?' said Emily.

'He says it is an omen, lady, and bodes no good.'

'And what harm can it bode?' rejoined Emily.

'He knows not so much as that, lady.'

Whether Emily was alarmed by this omen, or not, she certainly was relieved from much terror by discovering this man to be only a soldier on duty, and it immediately occurred to her, that it might be he, who had occasioned so much alarm on the preceding night. There were, however, some circumstances, that still required explanation. As far as she could judge by the faint moon-light, that had assisted her observation, the figure she had seen did not resemble this man either in shape or size; besides, she was certain it had carried no arms. The silence of its steps, if steps it had, the moaning sounds, too, which it had uttered, and its strange disappearance, were circumstances of mysterious import, that did not apply, with probability, to a soldier engaged in the duty of his guard.

She now enquired of the sentinel, whether he had seen any person besides his fellow watch, walking on the terrace, about midnight; and then briefly related what she had herself observed.

'I was not on guard that night, lady,' replied the man, 'but I heard of what happened. There are amongst us, who believe strange things. Strange stories, too, have long been told of this castle, but it is no business of mine to repeat them; and, for my part, I have no reason to complain; our Chief does nobly by us.'

'I commend your prudence,' said Emily. 'Good night, and accept this from me,' she added, throwing him a small piece of coin, and then closing the casement to put an end to the discourse.

When he was gone, she opened it again, listened with a gloomy pleasure to the distant thunder, that began to murmur among the mountains, and watched the arrowy lightnings, which broke over the remoter scene. The pealing thunder rolled onward, and then, reverbed by the mountains, other thunder seemed to answer from the opposite horizon; while the accumulating clouds, entirely concealing the moon, assumed a red sulphureous tinge, that foretold a violent storm.

Emily remained at her casement, till the vivid lightning, that now, every instant, revealed the wide horizon and the landscape below, made it no longer safe to do so, and she went to her couch; but, unable to compose her mind to sleep, still listened in silent awe to the tremendous sounds, that seemed to shake the castle to its foundation.

She had continued thus for a considerable time, when, amidst the uproar of the storm, she thought she heard a voice, and, raising herself to listen, saw the chamber door open, and Annette enter with a countenance of wild affright.

'She is dying, ma'amselle, my lady is dying!' said she.

Emily started up, and ran to Madame Montoni's room. When she entered, her aunt appeared to have fainted, for she was quite still, and insensible; and Emily with a strength of mind, that refused to yield to grief, while any duty required her activity, applied every means that seemed likely to restore her. But the last struggle was over—she was gone for ever.

When Emily perceived, that all her efforts were ineffectual, she interrogated the terrified Annette, and learned, that Madame Montoni had fallen into a doze soon after Emily's departure, in which she had continued, until a few minutes before her death.

'I wondered, ma'amselle,' said Annette, 'what was the reason my lady did not seem frightened at the thunder, when I was so terrified, and I went often to the bed to speak to her, but she appeared to be asleep; till presently I heard a strange noise, and, on going to her, saw she was dying.'

Emily, at this recital, shed tears. She had no doubt but that the violent change in the air, which the tempest produced, had effected this fatal one, on the exhausted frame of Madame Montoni.

After some deliberation, she determined that Montoni should not be informed of this event till the morning, for she considered, that he might, perhaps, utter some inhuman expressions, such as in the present temper of her spirits she could not bear. With Annette alone, therefore, whom she encouraged by her own example, she performed some of the last solemn offices for the dead, and compelled herself to watch during the night, by the body of her deceased aunt. During this solemn period, rendered more awful by the tremendous storm that shook the air, she frequently addressed herself to Heaven for support and protection, and her pious prayers, we may believe, were accepted of the God, that giveth comfort.





 

CHAPTER V 

 The midnight clock has toll'd; and hark, the bell
 Of Death beats slow! heard ye the note profound?
 It pauses now; and now, with rising knell,
 Flings to the hollow gale its sullen sound.
     MASON

When Montoni was informed of the death of his wife, and considered that she had died without giving him the signature so necessary to the accomplishment of his wishes, no sense of decency restrained the expression of his resentment. Emily anxiously avoided his presence, and watched, during two days and two nights, with little intermission, by the corpse of her late aunt. Her mind deeply impressed with the unhappy fate of this object, she forgot all her faults, her unjust and imperious conduct to herself; and, remembering only her sufferings, thought of her only with tender compassion. Sometimes, however, she could not avoid musing upon the strange infatuation that had proved so fatal to her aunt, and had involved herself in a labyrinth of misfortune, from which she saw no means of escaping,—the marriage with Montoni. But, when she considered this circumstance, it was 'more in sorrow than in anger,'—more for the purpose of indulging lamentation, than reproach.

In her pious cares she was not disturbed by Montoni, who not only avoided the chamber, where the remains of his wife were laid, but that part of the castle adjoining to it, as if he had apprehended a contagion in death. He seemed to have given no orders respecting the funeral, and Emily began to fear he meant to offer a new insult to the memory of Madame Montoni; but from this apprehension she was relieved, when, on the evening of the second day, Annette informed her, that the interment was to take place that night. She knew, that Montoni would not attend; and it was so very grievous to her to think that the remains of her unfortunate aunt would pass to the grave without one relative, or friend to pay them the last decent rites, that she determined to be deterred by no considerations for herself, from observing this duty. She would otherwise have shrunk from the circumstance of following them to the cold vault, to which they were to be carried by men, whose air and countenances seemed to stamp them for murderers, at the midnight hour of silence and privacy, which Montoni had chosen for committing, if possible, to oblivion the reliques of a woman, whom his harsh conduct had, at least, contributed to destroy.

Emily, shuddering with emotions of horror and grief, assisted by Annette, prepared the corpse for interment; and, having wrapt it in cerements, and covered it with a winding-sheet, they watched beside it, till past midnight, when they heard the approaching footsteps of the men, who were to lay it in its earthy bed. It was with difficulty, that Emily overcame her emotion, when, the door of the chamber being thrown open, their gloomy countenances were seen by the glare of the torch they carried, and two of them, without speaking, lifted the body on their shoulders, while the third preceding them with the light, descended through the castle towards the grave, which was in the lower vault of the chapel within the castle walls.

They had to cross two courts, towards the east wing of the castle, which, adjoining the chapel, was, like it, in ruins: but the silence and gloom of these courts had now little power over Emily's mind, occupied as it was, with more mournful ideas; and she scarcely heard the low and dismal hooting of the night-birds, that roosted among the ivyed battlements of the ruin, or perceived the still flittings of the bat, which frequently crossed her way. But, when, having entered the chapel, and passed between the mouldering pillars of the aisles, the bearers stopped at a flight of steps, that led down to a low arched door, and, their comrade having descended to unlock it, she saw imperfectly the gloomy abyss beyond;—saw the corpse of her aunt carried down these steps, and the ruffian-like figure, that stood with a torch at the bottom to receive it—all her fortitude was lost in emotions of inexpressible grief and terror. She turned to lean upon Annette, who was cold and trembling like herself, and she lingered so long on the summit of the flight, that the gleam of the torch began to die away on the pillars of the chapel, and the men were almost beyond her view. Then, the gloom around her awakening other fears, and a sense of what she considered to be her duty overcoming her reluctance, she descended to the vaults, following the echo of footsteps and the faint ray, that pierced the darkness, till the harsh grating of a distant door, that was opened to receive the corpse, again appalled her.

After the pause of a moment, she went on, and, as she entered the vaults, saw between the arches, at some distance, the men lay down the body near the edge of an open grave, where stood another of Montoni's men and a priest, whom she did not observe, till he began the burial service; then, lifting her eyes from the ground, she saw the venerable figure of the friar, and heard him in a low voice, equally solemn and affecting, perform the service for the dead. At the moment, in which they let down the body into the earth, the scene was such as only the dark pencil of a Domenichino, perhaps, could have done justice to. The fierce features and wild dress of the condottieri, bending with their torches over the grave, into which the corpse was descending, were contrasted by the venerable figure of the monk, wrapt in long black garments, his cowl thrown back from his pale face, on which the light gleaming strongly shewed the lines of affliction softened by piety, and the few grey locks, which time had spared on his temples: while, beside him, stood the softer form of Emily, who leaned for support upon Annette; her face half averted, and shaded by a thin veil, that fell over her figure; and her mild and beautiful countenance fixed in grief so solemn as admitted not of tears, while she thus saw committed untimely to the earth her last relative and friend. The gleams, thrown between the arches of the vaults, where, here and there, the broken ground marked the spots in which other bodies had been recently interred, and the general obscurity beyond were circumstances, that alone would have led on the imagination of a spectator to scenes more horrible, than even that, which was pictured at the grave of the misguided and unfortunate Madame Montoni.

When the service was over, the friar regarded Emily with attention and surprise, and looked as if he wished to speak to her, but was restrained by the presence of the condottieri, who, as they now led the way to the courts, amused themselves with jokes upon his holy order, which he endured in silence, demanding only to be conducted safely to his convent, and to which Emily listened with concern and even horror. When they reached the court, the monk gave her his blessing, and, after a lingering look of pity, turned away to the portal, whither one of the men carried a torch; while Annette, lighting another, preceded Emily to her apartment. The appearance of the friar and the expression of tender compassion, with which he had regarded her, had interested Emily, who, though it was at her earnest supplication, that Montoni had consented to allow a priest to perform the last rites for his deceased wife, knew nothing concerning this person, till Annette now informed her, that he belonged to a monastery, situated among the mountains at a few miles distance. The Superior, who regarded Montoni and his associates, not only with aversion, but with terror, had probably feared to offend him by refusing his request, and had, therefore, ordered a monk to officiate at the funeral, who, with the meek spirit of a christian, had overcome his reluctance to enter the walls of such a castle, by the wish of performing what he considered to be his duty, and, as the chapel was built on consecrated ground, had not objected to commit to it the remains of the late unhappy Madame Montoni.

Several days passed with Emily in total seclusion, and in a state of mind partaking both of terror for herself, and grief for the departed. She, at length, determined to make other efforts to persuade Montoni to permit her return to France. Why he should wish to detain her, she could scarcely dare to conjecture; but it was too certain that he did so, and the absolute refusal he had formerly given to her departure allowed her little hope, that he would now consent to it. But the horror, which his presence inspired, made her defer, from day to day, the mention of this subject; and at last she was awakened from her inactivity only by a message from him, desiring her attendance at a certain hour. She began to hope he meant to resign, now that her aunt was no more, the authority he had usurped over her; till she recollected, that the estates, which had occasioned so much contention, were now hers, and she then feared Montoni was about to employ some stratagem for obtaining them, and that he would detain her his prisoner, till he succeeded. This thought, instead of overcoming her with despondency, roused all the latent powers of her fortitude into action; and the property, which she would willingly have resigned to secure the peace of her aunt, she resolved, that no common sufferings of her own should ever compel her to give to Montoni. For Valancourt's sake also she determined to preserve these estates, since they would afford that competency, by which she hoped to secure the comfort of their future lives. As she thought of this, she indulged the tenderness of tears, and anticipated the delight of that moment, when, with affectionate generosity, she might tell him they were his own. She saw the smile, that lighted up his features—the affectionate regard, which spoke at once his joy and thanks; and, at this instant, she believed she could brave any suffering, which the evil spirit of Montoni might be preparing for her. Remembering then, for the first time since her aunt's death, the papers relative to the estates in question, she determined to search for them, as soon as her interview with Montoni was over.

With these resolutions she met him at the appointed time, and waited to hear his intention before she renewed her request. With him were Orsino and another officer, and both were standing near a table, covered with papers, which he appeared to be examining.

'I sent for you, Emily,' said Montoni, raising his head, 'that you might be a witness in some business, which I am transacting with my friend Orsino. All that is required of you will be to sign your name to this paper:' he then took one up, hurried unintelligibly over some lines, and, laying it before her on the table, offered her a pen. She took it, and was going to write—when the design of Montoni came upon her mind like a flash of lightning; she trembled, let the pen fall, and refused to sign what she had not read. Montoni affected to laugh at her scruples, and, taking up the paper, again pretended to read; but Emily, who still trembled on perceiving her danger, and was astonished, that her own credulity had so nearly betrayed her, positively refused to sign any paper whatever. Montoni, for some time, persevered in affecting to ridicule this refusal; but, when he perceived by her steady perseverance, that she understood his design, he changed his manner, and bade her follow him to another room. There he told her, that he had been willing to spare himself and her the trouble of useless contest, in an affair, where his will was justice, and where she should find it law; and had, therefore, endeavoured to persuade, rather than to compel, her to the practice of her duty.

'I, as the husband of the late Signora Montoni,' he added, 'am the heir of all she possessed; the estates, therefore, which she refused to me in her life-time, can no longer be withheld, and, for your own sake, I would undeceive you, respecting a foolish assertion she once made to you in my hearing—that these estates would be yours, if she died without resigning them to me. She knew at that moment, she had no power to withhold them from me, after her decease; and I think you have more sense, than to provoke my resentment by advancing an unjust claim. I am not in the habit of flattering, and you will, therefore, receive, as sincere, the praise I bestow, when I say, that you possess an understanding superior to that of your sex; and that you have none of those contemptible foibles, that frequently mark the female character—such as avarice and the love of power, which latter makes women delight to contradict and to tease, when they cannot conquer. If I understand your disposition and your mind, you hold in sovereign contempt these common failings of your sex.'

Montoni paused; and Emily remained silent and expecting; for she knew him too well, to believe he would condescend to such flattery, unless he thought it would promote his own interest; and, though he had forborne to name vanity among the foibles of women, it was evident, that he considered it to be a predominant one, since he designed to sacrifice to hers the character and understanding of her whole sex.

'Judging as I do,' resumed Montoni, 'I cannot believe you will oppose, where you know you cannot conquer, or, indeed, that you would wish to conquer, or be avaricious of any property, when you have not justice on your side. I think it proper, however, to acquaint you with the alternative. If you have a just opinion of the subject in question, you shall be allowed a safe conveyance to France, within a short period; but, if you are so unhappy as to be misled by the late assertion of the Signora, you shall remain my prisoner, till you are convinced of your error.'

Emily calmly said,

'I am not so ignorant, Signor, of the laws on this subject, as to be misled by the assertion of any person. The law, in the present instance, gives me the estates in question, and my own hand shall never betray my right.'

'I have been mistaken in my opinion of you, it appears,' rejoined Montoni, sternly. 'You speak boldly, and presumptuously, upon a subject, which you do not understand. For once, I am willing to pardon the conceit of ignorance; the weakness of your sex, too, from which, it seems, you are not exempt, claims some allowance; but, if you persist in this strain—you have every thing to fear from my justice.'

'From your justice, Signor,' rejoined Emily, 'I have nothing to fear—I have only to hope.'

Montoni looked at her with vexation, and seemed considering what to say. 'I find that you are weak enough,' he resumed, 'to credit the idle assertion I alluded to! For your own sake I lament this; as to me, it is of little consequence. Your credulity can punish only yourself; and I must pity the weakness of mind, which leads you to so much suffering as you are compelling me to prepare for you.'

'You may find, perhaps, Signor,' said Emily, with mild dignity, 'that the strength of my mind is equal to the justice of my cause; and that I can endure with fortitude, when it is in resistance of oppression.'

'You speak like a heroine,' said Montoni, contemptuously; 'we shall see whether you can suffer like one.'

Emily was silent, and he left the room.

Recollecting, that it was for Valancourt's sake she had thus resisted, she now smiled complacently upon the threatened sufferings, and retired to the spot, which her aunt had pointed out as the repository of the papers, relative to the estates, where she found them as described; and, since she knew of no better place of concealment, than this, returned them, without examining their contents, being fearful of discovery, while she should attempt a perusal.

To her own solitary chamber she once more returned, and there thought again of the late conversation with Montoni, and of the evil she might expect from opposition to his will. But his power did not appear so terrible to her imagination, as it was wont to do: a sacred pride was in her heart, that taught it to swell against the pressure of injustice, and almost to glory in the quiet sufferance of ills, in a cause, which had also the interest of Valancourt for its object. For the first time, she felt the full extent of her own superiority to Montoni, and despised the authority, which, till now, she had only feared.

As she sat musing, a peal of laughter rose from the terrace, and, on going to the casement, she saw, with inexpressible surprise, three ladies, dressed in the gala habit of Venice, walking with several gentlemen below. She gazed in an astonishment that made her remain at the window, regardless of being observed, till the group passed under it; and, one of the strangers looking up, she perceived the features of Signora Livona, with whose manners she had been so much charmed, the day after her arrival at Venice, and who had been there introduced at the table of Montoni. This discovery occasioned her an emotion of doubtful joy; for it was matter of joy and comfort to know, that a person, of a mind so gentle, as that of Signora Livona seemed to be, was near her; yet there was something so extraordinary in her being at this castle, circumstanced as it now was, and evidently, by the gaiety of her air, with her own consent, that a very painful surmise arose, concerning her character. But the thought was so shocking to Emily, whose affection the fascinating manners of the Signora had won, and appeared so improbable, when she remembered these manners, that she dismissed it almost instantly.

On Annette's appearance, however, she enquired, concerning these strangers; and the former was as eager to tell, as Emily was to learn.

'They are just come, ma'amselle,' said Annette, 'with two Signors from Venice, and I was glad to see such Christian faces once again.—But what can they mean by coming here? They must surely be stark mad to come freely to such a place as this! Yet they do come freely, for they seem merry enough, I am sure.'

'They were taken prisoners, perhaps?' said Emily.

'Taken prisoners!' exclaimed Annette; 'no, indeed, ma'amselle, not they. I remember one of them very well at Venice: she came two or three times, to the Signor's you know, ma'amselle, and it was said, but I did not believe a word of it—it was said, that the Signor liked her better than he should do. Then why, says I, bring her to my lady? Very true, said Ludovico; but he looked as if he knew more, too.'

Emily desired Annette would endeavour to learn who these ladies were, as well as all she could concerning them; and she then changed the subject, and spoke of distant France.

'Ah, ma'amselle! we shall never see it more!' said Annette, almost weeping.—'I must come on my travels, forsooth!'

Emily tried to sooth and to cheer her, with a hope, in which she scarcely herself indulged.

'How—how, ma'amselle, could you leave France, and leave Mons. Valancourt, too?' said Annette, sobbing. 'I—I—am sure, if Ludovico had been in France, I would never have left it.'

'Why do you lament quitting France, then?' said Emily, trying to smile, 'since, if you had remained there, you would not have found Ludovico.'

'Ah, ma'amselle! I only wish I was out of this frightful castle, serving you in France, and I would care about nothing else!'

'Thank you, my good Annette, for your affectionate regard; the time will come, I hope, when you may remember the expression of that wish with pleasure.'

Annette departed on her business, and Emily sought to lose the sense of her own cares, in the visionary scenes of the poet; but she had again to lament the irresistible force of circumstances over the taste and powers of the mind; and that it requires a spirit at ease to be sensible even to the abstract pleasures of pure intellect. The enthusiasm of genius, with all its pictured scenes, now appeared cold, and dim. As she mused upon the book before her, she involuntarily exclaimed, 'Are these, indeed, the passages, that have so often given me exquisite delight? Where did the charm exist?—Was it in my mind, or in the imagination of the poet? It lived in each,' said she, pausing. 'But the fire of the poet is vain, if the mind of his reader is not tempered like his own, however it may be inferior to his in power.'

Emily would have pursued this train of thinking, because it relieved her from more painful reflection, but she found again, that thought cannot always be controlled by will; and hers returned to the consideration of her own situation.

In the evening, not choosing to venture down to the ramparts, where she would be exposed to the rude gaze of Montoni's associates, she walked for air in the gallery, adjoining her chamber; on reaching the further end of which she heard distant sounds of merriment and laughter. It was the wild uproar of riot, not the cheering gaiety of tempered mirth; and seemed to come from that part of the castle, where Montoni usually was. Such sounds, at this time, when her aunt had been so few days dead, particularly shocked her, consistent as they were with the late conduct of Montoni.

As she listened, she thought she distinguished female voices mingling with the laughter, and this confirmed her worst surmise, concerning the character of Signora Livona and her companions. It was evident, that they had not been brought hither by compulsion; and she beheld herself in the remote wilds of the Apennine, surrounded by men, whom she considered to be little less than ruffians, and their worst associates, amid scenes of vice, from which her soul recoiled in horror. It was at this moment, when the scenes of the present and the future opened to her imagination, that the image of Valancourt failed in its influence, and her resolution shook with dread. She thought she understood all the horrors, which Montoni was preparing for her, and shrunk from an encounter with such remorseless vengeance, as he could inflict. The disputed estates she now almost determined to yield at once, whenever he should again call upon her, that she might regain safety and freedom; but then, the remembrance of Valancourt would steal to her heart, and plunge her into the distractions of doubt.

She continued walking in the gallery, till evening threw its melancholy twilight through the painted casements, and deepened the gloom of the oak wainscoting around her; while the distant perspective of the corridor was so much obscured, as to be discernible only by the glimmering window, that terminated it.

Along the vaulted halls and passages below, peals of laughter echoed faintly, at intervals, to this remote part of the castle, and seemed to render the succeeding stillness more dreary. Emily, however, unwilling to return to her more forlorn chamber, whither Annette was not yet come, still paced the gallery. As she passed the door of the apartment, where she had once dared to lift the veil, which discovered to her a spectacle so horrible, that she had never after remembered it, but with emotions of indescribable awe, this remembrance suddenly recurred. It now brought with it reflections more terrible, than it had yet done, which the late conduct of Montoni occasioned; and, hastening to quit the gallery, while she had power to do so, she heard a sudden step behind her.—It might be that of Annette; but, turning fearfully to look, she saw, through the gloom, a tall figure following her, and all the horrors of that chamber rushed upon her mind. In the next moment, she found herself clasped in the arms of some person, and heard a deep voice murmur in her ear.

When she had power to speak, or to distinguish articulated sounds, she demanded who detained her.

'It is I,' replied the voice—'Why are you thus alarmed?'

She looked on the face of the person who spoke, but the feeble light, that gleamed through the high casement at the end of the gallery, did not permit her to distinguish the features.

'Whoever you are,' said Emily, in a trembling voice, 'for heaven's sake let me go!'

'My charming Emily,' said the man, 'why will you shut yourself up in this obscure place, when there is so much gaiety below? Return with me to the cedar parlour, where you will be the fairest ornament of the party;—you shall not repent the exchange.'

Emily disdained to reply, and still endeavoured to liberate herself.

'Promise, that you will come,' he continued, 'and I will release you immediately; but first give me a reward for so doing.'

'Who are you?' demanded Emily, in a tone of mingled terror and indignation, while she still struggled for liberty—'who are you, that have the cruelty thus to insult me?'

'Why call me cruel?' said the man, 'I would remove you from this dreary solitude to a merry party below. Do you not know me?'

Emily now faintly remembered, that he was one of the officers who were with Montoni when she attended him in the morning. 'I thank you for the kindness of your intention,' she replied, without appearing to understand him, 'but I wish for nothing so much as that you would leave me.'

'Charming Emily!' said he, 'give up this foolish whim for solitude, and come with me to the company, and eclipse the beauties who make part of it; you, only, are worthy of my love.' He attempted to kiss her hand, but the strong impulse of her indignation gave her power to liberate herself, and she fled towards the chamber. She closed the door, before he reached it, having secured which, she sunk in a chair, overcome by terror and by the exertion she had made, while she heard his voice, and his attempts to open the door, without having the power to raise herself. At length, she perceived him depart, and had remained, listening, for a considerable time, and was somewhat revived by not hearing any sound, when suddenly she remembered the door of the private stair-case, and that he might enter that way, since it was fastened only on the other side. She then employed herself in endeavouring to secure it, in the manner she had formerly done. It appeared to her, that Montoni had already commenced his scheme of vengeance, by withdrawing from her his protection, and she repented of the rashness, that had made her brave the power of such a man. To retain the estates seemed to be now utterly impossible, and to preserve her life, perhaps her honour, she resolved, if she should escape the horrors of this night, to give up all claims to the estates, on the morrow, provided Montoni would suffer her to depart from Udolpho.

When she had come to this decision, her mind became more composed, though she still anxiously listened, and often started at ideal sounds, that appeared to issue from the stair-case.

Having sat in darkness for some hours, during all which time Annette did not appear, she began to have serious apprehensions for her; but, not daring to venture down into the castle, was compelled to remain in uncertainty, as to the cause of this unusual absence.

Emily often stole to the stair-case door, to listen if any step approached, but still no sound alarmed her: determining, however, to watch, during the night, she once more rested on her dark and desolate couch, and bathed the pillow with innocent tears. She thought of her deceased parents and then of the absent Valancourt, and frequently called upon their names; for the profound stillness, that now reigned, was propitious to the musing sorrow of her mind.

While she thus remained, her ear suddenly caught the notes of distant music, to which she listened attentively, and, soon perceiving this to be the instrument she had formerly heard at midnight, she rose, and stepped softly to the casement, to which the sounds appeared to come from a lower room.

In a few moments, their soft melody was accompanied by a voice so full of pathos, that it evidently sang not of imaginary sorrows. Its sweet and peculiar tones she thought she had somewhere heard before; yet, if this was not fancy, it was, at most, a very faint recollection. It stole over her mind, amidst the anguish of her present suffering, like a celestial strain, soothing, and re-assuring her;—'Pleasant as the gale of spring, that sighs on the hunter's ear, when he awakens from dreams of joy, and has heard the music of the spirits of the hill.'*

(*Ossian. [A. R.])

But her emotion can scarcely be imagined, when she heard sung, with the taste and simplicity of true feeling, one of the popular airs of her native province, to which she had so often listened with delight, when a child, and which she had so often heard her father repeat! To this well-known song, never, till now, heard but in her native country, her heart melted, while the memory of past times returned. The pleasant, peaceful scenes of Gascony, the tenderness and goodness of her parents, the taste and simplicity of her former life—all rose to her fancy, and formed a picture, so sweet and glowing, so strikingly contrasted with the scenes, the characters and the dangers, which now surrounded her—that her mind could not bear to pause upon the retrospect, and shrunk at the acuteness of its own sufferings.

Her sighs were deep and convulsed; she could no longer listen to the strain, that had so often charmed her to tranquillity, and she withdrew from the casement to a remote part of the chamber. But she was not yet beyond the reach of the music; she heard the measure change, and the succeeding air called her again to the window, for she immediately recollected it to be the same she had formerly heard in the fishing-house in Gascony. Assisted, perhaps, by the mystery, which had then accompanied this strain, it had made so deep an impression on her memory, that she had never since entirely forgotten it; and the manner, in which it was now sung, convinced her, however unaccountable the circumstances appeared, that this was the same voice she had then heard. Surprise soon yielded to other emotions; a thought darted, like lightning, upon her mind, which discovered a train of hopes, that revived all her spirits. Yet these hopes were so new, so unexpected, so astonishing, that she did not dare to trust, though she could not resolve to discourage them. She sat down by the casement, breathless, and overcome with the alternate emotions of hope and fear; then rose again, leaned from the window, that she might catch a nearer sound, listened, now doubting and then believing, softly exclaimed the name of Valancourt, and then sunk again into the chair. Yes, it was possible, that Valancourt was near her, and she recollected circumstances, which induced her to believe it was his voice she had just heard. She remembered he had more than once said that the fishing-house, where she had formerly listened to this voice and air, and where she had seen pencilled sonnets, addressed to herself, had been his favourite haunt, before he had been made known to her; there, too, she had herself unexpectedly met him. It appeared, from these circumstances, more than probable, that he was the musician, who had formerly charmed her attention, and the author of the lines, which had expressed such tender admiration;—who else, indeed, could it be? She was unable, at that time, to form a conjecture, as to the writer, but, since her acquaintance with Valancourt, whenever he had mentioned the fishing-house to have been known to him, she had not scrupled to believe that he was the author of the sonnets.

As these considerations passed over her mind, joy, fear and tenderness contended at her heart; she leaned again from the casement to catch the sounds, which might confirm, or destroy her hope, though she did not recollect to have ever heard him sing; but the voice, and the instrument, now ceased.

She considered for a moment whether she should venture to speak: then, not choosing, lest it should be he, to mention his name, and yet too much interested to neglect the opportunity of enquiring, she called from the casement, 'Is that song from Gascony?' Her anxious attention was not cheered by any reply; every thing remained silent. Her impatience increasing with her fears, she repeated the question; but still no sound was heard, except the sighings of the wind among the battlements above; and she endeavoured to console herself with a belief, that the stranger, whoever he was, had retired, before she had spoken, beyond the reach of her voice, which, it appeared certain, had Valancourt heard and recognized, he would instantly have replied to. Presently, however, she considered, that a motive of prudence, and not an accidental removal, might occasion his silence; but the surmise, that led to this reflection, suddenly changed her hope and joy to terror and grief; for, if Valancourt were in the castle, it was too probable, that he was here a prisoner, taken with some of his countrymen, many of whom were at that time engaged in the wars of Italy, or intercepted in some attempt to reach her. Had he even recollected Emily's voice, he would have feared, in these circumstances, to reply to it, in the presence of the men, who guarded his prison.

What so lately she had eagerly hoped she now believed she dreaded;—dreaded to know, that Valancourt was near her; and, while she was anxious to be relieved from her apprehension for his safety, she still was unconscious, that a hope of soon seeing him, struggled with the fear.

She remained listening at the casement, till the air began to freshen, and one high mountain in the east to glimmer with the morning; when, wearied with anxiety, she retired to her couch, where she found it utterly impossible to sleep, for joy, tenderness, doubt and apprehension, distracted her during the whole night. Now she rose from the couch, and opened the casement to listen; then she would pace the room with impatient steps, and, at length, return with despondence to her pillow. Never did hours appear to move so heavily, as those of this anxious night; after which she hoped that Annette might appear, and conclude her present state of torturing suspense.





 

CHAPTER VI 

     might we but hear
 The folded flocks penn'd in their watled cotes,
 Or sound of pastoral reed with oaten stops,
 Or whistle from the lodge, or village cock
 Count the night watches to his feathery dames,
 'Twould be some solace yet, some little cheering
 In this close dungeon of innumerous boughs.
     MILTON

In the morning, Emily was relieved from her fears for Annette, who came at an early hour.

'Here were fine doings in the castle, last night, ma'amselle,' said she, as soon as she entered the room,—'fine doings, indeed! Was you not frightened, ma'amselle, at not seeing me?'

'I was alarmed both on your account and on my own,' replied Emily—'What detained you?'

'Aye, I said so, I told him so; but it would not do. It was not my fault, indeed, ma'amselle, for I could not get out. That rogue Ludovico locked me up again.'

'Locked you up!' said Emily, with displeasure, 'Why do you permit Ludovico to lock you up?'

'Holy Saints!' exclaimed Annette, 'how can I help it! If he will lock the door, ma'amselle, and take away the key, how am I to get out, unless I jump through the window? But that I should not mind so much, if the casements here were not all so high; one can hardly scramble up to them on the inside, and one should break one's neck, I suppose, going down on the outside. But you know, I dare say, ma'am, what a hurly-burly the castle was in, last night; you must have heard some of the uproar.'

'What, were they disputing, then?' said Emily.

'No, ma'amselle, nor fighting, but almost as good, for I believe there was not one of the Signors sober; and what is more, not one of those fine ladies sober, either. I thought, when I saw them first, that all those fine silks and fine veils,—why, ma'amselle, their veils were worked with silver! and fine trimmings—boded no good—I guessed what they were!'

'Good God!' exclaimed Emily, 'what will become of me!'

'Aye, ma'am, Ludovico said much the same thing of me. Good God! said he, Annette, what is to become of you, if you are to go running about the castle among all these drunken Signors?'

'O! says I, for that matter, I only want to go to my young lady's chamber, and I have only to go, you know, along the vaulted passage and across the great hall and up the marble stair-case and along the north gallery and through the west wing of the castle and I am in the corridor in a minute.' 'Are you so? says he, and what is to become of you, if you meet any of those noble cavaliers in the way?' 'Well, says I, if you think there is danger, then, go with me, and guard me; I am never afraid when you are by.' 'What! says he, when I am scarcely recovered of one wound, shall I put myself in the way of getting another? for if any of the cavaliers meet you, they will fall a-fighting with me directly. No, no, says he, I will cut the way shorter, than through the vaulted passage and up the marble stair-case, and along the north gallery and through the west wing of the castle, for you shall stay here, Annette; you shall not go out of this room, to-night.' 'So, with that I says'—

'Well, well,' said Emily, impatiently, and anxious to enquire on another subject,—'so he locked you up?'

'Yes, he did indeed, ma'amselle, notwithstanding all I could say to the contrary; and Caterina and I and he staid there all night. And in a few minutes after I was not so vexed, for there came Signor Verezzi roaring along the passage, like a mad bull, and he mistook Ludovico's hall, for old Carlo's; so he tried to burst open the door, and called out for more wine, for that he had drunk all the flasks dry, and was dying of thirst. So we were all as still as night, that he might suppose there was nobody in the room; but the Signor was as cunning as the best of us, and kept calling out at the door, "Come forth, my antient hero!" said he, "here is no enemy at the gate, that you need hide yourself: come forth, my valorous Signor Steward!" Just then old Carlo opened his door, and he came with a flask in his hand; for, as soon as the Signor saw him, he was as tame as could be, and followed him away as naturally as a dog does a butcher with a piece of meat in his basket. All this I saw through the key-hole. Well, Annette, said Ludovico, jeeringly, shall I let you out now? O no, says I, I would not'—

'I have some questions to ask you on another subject,' interrupted Emily, quite wearied by this story. 'Do you know whether there are any prisoners in the castle, and whether they are confined at this end of the edifice?'

'I was not in the way, ma'amselle,' replied Annette, 'when the first party came in from the mountains, and the last party is not come back yet, so I don't know, whether there are any prisoners; but it is expected back to-night, or to-morrow, and I shall know then, perhaps.'

Emily enquired if she had ever heard the servants talk of prisoners.

'Ah ma'amselle!' said Annette archly, 'now I dare say you are thinking of Monsieur Valancourt, and that he may have come among the armies, which, they say, are come from our country, to fight against this state, and that he has met with some of OUR people, and is taken captive. O Lord! how glad I should be, if it was so!'

'Would you, indeed, be glad?' said Emily, in a tone of mournful reproach.

'To be sure I should, ma'am,' replied Annette, 'and would not you be glad too, to see Signor Valancourt? I don't know any chevalier I like better, I have a very great regard for the Signor, truly.'

'Your regard for him cannot be doubted,' said Emily, 'since you wish to see him a prisoner.'

'Why no, ma'amselle, not a prisoner either; but one must be glad to see him, you know. And it was only the other night I dreamt—I dreamt I saw him drive into the castle-yard all in a coach and six, and dressed out, with a laced coat and a sword, like a lord as he is.'

Emily could not forbear smiling at Annette's ideas of Valancourt, and repeated her enquiry, whether she had heard the servants talk of prisoners.

'No, ma'amselle,' replied she, 'never; and lately they have done nothing but talk of the apparition, that has been walking about of a night on the ramparts, and that frightened the sentinels into fits. It came among them like a flash of fire, they say, and they all fell down in a row, till they came to themselves again; and then it was gone, and nothing to be seen but the old castle walls; so they helped one another up again as fast as they could. You would not believe, ma'amselle, though I shewed you the very cannon, where it used to appear.'

'And are you, indeed, so simple, Annette,' said Emily, smiling at this curious exaggeration of the circumstances she had witnessed, 'as to credit these stories?'

'Credit them, ma'amselle! why all the world could not persuade me out of them. Roberto and Sebastian and half a dozen more of them went into fits! To be sure, there was no occasion for that; I said, myself, there was no need of that, for, says I, when the enemy comes, what a pretty figure they will cut, if they are to fall down in fits, all of a row! The enemy won't be so civil, perhaps, as to walk off, like the ghost, and leave them to help one another up, but will fall to, cutting and slashing, till he makes them all rise up dead men. No, no, says I, there is reason in all things: though I might have fallen down in a fit that was no rule for them, being, because it is no business of mine to look gruff, and fight battles.'

Emily endeavoured to correct the superstitious weakness of Annette, though she could not entirely subdue her own; to which the latter only replied, 'Nay, ma'amselle, you will believe nothing; you are almost as bad as the Signor himself, who was in a great passion when they told of what had happened, and swore that the first man, who repeated such nonsense, should be thrown into the dungeon under the east turret. This was a hard punishment too, for only talking nonsense, as he called it, but I dare say he had other reasons for calling it so, than you have, ma'am.'

Emily looked displeased, and made no reply. As she mused upon the recollected appearance, which had lately so much alarmed her, and considered the circumstances of the figure having stationed itself opposite to her casement, she was for a moment inclined to believe it was Valancourt, whom she had seen. Yet, if it was he, why did he not speak to her, when he had the opportunity of doing so—and, if he was a prisoner in the castle, and he could be here in no other character, how could he obtain the means of walking abroad on the rampart? Thus she was utterly unable to decide, whether the musician and the form she had observed, were the same, or, if they were, whether this was Valancourt. She, however, desired that Annette would endeavour to learn whether any prisoners were in the castle, and also their names.

'O dear, ma'amselle!' said Annette, 'I forget to tell you what you bade me ask about, the ladies, as they call themselves, who are lately come to Udolpho. Why that Signora Livona, that the Signor brought to see my late lady at Venice, is his mistress now, and was little better then, I dare say. And Ludovico says (but pray be secret, ma'am) that his excellenza introduced her only to impose upon the world, that had begun to make free with her character. So when people saw my lady notice her, they thought what they had heard must be scandal. The other two are the mistresses of Signor Verezzi and Signor Bertolini; and Signor Montoni invited them all to the castle; and so, yesterday, he gave a great entertainment; and there they were, all drinking Tuscany wine and all sorts, and laughing and singing, till they made the castle ring again. But I thought they were dismal sounds, so soon after my poor lady's death too; and they brought to my mind what she would have thought, if she had heard them—but she cannot hear them now, poor soul! said I.'

Emily turned away to conceal her emotion, and then desired Annette to go, and make enquiry, concerning the prisoners, that might be in the castle, but conjured her to do it with caution, and on no account to mention her name, or that of Monsieur Valancourt.

'Now I think of it, ma'amselle,' said Annette, 'I do believe there are prisoners, for I overheard one of the Signor's men, yesterday, in the servants hall, talking something about ransoms, and saying what a fine thing it was for his excellenza to catch up men, and they were as good booty as any other, because of the ransoms. And the other man was grumbling, and saying it was fine enough for the Signor, but none so fine for his soldiers, because, said he, we don't go shares there.'

This information heightened Emily's impatience to know more, and Annette immediately departed on her enquiry.

The late resolution of Emily to resign her estates to Montoni, now gave way to new considerations; the possibility, that Valancourt was near her, revived her fortitude, and she determined to brave the threatened vengeance, at least, till she could be assured whether he was really in the castle. She was in this temper of mind, when she received a message from Montoni, requiring her attendance in the cedar parlour, which she obeyed with trembling, and, on her way thither, endeavoured to animate her fortitude with the idea of Valancourt.

Montoni was alone. 'I sent for you,' said he, 'to give you another opportunity of retracting your late mistaken assertions concerning the Languedoc estates. I will condescend to advise, where I may command.—If you are really deluded by an opinion, that you have any right to these estates, at least, do not persist in the error—an error, which you may perceive, too late, has been fatal to you. Dare my resentment no further, but sign the papers.'

'If I have no right in these estates, sir,' said Emily, 'of what service can it be to you, that I should sign any papers, concerning them? If the lands are yours by law, you certainly may possess them, without my interference, or my consent.'

'I will have no more argument,' said Montoni, with a look that made her tremble. 'What had I but trouble to expect, when I condescended to reason with a baby! But I will be trifled with no longer: let the recollection of your aunt's sufferings, in consequence of her folly and obstinacy, teach you a lesson.—Sign the papers.'

Emily's resolution was for a moment awed:—she shrunk at the recollections he revived, and from the vengeance he threatened; but then, the image of Valancourt, who so long had loved her, and who was now, perhaps, so near her, came to her heart, and, together with the strong feelings of indignation, with which she had always, from her infancy, regarded an act of injustice, inspired her with a noble, though imprudent, courage.

'Sign the papers,' said Montoni, more impatiently than before.

'Never, sir,' replied Emily; 'that request would have proved to me the injustice of your claim, had I even been ignorant of my right.'

Montoni turned pale with anger, while his quivering lip and lurking eye made her almost repent the boldness of her speech.

'Then all my vengeance falls upon you,' he exclaimed, with an horrible oath. 'And think not it shall be delayed. Neither the estates in Languedoc, or Gascony, shall be yours; you have dared to question my right,—now dare to question my power. I have a punishment which you think not of; it is terrible! This night—this very night'—

'This night!' repeated another voice.

Montoni paused, and turned half round, but, seeming to recollect himself, he proceeded in a lower tone.

'You have lately seen one terrible example of obstinacy and folly; yet this, it appears, has not been sufficient to deter you.—I could tell you of others—I could make you tremble at the bare recital.'

He was interrupted by a groan, which seemed to rise from underneath the chamber they were in; and, as he threw a glance round it, impatience and rage flashed from his eyes, yet something like a shade of fear passed over his countenance. Emily sat down in a chair, near the door, for the various emotions she had suffered, now almost overcame her; but Montoni paused scarcely an instant, and, commanding his features, resumed his discourse in a lower, yet sterner voice.

'I say, I could give you other instances of my power and of my character, which it seems you do not understand, or you would not defy me.—I could tell you, that, when once my resolution is taken—but I am talking to a baby. Let me, however, repeat, that terrible as are the examples I could recite, the recital could not now benefit you; for, though your repentance would put an immediate end to opposition, it would not now appease my indignation.—I will have vengeance as well as justice.'

Another groan filled the pause which Montoni made.

'Leave the room instantly!' said he, seeming not to notice this strange occurrence. Without power to implore his pity, she rose to go, but found that she could not support herself; awe and terror overcame her, and she sunk again into the chair.

'Quit my presence!' cried Montoni. 'This affectation of fear ill becomes the heroine who has just dared to brave my indignation.'

'Did you hear nothing, Signor?' said Emily, trembling, and still unable to leave the room.

'I heard my own voice,' rejoined Montoni, sternly.

'And nothing else?' said Emily, speaking with difficulty.—'There again! Do you hear nothing now?'

'Obey my order,' repeated Montoni. 'And for these fool's tricks—I will soon discover by whom they are practised.'

Emily again rose, and exerted herself to the utmost to leave the room, while Montoni followed her; but, instead of calling aloud to his servants to search the chamber, as he had formerly done on a similar occurrence, passed to the ramparts.

As, in her way to the corridor, she rested for a moment at an open casement, Emily saw a party of Montoni's troops winding down a distant mountain, whom she noticed no further, than as they brought to her mind the wretched prisoners they were, perhaps, bringing to the castle. At length, having reached her apartment, she threw herself upon the couch, overcome with the new horrors of her situation. Her thoughts lost in tumult and perplexity, she could neither repent of, or approve, her late conduct; she could only remember, that she was in the power of a man, who had no principle of action—but his will; and the astonishment and terrors of superstition, which had, for a moment, so strongly assailed her, now yielded to those of reason.

She was, at length, roused from the reverie, which engaged her, by a confusion of distant voices, and a clattering of hoofs, that seemed to come, on the wind, from the courts. A sudden hope, that some good was approaching, seized her mind, till she remembered the troops she had observed from the casement, and concluded this to be the party, which Annette had said were expected at Udolpho.

Soon after, she heard voices faintly from the halls, and the noise of horses' feet sunk away in the wind; silence ensued. Emily listened anxiously for Annette's step in the corridor, but a pause of total stillness continued, till again the castle seemed to be all tumult and confusion. She heard the echoes of many footsteps, passing to and fro in the halls and avenues below, and then busy tongues were loud on the rampart. Having hurried to her casement, she perceived Montoni, with some of his officers, leaning on the walls, and pointing from them; while several soldiers were employed at the further end of the rampart about some cannon; and she continued to observe them, careless of the passing time.

Annette at length appeared, but brought no intelligence of Valancourt, 'For, ma'amselle,' said she, 'all the people pretend to know nothing about any prisoners. But here is a fine piece of business! The rest of the party are just arrived, ma'am; they came scampering in, as if they would have broken their necks; one scarcely knew whether the man, or his horse would get within the gates first. And they have brought word—and such news! they have brought word, that a party of the enemy, as they call them, are coming towards the castle; so we shall have all the officers of justice, I suppose, besieging it! all those terrible-looking fellows one used to see at Venice.'

'Thank God!' exclaimed Emily, fervently, 'there is yet a hope left for me, then!'

'What mean you, ma'amselle? Do you wish to fall into the hands of those sad-looking men! Why I used to shudder as I passed them, and should have guessed what they were, if Ludovico had not told me.'

'We cannot be in worse hands than at present,' replied Emily, unguardedly; 'but what reason have you to suppose these are officers of justice?'

'Why OUR people, ma'am, are all in such a fright, and a fuss; and I don't know any thing but the fear of justice, that could make them so. I used to think nothing on earth could fluster them, unless, indeed, it was a ghost, or so; but now, some of them are for hiding down in the vaults under the castle; but you must not tell the Signor this, ma'amselle, and I overheard two of them talking—Holy Mother! what makes you look so sad, ma'amselle? You don't hear what I say!'

'Yes, I do, Annette; pray proceed.'

'Well, ma'amselle, all the castle is in such hurly-burly. Some of the men are loading the cannon, and some are examining the great gates, and the walls all round, and are hammering and patching up, just as if all those repairs had never been made, that were so long about. But what is to become of me and you, ma'amselle, and Ludovico? O! when I hear the sound of the cannon, I shall die with fright. If I could but catch the great gate open for one minute, I would be even with it for shutting me within these walls so long!—it should never see me again.'

Emily caught the latter words of Annette. 'O! if you could find it open, but for one moment!' she exclaimed, 'my peace might yet be saved!' The heavy groan she uttered, and the wildness of her look, terrified Annette, still more than her words; who entreated Emily to explain the meaning of them, to whom it suddenly occurred, that Ludovico might be of some service, if there should be a possibility of escape, and who repeated the substance of what had passed between Montoni and herself, but conjured her to mention this to no person except to Ludovico. 'It may, perhaps, be in his power,' she added, 'to effect our escape. Go to him, Annette, tell him what I have to apprehend, and what I have already suffered; but entreat him to be secret, and to lose no time in attempting to release us. If he is willing to undertake this he shall be amply rewarded. I cannot speak with him myself, for we might be observed, and then effectual care would be taken to prevent our flight. But be quick, Annette, and, above all, be discreet—I will await your return in this apartment.'

The girl, whose honest heart had been much affected by the recital, was now as eager to obey, as Emily was to employ her, and she immediately quitted the room.

Emily's surprise increased, as she reflected upon Annette's intelligence. 'Alas!' said she, 'what can the officers of justice do against an armed castle? these cannot be such.' Upon further consideration, however, she concluded, that, Montoni's bands having plundered the country round, the inhabitants had taken arms, and were coming with the officers of police and a party of soldiers, to force their way into the castle. 'But they know not,' thought she, 'its strength, or the armed numbers within it. Alas! except from flight, I have nothing to hope!'

Montoni, though not precisely what Emily apprehended him to be—a captain of banditti—had employed his troops in enterprises not less daring, or less atrocious, than such a character would have undertaken. They had not only pillaged, whenever opportunity offered, the helpless traveller, but had attacked, and plundered the villas of several persons, which, being situated among the solitary recesses of the mountains, were totally unprepared for resistance. In these expeditions the commanders of the party did not appear, and the men, partly disguised, had sometimes been mistaken for common robbers, and, at others, for bands of the foreign enemy, who, at that period, invaded the country. But, though they had already pillaged several mansions, and brought home considerable treasures, they had ventured to approach only one castle, in the attack of which they were assisted by other troops of their own order; from this, however, they were vigorously repulsed, and pursued by some of the foreign enemy, who were in league with the besieged. Montoni's troops fled precipitately towards Udolpho, but were so closely tracked over the mountains, that, when they reached one of the heights in the neighbourhood of the castle, and looked back upon the road, they perceived the enemy winding among the cliffs below, and at not more than a league distant. Upon this discovery, they hastened forward with increased speed, to prepare Montoni for the enemy; and it was their arrival, which had thrown the castle into such confusion and tumult.

As Emily awaited anxiously some information from below, she now saw from her casements a body of troops pour over the neighbouring heights; and, though Annette had been gone a very short time, and had a difficult and dangerous business to accomplish, her impatience for intelligence became painful: she listened; opened her door; and often went out upon the corridor to meet her.

At length, she heard a footstep approach her chamber; and, on opening the door, saw, not Annette, but old Carlo! New fears rushed upon her mind. He said he came from the Signor, who had ordered him to inform her, that she must be ready to depart from Udolpho immediately, for that the castle was about to be besieged; and that mules were preparing to convey her, with her guides, to a place of safety.

'Of safety!' exclaimed Emily, thoughtlessly; 'has, then, the Signor so much consideration for me?'

Carlo looked upon the ground, and made no reply. A thousand opposite emotions agitated Emily, successively, as she listened to old Carlo; those of joy, grief, distrust and apprehension, appeared, and vanished from her mind, with the quickness of lightning. One moment, it seemed impossible, that Montoni could take this measure merely for her preservation; and so very strange was his sending her from the castle at all, that she could attribute it only to the design of carrying into execution the new scheme of vengeance, with which he had menaced her. In the next instant, it appeared so desirable to quit the castle, under any circumstances, that she could not but rejoice in the prospect, believing that change must be for the better, till she remembered the probability of Valancourt being detained in it, when sorrow and regret usurped her mind, and she wished, much more fervently than she had yet done, that it might not be his voice which she had heard.

Carlo having reminded her, that she had no time to lose, for that the enemy were within sight of the castle, Emily entreated him to inform her whither she was to go; and, after some hesitation, he said he had received no orders to tell; but, on her repeating the question, replied, that he believed she was to be carried into Tuscany.'

'To Tuscany!' exclaimed Emily—'and why thither?'

Carlo answered, that he knew nothing further, than that she was to be lodged in a cottage on the borders of Tuscany, at the feet of the Apennines—'Not a day's journey distant,' said he.

Emily now dismissed him; and, with trembling hands, prepared the small package, that she meant to take with her; while she was employed about which Annette returned.

'O ma'amselle!' said she, 'nothing can be done! Ludovico says the new porter is more watchful even than Barnardine was, and we might as well throw ourselves in the way of a dragon, as in his. Ludovico is almost as broken-hearted as you are, ma'am, on my account, he says, and I am sure I shall never live to hear the cannon fire twice!'

She now began to weep, but revived upon hearing of what had just occurred, and entreated Emily to take her with her.

'That I will do most willingly,' replied Emily, 'if Signor Montoni permits it;' to which Annette made no reply, but ran out of the room, and immediately sought Montoni, who was on the terrace, surrounded by his officers, where she began her petition. He sharply bade her go into the castle, and absolutely refused her request. Annette, however, not only pleaded for herself, but for Ludovico; and Montoni had ordered some of his men to take her from his presence, before she would retire.

In an agony of disappointment, she returned to Emily, who foreboded little good towards herself, from this refusal to Annette, and who, soon after, received a summons to repair to the great court, where the mules, with her guides, were in waiting. Emily here tried in vain to sooth the weeping Annette, who persisted in saying, that she should never see her dear young lady again; a fear, which her mistress secretly thought too well justified, but which she endeavoured to restrain, while, with apparent composure, she bade this affectionate servant farewell. Annette, however, followed to the courts, which were now thronged with people, busy in preparation for the enemy; and, having seen her mount her mule and depart, with her attendants, through the portal, turned into the castle and wept again.

Emily, meanwhile, as she looked back upon the gloomy courts of the castle, no longer silent as when she had first entered them, but resounding with the noise of preparation for their defence, as well as crowded with soldiers and workmen, hurrying to and fro; and, when she passed once more under the huge portcullis, which had formerly struck her with terror and dismay, and, looking round, saw no walls to confine her steps—felt, in spite of anticipation, the sudden joy of a prisoner, who unexpectedly finds himself at liberty. This emotion would not suffer her now to look impartially on the dangers that awaited her without; on mountains infested by hostile parties, who seized every opportunity for plunder; and on a journey commended under the guidance of men, whose countenances certainly did not speak favourably of their dispositions. In the present moments, she could only rejoice, that she was liberated from those walls, which she had entered with such dismal forebodings; and, remembering the superstitious presentiment, which had then seized her, she could now smile at the impression it had made upon her mind.

As she gazed, with these emotions, upon the turrets of the castle, rising high over the woods, among which she wound, the stranger, whom she believed to be confined there, returned to her remembrance, and anxiety and apprehension, lest he should be Valancourt, again passed like a cloud upon her joy. She recollected every circumstance, concerning this unknown person, since the night, when she had first heard him play the song of her native province;—circumstances, which she had so often recollected, and compared before, without extracting from them any thing like conviction, and which still only prompted her to believe, that Valancourt was a prisoner at Udolpho. It was possible, however, that the men, who were her conductors, might afford her information, on this subject; but, fearing to question them immediately, lest they should be unwilling to discover any circumstance to her in the presence of each other, she watched for an opportunity of speaking with them separately.

Soon after, a trumpet echoed faintly from a distance; the guides stopped, and looked toward the quarter whence it came, but the thick woods, which surrounded them, excluding all view of the country beyond, one of the men rode on to the point of an eminence, that afforded a more extensive prospect, to observe how near the enemy, whose trumpet he guessed this to be, were advanced; the other, meanwhile, remained with Emily, and to him she put some questions, concerning the stranger at Udolpho. Ugo, for this was his name, said, that there were several prisoners in the castle, but he neither recollected their persons, or the precise time of their arrival, and could therefore give her no information. There was a surliness in his manner, as he spoke, that made it probable he would not have satisfied her enquiries, even if he could have done so.

Having asked him what prisoners had been taken, about the time, as nearly as she could remember, when she had first heard the music, 'All that week,' said Ugo, 'I was out with a party, upon the mountains, and knew nothing of what was doing at the castle. We had enough upon our hands, we had warm work of it.'

Bertrand, the other man, being now returned, Emily enquired no further, and, when he had related to his companion what he had seen, they travelled on in deep silence; while Emily often caught, between the opening woods, partial glimpses of the castle above—the west towers, whose battlements were now crowded with archers, and the ramparts below, where soldiers were seen hurrying along, or busy upon the walls, preparing the cannon.

Having emerged from the woods, they wound along the valley in an opposite direction to that, from whence the enemy were approaching. Emily now had a full view of Udolpho, with its gray walls, towers and terraces, high over-topping the precipices and the dark woods, and glittering partially with the arms of the condottieri, as the sun's rays, streaming through an autumnal cloud, glanced upon a part of the edifice, whose remaining features stood in darkened majesty. She continued to gaze, through her tears, upon walls that, perhaps, confined Valancourt, and which now, as the cloud floated away, were lighted up with sudden splendour, and then, as suddenly were shrouded in gloom; while the passing gleam fell on the wood-tops below, and heightened the first tints of autumn, that had begun to steal upon the foliage. The winding mountains, at length, shut Udolpho from her view, and she turned, with mournful reluctance, to other objects. The melancholy sighing of the wind among the pines, that waved high over the steeps, and the distant thunder of a torrent assisted her musings, and conspired with the wild scenery around, to diffuse over her mind emotions solemn, yet not unpleasing, but which were soon interrupted by the distant roar of cannon, echoing among the mountains. The sounds rolled along the wind, and were repeated in faint and fainter reverberation, till they sunk in sullen murmurs. This was a signal, that the enemy had reached the castle, and fear for Valancourt again tormented Emily. She turned her anxious eyes towards that part of the country, where the edifice stood, but the intervening heights concealed it from her view; still, however, she saw the tall head of a mountain, which immediately fronted her late chamber, and on this she fixed her gaze, as if it could have told her of all that was passing in the scene it overlooked. The guides twice reminded her, that she was losing time and that they had far to go, before she could turn from this interesting object, and, even when she again moved onward, she often sent a look back, till only its blue point, brightening in a gleam of sunshine, appeared peeping over other mountains.

The sound of the cannon affected Ugo, as the blast of the trumpet does the war-horse; it called forth all the fire of his nature; he was impatient to be in the midst of the fight, and uttered frequent execrations against Montoni for having sent him to a distance. The feelings of his comrade seemed to be very opposite, and adapted rather to the cruelties, than to the dangers of war.

Emily asked frequent questions, concerning the place of her destination, but could only learn, that she was going to a cottage in Tuscany; and, whenever she mentioned the subject, she fancied she perceived, in the countenances of these men, an expression of malice and cunning, that alarmed her.

It was afternoon, when they had left the castle. During several hours, they travelled through regions of profound solitude, where no bleat of sheep, or bark of watch-dog, broke on silence, and they were now too far off to hear even the faint thunder of the cannon. Towards evening, they wound down precipices, black with forests of cypress, pine and cedar, into a glen so savage and secluded, that, if Solitude ever had local habitation, this might have been 'her place of dearest residence.' To Emily it appeared a spot exactly suited for the retreat of banditti, and, in her imagination, she already saw them lurking under the brow of some projecting rock, whence their shadows, lengthened by the setting sun, stretched across the road, and warned the traveller of his danger. She shuddered at the idea, and, looking at her conductors, to observe whether they were armed, thought she saw in them the banditti she dreaded!

It was in this glen, that they proposed to alight, 'For,' said Ugo, 'night will come on presently, and then the wolves will make it dangerous to stop.' This was a new subject of alarm to Emily, but inferior to what she suffered from the thought of being left in these wilds, at midnight, with two such men as her present conductors. Dark and dreadful hints of what might be Montoni's purpose in sending her hither, came to her mind. She endeavoured to dissuade the men from stopping, and enquired, with anxiety, how far they had yet to go.

'Many leagues yet,' replied Bertrand. 'As for you, Signora, you may do as you please about eating, but for us, we will make a hearty supper, while we can. We shall have need of it, I warrant, before we finish our journey. The sun's going down apace; let us alight under that rock, yonder.'

His comrade assented, and, turning the mules out of the road, they advanced towards a cliff, overhung with cedars, Emily following in trembling silence. They lifted her from her mule, and, having seated themselves on the grass, at the foot of the rocks, drew some homely fare from a wallet, of which Emily tried to eat a little, the better to disguise her apprehensions.

The sun was now sunk behind the high mountains in the west, upon which a purple haze began to spread, and the gloom of twilight to draw over the surrounding objects. To the low and sullen murmur of the breeze, passing among the woods, she no longer listened with any degree of pleasure, for it conspired with the wildness of the scene and the evening hour, to depress her spirits.

Suspense had so much increased her anxiety, as to the prisoner at Udolpho, that, finding it impracticable to speak alone with Bertrand, on that subject, she renewed her questions in the presence of Ugo; but he either was, or pretended to be entirely ignorant, concerning the stranger. When he had dismissed the question, he talked with Ugo on some subject, which led to the mention of Signor Orsino and of the affair that had banished him from Venice; respecting which Emily had ventured to ask a few questions. Ugo appeared to be well acquainted with the circumstances of that tragical event, and related some minute particulars, that both shocked and surprised her; for it appeared very extraordinary how such particulars could be known to any, but to persons, present when the assassination was committed.

'He was of rank,' said Bertrand, 'or the State would not have troubled itself to enquire after his assassins. The Signor has been lucky hitherto; this is not the first affair of the kind he has had upon his hands; and to be sure, when a gentleman has no other way of getting redress—why he must take this.'

'Aye,' said Ugo, 'and why is not this as good as another? This is the way to have justice done at once, without more ado. If you go to law, you must stay till the judges please, and may lose your cause, at last, Why the best way, then, is to make sure of your right, while you can, and execute justice yourself.'

'Yes, yes,' rejoined Bertrand, 'if you wait till justice is done you—you may stay long enough. Why if I want a friend of mine properly served, how am I to get my revenge? Ten to one they will tell me he is in the right, and I am in the wrong. Or, if a fellow has got possession of property, which I think ought to be mine, why I may wait, till I starve, perhaps, before the law will give it me, and then, after all, the judge may say—the estate is his. What is to be done then?—Why the case is plain enough, I must take it at last.'

Emily's horror at this conversation was heightened by a suspicion, that the latter part of it was pointed against herself, and that these men had been commissioned by Montoni to execute a similar kind of JUSTICE, in his cause.

'But I was speaking of Signor Orsino,' resumed Bertrand, 'he is one of those, who love to do justice at once. I remember, about ten years ago, the Signor had a quarrel with a cavaliero of Milan. The story was told me then, and it is still fresh in my head. They quarrelled about a lady, that the Signor liked, and she was perverse enough to prefer the gentleman of Milan, and even carried her whim so far as to marry him. This provoked the Signor, as well it might, for he had tried to talk reason to her a long while, and used to send people to serenade her, under her windows, of a night; and used to make verses about her, and would swear she was the handsomest lady in Milan—But all would not do—nothing would bring her to reason; and, as I said, she went so far at last, as to marry this other cavaliero. This made the Signor wrath, with a vengeance; he resolved to be even with her though, and he watched his opportunity, and did not wait long, for, soon after the marriage, they set out for Padua, nothing doubting, I warrant, of what was preparing for them. The cavaliero thought, to be sure, he was to be called to no account, but was to go off triumphant; but he was soon made to know another sort of story.'

'What then, the lady had promised to have Signor Orsino?' said Ugo.

'Promised! No,' replied Bertrand, 'she had not wit enough even to tell him she liked him, as I heard, but the contrary, for she used to say, from the first, she never meant to have him. And this was what provoked the Signor, so, and with good reason, for, who likes to be told that he is disagreeable? and this was saying as good. It was enough to tell him this; she need not have gone, and married another.'

'What, she married, then, on purpose to plague the Signor?' said Ugo.

'I don't know as for that,' replied Bertrand, 'they said, indeed, that she had had a regard for the other gentleman a great while; but that is nothing to the purpose, she should not have married him, and then the Signor would not have been so much provoked. She might have expected what was to follow; it was not to be supposed he would bear her ill usage tamely, and she might thank herself for what happened. But, as I said, they set out for Padua, she and her husband, and the road lay over some barren mountains like these. This suited the Signor's purpose well. He watched the time of their departure, and sent his men after them, with directions what to do. They kept their distance, till they saw their opportunity, and this did not happen, till the second day's journey, when, the gentleman having sent his servants forward to the next town, may be, to have horses in readiness, the Signor's men quickened their pace, and overtook the carriage, in a hollow, between two mountains, where the woods prevented the servants from seeing what passed, though they were then not far off. When we came up, we fired our tromboni, but missed.'

Emily turned pale, at these words, and then hoped she had mistaken them; while Bertrand proceeded:

'The gentleman fired again, but he was soon made to alight, and it was as he turned to call his people, that he was struck. It was the most dexterous feat you ever saw—he was struck in the back with three stillettos at once. He fell, and was dispatched in a minute; but the lady escaped, for the servants had heard the firing, and came up before she could be taken care of. "Bertrand," said the Signor, when his men returned'—

'Bertrand!' exclaimed Emily, pale with horror, on whom not a syllable of this narrative had been lost.

'Bertrand, did I say?' rejoined the man, with some confusion—'No, Giovanni. But I have forgot where I was;—"Bertrand," said the Signor'—

'Bertrand, again!' said Emily, in a faltering voice, 'Why do you repeat that name?'

Bertrand swore. 'What signifies it,' he proceeded, 'what the man was called—Bertrand, or Giovanni—or Roberto? it's all one for that. You have put me out twice with that—question. "Bertrand," or Giovanni—or what you will—"Bertrand," said the Signor, "if your comrades had done their duty, as well as you, I should not have lost the lady. Go, my honest fellow, and be happy with this." He game him a purse of gold—and little enough too, considering the service he had done him.'

'Aye, aye,' said Ugo, 'little enough—little enough.'

Emily now breathed with difficulty, and could scarcely support herself. When first she saw these men, their appearance and their connection with Montoni had been sufficient to impress her with distrust; but now, when one of them had betrayed himself to be a murderer, and she saw herself, at the approach of night, under his guidance, among wild and solitary mountains, and going she scarcely knew whither, the most agonizing terror seized her, which was the less supportable from the necessity she found herself under of concealing all symptoms of it from her companions. Reflecting on the character and the menaces of Montoni, it appeared not improbable, that he had delivered her to them, for the purpose of having her murdered, and of thus securing to himself, without further opposition, or delay, the estates, for which he had so long and so desperately contended. Yet, if this was his design, there appeared no necessity for sending her to such a distance from the castle; for, if any dread of discovery had made him unwilling to perpetrate the deed there, a much nearer place might have sufficed for the purpose of concealment. These considerations, however, did not immediately occur to Emily, with whom so many circumstances conspired to rouse terror, that she had no power to oppose it, or to enquire coolly into its grounds; and, if she had done so, still there were many appearances which would too well have justified her most terrible apprehensions. She did not now dare to speak to her conductors, at the sound of whose voices she trembled; and when, now and then, she stole a glance at them, their countenances, seen imperfectly through the gloom of evening, served to confirm her fears.

The sun had now been set some time; heavy clouds, whose lower skirts were tinged with sulphureous crimson, lingered in the west, and threw a reddish tint upon the pine forests, which sent forth a solemn sound, as the breeze rolled over them. The hollow moan struck upon Emily's heart, and served to render more gloomy and terrific every object around her,—the mountains, shaded in twilight—the gleaming torrent, hoarsely roaring—the black forests, and the deep glen, broken into rocky recesses, high overshadowed by cypress and sycamore and winding into long obscurity. To this glen, Emily, as she sent forth her anxious eye, thought there was no end; no hamlet, or even cottage, was seen, and still no distant bark of watch dog, or even faint, far-off halloo came on the wind. In a tremulous voice, she now ventured to remind the guides, that it was growing late, and to ask again how far they had to go: but they were too much occupied by their own discourse to attend to her question, which she forbore to repeat, lest it should provoke a surly answer. Having, however, soon after, finished their supper, the men collected the fragments into their wallet, and proceeded along this winding glen, in gloomy silence; while Emily again mused upon her own situation, and concerning the motives of Montoni for involving her in it. That it was for some evil purpose towards herself, she could not doubt; and it seemed, that, if he did not intend to destroy her, with a view of immediately seizing her estates, he meant to reserve her a while in concealment, for some more terrible design, for one that might equally gratify his avarice and still more his deep revenge. At this moment, remembering Signor Brochio and his behaviour in the corridor, a few preceding nights, the latter supposition, horrible as it was, strengthened in her belief. Yet, why remove her from the castle, where deeds of darkness had, she feared, been often executed with secrecy?—from chambers, perhaps 

  With many a foul, and midnight murder stain'd.

The dread of what she might be going to encounter was now so excessive, that it sometimes threatened her senses; and, often as she went, she thought of her late father and of all he would have suffered, could he have foreseen the strange and dreadful events of her future life; and how anxiously he would have avoided that fatal confidence, which committed his daughter to the care of a woman so weak as was Madame Montoni. So romantic and improbable, indeed, did her present situation appear to Emily herself, particularly when she compared it with the repose and beauty of her early days, that there were moments, when she could almost have believed herself the victim of frightful visions, glaring upon a disordered fancy.

Restrained by the presence of her guides from expressing her terrors, their acuteness was, at length, lost in gloomy despair. The dreadful view of what might await her hereafter rendered her almost indifferent to the surrounding dangers. She now looked, with little emotion, on the wild dingles, and the gloomy road and mountains, whose outlines were only distinguishable through the dusk;—objects, which but lately had affected her spirits so much, as to awaken horrid views of the future, and to tinge these with their own gloom.

It was now so nearly dark, that the travellers, who proceeded only by the slowest pace, could scarcely discern their way. The clouds, which seemed charged with thunder, passed slowly along the heavens, shewing, at intervals, the trembling stars; while the groves of cypress and sycamore, that overhung the rocks, waved high in the breeze, as it swept over the glen, and then rushed among the distant woods. Emily shivered as it passed.

'Where is the torch?' said Ugo, 'It grows dark.'

'Not so dark yet,' replied Bertrand, 'but we may find our way, and 'tis best not light the torch, before we can help, for it may betray us, if any straggling party of the enemy is abroad.'

Ugo muttered something, which Emily did not understand, and they proceeded in darkness, while she almost wished, that the enemy might discover them; for from change there was something to hope, since she could scarcely imagine any situation more dreadful than her present one.

As they moved slowly along, her attention was surprised by a thin tapering flame, that appeared, by fits, at the point of the pike, which Bertrand carried, resembling what she had observed on the lance of the sentinel, the night Madame Montoni died, and which he had said was an omen. The event immediately following it appeared to justify the assertion, and a superstitious impression had remained on Emily's mind, which the present appearance confirmed. She thought it was an omen of her own fate, and watched it successively vanish and return, in gloomy silence, which was at length interrupted by Bertrand.

'Let us light the torch,' said he, 'and get under shelter of the woods;—a storm is coming on—look at my lance.'

He held it forth, with the flame tapering at its point.*

(*See the Abbe Berthelon on Electricity. [A. R.])

'Aye,' said Ugo, 'you are not one of those, that believe in omens: we have left cowards at the castle, who would turn pale at such a sight. I have often seen it before a thunder storm, it is an omen of that, and one is coming now, sure enough. The clouds flash fast already.'

Emily was relieved by this conversation from some of the terrors of superstition, but those of reason increased, as, waiting while Ugo searched for a flint, to strike fire, she watched the pale lightning gleam over the woods they were about to enter, and illumine the harsh countenances of her companions. Ugo could not find a flint, and Bertrand became impatient, for the thunder sounded hollowly at a distance, and the lightning was more frequent. Sometimes, it revealed the nearer recesses of the woods, or, displaying some opening in their summits, illumined the ground beneath with partial splendour, the thick foliage of the trees preserving the surrounding scene in deep shadow.

At length, Ugo found a flint, and the torch was lighted. The men then dismounted, and, having assisted Emily, led the mules towards the woods, that skirted the glen, on the left, over broken ground, frequently interrupted with brush-wood and wild plants, which she was often obliged to make a circuit to avoid.

She could not approach these woods, without experiencing keener sense of her danger. Their deep silence, except when the wind swept among their branches, and impenetrable glooms shewn partially by the sudden flash, and then, by the red glare of the torch, which served only to make 'darkness visible,' were circumstances, that contributed to renew all her most terrible apprehensions; she thought, too, that, at this moment, the countenances of her conductors displayed more than their usual fierceness, mingled with a kind of lurking exultation, which they seemed endeavouring to disguise. To her affrighted fancy it occurred, that they were leading her into these woods to complete the will of Montoni by her murder. The horrid suggestion called a groan from her heart, which surprised her companions, who turned round quickly towards her, and she demanded why they led her thither, beseeching them to continue their way along the open glen, which she represented to be less dangerous than the woods, in a thunder storm.

'No, no,' said Bertrand, 'we know best where the danger lies. See how the clouds open over our heads. Besides, we can glide under cover of the woods with less hazard of being seen, should any of the enemy be wandering this way. By holy St. Peter and all the rest of them, I've as stout a heart as the best, as many a poor devil could tell, if he were alive again—but what can we do against numbers?'

'What are you whining about?' said Ugo, contemptuously, 'who fears numbers! Let them come, though they were as many, as the Signor's castle could hold; I would shew the knaves what fighting is. For you—I would lay you quietly in a dry ditch, where you might peep out, and see me put the rogues to flight.—Who talks of fear!'

Bertrand replied, with an horrible oath, that he did not like such jesting, and a violent altercation ensued, which was, at length, silenced by the thunder, whose deep volley was heard afar, rolling onward till it burst over their heads in sounds, that seemed to shake the earth to its centre. The ruffians paused, and looked upon each other. Between the boles of the trees, the blue lightning flashed and quivered along the ground, while, as Emily looked under the boughs, the mountains beyond, frequently appeared to be clothed in livid flame. At this moment, perhaps, she felt less fear of the storm, than did either of her companions, for other terrors occupied her mind.

The men now rested under an enormous chesnut-tree, and fixed their pikes in the ground, at some distance, on the iron points of which Emily repeatedly observed the lightning play, and then glide down them into the earth.

'I would we were well in the Signor's castle!' said Bertrand, 'I know not why he should send us on this business. Hark! how it rattles above, there! I could almost find in my heart to turn priest, and pray. Ugo, hast got a rosary?'

'No,' replied Ugo, 'I leave it to cowards like thee, to carry rosaries—I, carry a sword.'

'And much good may it do thee in fighting against the storm!' said Bertrand.

Another peal, which was reverberated in tremendous echoes among the mountains, silenced them for a moment. As it rolled away, Ugo proposed going on. 'We are only losing time here,' said he, 'for the thick boughs of the woods will shelter us as well as this chesnut-tree.'

They again led the mules forward, between the boles of the trees, and over pathless grass, that concealed their high knotted roots. The rising wind was now heard contending with the thunder, as it rushed furiously among the branches above, and brightened the red flame of the torch, which threw a stronger light forward among the woods, and shewed their gloomy recesses to be suitable resorts for the wolves, of which Ugo had formerly spoken.

At length, the strength of the wind seemed to drive the storm before it, for the thunder rolled away into distance, and was only faintly heard. After travelling through the woods for nearly an hour, during which the elements seemed to have returned to repose, the travellers, gradually ascending from the glen, found themselves upon the open brow of a mountain, with a wide valley, extending in misty moon-light, at their feet, and above, the blue sky, trembling through the few thin clouds, that lingered after the storm, and were sinking slowly to the verge of the horizon.

Emily's spirits, now that she had quitted the woods, began to revive; for she considered, that, if these men had received an order to destroy her, they would probably have executed their barbarous purpose in the solitary wild, from whence they had just emerged, where the deed would have been shrouded from every human eye. Reassured by this reflection, and by the quiet demeanour of her guides, Emily, as they proceeded silently, in a kind of sheep track, that wound along the skirts of the woods, which ascended on the right, could not survey the sleeping beauty of the vale, to which they were declining, without a momentary sensation of pleasure. It seemed varied with woods, pastures, and sloping grounds, and was screened to the north and the east by an amphitheatre of the Apennines, whose outline on the horizon was here broken into varied and elegant forms; to the west and the south, the landscape extended indistinctly into the lowlands of Tuscany.

'There is the sea yonder,' said Bertrand, as if he had known that Emily was examining the twilight view, 'yonder in the west, though we cannot see it.'

Emily already perceived a change in the climate, from that of the wild and mountainous tract she had left; and, as she continued descending, the air became perfumed by the breath of a thousand nameless flowers among the grass, called forth by the late rain. So soothingly beautiful was the scene around her, and so strikingly contrasted to the gloomy grandeur of those, to which she had long been confined, and to the manners of the people, who moved among them, that she could almost have fancied herself again at La Vallee, and, wondering why Montoni had sent her hither, could scarcely believe, that he had selected so enchanting a spot for any cruel design. It was, however, probably not the spot, but the persons, who happened to inhabit it, and to whose care he could safely commit the execution of his plans, whatever they might be, that had determined his choice.

She now ventured again to enquire, whether they were near the place of their destination, and was answered by Ugo, that they had not far to go. 'Only to the wood of chesnuts in the valley yonder,' said he, 'there, by the brook, that sparkles with the moon; I wish I was once at rest there, with a flask of good wine, and a slice of Tuscany bacon.'

Emily's spirits revived, when she heard, that the journey was so nearly concluded, and saw the wood of chesnuts in an open part of the vale, on the margin of the stream.

In a short time, they reached the entrance of the wood, and perceived, between the twinkling leaves, a light, streaming from a distant cottage window. They proceeded along the edge of the brook to where the trees, crowding over it, excluded the moon-beams, but a long line of light, from the cottage above, was seen on its dark tremulous surface. Bertrand now stepped on first, and Emily heard him knock, and call loudly at the door. As she reached it, the small upper casement, where the light appeared, was unclosed by a man, who, having enquired what they wanted, immediately descended, let them into a neat rustic cot, and called up his wife to set refreshments before the travellers. As this man conversed, rather apart, with Bertrand, Emily anxiously surveyed him. He was a tall, but not robust, peasant, of a sallow complexion, and had a shrewd and cunning eye; his countenance was not of a character to win the ready confidence of youth, and there was nothing in his manner, that might conciliate a stranger.

Ugo called impatiently for supper, and in a tone as if he knew his authority here to be unquestionable. 'I expected you an hour ago,' said the peasant, 'for I have had Signor Montoni's letter these three hours, and I and my wife had given you up, and gone to bed. How did you fare in the storm?'

'Ill enough,' replied Ugo, 'ill enough and we are like to fare ill enough here, too, unless you will make more haste. Get us more wine, and let us see what you have to eat.'

The peasant placed before them all, that his cottage afforded—ham, wine, figs, and grapes of such size and flavour, as Emily had seldom tasted.

After taking refreshment, she was shewn by the peasant's wife to her little bed-chamber, where she asked some questions concerning Montoni, to which the woman, whose name was Dorina, gave reserved answers, pretending ignorance of his excellenza's intention in sending Emily hither, but acknowledging that her husband had been apprized of the circumstance. Perceiving, that she could obtain no intelligence concerning her destination, Emily dismissed Dorina, and retired to repose; but all the busy scenes of her past and the anticipated ones of the future came to her anxious mind, and conspired with the sense of her new situation to banish sleep.





 

CHAPTER VII 

     Was nought around but images of rest,
 Sleep-soothing groves, and quiet lawns between,
 And flowery beds that slumbrous influence kept,
 From poppies breath'd, and banks of pleasant green,
 Where never yet was creeping creature seen.
 Meantime unnumbered glittering streamlets play'd,
 And hurled every where their water's sheen,
 That, as they bicker'd through the sunny glade,
 Though restless still themselves, a lulling murmur made.
     THOMSON

When Emily, in the morning, opened her casement, she was surprised to observe the beauties, that surrounded it. The cottage was nearly embowered in the woods, which were chiefly of chesnut intermixed with some cypress, larch and sycamore. Beneath the dark and spreading branches, appeared, to the north, and to the east, the woody Apennines, rising in majestic amphitheatre, not black with pines, as she had been accustomed to see them, but their loftiest summits crowned with antient forests of chesnut, oak, and oriental plane, now animated with the rich tints of autumn, and which swept downward to the valley uninterruptedly, except where some bold rocky promontory looked out from among the foliage, and caught the passing gleam. Vineyards stretched along the feet of the mountains, where the elegant villas of the Tuscan nobility frequently adorned the scene, and overlooked slopes clothed with groves of olive, mulberry, orange and lemon. The plain, to which these declined, was coloured with the riches of cultivation, whose mingled hues were mellowed into harmony by an Italian sun. Vines, their purple clusters blushing between the russet foliage, hung in luxuriant festoons from the branches of standard fig and cherry trees, while pastures of verdure, such as Emily had seldom seen in Italy, enriched the banks of a stream that, after descending from the mountains, wound along the landscape, which it reflected, to a bay of the sea. There, far in the west, the waters, fading into the sky, assumed a tint of the faintest purple, and the line of separation between them was, now and then, discernible only by the progress of a sail, brightened with the sunbeam, along the horizon.

The cottage, which was shaded by the woods from the intenser rays of the sun, and was open only to his evening light, was covered entirely with vines, fig-trees and jessamine, whose flowers surpassed in size and fragrance any that Emily had seen. These and ripening clusters of grapes hung round her little casement. The turf, that grew under the woods, was inlaid with a variety of wild flowers and perfumed herbs, and, on the opposite margin of the stream, whose current diffused freshness beneath the shades, rose a grove of lemon and orange trees. This, though nearly opposite to Emily's window, did not interrupt her prospect, but rather heightened, by its dark verdure, the effect of the perspective; and to her this spot was a bower of sweets, whose charms communicated imperceptibly to her mind somewhat of their own serenity.

She was soon summoned to breakfast, by the peasant's daughter, a girl about seventeen, of a pleasant countenance, which, Emily was glad to observe, seemed animated with the pure affections of nature, though the others, that surrounded her, expressed, more or less, the worst qualities—cruelty, ferocity, cunning and duplicity; of the latter style of countenance, especially, were those of the peasant and his wife. Maddelina spoke little, but what she said was in a soft voice, and with an air of modesty and complacency, that interested Emily, who breakfasted at a separate table with Dorina, while Ugo and Bertrand were taking a repast of Tuscany bacon and wine with their host, near the cottage door; when they had finished which, Ugo, rising hastily, enquired for his mule, and Emily learned that he was to return to Udolpho, while Bertrand remained at the cottage; a circumstance, which, though it did not surprise, distressed her.

When Ugo was departed, Emily proposed to walk in the neighbouring woods; but, on being told, that she must not quit the cottage, without having Bertrand for her attendant, she withdrew to her own room. There, as her eyes settled on the towering Apennines, she recollected the terrific scenery they had exhibited and the horrors she had suffered, on the preceding night, particularly at the moment when Bertrand had betrayed himself to be an assassin; and these remembrances awakened a train of images, which, since they abstracted her from a consideration of her own situation, she pursued for some time, and then arranged in the following lines; pleased to have discovered any innocent means, by which she could beguile an hour of misfortune. 

  THE PILGRIM*

 Slow o'er the Apennine, with bleeding feet,
 A patient Pilgrim wound his lonely way,
 To deck the Lady of Loretto's seat
 With all the little wealth his zeal could pay.
 From mountain-tops cold died the evening ray,
 And, stretch'd in twilight, slept the vale below;
 And now the last, last purple streaks of day
 Along the melancholy West fade slow.
 High o'er his head, the restless pines complain,
 As on their summit rolls the breeze of night;
 Beneath, the hoarse stream chides the rocks in vain:
 The Pilgrim pauses on the dizzy height.
 Then to the vale his cautious step he prest,
 For there a hermit's cross was dimly seen,
 Cresting the rock, and there his limbs might rest,
 Cheer'd in the good man's cave, by faggot's sheen,
 On leafy beds, nor guile his sleep molest.
 Unhappy Luke! he trusts a treacherous clue!
 Behind the cliff the lurking robber stood;
 No friendly moon his giant shadow threw
 Athwart the road, to save the Pilgrim's blood;
 On as he went a vesper-hymn he sang,
 The hymn, that nightly sooth'd him to repose.
 Fierce on his harmless prey the ruffian sprang!
 The Pilgrim bleeds to death, his eye-lids close.
 Yet his meek spirit knew no vengeful care,
 But, dying, for his murd'rer breath'd—a sainted pray'r!

(* This poem and that entitled THE TRAVELLER in vol. ii, have already appeared in a periodical publication. [A. R.])

Preferring the solitude of her room to the company of the persons below stairs, Emily dined above, and Maddelina was suffered to attend her, from whose simple conversation she learned, that the peasant and his wife were old inhabitants of this cottage, which had been purchased for them by Montoni, in reward of some service, rendered him, many years before, by Marco, to whom Carlo, the steward at the castle, was nearly related. 'So many years ago, Signora,' added Maddelina, 'that I know nothing about it; but my father did the Signor a great good, for my mother has often said to him, this cottage was the least he ought to have had.'

To the mention of this circumstance Emily listened with a painful interest, since it appeared to give a frightful colour to the character of Marco, whose service, thus rewarded by Montoni, she could scarcely doubt have been criminal; and, if so, had too much reason to believe, that she had been committed into his hands for some desperate purpose. 'Did you ever hear how many years it is,' said Emily, who was considering of Signora Laurentini's disappearance from Udolpho, 'since your father performed the services you spoke of?'

'It was a little before he came to live at the cottage, Signora,' replied Maddelina, 'and that is about eighteen years ago.'

This was near the period, when Signora Laurentini had been said to disappear, and it occurred to Emily, that Marco had assisted in that mysterious affair, and, perhaps, had been employed in a murder! This horrible suggestion fixed her in such profound reverie, that Maddelina quitted the room, unperceived by her, and she remained unconscious of all around her, for a considerable time. Tears, at length, came to her relief, after indulging which, her spirits becoming calmer, she ceased to tremble at a view of evils, that might never arrive; and had sufficient resolution to endeavour to withdraw her thoughts from the contemplation of her own interests. Remembering the few books, which even in the hurry of her departure from Udolpho she had put into her little package, she sat down with one of them at her pleasant casement, whence her eyes often wandered from the page to the landscape, whose beauty gradually soothed her mind into gentle melancholy.

Here, she remained alone, till evening, and saw the sun descend the western sky, throw all his pomp of light and shadow upon the mountains, and gleam upon the distant ocean and the stealing sails, as he sunk amidst the waves. Then, at the musing hour of twilight, her softened thoughts returned to Valancourt; she again recollected every circumstance, connected with the midnight music, and all that might assist her conjecture, concerning his imprisonment at the castle, and, becoming confirmed in the supposition, that it was his voice she had heard there, she looked back to that gloomy abode with emotions of grief and momentary regret.

Refreshed by the cool and fragrant air, and her spirits soothed to a state of gentle melancholy by the stilly murmur of the brook below and of the woods around, she lingered at her casement long after the sun had set, watching the valley sinking into obscurity, till only the grand outline of the surrounding mountains, shadowed upon the horizon, remained visible. But a clear moon-light, that succeeded, gave to the landscape, what time gives to the scenes of past life, when it softens all their harsher features, and throws over the whole the mellowing shade of distant contemplation. The scenes of La Vallee, in the early morn of her life, when she was protected and beloved by parents equally loved, appeared in Emily's memory tenderly beautiful, like the prospect before her, and awakened mournful comparisons. Unwilling to encounter the coarse behaviour of the peasant's wife, she remained supperless in her room, while she wept again over her forlorn and perilous situation, a review of which entirely overcame the small remains of her fortitude, and, reducing her to temporary despondence, she wished to be released from the heavy load of life, that had so long oppressed her, and prayed to Heaven to take her, in its mercy, to her parents.

Wearied with weeping, she, at length, lay down on her mattress, and sunk to sleep, but was soon awakened by a knocking at her chamber door, and, starting up in terror, she heard a voice calling her. The image of Bertrand, with a stilletto in his hand, appeared to her alarmed fancy, and she neither opened the door, or answered, but listened in profound silence, till, the voice repeating her name in the same low tone, she demanded who called. 'It is I, Signora,' replied the voice, which she now distinguished to be Maddelina's, 'pray open the door. Don't be frightened, it is I.'

'And what brings you here so late, Maddelina?' said Emily, as she let her in.

'Hush! signora, for heaven's sake hush!—if we are overheard I shall never be forgiven. My father and mother and Bertrand are all gone to bed,' continued Maddelina, as she gently shut the door, and crept forward, 'and I have brought you some supper, for you had none, you know, Signora, below stairs. Here are some grapes and figs and half a cup of wine.' Emily thanked her, but expressed apprehension lest this kindness should draw upon her the resentment of Dorina, when she perceived the fruit was gone. 'Take it back, therefore, Maddelina,' added Emily, 'I shall suffer much less from the want of it, than I should do, if this act of good-nature was to subject you to your mother's displeasure.'

'O Signora! there is no danger of that,' replied Maddelina, 'my mother cannot miss the fruit, for I saved it from my own supper. You will make me very unhappy, if you refuse to take it, Signora.' Emily was so much affected by this instance of the good girl's generosity, that she remained for some time unable to reply, and Maddelina watched her in silence, till, mistaking the cause of her emotion, she said, 'Do not weep so, Signora! My mother, to be sure, is a little cross, sometimes, but then it is soon over,—so don't take it so much to heart. She often scolds me, too, but then I have learned to bear it, and, when she has done, if I can but steal out into the woods, and play upon my sticcado, I forget it all directly.'

Emily, smiling through her tears, told Maddelina, that she was a good girl, and then accepted her offering. She wished anxiously to know, whether Bertrand and Dorina had spoken of Montoni, or of his designs, concerning herself, in the presence of Maddelina, but disdained to tempt the innocent girl to a conduct so mean, as that of betraying the private conversations of her parents. When she was departing, Emily requested, that she would come to her room as often as she dared, without offending her mother, and Maddelina, after promising that she would do so, stole softly back again to her own chamber.

Thus several days passed, during which Emily remained in her own room, Maddelina attending her only at her repast, whose gentle countenance and manners soothed her more than any circumstance she had known for many months. Of her pleasant embowered chamber she now became fond, and began to experience in it those feelings of security, which we naturally attach to home. In this interval also, her mind, having been undisturbed by any new circumstance of disgust, or alarm, recovered its tone sufficiently to permit her the enjoyment of her books, among which she found some unfinished sketches of landscapes, several blank sheets of paper, with her drawing instruments, and she was thus enabled to amuse herself with selecting some of the lovely features of the prospect, that her window commanded, and combining them in scenes, to which her tasteful fancy gave a last grace. In these little sketches she generally placed interesting groups, characteristic of the scenery they animated, and often contrived to tell, with perspicuity, some simple and affecting story, when, as a tear fell over the pictured griefs, which her imagination drew, she would forget, for a moment, her real sufferings. Thus innocently she beguiled the heavy hours of misfortune, and, with meek patience, awaited the events of futurity.

A beautiful evening, that had succeeded to a sultry day, at length induced Emily to walk, though she knew that Bertrand must attend her, and, with Maddelina for her companion, she left the cottage, followed by Bertrand, who allowed her to choose her own way. The hour was cool and silent, and she could not look upon the country around her, without delight. How lovely, too, appeared the brilliant blue, that coloured all the upper region of the air, and, thence fading downward, was lost in the saffron glow of the horizon! Nor less so were the varied shades and warm colouring of the Apennines, as the evening sun threw his slanting rays athwart their broken surface. Emily followed the course of the stream, under the shades, that overhung its grassy margin. On the opposite banks, the pastures were animated with herds of cattle of a beautiful cream-colour; and, beyond, were groves of lemon and orange, with fruit glowing on the branches, frequent almost as the leaves, which partly concealed it. She pursued her way towards the sea, which reflected the warm glow of sun-set, while the cliffs, that rose over its edge, were tinted with the last rays. The valley was terminated on the right by a lofty promontory, whose summit, impending over the waves, was crowned with a ruined tower, now serving for the purpose of a beacon, whose shattered battlements and the extended wings of some sea-fowl, that circled near it, were still illumined by the upward beams of the sun, though his disk was now sunk beneath the horizon; while the lower part of the ruin, the cliff on which it stood and the waves at its foot, were shaded with the first tints of twilight.

Having reached this headland, Emily gazed with solemn pleasure on the cliffs, that extended on either hand along the sequestered shores, some crowned with groves of pine, and others exhibiting only barren precipices of grayish marble, except where the crags were tufted with myrtle and other aromatic shrubs. The sea slept in a perfect calm; its waves, dying in murmurs on the shores, flowed with the gentlest undulation, while its clear surface reflected in softened beauty the vermeil tints of the west. Emily, as she looked upon the ocean, thought of France and of past times, and she wished, Oh! how ardently, and vainly—wished! that its waves would bear her to her distant, native home!

'Ah! that vessel,' said she, 'that vessel, which glides along so stately, with its tall sails reflected in the water is, perhaps, bound for France! Happy—happy bark!' She continued to gaze upon it, with warm emotion, till the gray of twilight obscured the distance, and veiled it from her view. The melancholy sound of the waves at her feet assisted the tenderness, that occasioned her tears, and this was the only sound, that broke upon the hour, till, having followed the windings of the beach, for some time, a chorus of voices passed her on the air. She paused a moment, wishing to hear more, yet fearing to be seen, and, for the first time, looked back to Bertrand, as her protector, who was following, at a short distance, in company with some other person. Reassured by this circumstance, she advanced towards the sounds, which seemed to arise from behind a high promontory, that projected athwart the beach. There was now a sudden pause in the music, and then one female voice was heard to sing in a kind of chant. Emily quickened her steps, and, winding round the rock, saw, within the sweeping bay, beyond, which was hung with woods from the borders of the beach to the very summit of the cliffs, two groups of peasants, one seated beneath the shades, and the other standing on the edge of the sea, round the girl, who was singing, and who held in her hand a chaplet of flowers, which she seemed about to drop into the waves.

Emily, listening with surprise and attention, distinguished the following invocation delivered in the pure and elegant tongue of Tuscany, and accompanied by a few pastoral instruments. 

  TO A SEA-NYMPH

 O nymph! who loves to float on the green wave,
 When Neptune sleeps beneath the moon-light hour,
 Lull'd by the music's melancholy pow'r,
 O nymph, arise from out thy pearly cave!

 For Hesper beams amid the twilight shade,
 And soon shall Cynthia tremble o'er the tide,
 Gleam on these cliffs, that bound the ocean's pride,
 And lonely silence all the air pervade.

 Then, let thy tender voice at distance swell,
 And steal along this solitary shore,
 Sink on the breeze, till dying—heard no more—
 Thou wak'st the sudden magic of thy shell.

 While the long coast in echo sweet replies,
 Thy soothing strains the pensive heart beguile,
 And bid the visions of the future smile,
 O nymph! from out thy pearly cave—arise!

  (Chorus)—ARISE!
  (Semi-chorus)—ARISE!

The last words being repeated by the surrounding group, the garland of flowers was thrown into the waves, and the chorus, sinking gradually into a chant, died away in silence.

'What can this mean, Maddelina?' said Emily, awakening from the pleasing trance, into which the music had lulled her. 'This is the eve of a festival, Signora,' replied Maddelina; 'and the peasants then amuse themselves with all kinds of sports.'

'But they talked of a sea-nymph,' said Emily: 'how came these good people to think of a sea-nymph?'

'O, Signora,' rejoined Maddelina, mistaking the reason of Emily's surprise, 'nobody BELIEVES in such things, but our old songs tell of them, and, when we are at our sports, we sometimes sing to them, and throw garlands into the sea.'

Emily had been early taught to venerate Florence as the seat of literature and of the fine arts; but, that its taste for classic story should descend to the peasants of the country, occasioned her both surprise and admiration. The Arcadian air of the girls next attracted her attention. Their dress was a very short full petticoat of light green, with a boddice of white silk; the sleeves loose, and tied up at the shoulders with ribbons and bunches of flowers. Their hair, falling in ringlets on their necks, was also ornamented with flowers, and with a small straw hat, which, set rather backward and on one side of the head, gave an expression of gaiety and smartness to the whole figure. When the song had concluded, several of these girls approached Emily, and, inviting her to sit down among them, offered her, and Maddelina, whom they knew, grapes and figs.

Emily accepted their courtesy, much pleased with the gentleness and grace of their manners, which appeared to be perfectly natural to them; and when Bertrand, soon after, approached, and was hastily drawing her away, a peasant, holding up a flask, invited him to drink; a temptation, which Bertrand was seldom very valiant in resisting.

'Let the young lady join in the dance, my friend,' said the peasant, 'while we empty this flask. They are going to begin directly. Strike up! my lads, strike up your tambourines and merry flutes!'

They sounded gaily; and the younger peasants formed themselves into a circle, which Emily would readily have joined, had her spirits been in unison with their mirth. Maddelina, however, tripped it lightly, and Emily, as she looked on the happy group, lost the sense of her misfortunes in that of a benevolent pleasure. But the pensive melancholy of her mind returned, as she sat rather apart from the company, listening to the mellow music, which the breeze softened as it bore it away, and watching the moon, stealing its tremulous light over the waves and on the woody summits of the cliffs, that wound along these Tuscan shores.

Meanwhile, Bertrand was so well pleased with his first flask, that he very willingly commenced the attack on a second, and it was late before Emily, not without some apprehension, returned to the cottage.

After this evening, she frequently walked with Maddelina, but was never unattended by Bertrand; and her mind became by degrees as tranquil as the circumstances of her situation would permit. The quiet, in which she was suffered to live, encouraged her to hope, that she was not sent hither with an evil design; and, had it not appeared probable, that Valancourt was at this time an inhabitant of Udolpho, she would have wished to remain at the cottage, till an opportunity should offer of returning to her native country. But, concerning Montoni's motive for sending her into Tuscany, she was more than ever perplexed, nor could she believe that any consideration for her safety had influenced him on this occasion.

She had been some time at the cottage, before she recollected, that, in the hurry of leaving Udolpho, she had forgotten the papers committed to her by her late aunt, relative to the Languedoc estates; but, though this remembrance occasioned her much uneasiness, she had some hope, that, in the obscure place, where they were deposited, they would escape the detection of Montoni.





 

CHAPTER VIII 

 My tongue hath but a heavier tale to say.
 I play the torturer, by small and small,
 To lengthen out the worst that must be spoken.
     RICHARD II

We now return, for a moment, to Venice, where Count Morano was suffering under an accumulation of misfortunes. Soon after his arrival in that city, he had been arrested by order of the Senate, and, without knowing of what he was suspected, was conveyed to a place of confinement, whither the most strenuous enquiries of his friends had been unable to trace him. Who the enemy was, that had occasioned him this calamity, he had not been able to guess, unless, indeed, it was Montoni, on whom his suspicions rested, and not only with much apparent probability, but with justice.

In the affair of the poisoned cup, Montoni had suspected Morano; but, being unable to obtain the degree of proof, which was necessary to convict him of a guilty intention, he had recourse to means of other revenge, than he could hope to obtain by prosecution. He employed a person, in whom he believed he might confide, to drop a letter of accusation into the DENUNZIE SECRETE, or lions' mouths, which are fixed in a gallery of the Doge's palace, as receptacles for anonymous information, concerning persons, who may be disaffected towards the state. As, on these occasions, the accuser is not confronted with the accused, a man may falsely impeach his enemy, and accomplish an unjust revenge, without fear of punishment, or detection. That Montoni should have recourse to these diabolical means of ruining a person, whom he suspected of having attempted his life, is not in the least surprising. In the letter, which he had employed as the instrument of his revenge, he accused Morano of designs against the state, which he attempted to prove, with all the plausible simplicity of which he was master; and the Senate, with whom a suspicion was, at that time, almost equal to a proof, arrested the Count, in consequence of this accusation; and, without even hinting to him his crime, threw him into one of those secret prisons, which were the terror of the Venetians, and in which persons often languished, and sometimes died, without being discovered by their friends.

Morano had incurred the personal resentment of many members of the state; his habits of life had rendered him obnoxious to some; and his ambition, and the bold rivalship, which he discovered, on several public occasions,—to others; and it was not to be expected, that mercy would soften the rigour of a law, which was to be dispensed from the hands of his enemies.

Montoni, meantime, was beset by dangers of another kind. His castle was besieged by troops, who seemed willing to dare every thing, and to suffer patiently any hardships in pursuit of victory. The strength of the fortress, however, withstood their attack, and this, with the vigorous defence of the garrison and the scarcity of provision on these wild mountains, soon compelled the assailants to raise the siege.

When Udolpho was once more left to the quiet possession of Montoni, he dispatched Ugo into Tuscany for Emily, whom he had sent from considerations of her personal safety, to a place of greater security, than a castle, which was, at that time, liable to be overrun by his enemies. Tranquillity being once more restored to Udolpho, he was impatient to secure her again under his roof, and had commissioned Ugo to assist Bertrand in guarding her back to the castle. Thus compelled to return, Emily bade the kind Maddelina farewell, with regret, and, after about a fortnight's stay in Tuscany, where she had experienced an interval of quiet, which was absolutely necessary to sustain her long-harassed spirits, began once more to ascend the Apennines, from whose heights she gave a long and sorrowful look to the beautiful country, that extended at their feet, and to the distant Mediterranean, whose waves she had so often wished would bear her back to France. The distress she felt, on her return towards the place of her former sufferings, was, however, softened by a conjecture, that Valancourt was there, and she found some degree of comfort in the thought of being near him, notwithstanding the consideration, that he was probably a prisoner.

It was noon, when she had left the cottage, and the evening was closed, long before she came within the neighbourhood of Udolpho. There was a moon, but it shone only at intervals, for the night was cloudy, and, lighted by the torch, which Ugo carried, the travellers paced silently along, Emily musing on her situation, and Bertrand and Ugo anticipating the comforts of a flask of wine and a good fire, for they had perceived for some time the difference between the warm climate of the lowlands of Tuscany and the nipping air of these upper regions. Emily was, at length, roused from her reverie by the far-off sound of the castle clock, to which she listened not without some degree of awe, as it rolled away on the breeze. Another and another note succeeded, and died in sullen murmur among the mountains:—to her mournful imagination it seemed a knell measuring out some fateful period for her.

'Aye, there is the old clock,' said Bertrand, 'there he is still; the cannon have not silenced him!'

'No,' answered Ugo, 'he crowed as loud as the best of them in the midst of it all. There he was roaring out in the hottest fire I have seen this many a day! I said that some of them would have a hit at the old fellow, but he escaped, and the tower too.'

The road winding round the base of a mountain, they now came within view of the castle, which was shewn in the perspective of the valley by a gleam of moon-shine, and then vanished in shade; while even a transient view of it had awakened the poignancy of Emily's feelings. Its massy and gloomy walls gave her terrible ideas of imprisonment and suffering: yet, as she advanced, some degree of hope mingled with her terror; for, though this was certainly the residence of Montoni, it was possibly, also, that of Valancourt, and she could not approach a place, where he might be, without experiencing somewhat of the joy of hope.

They continued to wind along the valley, and, soon after, she saw again the old walls and moon-lit towers, rising over the woods: the strong rays enabled her, also, to perceive the ravages, which the siege had made,—with the broken walls, and shattered battlements, for they were now at the foot of the steep, on which Udolpho stood. Massy fragments had rolled down among the woods, through which the travellers now began to ascend, and there mingled with the loose earth, and pieces of rock they had brought with them. The woods, too, had suffered much from the batteries above, for here the enemy had endeavoured to screen themselves from the fire of the ramparts. Many noble trees were levelled with the ground, and others, to a wide extent, were entirely stripped of their upper branches. 'We had better dismount,' said Ugo, 'and lead the mules up the hill, or we shall get into some of the holes, which the balls have left. Here are plenty of them. Give me the torch,' continued Ugo, after they had dismounted, 'and take care you don't stumble over any thing, that lies in your way, for the ground is not yet cleared of the enemy.'

'How!' exclaimed Emily, 'are any of the enemy here, then?'

'Nay, I don't know for that, now,' he replied, 'but when I came away I saw one or two of them lying under the trees.'

As they proceeded, the torch threw a gloomy light upon the ground, and far among the recesses of the woods, and Emily feared to look forward, lest some object of horror should meet her eye. The path was often strewn with broken heads of arrows, and with shattered remains of armour, such as at that period was mingled with the lighter dress of the soldiers. 'Bring the light hither,' said Bertrand, 'I have stumbled over something, that rattles loud enough.' Ugo holding up the torch, they perceived a steel breastplate on the ground, which Bertrand raised, and they saw, that it was pierced through, and that the lining was entirely covered with blood; but upon Emily's earnest entreaties, that they would proceed, Bertrand, uttering some joke upon the unfortunate person, to whom it had belonged, threw it hard upon the ground, and they passed on.

At every step she took, Emily feared to see some vestige of death. Coming soon after to an opening in the woods, Bertrand stopped to survey the ground, which was encumbered with massy trunks and branches of the trees, that had so lately adorned it, and seemed to have been a spot particularly fatal to the besiegers; for it was evident from the destruction of the trees, that here the hottest fire of the garrison had been directed. As Ugo held again forth the torch, steel glittered between the fallen trees; the ground beneath was covered with broken arms, and with the torn vestments of soldiers, whose mangled forms Emily almost expected to see; and she again entreated her companions to proceed, who were, however, too intent in their examination, to regard her, and she turned her eyes from this desolated scene to the castle above, where she observed lights gliding along the ramparts. Presently, the castle clock struck twelve, and then a trumpet sounded, of which Emily enquired the occasion.

'O! they are only changing watch,' replied Ugo. 'I do not remember this trumpet,' said Emily, 'it is a new custom.' 'It is only an old one revived, lady; we always use it in time of war. We have sounded it, at midnight, ever since the place was besieged.'

'Hark!' said Emily, as the trumpet sounded again; and, in the next moment, she heard a faint clash of arms, and then the watchword passed along the terrace above, and was answered from a distant part of the castle; after which all was again still. She complained of cold, and begged to go on. 'Presently, lady,' said Bertrand, turning over some broken arms with the pike he usually carried. 'What have we here?'

'Hark!' cried Emily, 'what noise was that?'

'What noise was it?' said Ugo, starting up and listening.

'Hush!' repeated Emily. 'It surely came from the ramparts above:' and, on looking up, they perceived a light moving along the walls, while, in the next instant, the breeze swelling, the voice sounded louder than before.

'Who goes yonder?' cried a sentinel of the castle. 'Speak or it will be worse for you.' Bertrand uttered a shout of joy. 'Hah! my brave comrade, is it you?' said he, and he blew a shrill whistle, which signal was answered by another from the soldier on watch; and the party, then passing forward, soon after emerged from the woods upon the broken road, that led immediately to the castle gates, and Emily saw, with renewed terror, the whole of that stupendous structure. 'Alas!' said she to herself, 'I am going again into my prison!'

'Here has been warm work, by St. Marco!' cried Bertrand, waving a torch over the ground; 'the balls have torn up the earth here with a vengeance.'

'Aye,' replied Ugo, 'they were fired from that redoubt, yonder, and rare execution they did. The enemy made a furious attack upon the great gates; but they might have guessed they could never carry it there; for, besides the cannon from the walls, our archers, on the two round towers, showered down upon them at such a rate, that, by holy Peter! there was no standing it. I never saw a better sight in my life; I laughed, till my sides aked, to see how the knaves scampered. Bertrand, my good fellow, thou shouldst have been among them; I warrant thou wouldst have won the race!'

'Hah! you are at your old tricks again,' said Bertrand in a surly tone. 'It is well for thee thou art so near the castle; thou knowest I have killed my man before now.' Ugo replied only by a laugh, and then gave some further account of the siege, to which as Emily listened, she was struck by the strong contrast of the present scene with that which had so lately been acted here.

The mingled uproar of cannon, drums, and trumpets, the groans of the conquered, and the shouts of the conquerors were now sunk into a silence so profound, that it seemed as if death had triumphed alike over the vanquished and the victor. The shattered condition of one of the towers of the great gates by no means confirmed the VALIANT account just given by Ugo of the scampering party, who, it was evident, had not only made a stand, but had done much mischief before they took to flight; for this tower appeared, as far as Emily could judge by the dim moon-light that fell upon it, to be laid open, and the battlements were nearly demolished. While she gazed, a light glimmered through one of the lower loop-holes, and disappeared; but, in the next moment, she perceived through the broken wall, a soldier, with a lamp, ascending the narrow staircase, that wound within the tower, and, remembering that it was the same she had passed up, on the night, when Barnardine had deluded her with a promise of seeing Madame Montoni, fancy gave her somewhat of the terror she had then suffered. She was now very near the gates, over which the soldier having opened the door of the portal-chamber, the lamp he carried gave her a dusky view of that terrible apartment, and she almost sunk under the recollected horrors of the moment, when she had drawn aside the curtain, and discovered the object it was meant to conceal.

'Perhaps,' said she to herself, 'it is now used for a similar purpose; perhaps, that soldier goes, at this dead hour, to watch over the corpse of his friend!' The little remains of her fortitude now gave way to the united force of remembered and anticipated horrors, for the melancholy fate of Madame Montoni appeared to foretell her own. She considered, that, though the Languedoc estates, if she relinquished them, would satisfy Montoni's avarice, they might not appease his vengeance, which was seldom pacified but by a terrible sacrifice; and she even thought, that, were she to resign them, the fear of justice might urge him either to detain her a prisoner, or to take away her life.

They were now arrived at the gates, where Bertrand, observing the light glimmer through a small casement of the portal-chamber, called aloud; and the soldier, looking out, demanded who was there. 'Here, I have brought you a prisoner,' said Ugo, 'open the gate, and let us in.'

'Tell me first who it is, that demands entrance,' replied the soldier. 'What! my old comrade,' cried Ugo, 'don't you know me? not know Ugo? I have brought home a prisoner here, bound hand and foot—a fellow, who has been drinking Tuscany wine, while we here have been fighting.'

'You will not rest till you meet with your match,' said Bertrand sullenly. 'Hah! my comrade, is it you?' said the soldier—'I'll be with you directly.'

Emily presently heard his steps descending the stairs within, and then the heavy chain fall, and the bolts undraw of a small postern door, which he opened to admit the party. He held the lamp low, to shew the step of the gate, and she found herself once more beneath the gloomy arch, and heard the door close, that seemed to shut her from the world for ever. In the next moment, she was in the first court of the castle, where she surveyed the spacious and solitary area, with a kind of calm despair; while the dead hour of the night, the gothic gloom of the surrounding buildings, and the hollow and imperfect echoes, which they returned, as Ugo and the soldier conversed together, assisted to increase the melancholy forebodings of her heart. Passing on to the second court, a distant sound broke feebly on the silence, and gradually swelling louder, as they advanced, Emily distinguished voices of revelry and laughter, but they were to her far other than sounds of joy. 'Why, you have got some Tuscany wine among you, HERE,' said Bertrand, 'if one may judge by the uproar that is going forward. Ugo has taken a larger share of that than of fighting, I'll be sworn. Who is carousing at this late hour?'

'His excellenza and the Signors,' replied the soldier: 'it is a sign you are a stranger at the castle, or you would not need to ask the question. They are brave spirits, that do without sleep—they generally pass the night in good cheer; would that we, who keep the watch, had a little of it! It is cold work, pacing the ramparts so many hours of the night, if one has no good liquor to warm one's heart.'

'Courage, my lad, courage ought to warm your heart,' said Ugo. 'Courage!' replied the soldier sharply, with a menacing air, which Ugo perceiving, prevented his saying more, by returning to the subject of the carousal. 'This is a new custom,' said he; 'when I left the castle, the Signors used to sit up counselling.'

'Aye, and for that matter, carousing too,' replied the soldier, 'but, since the siege, they have done nothing but make merry: and if I was they, I would settle accounts with myself, for all my hard fighting, the same way.'

They had now crossed the second court, and reached the hall door, when the soldier, bidding them good night, hastened back to his post; and, while they waited for admittance, Emily considered how she might avoid seeing Montoni, and retire unnoticed to her former apartment, for she shrunk from the thought of encountering either him, or any of his party, at this hour. The uproar within the castle was now so loud, that, though Ugo knocked repeatedly at the hall door, he was not heard by any of the servants, a circumstance, which increased Emily's alarm, while it allowed her time to deliberate on the means of retiring unobserved; for, though she might, perhaps, pass up the great stair-case unseen, it was impossible she could find the way to her chamber, without a light, the difficulty of procuring which, and the danger of wandering about the castle, without one, immediately struck her. Bertrand had only a torch, and she knew, that the servants never brought a taper to the door, for the hall was sufficiently lighted by the large tripod lamp, which hung in the vaulted roof; and, while she should wait till Annette could bring a taper, Montoni, or some of his companions, might discover her.

The door was now opened by Carlo; and Emily, having requested him to send Annette immediately with a light to the great gallery, where she determined to await her, passed on with hasty steps towards the stair-case; while Bertrand and Ugo, with the torch, followed old Carlo to the servants' hall, impatient for supper and the warm blaze of a wood fire. Emily, lighted only by the feeble rays, which the lamp above threw between the arches of this extensive hall, endeavoured to find her way to the stair-case, now hid in obscurity; while the shouts of merriment, that burst from a remote apartment, served, by heightening her terror, to increase her perplexity, and she expected, every instant, to see the door of that room open, and Montoni and his companions issue forth. Having, at length, reached the stair-case, and found her way to the top, she seated herself on the last stair, to await the arrival of Annette; for the profound darkness of the gallery deterred her from proceeding farther, and, while she listened for her footstep, she heard only distant sounds of revelry, which rose in sullen echoes from among the arcades below. Once she thought she heard a low sound from the dark gallery behind her; and, turning her eyes, fancied she saw something luminous move in it; and, since she could not, at this moment, subdue the weakness that caused her fears, she quitted her seat, and crept softly down a few stairs lower.

Annette not yet appearing, Emily now concluded, that she was gone to bed, and that nobody chose to call her up; and the prospect, that presented itself, of passing the night in darkness, in this place, or in some other equally forlorn (for she knew it would be impracticable to find her way through the intricacies of the galleries to her chamber), drew tears of mingled terror and despondency from her eyes.

While thus she sat, she fancied she heard again an odd sound from the gallery, and she listened, scarcely daring to breathe, but the increasing voices below overcame every other sound. Soon after, she heard Montoni and his companions burst into the hall, who spoke, as if they were much intoxicated, and seemed to be advancing towards the stair-case. She now remembered, that they must come this way to their chambers, and, forgetting all the terrors of the gallery, hurried towards it with an intention of secreting herself in some of the passages, that opened beyond, and of endeavouring, when the Signors were retired, to find her way to her own room, or to that of Annette, which was in a remote part of the castle.

With extended arms, she crept along the gallery, still hearing the voices of persons below, who seemed to stop in conversation at the foot of the stair-case, and then pausing for a moment to listen, half fearful of going further into the darkness of the gallery, where she still imagined, from the noise she had heard, that some person was lurking, 'They are already informed of my arrival,' said she, 'and Montoni is coming himself to seek me! In the present state of his mind, his purpose must be desperate.' Then, recollecting the scene, that had passed in the corridor, on the night preceding her departure from the castle, 'O Valancourt!' said she, 'I must then resign you for ever. To brave any longer the injustice of Montoni, would not be fortitude, but rashness.' Still the voices below did not draw nearer, but they became louder, and she distinguished those of Verezzi and Bertolini above the rest, while the few words she caught made her listen more anxiously for others. The conversation seemed to concern herself; and, having ventured to step a few paces nearer to the stair-case, she discovered, that they were disputing about her, each seeming to claim some former promise of Montoni, who appeared, at first, inclined to appease and to persuade them to return to their wine, but afterwards to be weary of the dispute, and, saying that he left them to settle it as they could, was returning with the rest of the party to the apartment he had just quitted. Verezzi then stopped him. 'Where is she? Signor,' said he, in a voice of impatience: 'tell us where she is.' 'I have already told you that I do not know,' replied Montoni, who seemed to be somewhat overcome with wine; 'but she is most probably gone to her apartment.' Verezzi and Bertolini now desisted from their enquiries, and sprang to the stair-case together, while Emily, who, during this discourse, had trembled so excessively, that she had with difficulty supported herself, seemed inspired with new strength, the moment she heard the sound of their steps, and ran along the gallery, dark as it was, with the fleetness of a fawn. But, long before she reached its extremity, the light, which Verezzi carried, flashed upon the walls; both appeared, and, instantly perceiving Emily, pursued her. At this moment, Bertolini, whose steps, though swift, were not steady, and whose impatience overcame what little caution he had hitherto used, stumbled, and fell at his length. The lamp fell with him, and was presently expiring on the floor; but Verezzi, regardless of saving it, seized the advantage this accident gave him over his rival, and followed Emily, to whom, however, the light had shown one of the passages that branched from the gallery, and she instantly turned into it. Verezzi could just discern the way she had taken, and this he pursued; but the sound of her steps soon sunk in distance, while he, less acquainted with the passage, was obliged to proceed through the dark, with caution, lest he should fall down a flight of steps, such as in this extensive old castle frequently terminated an avenue. This passage at length brought Emily to the corridor, into which her own chamber opened, and, not hearing any footstep, she paused to take breath, and consider what was the safest design to be adopted. She had followed this passage, merely because it was the first that appeared, and now that she had reached the end of it, was as perplexed as before. Whither to go, or how further to find her way in the dark, she knew not; she was aware only that she must not seek her apartment, for there she would certainly be sought, and her danger increased every instant, while she remained near it. Her spirits and her breath, however, were so much exhausted, that she was compelled to rest, for a few minutes, at the end of the passage, and still she heard no steps approaching. As thus she stood, light glimmered under an opposite door of the gallery, and, from its situation, she knew, that it was the door of that mysterious chamber, where she had made a discovery so shocking, that she never remembered it but with the utmost horror. That there should be light in this chamber, and at this hour, excited her strong surprise, and she felt a momentary terror concerning it, which did not permit her to look again, for her spirits were now in such a state of weakness, that she almost expected to see the door slowly open, and some horrible object appear at it. Still she listened for a step along the passage, and looked up it, where, not a ray of light appearing, she concluded, that Verezzi had gone back for the lamp; and, believing that he would shortly be there, she again considered which way she should go, or rather which way she could find in the dark.

A faint ray still glimmered under the opposite door, but so great, and, perhaps, so just was her horror of that chamber, that she would not again have tempted its secrets, though she had been certain of obtaining the light so important to her safety. She was still breathing with difficulty, and resting at the end of the passage, when she heard a rustling sound, and then a low voice, so very near her, that it seemed close to her ear; but she had presence of mind to check her emotions, and to remain quite still; in the next moment, she perceived it to be the voice of Verezzi, who did not appear to know, that she was there, but to have spoken to himself. 'The air is fresher here,' said he: 'this should be the corridor.' Perhaps, he was one of those heroes, whose courage can defy an enemy better than darkness, and he tried to rally his spirits with the sound of his own voice. However this might be, he turned to the right, and proceeded, with the same stealing steps, towards Emily's apartment, apparently forgetting, that, in darkness, she could easily elude his search, even in her chamber; and, like an intoxicated person, he followed pertinaciously the one idea, that had possessed his imagination.

The moment she heard his steps steal away, she left her station and moved softly to the other end of the corridor, determined to trust again to chance, and to quit it by the first avenue she could find; but, before she could effect this, light broke upon the walls of the gallery, and, looking back, she saw Verezzi crossing it towards her chamber. She now glided into a passage, that opened on the left, without, as she thought, being perceived; but, in the next instant, another light, glimmering at the further end of this passage, threw her into new terror. While she stopped and hesitated which way to go, the pause allowed her to perceive, that it was Annette, who advanced, and she hurried to meet her: but her imprudence again alarmed Emily, on perceiving whom, she burst into a scream of joy, and it was some minutes, before she could be prevailed with to be silent, or to release her mistress from the ardent clasp, in which she held her. When, at length, Emily made Annette comprehend her danger, they hurried towards Annette's room, which was in a distant part of the castle. No apprehensions, however, could yet silence the latter. 'Oh dear ma'amselle,' said she, as they passed along, 'what a terrified time have I had of it! Oh! I thought I should have died an hundred times! I never thought I should live to see you again! and I never was so glad to see any body in my whole life, as I am to see you now.' 'Hark!' cried Emily, 'we are pursued; that was the echo of steps!' 'No, ma'amselle,' said Annette, 'it was only the echo of a door shutting; sound runs along these vaulted passages so, that one is continually deceived by it; if one does but speak, or cough, it makes a noise as loud as a cannon.' 'Then there is the greater necessity for us to be silent,' said Emily: 'pr'ythee say no more, till we reach your chamber.' Here, at length, they arrived, without interruption, and, Annette having fastened the door, Emily sat down on her little bed, to recover breath and composure. To her enquiry, whether Valancourt was among the prisoners in the castle, Annette replied, that she had not been able to hear, but that she knew there were several persons confined. She then proceeded, in her tedious way, to give an account of the siege, or rather a detail of her terrors and various sufferings, during the attack. 'But,' added she, 'when I heard the shouts of victory from the ramparts, I thought we were all taken, and gave myself up for lost, instead of which, WE had driven the enemy away. I went then to the north gallery, and saw a great many of them scampering away among the mountains; but the rampart walls were all in ruins, as one may say, and there was a dismal sight to see down among the woods below, where the poor fellows were lying in heaps, but were carried off presently by their comrades. While the siege was going on, the Signor was here, and there, and every where, at the same time, as Ludovico told me, for he would not let me see any thing hardly, and locked me up, as he has often done before, in a room in the middle of the castle, and used to bring me food, and come and talk with me as often as he could; and I must say, if it had not been for Ludovico, I should have died outright.'

'Well, Annette,' said Emily, 'and how have affairs gone on, since the siege?'

'O! sad hurly burly doings, ma'amselle,' replied Annette; 'the Signors have done nothing but sit and drink and game, ever since. They sit up, all night, and play among themselves, for all those riches and fine things, they brought in, some time since, when they used to go out a-robbing, or as good, for days together; and then they have dreadful quarrels about who loses, and who wins. That fierce Signor Verezzi is always losing, as they tell me, and Signor Orsino wins from him, and this makes him very wroth, and they have had several hard set-to's about it. Then, all those fine ladies are at the castle still; and I declare I am frighted, whenever I meet any of them in the passages.'—

'Surely, Annette,' said Emily starting, 'I heard a noise: listen.' After a long pause, 'No, ma'amselle,' said Annette, 'it was only the wind in the gallery; I often hear it, when it shakes the old doors, at the other end. But won't you go to bed, ma'amselle? you surely will not sit up starving, all night.' Emily now laid herself down on the mattress, and desired Annette to leave the lamp burning on the hearth; having done which, the latter placed herself beside Emily, who, however, was not suffered to sleep, for she again thought she heard a noise from the passage; and Annette was again trying to convince her, that it was only the wind, when footsteps were distinctly heard near the door. Annette was now starting from the bed, but Emily prevailed with her to remain there, and listened with her in a state of terrible expectation. The steps still loitered at the door, when presently an attempt was made on the lock, and, in the next instant, a voice called. 'For heaven's sake, Annette, do not answer,' said Emily softly, 'remain quite still; but I fear we must extinguish the lamp, or its glare will betray us.' 'Holy Virgin!' exclaimed Annette, forgetting her discretion, 'I would not be in darkness now for the whole world.' While she spoke, the voice became louder than before, and repeated Annette's name; 'Blessed Virgin!' cried she suddenly, 'it is only Ludovico.' She rose to open the door, but Emily prevented her, till they should be more certain, that it was he alone; with whom Annette, at length, talked for some time, and learned, that he was come to enquire after herself, whom he had let out of her room to go to Emily, and that he was now returned to lock her in again. Emily, fearful of being overheard, if they conversed any longer through the door, consented that it should be opened, and a young man appeared, whose open countenance confirmed the favourable opinion of him, which his care of Annette had already prompted her to form. She entreated his protection, should Verezzi make this requisite; and Ludovico offered to pass the night in an old chamber, adjoining, that opened from the gallery, and, on the first alarm, to come to their defence.

Emily was much soothed by this proposal; and Ludovico, having lighted his lamp, went to his station, while she, once more, endeavoured to repose on her mattress. But a variety of interests pressed upon her attention, and prevented sleep. She thought much on what Annette had told her of the dissolute manners of Montoni and his associates, and more of his present conduct towards herself, and of the danger, from which she had just escaped. From the view of her present situation she shrunk, as from a new picture of terror. She saw herself in a castle, inhabited by vice and violence, seated beyond the reach of law or justice, and in the power of a man, whose perseverance was equal to every occasion, and in whom passions, of which revenge was not the weakest, entirely supplied the place of principles. She was compelled, once more, to acknowledge, that it would be folly, and not fortitude, any longer to dare his power; and, resigning all hopes of future happiness with Valancourt, she determined, that, on the following morning, she would compromise with Montoni, and give up her estates, on condition, that he would permit her immediate return to France. Such considerations kept her waking for many hours; but, the night passed, without further alarm from Verezzi.

On the next morning, Emily had a long conversation with Ludovico, in which she heard circumstances concerning the castle, and received hints of the designs of Montoni, that considerably increased her alarms. On expressing her surprise, that Ludovico, who seemed to be so sensible of the evils of his situation, should continue in it, he informed her, that it was not his intention to do so, and she then ventured to ask him, if he would assist her to escape from the castle. Ludovico assured her of his readiness to attempt this, but strongly represented the difficulty of the enterprise, and the certain destruction which must ensure, should Montoni overtake them, before they had passed the mountains; he, however, promised to be watchful of every circumstance, that might contribute to the success of the attempt, and to think upon some plan of departure.

Emily now confided to him the name of Valancourt, and begged he would enquire for such a person among the prisoners in the castle; for the faint hope, which this conversation awakened, made her now recede from her resolution of an immediate compromise with Montoni. She determined, if possible, to delay this, till she heard further from Ludovico, and, if his designs were found to be impracticable, to resign the estates at once. Her thoughts were on this subject, when Montoni, who was now recovered from the intoxication of the preceding night, sent for her, and she immediately obeyed the summons. He was alone. 'I find,' said he, 'that you were not in your chamber, last night; where were you?' Emily related to him some circumstances of her alarm, and entreated his protection from a repetition of them. 'You know the terms of my protection,' said he; 'if you really value this, you will secure it.' His open declaration, that he would only conditionally protect her, while she remained a prisoner in the castle, shewed Emily the necessity of an immediate compliance with his terms; but she first demanded, whether he would permit her immediately to depart, if she gave up her claim to the contested estates. In a very solemn manner he then assured her, that he would, and immediately laid before her a paper, which was to transfer the right of those estates to himself.

She was, for a considerable time, unable to sign it, and her heart was torn with contending interests, for she was about to resign the happiness of all her future years—the hope, which had sustained her in so many hours of adversity.

After hearing from Montoni a recapitulation of the conditions of her compliance, and a remonstrance, that his time was valuable, she put her hand to the paper; when she had done which, she fell back in her chair, but soon recovered, and desired, that he would give orders for her departure, and that he would allow Annette to accompany her. Montoni smiled. 'It was necessary to deceive you,' said he,—'there was no other way of making you act reasonably; you shall go, but it must not be at present. I must first secure these estates by possession: when that is done, you may return to France if you will.'

The deliberate villany, with which he violated the solemn engagement he had just entered into, shocked Emily as much, as the certainty, that she had made a fruitless sacrifice, and must still remain his prisoner. She had no words to express what she felt, and knew, that it would have been useless, if she had. As she looked piteously at Montoni, he turned away, and at the same time desired she would withdraw to her apartment; but, unable to leave the room, she sat down in a chair near the door, and sighed heavily. She had neither words nor tears.

'Why will you indulge this childish grief?' said he. 'Endeavour to strengthen your mind, to bear patiently what cannot now be avoided; you have no real evil to lament; be patient, and you will be sent back to France. At present retire to your apartment.'

'I dare not go, sir,' said she, 'where I shall be liable to the intrusion of Signor Verezzi.' 'Have I not promised to protect you?' said Montoni. 'You have promised, sir,'—replied Emily, after some hesitation. 'And is not my promise sufficient?' added he sternly. 'You will recollect your former promise, Signor,' said Emily, trembling, 'and may determine for me, whether I ought to rely upon this.' 'Will you provoke me to declare to you, that I will not protect you then?' said Montoni, in a tone of haughty displeasure. 'If that will satisfy you, I will do it immediately. Withdraw to your chamber, before I retract my promise; you have nothing to fear there.' Emily left the room, and moved slowly into the hall, where the fear of meeting Verezzi, or Bertolini, made her quicken her steps, though she could scarcely support herself; and soon after she reached once more her own apartment. Having looked fearfully round her, to examine if any person was there, and having searched every part of it, she fastened the door, and sat down by one of the casements. Here, while she looked out for some hope to support her fainting spirits, which had been so long harassed and oppressed, that, if she had not now struggled much against misfortune, they would have left her, perhaps, for ever, she endeavoured to believe, that Montoni did really intend to permit her return to France as soon as he had secured her property, and that he would, in the mean time, protect her from insult; but her chief hope rested with Ludovico, who, she doubted not, would be zealous in her cause, though he seemed almost to despair of success in it. One circumstance, however, she had to rejoice in. Her prudence, or rather her fears, had saved her from mentioning the name of Valancourt to Montoni, which she was several times on the point of doing, before she signed the paper, and of stipulating for his release, if he should be really a prisoner in the castle. Had she done this, Montoni's jealous fears would now probably have loaded Valancourt with new severities, and have suggested the advantage of holding him a captive for life.

Thus passed the melancholy day, as she had before passed many in this same chamber. When night drew on, she would have withdrawn herself to Annette's bed, had not a particular interest inclined her to remain in this chamber, in spite of her fears; for, when the castle should be still, and the customary hour arrived, she determined to watch for the music, which she had formerly heard. Though its sounds might not enable her positively to determine, whether Valancourt was there, they would perhaps strengthen her opinion that he was, and impart the comfort, so necessary to her present support.—But, on the other hand, if all should be silent—! She hardly dared to suffer her thoughts to glance that way, but waited, with impatient expectation, the approaching hour.

The night was stormy; the battlements of the castle appeared to rock in the wind, and, at intervals, long groans seemed to pass on the air, such as those, which often deceive the melancholy mind, in tempests, and amidst scenes of desolation. Emily heard, as formerly, the sentinels pass along the terrace to their posts, and, looking out from her casement, observed, that the watch was doubled; a precaution, which appeared necessary enough, when she threw her eyes on the walls, and saw their shattered condition. The well-known sounds of the soldiers' march, and of their distant voices, which passed her in the wind, and were lost again, recalled to her memory the melancholy sensation she had suffered, when she formerly heard the same sounds; and occasioned almost involuntary comparisons between her present, and her late situation. But this was no subject for congratulations, and she wisely checked the course of her thoughts, while, as the hour was not yet come, in which she had been accustomed to hear the music, she closed the casement, and endeavoured to await it in patience. The door of the stair-case she tried to secure, as usual, with some of the furniture of the room; but this expedient her fears now represented to her to be very inadequate to the power and perseverance of Verezzi; and she often looked at a large and heavy chest, that stood in the chamber, with wishes that she and Annette had strength enough to move it. While she blamed the long stay of this girl, who was still with Ludovico and some other of the servants, she trimmed her wood fire, to make the room appear less desolate, and sat down beside it with a book, which her eyes perused, while her thoughts wandered to Valancourt, and her own misfortunes. As she sat thus, she thought, in a pause of the wind, she distinguished music, and went to the casement to listen, but the loud swell of the gust overcame every other sound. When the wind sunk again, she heard distinctly, in the deep pause that succeeded, the sweet strings of a lute; but again the rising tempest bore away the notes, and again was succeeded by a solemn pause. Emily, trembling with hope and fear, opened her casement to listen, and to try whether her own voice could be heard by the musician; for to endure any longer this state of torturing suspense concerning Valancourt, seemed to be utterly impossible. There was a kind of breathless stillness in the chambers, that permitted her to distinguish from below the tender notes of the very lute she had formerly heard, and with it, a plaintive voice, made sweeter by the low rustling sound, that now began to creep along the wood-tops, till it was lost in the rising wind. Their tall heads then began to wave, while, through a forest of pine, on the left, the wind, groaning heavily, rolled onward over the woods below, bending them almost to their roots; and, as the long-resounding gale swept away, other woods, on the right, seemed to answer the 'loud lament;' then, others, further still, softened it into a murmur, that died into silence. Emily listened, with mingled awe and expectation, hope and fear; and again the melting sweetness of the lute was heard, and the same solemn-breathing voice. Convinced that these came from an apartment underneath, she leaned far out of her window, that she might discover whether any light was there; but the casements below, as well as those above, were sunk so deep in the thick walls of the castle, that she could not see them, or even the faint ray, that probably glimmered through their bars. She then ventured to call; but the wind bore her voice to the other end of the terrace, and then the music was heard as before, in the pause of the gust. Suddenly, she thought she heard a noise in her chamber, and she drew herself within the casement; but, in a moment after, distinguishing Annette's voice at the door, she concluded it was her she had heard before, and she let her in. 'Move softly, Annette, to the casement,' said she, 'and listen with me; the music is returned.' They were silent till, the measure changing, Annette exclaimed, 'Holy Virgin! I know that song well; it is a French song, one of the favourite songs of my dear country.' This was the ballad Emily had heard on a former night, though not the one she had first listened to from the fishing-house in Gascony. 'O! it is a Frenchman, that sings,' said Annette: 'it must be Monsieur Valancourt.' 'Hark! Annette, do not speak so loud,' said Emily, 'we may be overheard.' 'What! by the Chevalier?' said Annette. 'No,' replied Emily mournfully, 'but by somebody, who may report us to the Signor. What reason have you to think it is Monsieur Valancourt, who sings? But hark! now the voice swells louder! Do you recollect those tones? I fear to trust my own judgment.' 'I never happened to hear the Chevalier sing, Mademoiselle,' replied Annette, who, as Emily was disappointed to perceive, had no stronger reason for concluding this to be Valancourt, than that the musician must be a Frenchman. Soon after, she heard the song of the fishing-house, and distinguished her own name, which was repeated so distinctly, that Annette had heard it also. She trembled, sunk into a chair by the window, and Annette called aloud, 'Monsieur Valancourt! Monsieur Valancourt!' while Emily endeavoured to check her, but she repeated the call more loudly than before, and the lute and the voice suddenly stopped. Emily listened, for some time, in a state of intolerable suspense; but, no answer being returned, 'It does not signify, Mademoiselle,' said Annette; 'it is the Chevalier, and I will speak to him.' 'No, Annette,' said Emily, 'I think I will speak myself; if it is he, he will know my voice, and speak again.' 'Who is it,' said she, 'that sings at this late hour?'

A long silence ensued, and, having repeated the question, she perceived some faint accents, mingling in the blast, that swept by; but the sounds were so distant, and passed so suddenly, that she could scarcely hear them, much less distinguish the words they uttered, or recognise the voice. After another pause, Emily called again; and again they heard a voice, but as faintly as before; and they perceived, that there were other circumstances, besides the strength, and direction of the wind, to content with; for the great depth, at which the casements were fixed in the castle walls, contributed, still more than the distance, to prevent articulated sounds from being understood, though general ones were easily heard. Emily, however, ventured to believe, from the circumstance of her voice alone having been answered, that the stranger was Valancourt, as well as that he knew her, and she gave herself up to speechless joy. Annette, however, was not speechless.—She renewed her calls, but received no answer; and Emily, fearing, that a further attempt, which certainly was, as present, highly dangerous, might expose them to the guards of the castle, while it could not perhaps terminate her suspense, insisted on Annette's dropping the enquiry for this night; though she determined herself to question Ludovico, on the subject, in the morning, more urgently than she had yet done. She was now enabled to say, that the stranger, whom she had formerly heard, was still in the castle, and to direct Ludovico to that part of it, in which he was confined.

Emily, attended by Annette, continued at the casement, for some time, but all remained still; they heard neither lute or voice again, and Emily was now as much oppressed by anxious joy, as she lately was by a sense of her misfortunes. With hasty steps she paced the room, now half calling on Valancourt's name, then suddenly stopping, and now going to the casement and listening, where, however, she heard nothing but the solemn waving of the woods. Sometimes her impatience to speak to Ludovico prompted her to send Annette to call him; but a sense of the impropriety of this at midnight restrained her. Annette, meanwhile, as impatient as her mistress, went as often to the casement to listen, and returned almost as much disappointed. She, at length, mentioned Signor Verezzi, and her fear, lest he should enter the chamber by the staircase, door. 'But the night is now almost past, Mademoiselle,' said she, recollecting herself; 'there is the morning light, beginning to peep over those mountains yonder in the east.'

Emily had forgotten, till this moment, that such a person existed as Verezzi, and all the danger that had appeared to threaten her; but the mention of his name renewed her alarm, and she remembered the old chest, that she had wished to place against the door, which she now, with Annette, attempted to move, but it was so heavy, that they could not lift it from the floor. 'What is in this great old chest, Mademoiselle,' said Annette, 'that makes it so weighty?' Emily having replied, 'that she found it in the chamber, when she first came to the castle, and had never examined it.'—'Then I will, ma'amselle,' said Annette, and she tried to lift the lid; but this was held by a lock, for which she had no key, and which, indeed, appeared, from its peculiar construction, to open with a spring. The morning now glimmered through the casements, and the wind had sunk into a calm. Emily looked out upon the dusky woods, and on the twilight mountains, just stealing in the eye, and saw the whole scene, after the storm, lying in profound stillness, the woods motionless, and the clouds above, through which the dawn trembled, scarcely appearing to move along the heavens. One soldier was pacing the terrace beneath, with measured steps; and two, more distant, were sunk asleep on the walls, wearied with the night's watch. Having inhaled, for a while, the pure spirit of the air, and of vegetation, which the late rains had called forth; and having listened, once more, for a note of music, she now closed the casement, and retired to rest.





 

CHAPTER IV 

     Thus on the chill Lapponian's dreary land,
 For many a long month lost in snow profound,
 When Sol from Cancer sends the seasons bland,
 And in their northern cave the storms hath bound;
 From silent mountains, straight, with startling sound,
 Torrents are hurl'd, green hills emerge, and lo,
 The trees with foliage, cliffs with flow'rs are crown'd;
 Pure rills through vales of verdure warbling go;
 And wonder, love, and joy, the peasant's heart o'erflow.
     BEATTIE

Several of her succeeding days passed in suspense, for Ludovico could only learn from the soldiers, that there was a prisoner in the apartment, described to him by Emily, and that he was a Frenchman, whom they had taken in one of their skirmishes, with a party of his countrymen. During this interval, Emily escaped the persecutions of Bertolini, and Verezzi, by confining herself to her apartment; except that sometimes, in an evening, she ventured to walk in the adjoining corridor. Montoni appeared to respect his last promise, though he had prophaned his first; for to his protection only could she attribute her present repose; and in this she was now so secure, that she did not wish to leave the castle, till she could obtain some certainty concerning Valancourt; for which she waited, indeed, without any sacrifice of her own comfort, since no circumstance had occurred to make her escape probable.

On the fourth day, Ludovico informed her, that he had hopes of being admitted to the presence of the prisoner; it being the turn of a soldier, with whom he had been for some time familiar, to attend him on the following night. He was not deceived in his hope; for, under pretence of carrying in a pitcher of water, he entered the prison, though, his prudence having prevented him from telling the sentinel the real motive of his visit, he was obliged to make his conference with the prisoner a very short one.

Emily awaited the result in her own apartment, Ludovico having promised to accompany Annette to the corridor, in the evening; where, after several hours impatiently counted, he arrived. Emily, having then uttered the name of Valancourt, could articulate no more, but hesitated in trembling expectation. 'The Chevalier would not entrust me with his name, Signora,' replied Ludovico; 'but, when I just mentioned yours, he seemed overwhelmed with joy, though he was not so much surprised as I expected.' 'Does he then remember me?' she exclaimed.

'O! it is Mons. Valancourt,' said Annette, and looked impatiently at Ludovico, who understood her look, and replied to Emily: 'Yes, lady, the Chevalier does, indeed, remember you, and, I am sure, has a very great regard for you, and I made bold to say you had for him. He then enquired how you came to know he was in the castle, and whether you ordered me to speak to him. The first question I could not answer, but the second I did; and then he went off into his ecstasies again. I was afraid his joy would have betrayed him to the sentinel at the door.'

'But how does he look, Ludovico?' interrupted Emily: 'is he not melancholy and ill with this long confinement?'—'Why, as to melancholy, I saw no symptom of that, lady, while I was with him, for he seemed in the finest spirits I ever saw any body in, in all my life. His countenance was all joy, and, if one may judge from that, he was very well; but I did not ask him.' 'Did he send me no message?' said Emily. 'O yes, Signora, and something besides,' replied Ludovico, who searched his pockets. 'Surely, I have not lost it,' added he. 'The Chevalier said, he would have written, madam, if he had had pen and ink, and was going to have sent a very long message, when the sentinel entered the room, but not before he had give me this.' Ludovico then drew forth a miniature from his bosom, which Emily received with a trembling hand, and perceived to be a portrait of herself—the very picture, which her mother had lost so strangely in the fishing-house at La Vallee.

Tears of mingled joy and tenderness flowed to her eyes, while Ludovico proceeded—'"Tell your lady," said the Chevalier, as he gave me the picture, "that this has been my companion, and only solace in all my misfortunes. Tell her, that I have worn it next my heart, and that I sent it her as the pledge of an affection, which can never die; that I would not part with it, but to her, for the wealth of worlds, and that I now part with it, only in the hope of soon receiving it from her hands. Tell her"—Just then, Signora, the sentinel came in, and the Chevalier said no more; but he had before asked me to contrive an interview for him with you; and when I told him, how little hope I had of prevailing with the guard to assist me, he said, that was not, perhaps, of so much consequence as I imagined, and bade me contrive to bring back your answer, and he would inform me of more than he chose to do then. So this, I think, lady, is the whole of what passed.'

'How, Ludovico, shall I reward you for your zeal?' said Emily: 'but, indeed, I do not now possess the means. When can you see the Chevalier again?' 'That is uncertain, Signora,' replied he. 'It depends upon who stands guard next: there are not more than one or two among them, from whom I would dare to ask admittance to the prison-chamber.'

'I need not bid you remember, Ludovico,' resumed Emily, 'how very much interested I am in your seeing the Chevalier soon; and, when you do so, tell him, that I have received the picture, and, with the sentiments he wished. Tell him I have suffered much, and still suffer—' She paused. 'But shall I tell him you will see him, lady?' said Ludovico. 'Most certainly I will,' replied Emily. 'But when, Signora, and where?' 'That must depend upon circumstances,' returned Emily. 'The place, and the hour, must be regulated by his opportunities.'

'As to the place, mademoiselle,' said Annette, 'there is no other place in the castle, besides this corridor, where WE can see him in safety, you know; and, as for the hour,—it must be when all the Signors are asleep, if that ever happens!' 'You may mention these circumstances to the Chevalier, Ludovico,' said she, checking the flippancy of Annette, 'and leave them to his judgment and opportunity. Tell him, my heart is unchanged. But, above all, let him see you again as soon as possible; and, Ludovico, I think it is needless to tell you I shall very anxiously look for you.' Having then wished her good night, Ludovico descended the staircase, and Emily retired to rest, but not to sleep, for joy now rendered her as wakeful, as she had ever been from grief. Montoni and his castle had all vanished from her mind, like the frightful vision of a necromancer, and she wandered, once more, in fairy scenes of unfading happiness: 

     As when, beneath the beam
 Of summer moons, the distant woods among,
 Or by some flood, all silver'd with the gleam,
 The soft embodied Fays thro' airy portals stream.

A week elapsed, before Ludovico again visited the prison; for the sentinels, during that period, were men, in whom he could not confide, and he feared to awaken curiosity, by asking to see their prisoner. In this interval, he communicated to Emily terrific reports of what was passing in the castle; of riots, quarrels, and of carousals more alarming than either; while from some circumstances, which he mentioned, she not only doubted, whether Montoni meant ever to release her, but greatly feared, that he had designs, concerning her,—such as she had formerly dreaded. Her name was frequently mentioned in the conversations, which Bertolini and Verezzi held together, and, at those times, they were frequently in contention. Montoni had lost large sums to Verezzi, so that there was a dreadful possibility of his designing her to be a substitute for the debt; but, as she was ignorant, that he had formerly encouraged the hopes of Bertolini also, concerning herself, after the latter had done him some signal service, she knew not how to account for these contentions between Bertolini and Verezzi. The cause of them, however, appeared to be of little consequence, for she thought she saw destruction approaching in many forms, and her entreaties to Ludovico to contrive an escape and to see the prisoner again, were more urgent than ever.

At length, he informed her, that he had again visited the Chevalier, who had directed him to confide in the guard of the prison, from whom he had already received some instances of kindness, and who had promised to permit his going into the castle for half an hour, on the ensuing night, when Montoni and his companions should be engaged at their carousals. 'This was kind, to be sure,' added Ludovico: 'but Sebastian knows he runs no risque in letting the Chevalier out, for, if he can get beyond the bars and iron doors of the castle, he must be cunning indeed. But the Chevalier desired me, Signora, to go to you immediately, and to beg you would allow him to visit you, this night, if it was only for a moment, for that he could no longer live under the same roof, without seeing you; the hour, he said, he could not mention, for it must depend on circumstances (just as you said, Signora); and the place he desired you would appoint, as knowing which was best for your own safety.'

Emily was now so much agitated by the near prospect of meeting Valancourt, that it was some time, before she could give any answer to Ludovico, or consider of the place of meeting; when she did, she saw none, that promised so much security, as the corridor, near her own apartment, which she was checked from leaving, by the apprehension of meeting any of Montoni's guests, on their way to their rooms; and she dismissed the scruples, which delicacy opposed, now that a serious danger was to be avoided by encountering them. It was settled, therefore, that the Chevalier should meet her in the corridor, at that hour of the night, which Ludovico, who was to be upon the watch, should judge safest: and Emily, as may be imagined, passed this interval in a tumult of hope and joy, anxiety and impatience. Never, since her residence in the castle, had she watched, with so much pleasure, the sun set behind the mountains, and twilight shade, and darkness veil the scene, as on this evening. She counted the notes of the great clock, and listened to the steps of the sentinels, as they changed the watch, only to rejoice, that another hour was gone. 'O, Valancourt!' said she, 'after all I have suffered; after our long, long separation, when I thought I should never—never see you more—we are still to meet again! O! I have endured grief, and anxiety, and terror, and let me, then, not sink beneath this joy!' These were moments, when it was impossible for her to feel emotions of regret, or melancholy, for any ordinary interests;—even the reflection, that she had resigned the estates, which would have been a provision for herself and Valancourt for life, threw only a light and transient shade upon her spirits. The idea of Valancourt, and that she should see him so soon, alone occupied her heart.

At length the clock struck twelve; she opened the door to listen, if any noise was in the castle, and heard only distant shouts of riot and laughter, echoed feebly along the gallery. She guessed, that the Signor and his guests were at the banquet. 'They are now engaged for the night,' said she; 'and Valancourt will soon be here.' Having softly closed the door, she paced the room with impatient steps, and often went to the casement to listen for the lute; but all was silent, and, her agitation every moment increasing, she was at length unable to support herself, and sat down by the window. Annette, whom she detained, was, in the meantime, as loquacious as usual; but Emily heard scarcely any thing she said, and having at length risen to the casement, she distinguished the chords of the lute, struck with an expressive hand, and then the voice, she had formerly listened to, accompanied it. 

     Now rising love they fann'd, now pleasing dole
 They breath'd in tender musings through the heart;
 And now a graver, sacred strain they stole,
 As when seraphic hands an hymn impart!

Emily wept in doubtful joy and tenderness; and, when the strain ceased, she considered it as a signal, that Valancourt was about to leave the prison. Soon after, she heard steps in the corridor;—they were the light, quick steps of hope; she could scarcely support herself, as they approached, but opening the door of the apartment, she advanced to meet Valancourt, and, in the next moment, sunk in the arms of a stranger. His voice—his countenance instantly convinced her, and she fainted away.

On reviving, she found herself supported by the stranger, who was watching over her recovery, with a countenance of ineffable tenderness and anxiety. She had no spirits for reply, or enquiry; she asked no questions, but burst into tears, and disengaged herself from his arms; when the expression of his countenance changed to surprise and disappointment, and he turned to Ludovico, for an explanation; Annette soon gave the information, which Ludovico could not. 'O, sir!' said she, in a voice, interrupted with sobs; 'O, sir! you are not the other Chevalier. We expected Monsieur Valancourt, but you are not he! O Ludovico! how could you deceive us so? my poor lady will never recover it—never!' The stranger, who now appeared much agitated, attempted to speak, but his words faltered; and then striking his hand against his forehead, as if in sudden despair, he walked abruptly to the other end of the corridor.

Suddenly, Annette dried her tears, and spoke to Ludovico. 'But, perhaps,' said she, 'after all, the other Chevalier is not this: perhaps the Chevalier Valancourt is still below.' Emily raised her head. 'No,' replied Ludovico, 'Monsieur Valancourt never was below, if this gentleman is not he.' 'If you, sir,' said Ludovico, addressing the stranger, 'would but have had the goodness to trust me with your name, this mistake had been avoided.' 'Most true,' replied the stranger, speaking in broken Italian, 'but it was of the utmost consequence to me, that my name should be concealed from Montoni. Madam,' added he then, addressing Emily in French, 'will you permit me to apologize for the pain I have occasioned you, and to explain to you alone my name, and the circumstance, which has led me into this error? I am of France;—I am your countryman;—we are met in a foreign land.' Emily tried to compose her spirits; yet she hesitated to grant his request. At length, desiring, that Ludovico would wait on the stair-case, and detaining Annette, she told the stranger, that her woman understood very little Italian, and begged he would communicate what he wished to say, in that language.—Having withdrawn to a distant part of the corridor, he said, with a long-drawn sigh, 'You, madam, are no stranger to me, though I am so unhappy as to be unknown to you.—My name is Du Pont; I am of France, of Gascony, your native province, and have long admired,—and, why should I affect to disguise it?—have long loved you.' He paused, but, in the next moment, proceeded. 'My family, madam, is probably not unknown to you, for we lived within a few miles of La Vallee, and I have, sometimes, had the happiness of meeting you, on visits in the neighbourhood. I will not offend you by repeating how much you interested me; how much I loved to wander in the scenes you frequented; how often I visited your favourite fishing-house, and lamented the circumstance, which, at that time, forbade me to reveal my passion. I will not explain how I surrendered to temptation, and became possessed of a treasure, which was to me inestimable; a treasure, which I committed to your messenger, a few days ago, with expectations very different from my present ones. I will say nothing of these circumstances, for I know they will avail me little; let me only supplicate from you forgiveness, and the picture, which I so unwarily returned. Your generosity will pardon the theft, and restore the prize. My crime has been my punishment; for the portrait I stole has contributed to nourish a passion, which must still be my torment.'

Emily now interrupted him. 'I think, sir, I may leave it to your integrity to determine, whether, after what has just appeared, concerning Mons. Valancourt, I ought to return the picture. I think you will acknowledge, that this would not be generosity; and you will allow me to add, that it would be doing myself an injustice. I must consider myself honoured by your good opinion, but'—and she hesitated,—'the mistake of this evening makes it unnecessary for me to say more.'

'It does, madam,—alas! it does!' said the stranger, who, after a long pause, proceeded.—'But you will allow me to shew my disinterestedness, though not my love, and will accept the services I offer. Yet, alas! what services can I offer? I am myself a prisoner, a sufferer, like you. But, dear as liberty is to me, I would not seek it through half the hazards I would encounter to deliver you from this recess of vice. Accept the offered services of a friend; do not refuse me the reward of having, at least, attempted to deserve your thanks.'

'You deserve them already, sir,' said Emily; 'the wish deserves my warmest thanks. But you will excuse me for reminding you of the danger you incur by prolonging this interview. It will be a great consolation to me to remember, whether your friendly attempts to release me succeed or not, that I have a countryman, who would so generously protect me.'—Monsieur Du Pont took her hand, which she but feebly attempted to withdraw, and pressed it respectfully to his lips. 'Allow me to breathe another fervent sigh for your happiness,' said he, 'and to applaud myself for an affection, which I cannot conquer.' As he said this, Emily heard a noise from her apartment, and, turning round, saw the door from the stair-case open, and a man rush into her chamber. 'I will teach you to conquer it,' cried he, as he advanced into the corridor, and drew a stiletto, which he aimed at Du Pont, who was unarmed, but who, stepping back, avoided the blow, and then sprung upon Verezzi, from whom he wrenched the stiletto. While they struggled in each other's grasp, Emily, followed by Annette, ran further into the corridor, calling on Ludovico, who was, however, gone from the stair-case, and, as she advanced, terrified and uncertain what to do, a distant noise, that seemed to arise from the hall, reminded her of the danger she was incurring; and, sending Annette forward in search of Ludovico, she returned to the spot where Du Pont and Verezzi were still struggling for victory. It was her own cause which was to be decided with that of the former, whose conduct, independently of this circumstance, would, however, have interested her in his success, even had she not disliked and dreaded Verezzi. She threw herself in a chair, and supplicated them to desist from further violence, till, at length, Du Pont forced Verezzi to the floor, where he lay stunned by the violence of his fall; and she then entreated Du Pont to escape from the room, before Montoni, or his party, should appear; but he still refused to leave her unprotected; and, while Emily, now more terrified for him, than for herself, enforced the entreaty, they heard steps ascending the private stair-case.

'O you are lost!' cried she, 'these are Montoni's people.' Du Pont made no reply, but supported Emily, while, with a steady, though eager, countenance, he awaited their appearance, and, in the next moment, Ludovico, alone, mounted the landing-place. Throwing an hasty glance round the chamber, 'Follow me,' said he, 'as you value your lives; we have not an instant to lose!'

Emily enquired what had occurred, and whither they were to go?

'I cannot stay to tell you now, Signora,' replied Ludovico: 'fly! fly!'

She immediately followed him, accompanied by Mons. Du Pont, down the stair-case, and along a vaulted passage, when suddenly she recollected Annette, and enquired for her. 'She awaits us further on, Signora,' said Ludovico, almost breathless with haste; 'the gates were open, a moment since, to a party just come in from the mountains: they will be shut, I fear, before we can reach them! Through this door, Signora,' added Ludovico, holding down the lamp, 'take care, here are two steps.'

Emily followed, trembling still more, than before she had understood, that her escape from the castle, depended upon the present moment; while Du Pont supported her, and endeavoured, as they passed along, to cheer her spirits.

'Speak low, Signor,' said Ludovico, 'these passages send echoes all round the castle.'

'Take care of the light,' cried Emily, 'you go so fast, that the air will extinguish it.'

Ludovico now opened another door, where they found Annette, and the party then descended a short flight of steps into a passage, which, Ludovico said, led round the inner court of the castle, and opened into the outer one. As they advanced, confused and tumultuous sounds, that seemed to come from the inner court, alarmed Emily. 'Nay, Signora,' said Ludovico, 'our only hope is in that tumult; while the Signor's people are busied about the men, who are just arrived, we may, perhaps, pass unnoticed through the gates. But hush!' he added, as they approached the small door, that opened into the outer court, 'if you will remain here a moment, I will go to see whether the gates are open, and any body is in the way. Pray extinguish the light, Signor, if you hear me talking,' continued Ludovico, delivering the lamp to Du Pont, 'and remain quite still.'

Saying this, he stepped out upon the court, and they closed the door, listening anxiously to his departing steps. No voice, however, was heard in the court, which he was crossing, though a confusion of many voices yet issued from the inner one. 'We shall soon be beyond the walls,' said Du Pont softly to Emily, 'support yourself a little longer, Madam, and all will be well.'

But soon they heard Ludovico speaking loud, and the voice also of some other person, and Du Pont immediately extinguished the lamp. 'Ah! it is too late!' exclaimed Emily, 'what is to become of us?' They listened again, and then perceived, that Ludovico was talking with a sentinel, whose voices were heard also by Emily's favourite dog, that had followed her from the chamber, and now barked loudly. 'This dog will betray us!' said Du Pont, 'I will hold him.' 'I fear he has already betrayed us!' replied Emily. Du Pont, however, caught him up, and, again listening to what was going on without, they heard Ludovico say, 'I'll watch the gates the while.'

'Stay a minute,' replied the sentinel, 'and you need not have the trouble, for the horses will be sent round to the outer stables, then the gates will be shut, and I can leave my post.' 'I don't mind the trouble, comrade,' said Ludovico, 'you will do such another good turn for me, some time. Go—go, and fetch the wine; the rogues, that are just come in, will drink it all else.'

The soldier hesitated, and then called aloud to the people in the second court, to know why they did not send out the horses, that the gates might be shut; but they were too much engaged, to attend to him, even if they had heard his voice.

'Aye—aye,' said Ludovico, 'they know better than that; they are sharing it all among them; if you wait till the horses come out, you must wait till the wine is drunk. I have had my share already, but, since you do not care about yours, I see no reason why I should not have that too.'

'Hold, hold, not so fast,' cried the sentinel, 'do watch then, for a moment: I'll be with you presently.'

'Don't hurry yourself,' said Ludovico, coolly, 'I have kept guard before now. But you may leave me your trombone,* that, if the castle should be attacked, you know, I may be able to defend the pass, like a hero.'

(* A kind of blunderbuss. [A. R.])

'There, my good fellow,' returned the soldier, 'there, take it—it has seen service, though it could do little in defending the castle. I'll tell you a good story, though, about this same trombone.'

'You'll tell it better when you have had the wine,' said Ludovico. 'There! they are coming out from the court already.'

'I'll have the wine, though,' said the sentinel, running off. 'I won't keep you a minute.'

'Take your time, I am in no haste,' replied Ludovico, who was already hurrying across the court, when the soldier came back. 'Whither so fast, friend—whither so fast?' said the latter. 'What! is this the way you keep watch! I must stand to my post myself, I see.'

'Aye, well,' replied Ludovico, 'you have saved me the trouble of following you further, for I wanted to tell you, if you have a mind to drink the Tuscany wine, you must go to Sebastian, he is dealing it out; the other that Federico has, is not worth having. But you are not likely to have any, I see, for they are all coming out.'

'By St. Peter! so they are,' said the soldier, and again ran off, while Ludovico, once more at liberty, hastened to the door of the passage, where Emily was sinking under the anxiety this long discourse had occasioned; but, on his telling them the court was clear, they followed him to the gates, without waiting another instant, yet not before he had seized two horses, that had strayed from the second court, and were picking a scanty meal among the grass, which grew between the pavement of the first.

They passed, without interruption, the dreadful gates, and took the road that led down among the woods, Emily, Monsieur Du Pont and Annette on foot, and Ludovico, who was mounted on one horse, leading the other. Having reached them, they stopped, while Emily and Annette were placed on horseback with their two protectors, when, Ludovico leading the way, they set off as fast as the broken road, and the feeble light, which a rising moon threw among the foliage, would permit.

Emily was so much astonished by this sudden departure, that she scarcely dared to believe herself awake; and she yet much doubted whether this adventure would terminate in escape,—a doubt, which had too much probability to justify it; for, before they quitted the woods, they heard shouts in the wind, and, on emerging from them, saw lights moving quickly near the castle above. Du Pont whipped his horse, and with some difficulty compelled him to go faster.

'Ah! poor beast,' said Ludovico, 'he is weary enough;—he has been out all day; but, Signor, we must fly for it, now; for yonder are lights coming this way.'

Having given his own horse a lash, they now both set off on a full gallop; and, when they again looked back, the lights were so distant as scarcely to be discerned, and the voices were sunk into silence. The travellers then abated their pace, and, consulting whither they should direct their course, it was determined they should descend into Tuscany, and endeavour to reach the Mediterranean, where they could readily embark for France. Thither Du Pont meant to attend Emily, if he should learn, that the regiment he had accompanied into Italy, was returned to his native country.

They were now in the road, which Emily had travelled with Ugo and Bertrand; but Ludovico, who was the only one of the party, acquainted with the passes of these mountains, said, that, a little further on, a bye-road, branching from this, would lead them down into Tuscany with very little difficulty; and that, at a few leagues distance, was a small town, where necessaries could be procured for their journey.

'But, I hope,' added he, 'we shall meet with no straggling parties of banditti; some of them are abroad, I know. However, I have got a good trombone, which will be of some service, if we should encounter any of those brave spirits. You have no arms, Signor?' 'Yes,' replied Du Pont, 'I have the villain's stilletto, who would have stabbed me—but let us rejoice in our escape from Udolpho, nor torment ourselves with looking out for dangers, that may never arrive.'

The moon was now risen high over the woods, that hung upon the sides of the narrow glen, through which they wandered, and afforded them light sufficient to distinguish their way, and to avoid the loose and broken stones, that frequently crossed it. They now travelled leisurely, and in profound silence; for they had scarcely yet recovered from the astonishment, into which this sudden escape had thrown them.—Emily's mind, especially, was sunk, after the various emotions it had suffered, into a kind of musing stillness, which the reposing beauty of the surrounding scene and the creeping murmur of the night-breeze among the foliage above contributed to prolong. She thought of Valancourt and of France, with hope, and she would have thought of them with joy, had not the first events of this evening harassed her spirits too much, to permit her now to feel so lively a sensation. Meanwhile, Emily was alone the object of Du Pont's melancholy consideration; yet, with the despondency he suffered, as he mused on his recent disappointment, was mingled a sweet pleasure, occasioned by her presence, though they did not now exchange a single word. Annette thought of this wonderful escape, of the bustle in which Montoni and his people must be, now that their flight was discovered; of her native country, whither she hoped she was returning, and of her marriage with Ludovico, to which there no longer appeared any impediment, for poverty she did not consider such. Ludovico, on his part, congratulated himself, on having rescued his Annette and Signora Emily from the danger, that had surrounded them; on his own liberation from people, whose manners he had long detested; on the freedom he had given to Monsieur Du Pont; on his prospect of happiness with the object of his affections, and not a little on the address, with which he had deceived the sentinel, and conducted the whole of this affair.

Thus variously engaged in thought, the travellers passed on silently, for above an hour, a question only being, now and then, asked by Du Pont, concerning the road, or a remark uttered by Annette, respecting objects, seen imperfectly in the twilight. At length, lights were perceived twinkling on the side of a mountain, and Ludovico had no doubt, that they proceeded from the town he had mentioned, while his companions, satisfied by this assurance, sunk again into silence. Annette was the first who interrupted this. 'Holy Peter!' said she, 'What shall we do for money on our journey? for I know neither I, or my lady, have a single sequin; the Signor took care of that!'

This remark produced a serious enquiry, which ended in as serious an embarrassment, for Du Pont had been rifled of nearly all his money, when he was taken prisoner; the remainder he had given to the sentinel, who had enabled him occasionally to leave his prison-chamber; and Ludovico, who had for some time found a difficulty, in procuring any part of the wages due to him, had now scarcely cash sufficient to procure necessary refreshment at the first town, in which they should arrive.

Their poverty was the more distressing, since it would detain them among the mountains, where, even in a town, they could scarcely consider themselves safe from Montoni. The travellers, however, had only to proceed and dare the future; and they continued their way through lonely wilds and dusky vallies, where the overhanging foliage now admitted, and then excluded the moon-light;—wilds so desolate, that they appeared, on the first glance, as if no human being had ever trode them before. Even the road, in which the party were, did but slightly contradict this error, for the high grass and other luxuriant vegetation, with which it was overgrown, told how very seldom the foot of a traveller had passed it.

At length, from a distance, was heard the faint tinkling of a sheep-bell; and, soon after, the bleat of flocks, and the party then knew, that they were near some human habitation, for the light, which Ludovico had fancied to proceed from a town, had long been concealed by intervening mountains. Cheered by this hope, they quickened their pace along the narrow pass they were winding, and it opened upon one of those pastoral vallies of the Apennines, which might be painted for a scene of Arcadia, and whose beauty and simplicity are finely contrasted by the grandeur of the snow-topt mountains above.

The morning light, now glimmering in the horizon, shewed faintly, at a little distance, upon the brow of a hill, which seemed to peep from 'under the opening eye-lids of the morn,' the town they were in search of, and which they soon after reached. It was not without some difficulty, that they there found a house, which could afford shelter for themselves and their horses; and Emily desired they might not rest longer than was necessary for refreshment. Her appearance excited some surprise, for she was without a hat, having had time only to throw on her veil before she left the castle, a circumstance, that compelled her to regret again the want of money, without which it was impossible to procure this necessary article of dress.

Ludovico, on examining his purse, found it even insufficient to supply present refreshment, and Du Pont, at length, ventured to inform the landlord, whose countenance was simple and honest, of their exact situation, and requested, that he would assist them to pursue their journey; a purpose, which he promised to comply with, as far as he was able, when he learned that they were prisoners escaping from Montoni, whom he had too much reason to hate. But, though he consented to lend them fresh horses to carry them to the next town, he was too poor himself to trust them with money, and they were again lamenting their poverty, when Ludovico, who had been with his tired horses to the hovel, which served for a stable, entered the room, half frantic with joy, in which his auditors soon participated. On removing the saddle from one of the horses, he had found beneath it a small bag, containing, no doubt, the booty of one of the condottieri, who had returned from a plundering excursion, just before Ludovico left the castle, and whose horse having strayed from the inner court, while his master was engaged in drinking, had brought away the treasure, which the ruffian had considered the reward of his exploit.

On counting over this, Du Pont found, that it would be more than sufficient to carry them all to France, where he now determined to accompany Emily, whether he should obtain intelligence of his regiment, or not; for, though he had as much confidence in the integrity of Ludovico, as his small knowledge of him allowed, he could not endure the thought of committing her to his care for the voyage; nor, perhaps, had he resolution enough to deny himself the dangerous pleasure, which he might derive from her presence.

He now consulted them, concerning the sea-port, to which they should direct their way, and Ludovico, better informed of the geography of the country, said, that Leghorn was the nearest port of consequence, which Du Pont knew also to be the most likely of any in Italy to assist their plan, since from thence vessels of all nations were continually departing. Thither, therefore, it was determined, that they should proceed.

Emily, having purchased a little straw hat, such as was worn by the peasant girls of Tuscany, and some other little necessary equipments for the journey, and the travellers, having exchanged their tired horses for others better able to carry them, re-commenced their joyous way, as the sun was rising over the mountains, and, after travelling through this romantic country, for several hours, began to descend into the vale of Arno. And here Emily beheld all the charms of sylvan and pastoral landscape united, adorned with the elegant villas of the Florentine nobles, and diversified with the various riches of cultivation. How vivid the shrubs, that embowered the slopes, with the woods, that stretched amphitheatrically along the mountains! and, above all, how elegant the outline of these waving Apennines, now softening from the wildness, which their interior regions exhibited! At a distance, in the east, Emily discovered Florence, with its towers rising on the brilliant horizon, and its luxuriant plain, spreading to the feet of the Apennines, speckled with gardens and magnificent villas, or coloured with groves of orange and lemon, with vines, corn, and plantations of olives and mulberry; while, to the west, the vale opened to the waters of the Mediterranean, so distant, that they were known only by a blueish line, that appeared upon the horizon, and by the light marine vapour, which just stained the aether above.

With a full heart, Emily hailed the waves, that were to bear her back to her native country, the remembrance of which, however, brought with it a pang; for she had there no home to receive, no parents to welcome her, but was going, like a forlorn pilgrim, to weep over the sad spot, where he, who WAS her father, lay interred. Nor were her spirits cheered, when she considered how long it would probably be before she should see Valancourt, who might be stationed with his regiment in a distant part of France, and that, when they did meet, it would be only to lament the successful villany of Montoni; yet, still she would have felt inexpressible delight at the thought of being once more in the same country with Valancourt, had it even been certain, that she could not see him.

The intense heat, for it was now noon, obliged the travellers to look out for a shady recess, where they might rest, for a few hours, and the neighbouring thickets, abounding with wild grapes, raspberries, and figs, promised them grateful refreshment. Soon after, they turned from the road into a grove, whose thick foliage entirely excluded the sun-beams, and where a spring, gushing from the rock, gave coolness to the air; and, having alighted and turned the horses to graze, Annette and Ludovico ran to gather fruit from the surrounding thickets, of which they soon returned with an abundance. The travellers, seated under the shade of a pine and cypress grove and on turf, enriched with such a profusion of fragrant flowers, as Emily had scarcely ever seen, even among the Pyrenees, took their simple repast, and viewed, with new delight, beneath the dark umbrage of gigantic pines, the glowing landscape stretching to the sea.

Emily and Du Pont gradually became thoughtful and silent; but Annette was all joy and loquacity, and Ludovico was gay, without forgetting the respectful distance, which was due to his companions. The repast being over, Du Pont recommended Emily to endeavour to sleep, during these sultry hours, and, desiring the servants would do the same, said he would watch the while; but Ludovico wished to spare him this trouble; and Emily and Annette, wearied with travelling, tried to repose, while he stood guard with his trombone.

When Emily, refreshed by slumber, awoke, she found the sentinel asleep on his post and Du Pont awake, but lost in melancholy thought. As the sun was yet too high to allow them to continue their journey, and as it was necessary, that Ludovico, after the toils and trouble he had suffered, should finish his sleep, Emily took this opportunity of enquiring by what accident Du Pont became Montoni's prisoner, and he, pleased with the interest this enquiry expressed and with the excuse it gave him for talking to her of himself, immediately answered her curiosity.

'I came into Italy, madam,' said Du Pont, 'in the service of my country. In an adventure among the mountains our party, engaging with the bands of Montoni, was routed, and I, with a few of my comrades, was taken prisoner. When they told me, whose captive I was, the name of Montoni struck me, for I remembered, that Madame Cheron, your aunt, had married an Italian of that name, and that you had accompanied them into Italy. It was not, however, till some time after, that I became convinced this was the same Montoni, or learned that you, madam, was under the same roof with myself. I will not pain you by describing what were my emotions upon this discovery, which I owed to a sentinel, whom I had so far won to my interest, that he granted me many indulgences, one of which was very important to me, and somewhat dangerous to himself; but he persisted in refusing to convey any letter, or notice of my situation to you, for he justly dreaded a discovery and the consequent vengeance of Montoni. He however enabled me to see you more than once. You are surprised, madam, and I will explain myself. My health and spirits suffered extremely from want of air and exercise, and, at length, I gained so far upon the pity, or the avarice of the man, that he gave me the means of walking on the terrace.'

Emily now listened, with very anxious attention, to the narrative of Du Pont, who proceeded:

'In granting this indulgence, he knew, that he had nothing to apprehend from a chance of my escaping from a castle, which was vigilantly guarded, and the nearest terrace of which rose over a perpendicular rock; he shewed me also,' continued Du Pont, 'a door concealed in the cedar wainscot of the apartment where I was confined, which he instructed me how to open; and which, leading into a passage, formed within the thickness of the wall, that extended far along the castle, finally opened in an obscure corner of the eastern rampart. I have since been informed, that there are many passages of the same kind concealed within the prodigious walls of that edifice, and which were, undoubtedly, contrived for the purpose of facilitating escapes in time of war. Through this avenue, at the dead of night, I often stole to the terrace, where I walked with the utmost caution, lest my steps should betray me to the sentinels on duty in distant parts; for this end of it, being guarded by high buildings, was not watched by soldiers. In one of these midnight wanderings, I saw light in a casement that overlooked the rampart, and which, I observed, was immediately over my prison-chamber. It occurred to me, that you might be in that apartment, and, with the hope of seeing you, I placed myself opposite to the window.'

Emily, remembering the figure that had formerly appeared on the terrace, and which had occasioned her so much anxiety, exclaimed, 'It was you then, Monsieur Du Pont, who occasioned me much foolish terror; my spirits were, at that time, so much weakened by long suffering, that they took alarm at every hint.' Du Pont, after lamenting, that he had occasioned her any apprehension, added, 'As I rested on the wall, opposite to your casement, the consideration of your melancholy situation and of my own called from me involuntary sounds of lamentation, which drew you, I fancy, to the casement; I saw there a person, whom I believed to be you. O! I will say nothing of my emotion at that moment; I wished to speak, but prudence restrained me, till the distant foot-step of a sentinel compelled me suddenly to quit my station.

'It was some time, before I had another opportunity of walking, for I could only leave my prison, when it happened to be the turn of one man to guard me; meanwhile I became convinced from some circumstances related by him, that your apartment was over mine, and, when again I ventured forth, I returned to your casement, where again I saw you, but without daring to speak. I waved my hand, and you suddenly disappeared; then it was, that I forgot my prudence, and yielded to lamentation; again you appeared—you spoke—I heard the well-known accent of your voice! and, at that moment, my discretion would have forsaken me again, had I not heard also the approaching steps of a soldier, when I instantly quitted the place, though not before the man had seen me. He followed down the terrace and gained so fast upon me, that I was compelled to make use of a stratagem, ridiculous enough, to save myself. I had heard of the superstition of many of these men, and I uttered a strange noise, with a hope, that my pursuer would mistake it for something supernatural, and desist from pursuit. Luckily for myself I succeeded; the man, it seems, was subject to fits, and the terror he suffered threw him into one, by which accident I secured my retreat. A sense of the danger I had escaped, and the increased watchfulness, which my appearance had occasioned among the sentinels, deterred me ever after from walking on the terrace; but, in the stillness of night, I frequently beguiled myself with an old lute, procured for me by a soldier, which I sometimes accompanied with my voice, and sometimes, I will acknowledge, with a hope of making myself heard by you; but it was only a few evenings ago, that this hope was answered. I then thought I heard a voice in the wind, calling me; yet, even then I feared to reply, lest the sentinel at the prison door should hear me. Was I right, madam, in this conjecture—was it you who spoke?'

'Yes,' said Emily, with an involuntary sigh, 'you was right indeed.'

Du Pont, observing the painful emotions, which this question revived, now changed the subject. 'In one of my excursions through the passage, which I have mentioned, I overheard a singular conversation,' said he.

'In the passage!' said Emily, with surprise.

'I heard it in the passage,' said Du Pont, 'but it proceeded from an apartment, adjoining the wall, within which the passage wound, and the shell of the wall was there so thin, and was also somewhat decayed, that I could distinctly hear every word, spoken on the other side. It happened that Montoni and his companions were assembled in the room, and Montoni began to relate the extraordinary history of the lady, his predecessor, in the castle. He did, indeed, mention some very surprising circumstances, and whether they were strictly true, his conscience must decide; I fear it will determine against him. But you, madam, have doubtless heard the report, which he designs should circulate, on the subject of that lady's mysterious fate.'

'I have, sir,' replied Emily, 'and I perceive, that you doubt it.'

'I doubted it before the period I am speaking of,' rejoined Du Pont;—'but some circumstances, mentioned by Montoni, greatly contributed to my suspicions. The account I then heard, almost convinced me, that he was a murderer. I trembled for you;—the more so that I had heard the guests mention your name in a manner, that threatened your repose; and, knowing, that the most impious men are often the most superstitious, I determined to try whether I could not awaken their consciences, and awe them from the commission of the crime I dreaded. I listened closely to Montoni, and, in the most striking passages of his story, I joined my voice, and repeated his last words, in a disguised and hollow tone.'

'But was you not afraid of being discovered?' said Emily.

'I was not,' replied Du Pont; 'for I knew, that, if Montoni had been acquainted with the secret of this passage, he would not have confined me in the apartment, to which it led. I knew also, from better authority, that he was ignorant of it. The party, for some time, appeared inattentive to my voice; but, at length, were so much alarmed, that they quitted the apartment; and, having heard Montoni order his servants to search it, I returned to my prison, which was very distant from this part of the passage.' 'I remember perfectly to have heard of the conversation you mention,' said Emily; 'it spread a general alarm among Montoni's people, and I will own I was weak enough to partake of it.'

Monsieur Du Pont and Emily thus continued to converse of Montoni, and then of France, and of the plan of their voyage; when Emily told him, that it was her intention to retire to a convent in Languedoc, where she had been formerly treated with much kindness, and from thence to write to her relation Monsieur Quesnel, and inform him of her conduct. There, she designed to wait, till La Vallee should again be her own, whither she hoped her income would some time permit her to return; for Du Pont now taught her to expect, that the estate, of which Montoni had attempted to defraud her, was not irrecoverably lost, and he again congratulated her on her escape from Montoni, who, he had not a doubt, meant to have detained her for life. The possibility of recovering her aunt's estates for Valancourt and herself lighted up a joy in Emily's heart, such as she had not known for many months; but she endeavoured to conceal this from Monsieur Du Pont, lest it should lead him to a painful remembrance of his rival.

They continued to converse, till the sun was declining in the west, when Du Pont awoke Ludovico, and they set forward on their journey. Gradually descending the lower slopes of the valley, they reached the Arno, and wound along its pastoral margin, for many miles, delighted with the scenery around them, and with the remembrances, which its classic waves revived. At a distance, they heard the gay song of the peasants among the vineyards, and observed the setting sun tint the waves with yellow lustre, and twilight draw a dusky purple over the mountains, which, at length, deepened into night. Then the LUCCIOLA, the fire-fly of Tuscany, was seen to flash its sudden sparks among the foliage, while the cicala, with its shrill note, became more clamorous than even during the noon-day heat, loving best the hour when the English beetle, with less offensive sound, 

     winds
 His small but sullen horn,
 As oft he rises 'midst the twilight path,
 Against the pilgrim borne in heedless hum.*

(* Collins. [A. R.])

The travellers crossed the Arno by moon-light, at a ferry, and, learning that Pisa was distant only a few miles down the river, they wished to have proceeded thither in a boat, but, as none could be procured, they set out on their wearied horses for that city. As they approached it, the vale expanded into a plain, variegated with vineyards, corn, olives and mulberry groves; but it was late, before they reached its gates, where Emily was surprised to hear the busy sound of footsteps and the tones of musical instruments, as well as to see the lively groups, that filled the streets, and she almost fancied herself again at Venice; but here was no moon-light sea—no gay gondolas, dashing the waves,—no PALLADIAN palaces, to throw enchantment over the fancy and lead it into the wilds of fairy story. The Arno rolled through the town, but no music trembled from balconies over its waters; it gave only the busy voices of sailors on board vessels just arrived from the Mediterranean; the melancholy heaving of the anchor, and the shrill boatswain's whistle;—sounds, which, since that period, have there sunk almost into silence. They then served to remind Du Pont, that it was probable he might hear of a vessel, sailing soon to France from this port, and thus be spared the trouble of going to Leghorn. As soon as Emily had reached the inn, he went therefore to the quay, to make his enquiries; but, after all the endeavours of himself and Ludovico, they could hear of no bark, destined immediately for France, and the travellers returned to their resting-place. Here also, Du Pont endeavoured to learn where his regiment then lay, but could acquire no information concerning it. The travellers retired early to rest, after the fatigues of this day; and, on the following, rose early, and, without pausing to view the celebrated antiquities of the place, or the wonders of its hanging tower, pursued their journey in the cooler hours, through a charming country, rich with wine, and corn and oil. The Apennines, no longer awful, or even grand, here softened into the beauty of sylvan and pastoral landscape; and Emily, as she descended them, looked down delighted on Leghorn, and its spacious bay, filled with vessels, and crowned with these beautiful hills.

She was no less surprised and amused, on entering this town, to find it crowded with persons in the dresses of all nations; a scene, which reminded her of a Venetian masquerade, such as she had witnessed at the time of the Carnival; but here, was bustle, without gaiety, and noise instead of music, while elegance was to be looked for only in the waving outlines of the surrounding hills.

Monsieur Du Pont, immediately on their arrival, went down to the quay, where he heard of several French vessels, and of one, that was to sail, in a few days, for Marseilles, from whence another vessel could be procured, without difficulty, to take them across the gulf of Lyons towards Narbonne, on the coast not many leagues from which city he understood the convent was seated, to which Emily wished to retire. He, therefore, immediately engaged with the captain to take them to Marseilles, and Emily was delighted to hear, that her passage to France was secured. Her mind was now relieved from the terror of pursuit, and the pleasing hope of soon seeing her native country—that country which held Valancourt, restored to her spirits a degree of cheerfulness, such as she had scarcely known, since the death of her father. At Leghorn also, Du Pont heard of his regiment, and that it had embarked for France; a circumstance, which gave him great satisfaction, for he could now accompany Emily thither, without reproach to his conscience, or apprehension of displeasure from his commander. During these days, he scrupulously forbore to distress her by a mention of his passion, and she was compelled to esteem and pity, though she could not love him. He endeavoured to amuse her by shewing the environs of the town, and they often walked together on the sea-shore, and on the busy quays, where Emily was frequently interested by the arrival and departure of vessels, participating in the joy of meeting friends, and, sometimes, shedding a sympathetic tear to the sorrow of those, that were separating. It was after having witnessed a scene of the latter kind, that she arranged the following stanzas:

THE MARINER 
 Soft came the breath of spring; smooth flow'd the tide;
 And blue the heaven in its mirror smil'd;
 The white sail trembled, swell'd, expanded wide,
 The busy sailors at the anchor toil'd.

 With anxious friends, that shed the parting tear,
 The deck was throng'd—how swift the moments fly!
 The vessel heaves, the farewel signs appear;
 Mute is each tongue, and eloquent each eye!

 The last dread moment comes!—The sailor-youth
 Hides the big drop, then smiles amid his pain,
 Sooths his sad bride, and vows eternal truth,
 'Farewel, my love—we shall—shall meet again!'

 Long on the stern, with waving hand, he stood;
 The crowded shore sinks, lessening, from his view,
 As gradual glides the bark along the flood;
 His bride is seen no more—'Adieu!—adieu!'

 The breeze of Eve moans low, her smile is o'er,
 Dim steals her twilight down the crimson'd west,
 He climbs the top-most mast, to seek once more
 The far-seen coast, where all his wishes rest.

 He views its dark line on the distant sky,
 And Fancy leads him to his little home,
 He sees his weeping love, he hears her sigh,
 He sooths her griefs, and tells of joys to come.

 Eve yields to night, the breeze to wintry gales,
 In one vast shade the seas and shores repose;
 He turns his aching eyes,—his spirit fails,
 The chill tear falls;—sad to the deck he goes!

 The storm of midnight swells, the sails are furl'd,
 Deep sounds the lead, but finds no friendly shore,
 Fast o'er the waves the wretched bark is hurl'd,
 'O Ellen, Ellen! we must meet no more!'

 Lightnings, that shew the vast and foamy deep,
 The rending thunders, as they onward roll,
 The loud, loud winds, that o'er the billows sweep—
 Shake the firm nerve, appall the bravest soul!

 Ah! what avails the seamen's toiling care!
 The straining cordage bursts, the mast is riv'n;
 The sounds of terror groan along the air,
 Then sink afar;—the bark on rocks is driv'n!

 Fierce o'er the wreck the whelming waters pass'd,
 The helpless crew sunk in the roaring main!
 Henry's faint accents trembled in the blast—
 'Farewel, my love!—we ne'er shall meet again!'

 Oft, at the calm and silent evening hour,
 When summer-breezes linger on the wave,
 A melancholy voice is heard to pour
 Its lonely sweetness o'er poor Henry's grave!

 And oft, at midnight, airy strains are heard
 Around the grove, where Ellen's form is laid;
 Nor is the dirge by village-maidens fear'd,
 For lovers' spirits guard the holy shade!

 

 

 

 

 

CHAPTER X 

     Oh! the joy
 Of young ideas, painted on the mind
 In the warm glowing colours fancy spreads
 On objects not yet known, when all is new,
 And all is lovely!
     SACRED DRAMAS

We now return to Languedoc and to the mention of Count De Villefort, the nobleman, who succeeded to an estate of the Marquis De Villeroi situated near the monastery of St. Claire. It may be recollected, that this chateau was uninhabited, when St. Aubert and his daughter were in the neighbourhood, and that the former was much affected on discovering himself to be so near Chateau-le-Blanc, a place, concerning which the good old La Voisin afterwards dropped some hints, that had alarmed Emily's curiosity.

It was in the year 1584, the beginning of that, in which St. Aubert died, that Francis Beauveau, Count De Villefort, came into possession of the mansion and extensive domain called Chateau-le-Blanc, situated in the province of Languedoc, on the shore of the Mediterranean. This estate, which, during some centuries, had belonged to his family, now descended to him, on the decease of his relative, the Marquis De Villeroi, who had been latterly a man of reserved manners and austere character; circumstances, which, together with the duties of his profession, that often called him into the field, had prevented any degree of intimacy with his cousin, the Count De Villefort. For many years, they had known little of each other, and the Count received the first intelligence of his death, which happened in a distant part of France, together with the instruments, that gave him possession of the domain Chateau-le-Blanc; but it was not till the following year, that he determined to visit that estate, when he designed to pass the autumn there. The scenes of Chateau-le-Blanc often came to his remembrance, heightened by the touches, which a warm imagination gives to the recollection of early pleasures; for, many years before, in the life-time of the Marchioness, and at that age when the mind is particularly sensible to impressions of gaiety and delight, he had once visited this spot, and, though he had passed a long intervening period amidst the vexations and tumults of public affairs, which too frequently corrode the heart, and vitiate the taste, the shades of Languedoc and the grandeur of its distant scenery had never been remembered by him with indifference.

During many years, the chateau had been abandoned by the late Marquis, and, being inhabited only by an old steward and his wife, had been suffered to fall much into decay. To superintend the repairs, that would be requisite to make it a comfortable residence, had been a principal motive with the Count for passing the autumnal months in Languedoc; and neither the remonstrances, or the tears of the Countess, for, on urgent occasions, she could weep, were powerful enough to overcome his determination. She prepared, therefore, to obey the command, which she could not conquer, and to resign the gay assemblies of Paris,—where her beauty was generally unrivalled and won the applause, to which her wit had but feeble claim—for the twilight canopy of woods, the lonely grandeur of mountains and the solemnity of gothic halls and of long, long galleries, which echoed only the solitary step of a domestic, or the measured clink, that ascended from the great clock—the ancient monitor of the hall below. From these melancholy expectations she endeavoured to relieve her spirits by recollecting all that she had ever heard, concerning the joyous vintage of the plains of Languedoc; but there, alas! no airy forms would bound to the gay melody of Parisian dances, and a view of the rustic festivities of peasants could afford little pleasure to a heart, in which even the feelings of ordinary benevolence had long since decayed under the corruptions of luxury.

The Count had a son and a daughter, the children of a former marriage, who, he designed, should accompany him to the south of France; Henri, who was in his twentieth year, was in the French service; and Blanche, who was not yet eighteen, had been hitherto confined to the convent, where she had been placed immediately on her father's second marriage. The present Countess, who had neither sufficient ability, or inclination, to superintend the education of her daughter-in-law, had advised this step, and the dread of superior beauty had since urged her to employ every art, that might prevail on the Count to prolong the period of Blanche's seclusion; it was, therefore, with extreme mortification, that she now understood he would no longer submit on this subject, yet it afforded her some consolation to consider, that, though the Lady Blanche would emerge from her convent, the shades of the country would, for some time, veil her beauty from the public eye.

On the morning, which commenced the journey, the postillions stopped at the convent, by the Count's order, to take up Blanche, whose heart beat with delight, at the prospect of novelty and freedom now before her. As the time of her departure drew nigh, her impatience had increased, and the last night, during which she counted every note of every hour, had appeared the most tedious of any she had ever known. The morning light, at length, dawned; the matin-bell rang; she heard the nuns descending from their chambers, and she started from a sleepless pillow to welcome the day, which was to emancipate her from the severities of a cloister, and introduce her to a world, where pleasure was ever smiling, and goodness ever blessed—where, in short, nothing but pleasure and goodness reigned! When the bell of the great gate rang, and the sound was followed by that of carriage wheels, she ran, with a palpitating heart, to her lattice, and, perceiving her father's carriage in the court below, danced, with airy steps, along the gallery, where she was met by a nun with a summons from the abbess. In the next moment, she was in the parlour, and in the presence of the Countess who now appeared to her as an angel, that was to lead her into happiness. But the emotions of the Countess, on beholding her, were not in unison with those of Blanche, who had never appeared so lovely as at this moment, when her countenance, animated by the lightning smile of joy, glowed with the beauty of happy innocence.

After conversing for a few minutes with the abbess, the Countess rose to go. This was the moment, which Blanche had anticipated with such eager expectation, the summit from which she looked down upon the fairy-land of happiness, and surveyed all its enchantment; was it a moment, then, for tears of regret? Yet it was so. She turned, with an altered and dejected countenance, to her young companions, who were come to bid her farewell, and wept! Even my lady abbess, so stately and so solemn, she saluted with a degree of sorrow, which, an hour before, she would have believed it impossible to feel, and which may be accounted for by considering how reluctantly we all part, even with unpleasing objects, when the separation is consciously for ever. Again, she kissed the poor nuns and then followed the Countess from that spot with tears, which she expected to leave only with smiles.

But the presence of her father and the variety of objects, on the road, soon engaged her attention, and dissipated the shade, which tender regret had thrown upon her spirits. Inattentive to a conversation, which was passing between the Countess and a Mademoiselle Bearn, her friend, Blanche sat, lost in pleasing reverie, as she watched the clouds floating silently along the blue expanse, now veiling the sun and stretching their shadows along the distant scene, and then disclosing all his brightness. The journey continued to give Blanche inexpressible delight, for new scenes of nature were every instant opening to her view, and her fancy became stored with gay and beautiful imagery.

It was on the evening of the seventh day, that the travellers came within view of Chateau-le-Blanc, the romantic beauty of whose situation strongly impressed the imagination of Blanche, who observed, with sublime astonishment, the Pyrenean mountains, which had been seen only at a distance during the day, now rising within a few leagues, with their wild cliffs and immense precipices, which the evening clouds, floating round them, now disclosed, and again veiled. The setting rays, that tinged their snowy summits with a roseate hue, touched their lower points with various colouring, while the blueish tint, that pervaded their shadowy recesses, gave the strength of contrast to the splendour of light. The plains of Languedoc, blushing with the purple vine and diversified with groves of mulberry, almond and olives, spread far to the north and the east; to the south, appeared the Mediterranean, clear as crystal, and blue as the heavens it reflected, bearing on its bosom vessels, whose white sails caught the sun-beams, and gave animation to the scene. On a high promontory, washed by the waters of the Mediterranean, stood her father's mansion, almost secluded from the eye by woods of intermingled pine, oak and chesnut, which crowned the eminence, and sloped towards the plains, on one side; while, on the other, they extended to a considerable distance along the sea-shores.

As Blanche drew nearer, the gothic features of this antient mansion successively appeared—first an embattled turret, rising above the trees—then the broken arch of an immense gate-way, retiring beyond them; and she almost fancied herself approaching a castle, such as is often celebrated in early story, where the knights look out from the battlements on some champion below, who, clothed in black armour, comes, with his companions, to rescue the fair lady of his love from the oppression of his rival; a sort of legends, to which she had once or twice obtained access in the library of her convent, that, like many others, belonging to the monks, was stored with these reliques of romantic fiction.

The carriages stopped at a gate, which led into the domain of the chateau, but which was now fastened; and the great bell, that had formerly served to announce the arrival of strangers, having long since fallen from its station, a servant climbed over a ruined part of the adjoining wall, to give notice to those within of the arrival of their lord.

As Blanche leaned from the coach window, she resigned herself to the sweet and gentle emotions, which the hour and the scenery awakened. The sun had now left the earth, and twilight began to darken the mountains; while the distant waters, reflecting the blush that still glowed in the west, appeared like a line of light, skirting the horizon. The low murmur of waves, breaking on the shore, came in the breeze, and, now and then, the melancholy dashing of oars was feebly heard from a distance. She was suffered to indulge her pensive mood, for the thoughts of the rest of the party were silently engaged upon the subjects of their several interests. Meanwhile, the Countess, reflecting, with regret, upon the gay parties she had left at Paris, surveyed, with disgust, what she thought the gloomy woods and solitary wildness of the scene; and, shrinking from the prospect of being shut up in an old castle, was prepared to meet every object with displeasure. The feelings of Henri were somewhat similar to those of the Countess; he gave a mournful sigh to the delights of the capital, and to the remembrance of a lady, who, he believed, had engaged his affections, and who had certainly fascinated his imagination; but the surrounding country, and the mode of life, on which he was entering, had, for him, at least, the charm of novelty, and his regret was softened by the gay expectations of youth. The gates being at length unbarred, the carriage moved slowly on, under spreading chesnuts, that almost excluded the remains of day, following what had been formerly a road, but which now, overgrown with luxuriant vegetation, could be traced only by the boundary, formed by trees, on either side, and which wound for near half a mile among the woods, before it reached the chateau. This was the very avenue that St. Aubert and Emily had formerly entered, on their first arrival in the neighbourhood, with the hope of finding a house, that would receive them, for the night, and had so abruptly quitted, on perceiving the wildness of the place, and a figure, which the postillion had fancied was a robber.

'What a dismal place is this!' exclaimed the Countess, as the carriage penetrated the deeper recesses of the woods. 'Surely, my lord, you do not mean to pass all the autumn in this barbarous spot! One ought to bring hither a cup of the waters of Lethe, that the remembrance of pleasanter scenes may not heighten, at least, the natural dreariness of these.'

'I shall be governed by circumstances, madam,' said the Count, 'this barbarous spot was inhabited by my ancestors.'

The carriage now stopped at the chateau, where, at the door of the great hall, appeared the old steward and the Parisian servants, who had been sent to prepare the chateau, waiting to receive their lord. Lady Blanche now perceived, that the edifice was not built entirely in the gothic style, but that it had additions of a more modern date; the large and gloomy hall, however, into which she now entered, was entirely gothic, and sumptuous tapestry, which it was now too dark to distinguish, hung upon the walls, and depictured scenes from some of the antient Provencal romances. A vast gothic window, embroidered with CLEMATIS and eglantine, that ascended to the south, led the eye, now that the casements were thrown open, through this verdant shade, over a sloping lawn, to the tops of dark woods, that hung upon the brow of the promontory. Beyond, appeared the waters of the Mediterranean, stretching far to the south, and to the east, where they were lost in the horizon; while, to the north-east, they were bounded by the luxuriant shores of Languedoc and Provence, enriched with wood, and gay with vines and sloping pastures; and, to the south-west, by the majestic Pyrenees, now fading from the eye, beneath the gradual gloom.

Blanche, as she crossed the hall, stopped a moment to observe this lovely prospect, which the evening twilight obscured, yet did not conceal. But she was quickly awakened from the complacent delight, which this scene had diffused upon her mind, by the Countess, who, discontented with every object around, and impatient for refreshment and repose, hastened forward to a large parlour, whose cedar wainscot, narrow, pointed casements, and dark ceiling of carved cypress wood, gave it an aspect of peculiar gloom, which the dingy green velvet of the chairs and couches, fringed with tarnished gold, had once been designed to enliven.

While the Countess enquired for refreshment, the Count, attended by his son, went to look over some part of the chateau, and Lady Blanche reluctantly remained to witness the discontent and ill-humour of her step-mother.

'How long have you lived in this desolate place?' said her ladyship, to the old house keeper, who came to pay her duty.

'Above twenty years, your ladyship, on the next feast of St. Jerome.'

'How happened it, that you have lived here so long, and almost alone, too? I understood, that the chateau had been shut up for some years?'

'Yes, madam, it was for many years after my late lord, the Count, went to the wars; but it is above twenty years, since I and my husband came into his service. The place is so large, and has of late been so lonely, that we were lost in it, and, after some time, we went to live in a cottage at the end of the woods, near some of the tenants, and came to look after the chateau, every now and then. When my lord returned to France from the wars, he took a dislike to the place, and never came to live here again, and so he was satisfied with our remaining at the cottage. Alas—alas! how the chateau is changed from what it once was! What delight my late lady used to take in it! I well remember when she came here a bride, and how fine it was. Now, it has been neglected so long, and is gone into such decay! I shall never see those days again!'

The Countess appearing to be somewhat offended by the thoughtless simplicity, with which the old woman regretted former times, Dorothee added—'But the chateau will now be inhabited, and cheerful again; not all the world could tempt me to live in it alone.'

'Well, the experiment will not be made, I believe,' said the Countess, displeased that her own silence had been unable to awe the loquacity of this rustic old housekeeper, now spared from further attendance by the entrance of the Count, who said he had been viewing part of the chateau, and found, that it would require considerable repairs and some alterations, before it would be perfectly comfortable, as a place of residence. 'I am sorry to hear it, my lord,' replied the Countess. 'And why sorry, madam?' 'Because the place will ill repay your trouble; and were it even a paradise, it would be insufferable at such a distance from Paris.'

The Count made no reply, but walked abruptly to a window. 'There are windows, my lord, but they neither admit entertainment, or light; they shew only a scene of savage nature.'

'I am at a loss, madam,' said the Count, 'to conjecture what you mean by savage nature. Do those plains, or those woods, or that fine expanse of water, deserve the name?'

'Those mountains certainly do, my lord,' rejoined the Countess, pointing to the Pyrenees, 'and this chateau, though not a work of rude nature, is, to my taste, at least, one of savage art.' The Count coloured highly. 'This place, madam, was the work of my ancestors,' said he, 'and you must allow me to say, that your present conversation discovers neither good taste, or good manners.' Blanche, now shocked at an altercation, which appeared to be increasing to a serious disagreement, rose to leave the room, when her mother's woman entered it; and the Countess, immediately desiring to be shewn to her own apartment, withdrew, attended by Mademoiselle Bearn.

Lady Blanche, it being not yet dark, took this opportunity of exploring new scenes, and, leaving the parlour, she passed from the hall into a wide gallery, whose walls were decorated by marble pilasters, which supported an arched roof, composed of a rich mosaic work. Through a distant window, that seemed to terminate the gallery, were seen the purple clouds of evening and a landscape, whose features, thinly veiled in twilight, no longer appeared distinctly, but, blended into one grand mass, stretched to the horizon, coloured only with a tint of solemn grey.

The gallery terminated in a saloon, to which the window she had seen through an open door, belonged; but the increasing dusk permitted her only an imperfect view of this apartment, which seemed to be magnificent and of modern architecture; though it had been either suffered to fall into decay, or had never been properly finished. The windows, which were numerous and large, descended low, and afforded a very extensive, and what Blanche's fancy represented to be, a very lovely prospect; and she stood for some time, surveying the grey obscurity and depicturing imaginary woods and mountains, vallies and rivers, on this scene of night; her solemn sensations rather assisted, than interrupted, by the distant bark of a watch-dog, and by the breeze, as it trembled upon the light foliage of the shrubs. Now and then, appeared for a moment, among the woods, a cottage light; and, at length, was heard, afar off, the evening bell of a convent, dying on the air. When she withdrew her thoughts from these subjects of fanciful delight, the gloom and silence of the saloon somewhat awed her; and, having sought the door of the gallery, and pursued, for a considerable time, a dark passage, she came to a hall, but one totally different from that she had formerly seen. By the twilight, admitted through an open portico, she could just distinguish this apartment to be of very light and airy architecture, and that it was paved with white marble, pillars of which supported the roof, that rose into arches built in the Moorish style. While Blanche stood on the steps of this portico, the moon rose over the sea, and gradually disclosed, in partial light, the beauties of the eminence, on which she stood, whence a lawn, now rude and overgrown with high grass, sloped to the woods, that, almost surrounding the chateau, extended in a grand sweep down the southern sides of the promontory to the very margin of the ocean. Beyond the woods, on the north-side, appeared a long tract of the plains of Languedoc; and, to the east, the landscape she had before dimly seen, with the towers of a monastery, illumined by the moon, rising over dark groves.

The soft and shadowy tint, that overspread the scene, the waves, undulating in the moon-light, and their low and measured murmurs on the beach, were circumstances, that united to elevate the unaccustomed mind of Blanche to enthusiasm.

'And have I lived in this glorious world so long,' said she, 'and never till now beheld such a prospect—never experienced these delights! Every peasant girl, on my father's domain, has viewed from her infancy the face of nature; has ranged, at liberty, her romantic wilds, while I have been shut in a cloister from the view of these beautiful appearances, which were designed to enchant all eyes, and awaken all hearts. How can the poor nuns and friars feel the full fervour of devotion, if they never see the sun rise, or set? Never, till this evening, did I know what true devotion is; for, never before did I see the sun sink below the vast earth! To-morrow, for the first time in my life, I will see it rise. O, who would live in Paris, to look upon black walls and dirty streets, when, in the country, they might gaze on the blue heavens, and all the green earth!'

This enthusiastic soliloquy was interrupted by a rustling noise in the hall; and, while the loneliness of the place made her sensible to fear, she thought she perceived something moving between the pillars. For a moment, she continued silently observing it, till, ashamed of her ridiculous apprehensions, she recollected courage enough to demand who was there. 'O my young lady, is it you?' said the old housekeeper, who was come to shut the windows, 'I am glad it is you.' The manner, in which she spoke this, with a faint breath, rather surprised Blanche, who said, 'You seemed frightened, Dorothee, what is the matter?'

'No, not frightened, ma'amselle,' replied Dorothee, hesitating and trying to appear composed, 'but I am old, and—a little matter startles me.' The Lady Blanche smiled at the distinction. 'I am glad, that my lord the Count is come to live at the chateau, ma'amselle,' continued Dorothee, 'for it has been many a year deserted, and dreary enough; now, the place will look a little as it used to do, when my poor lady was alive.' Blanche enquired how long it was, since the Marchioness died? 'Alas! my lady,' replied Dorothee, 'so long—that I have ceased to count the years! The place, to my mind, has mourned ever since, and I am sure my lord's vassals have! But you have lost yourself, ma'amselle,—shall I shew you to the other side of the chateau?'

Blanche enquired how long this part of the edifice had been built. 'Soon after my lord's marriage, ma'am,' replied Dorothee. 'The place was large enough without this addition, for many rooms of the old building were even then never made use of, and my lord had a princely household too; but he thought the antient mansion gloomy, and gloomy enough it is!' Lady Blanche now desired to be shewn to the inhabited part of the chateau; and, as the passages were entirely dark, Dorothee conducted her along the edge of the lawn to the opposite side of the edifice, where, a door opening into the great hall, she was met by Mademoiselle Bearn. 'Where have you been so long?' said she, 'I had begun to think some wonderful adventure had befallen you, and that the giant of this enchanted castle, or the ghost, which, no doubt, haunts it, had conveyed you through a trap-door into some subterranean vault, whence you was never to return.'

'No,' replied Blanche, laughingly, 'you seem to love adventures so well, that I leave them for you to achieve.'

'Well, I am willing to achieve them, provided I am allowed to describe them.'

'My dear Mademoiselle Bearn,' said Henri, as he met her at the door of the parlour, 'no ghost of these days would be so savage as to impose silence on you. Our ghosts are more civilized than to condemn a lady to a purgatory severer even, than their own, be it what it may.'

Mademoiselle Bearn replied only by a laugh; and, the Count now entering the room, supper was served, during which he spoke little, frequently appeared to be abstracted from the company, and more than once remarked, that the place was greatly altered, since he had last seen it. 'Many years have intervened since that period,' said he; 'and, though the grand features of the scenery admit of no change, they impress me with sensations very different from those I formerly experienced.'

'Did these scenes, sir,' said Blanche, 'ever appear more lovely, than they do now? To me this seems hardly possible.' The Count, regarding her with a melancholy smile, said, 'They once were as delightful to me, as they are now to you; the landscape is not changed, but time has changed me; from my mind the illusion, which gave spirit to the colouring of nature, is fading fast! If you live, my dear Blanche, to re-visit this spot, at the distance of many years, you will, perhaps, remember and understand the feelings of your father.'

Lady Blanche, affected by these words, remained silent; she looked forward to the period, which the Count anticipated, and considering, that he, who now spoke, would then probably be no more, her eyes, bent to the ground, were filed with tears. She gave her hand to her father, who, smiling affectionately, rose from his chair, and went to a window to conceal his emotion.

The fatigues of the day made the party separate at an early hour, when Blanche retired through a long oak gallery to her chamber, whose spacious and lofty walls, high antiquated casements, and, what was the effect of these, its gloomy air, did not reconcile her to its remote situation, in this antient building. The furniture, also, was of antient date; the bed was of blue damask, trimmed with tarnished gold lace, and its lofty tester rose in the form of a canopy, whence the curtains descended, like those of such tents as are sometimes represented in old pictures, and, indeed, much resembling those, exhibited on the faded tapestry, with which the chamber was hung. To Blanche, every object here was matter of curiosity; and, taking the light from her woman to examine the tapestry, she perceived, that it represented scenes from the wars of Troy, though the almost colourless worsted now mocked the glowing actions they once had painted. She laughed at the ludicrous absurdity she observed, till, recollecting, that the hands, which had wove it, were, like the poet, whose thoughts of fire they had attempted to express, long since mouldered into dust, a train of melancholy ideas passed over her mind, and she almost wept.

Having given her woman a strict injunction to awaken her, before sun-rise, she dismissed her; and then, to dissipate the gloom, which reflection had cast upon her spirits, opened one of the high casements, and was again cheered by the face of living nature. The shadowy earth, the air, and ocean—all was still. Along the deep serene of the heavens, a few light clouds floated slowly, through whose skirts the stars now seemed to tremble, and now to emerge with purer splendour. Blanche's thoughts arose involuntarily to the Great Author of the sublime objects she contemplated, and she breathed a prayer of finer devotion, than any she had ever uttered beneath the vaulted roof of a cloister. At this casement, she remained till the glooms of midnight were stretched over the prospect. She then retired to her pillow, and, 'with gay visions of to-morrow,' to those sweet slumbers, which health and happy innocence only know. 

  To-morrow to fresh woods and pastures new.




 

CHAPTER XI 

     What transport to retrace our early plays,
 Our easy bliss, when each thing joy supplied
 The woods, the mountains and the warbling maze
 Of the wild brooks!
     THOMSON

Blanche's slumbers continued, till long after the hour, which she had so impatiently anticipated, for her woman, fatigued with travelling, did not call her, till breakfast was nearly ready. Her disappointment, however, was instantly forgotten, when, on opening the casement, she saw, on one hand, the wide sea sparkling in the morning rays, with its stealing sails and glancing oars; and, on the other, the fresh woods, the plains far-stretching and the blue mountains, all glowing with the splendour of day.

As she inspired the pure breeze, health spread a deeper blush upon her countenance, and pleasure danced in her eyes.

'Who could first invent convents!' said she, 'and who could first persuade people to go into them? and to make religion a pretence, too, where all that should inspire it, is so carefully shut out! God is best pleased with the homage of a grateful heart, and, when we view his glories, we feel most grateful. I never felt so much devotion, during the many dull years I was in the convent, as I have done in the few hours, that I have been here, where I need only look on all around me—to adore God in my inmost heart!'

Saying this, she left the window, bounded along the gallery, and, in the next moment, was in the breakfast room, where the Count was already seated. The cheerfulness of a bright sunshine had dispersed the melancholy glooms of his reflections, a pleasant smile was on his countenance, and he spoke in an enlivening voice to Blanche, whose heart echoed back the tones. Henri and, soon after, the Countess with Mademoiselle Bearn appeared, and the whole party seemed to acknowledge the influence of the scene; even the Countess was so much re-animated as to receive the civilities of her husband with complacency, and but once forgot her good-humour, which was when she asked whether they had any neighbours, who were likely to make THIS BARBAROUS SPOT more tolerable, and whether the Count believed it possible for her to exist here, without some amusement?

Soon after breakfast the party dispersed; the Count, ordering his steward to attend him in the library, went to survey the condition of his premises, and to visit some of his tenants; Henri hastened with alacrity to the shore to examine a boat, that was to bear them on a little voyage in the evening and to superintend the adjustment of a silk awning; while the Countess, attended by Mademoiselle Bearn, retired to an apartment on the modern side of the chateau, which was fitted up with airy elegance; and, as the windows opened upon balconies, that fronted the sea, she was there saved from a view of the HORRID Pyrenees. Here, while she reclined on a sofa, and, casting her languid eyes over the ocean, which appeared beyond the wood-tops, indulged in the luxuries of ENNUI, her companion read aloud a sentimental novel, on some fashionable system of philosophy, for the Countess was herself somewhat of a PHILOSOPHER, especially as to INFIDELITY, and among a certain circle her opinions were waited for with impatience, and received as doctrines.

The Lady Blanche, meanwhile, hastened to indulge, amidst the wild wood-walks around the chateau, her new enthusiasm, where, as she wandered under the shades, her gay spirits gradually yielded to pensive complacency. Now, she moved with solemn steps, beneath the gloom of thickly interwoven branches, where the fresh dew still hung upon every flower, that peeped from among the grass; and now tripped sportively along the path, on which the sunbeams darted and the checquered foliage trembled—where the tender greens of the beech, the acacia and the mountain-ash, mingling with the solemn tints of the cedar, the pine and cypress, exhibited as fine a contrast of colouring, as the majestic oak and oriental plane did of form, to the feathery lightness of the cork tree and the waving grace of the poplar.

Having reached a rustic seat, within a deep recess of the woods, she rested awhile, and, as her eyes caught, through a distant opening, a glimpse of the blue waters of the Mediterranean, with the white sail, gliding on its bosom, or of the broad mountain, glowing beneath the mid-day sun, her mind experienced somewhat of that exquisite delight, which awakens the fancy, and leads to poetry. The hum of bees alone broke the stillness around her, as, with other insects of various hues, they sported gaily in the shade, or sipped sweets from the fresh flowers: and, while Blanche watched a butter-fly, flitting from bud to bud, she indulged herself in imagining the pleasures of its short day, till she had composed the following stanzas. 

  THE BUTTER-FLY TO HIS LOVE

 What bowery dell, with fragrant breath,
 Courts thee to stay thy airy flight;
 Nor seek again the purple heath,
 So oft the scene of gay delight?

 Long I've watch'd i' the lily's bell,
 Whose whiteness stole the morning's beam;
 No fluttering sounds thy coming tell,
 No waving wings, at distance, gleam.

 But fountain fresh, nor breathing grove,
 Nor sunny mead, nor blossom'd tree,
 So sweet as lily's cell shall prove,—
 The bower of constant love and me.

 When April buds begin to blow,
 The prim-rose, and the hare-bell blue,
 That on the verdant moss bank grow,
 With violet cups, that weep in dew;

 When wanton gales breathe through the shade,
 And shake the blooms, and steal their sweets,
 And swell the song of ev'ry glade,
 I range the forest's green retreats:

 There, through the tangled wood-walks play,
 Where no rude urchin paces near,
 Where sparely peeps the sultry day,
 And light dews freshen all the air.

 High on a sun-beam oft I sport
 O'er bower and fountain, vale and hill;
 Oft ev'ry blushing flow'ret court,
 That hangs its head o'er winding rill.

 But these I'll leave to be thy guide,
 And shew thee, where the jasmine spreads
 Her snowy leaf, where may-flow'rs hide,
 And rose-buds rear their peeping heads.

 With me the mountain's summit scale,
 And taste the wild-thyme's honied bloom,
 Whose fragrance, floating on the gale,
 Oft leads me to the cedar's gloom.

 Yet, yet, no sound comes in the breeze!
 What shade thus dares to tempt thy stay?
 Once, me alone thou wish'd to please,
 And with me only thou wouldst stray.

 But, while thy long delay I mourn,
 And chide the sweet shades for their guile,
 Thou may'st be true, and they forlorn,
 And fairy favours court thy smile.

 The tiny queen of fairy-land,
 Who knows thy speed, hath sent thee far,
 To bring, or ere the night-watch stand,
 Rich essence for her shadowy car:

 Perchance her acorn-cups to fill
 With nectar from the Indian rose,
 Or gather, near some haunted rill,
 May-dews, that lull to sleep Love's woes:

 Or, o'er the mountains, bade thee fly,
 To tell her fairy love to speed,
 When ev'ning steals upon the sky,
 To dance along the twilight mead.

 But now I see thee sailing low,
 Gay as the brightest flow'rs of spring,
 Thy coat of blue and jet I know,
 And well thy gold and purple wing.

 Borne on the gale, thou com'st to me;
 O! welcome, welcome to my home!
 In lily's cell we'll live in glee,
 Together o'er the mountains roam!

When Lady Blanche returned to the chateau, instead of going to the apartment of the Countess, she amused herself with wandering over that part of the edifice, which she had not yet examined, of which the most antient first attracted her curiosity; for, though what she had seen of the modern was gay and elegant, there was something in the former more interesting to her imagination. Having passed up the great stair-case, and through the oak gallery, she entered upon a long suite of chambers, whose walls were either hung with tapestry, or wainscoted with cedar, the furniture of which looked almost as antient as the rooms themselves; the spacious fire-places, where no mark of social cheer remained, presented an image of cold desolation; and the whole suite had so much the air of neglect and desertion, that it seemed, as if the venerable persons, whose portraits hung upon the walls, had been the last to inhabit them.

On leaving these rooms, she found herself in another gallery, one end of which was terminated by a back stair-case, and the other by a door, that seemed to communicate with the north-side of the chateau, but which being fastened, she descended the stair-case, and, opening a door in the wall, a few steps down, found herself in a small square room, that formed part of the west turret of the castle. Three windows presented each a separate and beautiful prospect; that to the north, overlooking Languedoc; another to the west, the hills ascending towards the Pyrenees, whose awful summits crowned the landscape; and a third, fronting the south, gave the Mediterranean, and a part of the wild shores of Rousillon, to the eye.

Having left the turret, and descended the narrow stair-case, she found herself in a dusky passage, where she wandered, unable to find her way, till impatience yielded to apprehension, and she called for assistance. Presently steps approached, and light glimmered through a door at the other extremity of the passage, which was opened with caution by some person, who did not venture beyond it, and whom Blanche observed in silence, till the door was closing, when she called aloud, and, hastening towards it, perceived the old housekeeper. 'Dear ma'amselle! is it you?' said Dorothee, 'How could you find your way hither?' Had Blanche been less occupied by her own fears, she would probably have observed the strong expressions of terror and surprise on Dorothee's countenance, who now led her through a long succession of passages and rooms, that looked as if they had been uninhabited for a century, till they reached that appropriated to the housekeeper, where Dorothee entreated she would sit down and take refreshment. Blanche accepted the sweet meats, offered to her, mentioned her discovery of the pleasant turret, and her wish to appropriate it to her own use. Whether Dorothee's taste was not so sensible to the beauties of landscape as her young lady's, or that the constant view of lovely scenery had deadened it, she forbore to praise the subject of Blanche's enthusiasm, which, however, her silence did not repress. To Lady Blanche's enquiry of whither the door she had found fastened at the end of the gallery led, she replied, that it opened to a suite of rooms, which had not been entered, during many years, 'For,' added she, 'my late lady died in one of them, and I could never find in my heart to go into them since.'

Blanche, though she wished to see these chambers, forbore, on observing that Dorothee's eyes were filled with tears, to ask her to unlock them, and, soon after, went to dress for dinner, at which the whole party met in good spirits and good humour, except the Countess, whose vacant mind, overcome by the languor of idleness, would neither suffer her to be happy herself, or to contribute to the happiness of others. Mademoiselle Bearn, attempting to be witty, directed her badinage against Henri, who answered, because he could not well avoid it, rather than from any inclination to notice her, whose liveliness sometimes amused, but whose conceit and insensibility often disgusted him.

The cheerfulness, with which Blanche rejoined the party, vanished, on her reaching the margin of the sea; she gazed with apprehension upon the immense expanse of waters, which, at a distance, she had beheld only with delight and astonishment, and it was by a strong effort, that she so far overcame her fears as to follow her father into the boat.

As she silently surveyed the vast horizon, bending round the distant verge of the ocean, an emotion of sublimest rapture struggled to overcome a sense of personal danger. A light breeze played on the water, and on the silk awning of the boat, and waved the foliage of the receding woods, that crowned the cliffs, for many miles, and which the Count surveyed with the pride of conscious property, as well as with the eye of taste.

At some distance, among these woods, stood a pavilion, which had once been the scene of social gaiety, and which its situation still made one of romantic beauty. Thither, the Count had ordered coffee and other refreshment to be carried, and thither the sailors now steered their course, following the windings of the shore round many a woody promontory and circling bay; while the pensive tones of horns and other wind instruments, played by the attendants in a distant boat, echoed among the rocks, and died along the waves. Blanche had now subdued her fears; a delightful tranquillity stole over her mind, and held her in silence; and she was too happy even to remember the convent, or her former sorrows, as subjects of comparison with her present felicity.

The Countess felt less unhappy than she had done, since the moment of her leaving Paris; for her mind was now under some degree of restraint; she feared to indulge its wayward humours, and even wished to recover the Count's good opinion. On his family, and on the surrounding scene, he looked with tempered pleasure and benevolent satisfaction, while his son exhibited the gay spirits of youth, anticipating new delights, and regretless of those, that were passed.

After near an hour's rowing, the party landed, and ascended a little path, overgrown with vegetation. At a little distance from the point of the eminence, within the shadowy recess of the woods, appeared the pavilion, which Blanche perceived, as she caught a glimpse of its portico between the trees, to be built of variegated marble. As she followed the Countess, she often turned her eyes with rapture towards the ocean, seen beneath the dark foliage, far below, and from thence upon the deep woods, whose silence and impenetrable gloom awakened emotions more solemn, but scarcely less delightful.

The pavilion had been prepared, as far as was possible, on a very short notice, for the reception of its visitors; but the faded colours of its painted walls and ceiling, and the decayed drapery of its once magnificent furniture, declared how long it had been neglected, and abandoned to the empire of the changing seasons. While the party partook of a collation of fruit and coffee, the horns, placed in a distant part of the woods, where an echo sweetened and prolonged their melancholy tones, broke softly on the stillness of the scene. This spot seemed to attract even the admiration of the Countess, or, perhaps, it was merely the pleasure of planning furniture and decorations, that made her dwell so long on the necessity of repairing and adorning it; while the Count, never happier than when he saw her mind engaged by natural and simple objects, acquiesced in all her designs, concerning the pavilion. The paintings on the walls and coved ceiling were to be renewed, the canopies and sofas were to be of light green damask; marble statues of wood-nymphs, bearing on their heads baskets of living flowers, were to adorn the recesses between the windows, which, descending to the ground, were to admit to every part of the room, and it was of octagonal form, the various landscape. One window opened upon a romantic glade, where the eye roved among the woody recesses, and the scene was bounded only by a lengthened pomp of groves; from another, the woods receding disclosed the distant summits of the Pyrenees; a third fronted an avenue, beyond which the grey towers of Chateau-le-Blanc, and a picturesque part of its ruin were seen partially among the foliage; while a fourth gave, between the trees, a glimpse of the green pastures and villages, that diversify the banks of the Aude. The Mediterranean, with the bold cliffs, that overlooked its shores, were the grand objects of a fifth window, and the others gave, in different points of view, the wild scenery of the woods.

After wandering, for some time, in these, the party returned to the shore and embarked; and, the beauty of the evening tempting them to extend their excursion, they proceeded further up the bay. A dead calm had succeeded the light breeze, that wafted them hither, and the men took to their oars. Around, the waters were spread into one vast expanse of polished mirror, reflecting the grey cliffs and feathery woods, that over-hung its surface, the glow of the western horizon and the dark clouds, that came slowly from the east. Blanche loved to see the dipping oars imprint the water, and to watch the spreading circles they left, which gave a tremulous motion to the reflected landscape, without destroying the harmony of its features.

Above the darkness of the woods, her eye now caught a cluster of high towers, touched with the splendour of the setting rays; and, soon after, the horns being then silent, she heard the faint swell of choral voices from a distance.

'What voices are those, upon the air?' said the Count, looking round, and listening; but the strain had ceased. 'It seemed to be a vesper-hymn, which I have often heard in my convent,' said Blanche.

'We are near the monastery, then,' observed the Count; and, the boat soon after doubling a lofty head-land, the monastery of St. Claire appeared, seated near the margin of the sea, where the cliffs, suddenly sinking, formed a low shore within a small bay, almost encircled with woods, among which partial features of the edifice were seen;—the great gate and gothic window of the hall, the cloisters and the side of a chapel more remote; while a venerable arch, which had once led to a part of the fabric, now demolished, stood a majestic ruin detached from the main building, beyond which appeared a grand perspective of the woods. On the grey walls, the moss had fastened, and, round the pointed windows of the chapel, the ivy and the briony hung in many a fantastic wreath.

All without was silent and forsaken; but, while Blanche gazed with admiration on this venerable pile, whose effect was heightened by the strong lights and shadows thrown athwart it by a cloudy sun-set, a sound of many voices, slowly chanting, arose from within. The Count bade his men rest on their oars. The monks were singing the hymn of vespers, and some female voices mingled with the strain, which rose by soft degrees, till the high organ and the choral sounds swelled into full and solemn harmony. The strain, soon after, dropped into sudden silence, and was renewed in a low and still more solemn key, till, at length, the holy chorus died away, and was heard no more.—Blanche sighed, tears trembled in her eyes, and her thoughts seemed wafted with the sounds to heaven. While a rapt stillness prevailed in the boat, a train of friars, and then of nuns, veiled in white, issued from the cloisters, and passed, under the shade of the woods, to the main body of the edifice.

The Countess was the first of her party to awaken from this pause of silence.

'These dismal hymns and friars make one quite melancholy,' said she; 'twilight is coming on; pray let us return, or it will be dark before we get home.'

The count, looking up, now perceived, that the twilight of evening was anticipated by an approaching storm. In the east a tempest was collecting; a heavy gloom came on, opposing and contrasting the glowing splendour of the setting sun. The clamorous sea-fowl skimmed in fleet circles upon the surface of the sea, dipping their light pinions in the wave, as they fled away in search of shelter. The boatmen pulled hard at their oars; but the thunder, that now muttered at a distance, and the heavy drops, that began to dimple the water, made the Count determine to put back to the monastery for shelter, and the course of the boat was immediately changed. As the clouds approached the west, their lurid darkness changed to a deep ruddy glow, which, by reflection, seemed to fire the tops of the woods and the shattered towers of the monastery.

The appearance of the heavens alarmed the Countess and Mademoiselle Bearn, whose expressions of apprehension distressed the Count, and perplexed his men; while Blanche continued silent, now agitated with fear, and now with admiration, as she viewed the grandeur of the clouds, and their effect on the scenery, and listened to the long, long peals of thunder, that rolled through the air.

The boat having reached the lawn before the monastery, the Count sent a servant to announce his arrival, and to entreat shelter of the Superior, who, soon after, appeared at the great gate, attended by several monks, while the servant returned with a message, expressive at once of hospitality and pride, but of pride disguised in submission. The party immediately disembarked, and, having hastily crossed the lawn—for the shower was now heavy—were received at the gate by the Superior, who, as they entered, stretched forth his hands and gave his blessing; and they passed into the great hall, where the lady abbess waited, attended by several nuns, clothed, like herself, in black, and veiled in white. The veil of the abbess was, however, thrown half back, and discovered a countenance, whose chaste dignity was sweetened by the smile of welcome, with which she addressed the Countess, whom she led, with Blanche and Mademoiselle Bearn, into the convent parlour, while the Count and Henri were conducted by the Superior to the refectory.

The Countess, fatigued and discontented, received the politeness of the abbess with careless haughtiness, and had followed her, with indolent steps, to the parlour, over which the painted casements and wainscot of larch-wood threw, at all times, a melancholy shade, and where the gloom of evening now loured almost to darkness.

While the lady abbess ordered refreshment, and conversed with the Countess, Blanche withdrew to a window, the lower panes of which, being without painting, allowed her to observe the progress of the storm over the Mediterranean, whose dark waves, that had so lately slept, now came boldly swelling, in long succession, to the shore, where they burst in white foam, and threw up a high spray over the rocks. A red sulphureous tint overspread the long line of clouds, that hung above the western horizon, beneath whose dark skirts the sun looking out, illumined the distant shores of Languedoc, as well as the tufted summits of the nearer woods, and shed a partial gleam on the western waves. The rest of the scene was in deep gloom, except where a sun-beam, darting between the clouds, glanced on the white wings of the sea-fowl, that circled high among them, or touched the swelling sail of a vessel, which was seen labouring in the storm. Blanche, for some time, anxiously watched the progress of the bark, as it threw the waves in foam around it, and, as the lightnings flashed, looked to the opening heavens, with many a sigh for the fate of the poor mariners.

The sun, at length, set, and the heavy clouds, which had long impended, dropped over the splendour of his course; the vessel, however, was yet dimly seen, and Blanche continued to observe it, till the quick succession of flashes, lighting up the gloom of the whole horizon, warned her to retire from the window, and she joined the Abbess, who, having exhausted all her topics of conversation with the Countess, had now leisure to notice her.

But their discourse was interrupted by tremendous peals of thunder; and the bell of the monastery soon after ringing out, summoned the inhabitants to prayer. As Blanche passed the window, she gave another look to the ocean, where, by the momentary flash, that illumined the vast body of the waters, she distinguished the vessel she had observed before, amidst a sea of foam, breaking the billows, the mast now bowing to the waves, and then rising high in air.

She sighed fervently as she gazed, and then followed the Lady Abbess and the Countess to the chapel. Meanwhile, some of the Count's servants, having gone by land to the chateau for carriages, returned soon after vespers had concluded, when, the storm being somewhat abated, the Count and his family returned home. Blanche was surprised to discover how much the windings of the shore had deceived her, concerning the distance of the chateau from the monastery, whose vesper bell she had heard, on the preceding evening, from the windows of the west saloon, and whose towers she would also have seen from thence, had not twilight veiled them.

On their arrival at the chateau, the Countess, affecting more fatigue, than she really felt, withdrew to her apartment, and the Count, with his daughter and Henri, went to the supper-room, where they had not been long, when they heard, in a pause of the gust, a firing of guns, which the Count understanding to be signals of distress from some vessel in the storm, went to a window, that opened towards the Mediterranean, to observe further; but the sea was now involved in utter darkness, and the loud howlings of the tempest had again overcome every other sound. Blanche, remembering the bark, which she had before seen, now joined her father, with trembling anxiety. In a few moments, the report of guns was again borne along the wind, and as suddenly wafted away; a tremendous burst of thunder followed, and, in the flash, that had preceded it, and which seemed to quiver over the whole surface of the waters, a vessel was discovered, tossing amidst the white foam of the waves at some distance from the shore. Impenetrable darkness again involved the scene, but soon a second flash shewed the bark, with one sail unfurled, driving towards the coast. Blanche hung upon her father's arm, with looks full of the agony of united terror and pity, which were unnecessary to awaken the heart of the Count, who gazed upon the sea with a piteous expression, and, perceiving, that no boat could live in the storm, forbore to send one; but he gave orders to his people to carry torches out upon the cliffs, hoping they might prove a kind of beacon to the vessel, or, at least, warn the crew of the rocks they were approaching. While Henri went out to direct on what part of the cliffs the lights should appear, Blanche remained with her father, at the window, catching, every now and then, as the lightnings flashed, a glimpse of the vessel; and she soon saw, with reviving hope, the torches flaming on the blackness of night, and, as they waved over the cliffs, casting a red gleam on the gasping billows. When the firing of guns was repeated, the torches were tossed high in the air, as if answering the signal, and the firing was then redoubled; but, though the wind bore the sound away, she fancied, as the lightnings glanced, that the vessel was much nearer the shore.

The Count's servants were now seen, running to and fro, on the rocks; some venturing almost to the point of the crags, and bending over, held out their torches fastened to long poles; while others, whose steps could be traced only by the course of the lights, descended the steep and dangerous path, that wound to the margin of the sea, and, with loud halloos, hailed the mariners, whose shrill whistle, and then feeble voices, were heard, at intervals, mingling with the storm. Sudden shouts from the people on the rocks increased the anxiety of Blanche to an almost intolerable degree: but her suspense, concerning the fate of the mariners, was soon over, when Henri, running breathless into the room, told that the vessel was anchored in the bay below, but in so shattered a condition, that it was feared she would part before the crew could disembark. The Count immediately gave orders for his own boats to assist in bringing them to shore, and that such of these unfortunate strangers as could not be accommodated in the adjacent hamlet should be entertained at the chateau. Among the latter, were Emily St. Aubert, Monsieur Du Pont, Ludovico and Annette, who, having embarked at Leghorn and reached Marseilles, were from thence crossing the Gulf of Lyons, when this storm overtook them. They were received by the Count with his usual benignity, who, though Emily wished to have proceeded immediately to the monastery of St. Claire, would not allow her to leave the chateau, that night; and, indeed, the terror and fatigue she had suffered would scarcely have permitted her to go farther.

In Monsieur Du Pont the Count discovered an old acquaintance, and much joy and congratulation passed between them, after which Emily was introduced by name to the Count's family, whose hospitable benevolence dissipated the little embarrassment, which her situation had occasioned her, and the party were soon seated at the supper-table. The unaffected kindness of Blanche and the lively joy she expressed on the escape of the strangers, for whom her pity had been so much interested, gradually revived Emily's languid spirits; and Du Pont, relieved from his terrors for her and for himself, felt the full contrast, between his late situation on a dark and tremendous ocean, and his present one, in a cheerful mansion, where he was surrounded with plenty, elegance and smiles of welcome.

Annette, meanwhile, in the servants' hall, was telling of all the dangers she had encountered, and congratulating herself so heartily upon her own and Ludovico's escape, and on her present comforts, that she often made all that part of the chateau ring with merriment and laughter. Ludovico's spirits were as gay as her own, but he had discretion enough to restrain them, and tried to check hers, though in vain, till her laughter, at length, ascended to MY LADY'S chamber, who sent to enquire what occasioned so much uproar in the chateau, and to command silence.

Emily withdrew early to seek the repose she so much required, but her pillow was long a sleepless one. On this her return to her native country, many interesting remembrances were awakened; all the events and sufferings she had experienced, since she quitted it, came in long succession to her fancy, and were chased only by the image of Valancourt, with whom to believe herself once more in the same land, after they had been so long, and so distantly separated, gave her emotions of indescribable joy, but which afterwards yielded to anxiety and apprehension, when she considered the long period, that had elapsed, since any letter had passed between them, and how much might have happened in this interval to affect her future peace. But the thought, that Valancourt might be now no more, or, if living, might have forgotten her, was so very terrible to her heart, that she would scarcely suffer herself to pause upon the possibility. She determined to inform him, on the following day, of her arrival in France, which it was scarcely possible he could know but by a letter from herself, and, after soothing her spirits with the hope of soon hearing, that he was well, and unchanged in his affections, she, at length, sunk to repose.





 

CHAPTER XII 

     Oft woo'd the gleam of Cynthia, silver-bright,
 In cloisters dim, far from the haunts of folly,
 With freedom by my side, and soft-ey'd melancholy.
     GRAY

The Lady Blanche was so much interested for Emily, that, upon hearing she was going to reside in the neighbouring convent, she requested the Count would invite her to lengthen her stay at the chateau. 'And you know, my dear sir,' added Blanche, 'how delighted I shall be with such a companion; for, at present, I have no friend to walk, or to read with, since Mademoiselle Bearn is my mamma's friend only.'

The Count smiled at the youthful simplicity, with which his daughter yielded to first impressions; and, though he chose to warn her of their danger, he silently applauded the benevolence, that could thus readily expand in confidence to a stranger. He had observed Emily, with attention, on the preceding evening, and was as much pleased with her, as it was possible he could be with any person, on so short an acquaintance. The mention, made of her by Mons. Du Pont, had also given him a favourable impression of Emily; but, extremely cautious as to those, whom he introduced to the intimacy of his daughter, he determined, on hearing that the former was no stranger at the convent of St. Claire, to visit the abbess, and, if her account corresponded with his wish, to invite Emily to pass some time at the chateau. On this subject, he was influenced by a consideration of the Lady Blanche's welfare, still more than by either a wish to oblige her, or to befriend the orphan Emily, for whom, however, he felt considerably interested.

On the following morning, Emily was too much fatigued to appear; but Mons. Du Pont was at the breakfast-table, when the Count entered the room, who pressed him, as his former acquaintance, and the son of a very old friend, to prolong his stay at the chateau; an invitation, which Du Pont willingly accepted, since it would allow him to be near Emily; and, though he was not conscious of encouraging a hope, that she would ever return his affection, he had not fortitude enough to attempt, at present, to overcome it.

Emily, when she was somewhat recovered, wandered with her new friend over the grounds belonging to the chateau, as much delighted with the surrounding views, as Blanche, in the benevolence of her heart, had wished; from thence she perceived, beyond the woods, the towers of the monastery, and remarked, that it was to this convent she designed to go.

'Ah!' said Blanche with surprise, 'I am but just released from a convent, and would you go into one? If you could know what pleasure I feel in wandering here, at liberty,—and in seeing the sky and the fields, and the woods all round me, I think you would not.' Emily, smiling at the warmth, with which the Lady Blanche spoke, observed, that she did not mean to confine herself to a convent for life.

'No, you may not intend it now,' said Blanche; 'but you do not know to what the nuns may persuade you to consent: I know how kind they will appear, and how happy, for I have seen too much of their art.'

When they returned to the chateau, Lady Blanche conducted Emily to her favourite turret, and from thence they rambled through the ancient chambers, which Blanche had visited before. Emily was amused by observing the structure of these apartments, and the fashion of their old but still magnificent furniture, and by comparing them with those of the castle of Udolpho, which were yet more antique and grotesque. She was also interested by Dorothee the house-keeper, who attended them, whose appearance was almost as antique as the objects around her, and who seemed no less interested by Emily, on whom she frequently gazed with so much deep attention, as scarcely to hear what was said to her.

While Emily looked from one of the casements, she perceived, with surprise, some objects, that were familiar to her memory;—the fields and woods, with the gleaming brook, which she had passed with La Voisin, one evening, soon after the death of Monsieur St. Aubert, in her way from the monastery to her cottage; and she now knew this to be the chateau, which he had then avoided, and concerning which he had dropped some remarkable hints.

Shocked by this discovery, yet scarcely knowing why, she mused for some time in silence, and remembered the emotion, which her father had betrayed on finding himself so near this mansion, and some other circumstances of his conduct, that now greatly interested her. The music, too, which she had formerly heard, and, respecting which La Voisin had given such an odd account, occurred to her, and, desirous of knowing more concerning it, she asked Dorothee whether it returned at midnight, as usual, and whether the musician had yet been discovered.

'Yes, ma'amselle,' replied Dorothee, 'that music is still heard, but the musician has never been found out, nor ever will, I believe; though there are some people, who can guess.'

'Indeed!' said Emily, 'then why do they not pursue the enquiry?'

'Ah, young lady! enquiry enough has been made—but who can pursue a spirit?'

Emily smiled, and, remembering how lately she had suffered herself to be led away by superstition, determined now to resist its contagion; yet, in spite of her efforts, she felt awe mingle with her curiosity, on this subject; and Blanche, who had hitherto listened in silence, now enquired what this music was, and how long it had been heard.

'Ever since the death of my lady, madam,' replied Dorothee.

'Why, the place is not haunted, surely?' said Blanche, between jesting and seriousness.

'I have heard that music almost ever since my dear lady died,' continued Dorothee, 'and never before then. But that is nothing to some things I could tell of.'

'Do, pray, tell them, then,' said Lady Blanche, now more in earnest than in jest. 'I am much interested, for I have heard sister Henriette, and sister Sophie, in the convent, tell of such strange appearances, which they themselves had witnessed!'

'You never heard, my lady, I suppose, what made us leave the chateau, and go and live in a cottage,' said Dorothee. 'Never!' replied Blanche with impatience.

'Nor the reason, that my lord, the Marquis'—Dorothee checked herself, hesitated, and then endeavoured to change the topic; but the curiosity of Blanche was too much awakened to suffer the subject thus easily to escape her, and she pressed the old house-keeper to proceed with her account, upon whom, however, no entreaties could prevail; and it was evident, that she was alarmed for the imprudence, into which she had already betrayed herself.

'I perceive,' said Emily, smiling, 'that all old mansions are haunted; I am lately come from a place of wonders; but unluckily, since I left it, I have heard almost all of them explained.'

Blanche was silent; Dorothee looked grave, and sighed; and Emily felt herself still inclined to believe more of the wonderful, than she chose to acknowledge. Just then, she remembered the spectacle she had witnessed in a chamber of Udolpho, and, by an odd kind of coincidence, the alarming words, that had accidentally met her eye in the MS. papers, which she had destroyed, in obedience to the command of her father; and she shuddered at the meaning they seemed to impart, almost as much as at the horrible appearance, disclosed by the black veil.

The Lady Blanche, meanwhile, unable to prevail with Dorothee to explain the subject of her late hints, had desired, on reaching the door, that terminated the gallery, and which she found fastened on the preceding day, to see the suite of rooms beyond. 'Dear young lady,' said the housekeeper, 'I have told you my reason for not opening them; I have never seen them, since my dear lady died; and it would go hard with me to see them now. Pray, madam, do not ask me again.'

'Certainly I will not,' replied Blanche, 'if that is really your objection.'

'Alas! it is,' said the old woman: 'we all loved her well, and I shall always grieve for her. Time runs round! it is now many years, since she died; but I remember every thing, that happened then, as if it was but yesterday. Many things, that have passed of late years, are gone quite from my memory, while those so long ago, I can see as if in a glass.' She paused, but afterwards, as they walked up the gallery, added to Emily, 'this young lady sometimes brings the late Marchioness to my mind; I can remember, when she looked just as blooming, and very like her, when she smiles. Poor lady! how gay she was, when she first came to the chateau!'

'And was she not gay, afterwards?' said Blanche.

Dorothee shook her head; and Emily observed her, with eyes strongly expressive of the interest she now felt. 'Let us sit down in this window,' said the Lady Blanche, on reaching the opposite end of the gallery: 'and pray, Dorothee, if it is not painful to you, tell us something more about the Marchioness. I should like to look into the glass you spoke of just now, and see a few of the circumstances, which you say often pass over it.'

'No, my lady,' replied Dorothee; 'if you knew as much as I do, you would not, for you would find there a dismal train of them; I often wish I could shut them out, but they will rise to my mind. I see my dear lady on her death-bed,—her very look,—and remember all she said—it was a terrible scene!'

'Why was it so terrible?' said Emily with emotion.

'Ah, dear young lady! is not death always terrible?' replied Dorothee.

To some further enquiries of Blanche Dorothee was silent; and Emily, observing the tears in her eyes, forbore to urge the subject, and endeavoured to withdraw the attention of her young friend to some object in the gardens, where the Count, with the Countess and Monsieur Du Pont, appearing, they went down to join them.

When he perceived Emily, he advanced to meet her, and presented her to the Countess, in a manner so benign, that it recalled most powerfully to her mind the idea of her late father, and she felt more gratitude to him, than embarrassment towards the Countess, who, however, received her with one of those fascinating smiles, which her caprice sometimes allowed her to assume, and which was now the result of a conversation the Count had held with her, concerning Emily. Whatever this might be, or whatever had passed in his conversation with the lady abbess, whom he had just visited, esteem and kindness were strongly apparent in his manner, when he addressed Emily, who experienced that sweet emotion, which arises from the consciousness of possessing the approbation of the good; for to the Count's worth she had been inclined to yield her confidence almost from the first moment, in which she had seen him.

Before she could finish her acknowledgments for the hospitality she had received, and mention of her design of going immediately to the convent, she was interrupted by an invitation to lengthen her stay at the chateau, which was pressed by the Count and the Countess, with an appearance of such friendly sincerity, that, though she much wished to see her old friends at the monastery, and to sigh, once more, over her father's grave, she consented to remain a few days at the chateau.

To the abbess, however, she immediately wrote, mentioning her arrival in Languedoc and her wish to be received into the convent, as a boarder; she also sent letters to Monsieur Quesnel and to Valancourt, whom she merely informed of her arrival in France; and, as she knew not where the latter might be stationed, she directed her letter to his brother's seat in Gascony.

In the evening, Lady Blanche and Mons. Du Pont walked with Emily to the cottage of La Voisin, which she had now a melancholy pleasure in approaching, for time had softened her grief for the loss of St. Aubert, though it could not annihilate it, and she felt a soothing sadness in indulging the recollections, which this scene recalled. La Voisin was still living, and seemed to enjoy, as much as formerly, the tranquil evening of a blameless life. He was sitting at the door of his cottage, watching some of his grandchildren, playing on the grass before him, and, now and then, with a laugh, or a commendation, encouraging their sports. He immediately recollected Emily, whom he was much pleased to see, and she was as rejoiced to hear, that he had not lost one of his family, since her departure.

'Yes, ma'amselle,' said the old man, 'we all live merrily together still, thank God! and I believe there is not a happier family to be found in Languedoc, than ours.'

Emily did not trust herself in the chamber, where St. Aubert died; and, after half an hour's conversation with La Voisin and his family, she left the cottage.

During these the first days of her stay at Chateau-le-Blanc, she was often affected, by observing the deep, but silent melancholy, which, at times, stole over Du Pont; and Emily, pitying the self-delusion, which disarmed him of the will to depart, determined to withdraw herself as soon as the respect she owed the Count and Countess De Villefort would permit. The dejection of his friend soon alarmed the anxiety of the Count, to whom Du Pont, at length, confided the secret of his hopeless affection, which, however, the former could only commiserate, though he secretly determined to befriend his suit, if an opportunity of doing so should ever occur. Considering the dangerous situation of Du Pont, he but feebly opposed his intention of leaving Chateau-le-Blanc, on the following day, but drew from him a promise of a longer visit, when he could return with safety to his peace. Emily herself, though she could not encourage his affection, esteemed him both for the many virtues he possessed, and for the services she had received from him; and it was not without tender emotions of gratitude and pity, that she now saw him depart for his family seat in Gascony; while he took leave of her with a countenance so expressive of love and grief, as to interest the Count more warmly in his cause than before.

In a few days, Emily also left the chateau, but not before the Count and Countess had received her promise to repeat her visit very soon; and she was welcomed by the abbess, with the same maternal kindness she had formerly experienced, and by the nuns, with much expression of regard. The well-known scenes of the convent occasioned her many melancholy recollections, but with these were mingled others, that inspired gratitude for having escaped the various dangers, that had pursued her, since she quitted it, and for the good, which she yet possessed; and, though she once more wept over her father's grave, with tears of tender affection, her grief was softened from its former acuteness.

Some time after her return to the monastery, she received a letter from her uncle, Mons. Quesnel, in answer to information that she had arrived in France, and to her enquiries, concerning such of her affairs as he had undertaken to conduct during her absence, especially as to the period for which La Vallee had been let, whither it was her wish to return, if it should appear, that her income would permit her to do so. The reply of Mons. Quesnel was cold and formal, as she expected, expressing neither concern for the evils she suffered, nor pleasure, that she was now removed from them; nor did he allow the opportunity to pass, of reproving her for her rejection of Count Morano, whom he affected still to believe a man of honour and fortune; nor of vehemently declaiming against Montoni, to whom he had always, till now, felt himself to be inferior. On Emily's pecuniary concerns, he was not very explicit; he informed her, however, that the term, for which La Vallee had been engaged, was nearly expired; but, without inviting her to his own house, added, that her circumstances would by no means allow her to reside there, and earnestly advised her to remain, for the present, in the convent of St. Claire.

To her enquiries respecting poor old Theresa, her late father's servant, he gave no answer. In the postscript to his letter, Monsieur Quesnel mentioned M. Motteville, in whose hands the late St. Aubert had placed the chief of his personal property, as being likely to arrange his affairs nearly to the satisfaction of his creditors, and that Emily would recover much more of her fortune, than she had formerly reason to expect. The letter also inclosed to Emily an order upon a merchant at Narbonne, for a small sum of money.

The tranquillity of the monastery, and the liberty she was suffered to enjoy, in wandering among the woods and shores of this delightful province, gradually restored her spirits to their natural tone, except that anxiety would sometimes intrude, concerning Valancourt, as the time approached, when it was possible that she might receive an answer to her letter.





 

CHAPTER XIII 

     As when a wave, that from a cloud impends,
 And, swell'd with tempests, on the ship descends,
 White are the decks with foam; the winds aloud,
 Howl o'er the masts, and sing through ev'ry shroud:
 Pale, trembling, tir'd, the sailors freeze with fears,
 And instant death on ev'ry wave appears.
     POPE'S HOMER

The Lady Blanche, meanwhile, who was left much alone, became impatient for the company of her new friend, whom she wished to observe sharing in the delight she received from the beautiful scenery around. She had now no person, to whom she could express her admiration and communicate her pleasures, no eye, that sparkled to her smile, or countenance, that reflected her happiness; and she became spiritless and pensive. The Count, observing her dissatisfaction, readily yielded to her entreaties, and reminded Emily of her promised visit; but the silence of Valancourt, which was now prolonged far beyond the period, when a letter might have arrived from Estuviere, oppressed Emily with severe anxiety, and, rendering her averse to society, she would willingly have deferred her acceptance of this invitation, till her spirits should be relieved. The Count and his family, however, pressed to see her; and, as the circumstances, that prompted her wish for solitude, could not be explained, there was an appearance of caprice in her refusal, which she could not persevere in, without offending the friends, whose esteem she valued. At length, therefore, she returned upon a second visit to Chateau-le-Blanc. Here the friendly manner of Count De Villefort encouraged Emily to mention to him her situation, respecting the estates of her late aunt, and to consult him on the means of recovering them. He had little doubt, that the law would decide in her favour, and, advising her to apply to it, offered first to write to an advocate at Avignon, on whose opinion he thought he could rely. His kindness was gratefully accepted by Emily, who, soothed by the courtesy she daily experienced, would have been once more happy, could she have been assured of Valancourt's welfare and unaltered affection. She had now been above a week at the chateau, without receiving intelligence of him, and, though she knew, that, if he was absent from his brother's residence, it was scarcely probable her letter had yet reached him, she could not forbear to admit doubts and fears, that destroyed her peace. Again she would consider of all, that might have happened in the long period, since her first seclusion at Udolpho, and her mind was sometimes so overwhelmed with an apprehension, that Valancourt was no more, or that he lived no longer for her, that the company even of Blanche became intolerably oppressive, and she would sit alone in her apartment for hours together, when the engagements of the family allowed her to do so, without incivility.

In one of these solitary hours, she unlocked a little box, which contained some letters of Valancourt, with some drawings she had sketched, during her stay in Tuscany, the latter of which were no longer interesting to her; but, in the letters, she now, with melancholy indulgence, meant to retrace the tenderness, that had so often soothed her, and rendered her, for a moment, insensible of the distance, which separated her from the writer. But their effect was now changed; the affection they expressed appealed so forcibly to her heart, when she considered that it had, perhaps, yielded to the powers of time and absence, and even the view of the hand-writing recalled so many painful recollections, that she found herself unable to go through the first she had opened, and sat musing, with her cheek resting on her arm, and tears stealing from her eyes, when old Dorothee entered the room to inform her, that dinner would be ready, an hour before the usual time. Emily started on perceiving her, and hastily put up the papers, but not before Dorothee had observed both her agitation and her tears.

'Ah, ma'amselle!' said she, 'you, who are so young,—have you reason for sorrow?'

Emily tried to smile, but was unable to speak.

'Alas! dear young lady, when you come to my age, you will not weep at trifles; and surely you have nothing serious, to grieve you.'

'No, Dorothee, nothing of any consequence,' replied Emily. Dorothee, now stooping to pick up something, that had dropped from among the papers, suddenly exclaimed, 'Holy Mary! what is it I see?' and then, trembling, sat down in a chair, that stood by the table.

'What is it you do see?' said Emily, alarmed by her manner, and looking round the room.

'It is herself,' said Dorothee, 'her very self! just as she looked a little before she died!'

Emily, still more alarmed, began now to fear, that Dorothee was seized with sudden phrensy, but entreated her to explain herself.

'That picture!' said she, 'where did you find it, lady? it is my blessed mistress herself!'

She laid on the table the miniature, which Emily had long ago found among the papers her father had enjoined her to destroy, and over which she had once seen him shed such tender and affecting tears; and, recollecting all the various circumstances of his conduct, that had long perplexed her, her emotions increased to an excess, which deprived her of all power to ask the questions she trembled to have answered, and she could only enquire, whether Dorothee was certain the picture resembled the late marchioness.

'O, ma'amselle!' said she, 'how came it to strike me so, the instant I saw it, if it was not my lady's likeness? Ah!' added she, taking up the miniature, 'these are her own blue eyes—looking so sweet and so mild; and there is her very look, such as I have often seen it, when she had sat thinking for a long while, and then, the tears would often steal down her cheeks—but she never would complain! It was that look so meek, as it were, and resigned, that used to break my heart and make me love her so!'

'Dorothee!' said Emily solemnly, 'I am interested in the cause of that grief, more so, perhaps, than you may imagine; and I entreat, that you will no longer refuse to indulge my curiosity;—it is not a common one.'

As Emily said this, she remembered the papers, with which the picture had been found, and had scarcely a doubt, that they had concerned the Marchioness de Villeroi; but with this supposition came a scruple, whether she ought to enquire further on a subject, which might prove to be the same, that her father had so carefully endeavoured to conceal. Her curiosity, concerning the Marchioness, powerful as it was, it is probable she would now have resisted, as she had formerly done, on unwarily observing the few terrible words in the papers, which had never since been erased from her memory, had she been certain that the history of that lady was the subject of those papers, or, that such simple particulars only as it was probable Dorothee could relate were included in her father's command. What was known to her could be no secret to many other persons; and, since it appeared very unlikely, that St. Aubert should attempt to conceal what Emily might learn by ordinary means, she at length concluded, that, if the papers had related to the story of the Marchioness, it was not those circumstances of it, which Dorothee could disclose, that he had thought sufficiently important to wish to have concealed. She, therefore, no longer hesitated to make the enquiries, that might lead to the gratification of her curiosity.

'Ah, ma'amselle!' said Dorothee, 'it is a sad story, and cannot be told now: but what am I saying? I never will tell it. Many years have passed, since it happened; and I never loved to talk of the Marchioness to any body, but my husband. He lived in the family, at that time, as well as myself, and he knew many particulars from me, which nobody else did; for I was about the person of my lady in her last illness, and saw and heard as much, or more than my lord himself. Sweet saint! how patient she was! When she died, I thought I could have died with her!'

'Dorothee,' said Emily, interrupting her, 'what you shall tell, you may depend upon it, shall never be disclosed by me. I have, I repeat it, particular reasons for wishing to be informed on this subject, and am willing to bind myself, in the most solemn manner, never to mention what you shall wish me to conceal.'

Dorothee seemed surprised at the earnestness of Emily's manner, and, after regarding her for some moments, in silence, said, 'Young lady! that look of yours pleads for you—it is so like my dear mistress's, that I can almost fancy I see her before me; if you were her daughter, you could not remind me of her more. But dinner will be ready—had you not better go down?'

'You will first promise to grant my request,' said Emily.

'And ought not you first to tell me, ma'amselle, how this picture fell into your hands, and the reasons you say you have for curiosity about my lady?'

'Why, no, Dorothee,' replied Emily, recollecting herself, 'I have also particular reasons for observing silence, on these subjects, at least, till I know further; and, remember, I do not promise ever to speak upon them; therefore, do not let me induce you to satisfy my curiosity, from an expectation, that I shall gratify yours. What I may judge proper to conceal, does not concern myself alone, or I should have less scruple in revealing it: let a confidence in my honour alone persuade you to disclose what I request.'

'Well, lady!' replied Dorothee, after a long pause, during which her eyes were fixed upon Emily, 'you seem so much interested,—and this picture and that face of yours make me think you have some reason to be so,—that I will trust you—and tell some things, that I never told before to any body, but my husband, though there are people, who have suspected as much. I will tell you the particulars of my lady's death, too, and some of my own suspicions; but you must first promise me by all the saints'—

Emily, interrupting her, solemnly promised never to reveal what should be confided to her, without Dorothee's consent.

'But there is the horn, ma'amselle, sounding for dinner,' said Dorothee; 'I must be gone.'

'When shall I see you again?' enquired Emily.

Dorothee mused, and then replied, 'Why, madam, it may make people curious, if it is known I am so much in your apartment, and that I should be sorry for; so I will come when I am least likely to be observed. I have little leisure in the day, and I shall have a good deal to say; so, if you please, ma'am, I will come, when the family are all in bed.'

'That will suit me very well,' replied Emily: 'Remember, then, to-night'—

'Aye, that is well remembered,' said Dorothee, 'I fear I cannot come to-night, madam, for there will be the dance of the vintage, and it will be late, before the servants go to rest; for, when they once set in to dance, they will keep it up, in the cool of the air, till morning; at least, it used to be so in my time.'

'Ah! is it the dance of the vintage?' said Emily, with a deep sigh, remembering, that it was on the evening of this festival, in the preceding year, that St. Aubert and herself had arrived in the neighbourhood of Chateau-le-Blanc. She paused a moment, overcome by the sudden recollection, and then, recovering herself, added—'But this dance is in the open woods; you, therefore, will not be wanted, and can easily come to me.'

Dorothee replied, that she had been accustomed to be present at the dance of the vintage, and she did not wish to be absent now; 'but if I can get away, madam, I will,' said she.

Emily then hastened to the dining-room, where the Count conducted himself with the courtesy, which is inseparable from true dignity, and of which the Countess frequently practised little, though her manner to Emily was an exception to her usual habit. But, if she retained few of the ornamental virtues, she cherished other qualities, which she seemed to consider invaluable. She had dismissed the grace of modesty, but then she knew perfectly well how to manage the stare of assurance; her manners had little of the tempered sweetness, which is necessary to render the female character interesting, but she could occasionally throw into them an affectation of spirits, which seemed to triumph over every person, who approached her. In the country, however, she generally affected an elegant languor, that persuaded her almost to faint, when her favourite read to her a story of fictitious sorrow; but her countenance suffered no change, when living objects of distress solicited her charity, and her heart beat with no transport to the thought of giving them instant relief;—she was a stranger to the highest luxury, of which, perhaps, the human mind can be sensible, for her benevolence had never yet called smiles upon the face of misery.

In the evening, the Count, with all his family, except the Countess and Mademoiselle Bearn, went to the woods to witness the festivity of the peasants. The scene was in a glade, where the trees, opening, formed a circle round the turf they highly overshadowed; between their branches, vines, loaded with ripe clusters, were hung in gay festoons; and, beneath, were tables, with fruit, wine, cheese and other rural fare,—and seats for the Count and his family. At a little distance, were benches for the elder peasants, few of whom, however, could forbear to join the jocund dance, which began soon after sun-set, when several of sixty tripped it with almost as much glee and airy lightness, as those of sixteen.

The musicians, who sat carelessly on the grass, at the foot of a tree, seemed inspired by the sound of their own instruments, which were chiefly flutes and a kind of long guitar. Behind, stood a boy, flourishing a tamborine, and dancing a solo, except that, as he sometimes gaily tossed the instrument, he tripped among the other dancers, when his antic gestures called forth a broader laugh, and heightened the rustic spirit of the scene.

The Count was highly delighted with the happiness he witnessed, to which his bounty had largely contributed, and the Lady Blanche joined the dance with a young gentleman of her father's party. Du Pont requested Emily's hand, but her spirits were too much depressed, to permit her to engage in the present festivity, which called to her remembrance that of the preceding year, when St. Aubert was living, and of the melancholy scenes, which had immediately followed it.

Overcome by these recollections, she, at length, left the spot, and walked slowly into the woods, where the softened music, floating at a distance, soothed her melancholy mind. The moon threw a mellow light among the foliage; the air was balmy and cool, and Emily, lost in thought, strolled on, without observing whither, till she perceived the sounds sinking afar off, and an awful stillness round her, except that, sometimes, the nightingale beguiled the silence with 

     Liquid notes, that close the eye of day.

At length, she found herself near the avenue, which, on the night of her father's arrival, Michael had attempted to pass in search of a house, which was still nearly as wild and desolate as it had then appeared; for the Count had been so much engaged in directing other improvements, that he had neglected to give orders, concerning this extensive approach, and the road was yet broken, and the trees overloaded with their own luxuriance.

As she stood surveying it, and remembering the emotions, which she had formerly suffered there, she suddenly recollected the figure, that had been seen stealing among the trees, and which had returned no answer to Michael's repeated calls; and she experienced somewhat of the fear, that had then assailed her, for it did not appear improbable, that these deep woods were occasionally the haunt of banditti. She, therefore, turned back, and was hastily pursuing her way to the dancers, when she heard steps approaching from the avenue; and, being still beyond the call of the peasants on the green, for she could neither hear their voices, or their music, she quickened her pace; but the persons following gained fast upon her, and, at length, distinguishing the voice of Henri, she walked leisurely, till he came up. He expressed some surprise at meeting her so far from the company; and, on her saying, that the pleasant moon-light had beguiled her to walk farther than she intended, an exclamation burst from the lips of his companion, and she thought she heard Valancourt speak! It was, indeed, he! and the meeting was such as may be imagined, between persons so affectionate, and so long separated as they had been.

In the joy of these moments, Emily forgot all her past sufferings, and Valancourt seemed to have forgotten, that any person but Emily existed; while Henri was a silent and astonished spectator of the scene.

Valancourt asked a thousand questions, concerning herself and Montoni, which there was now no time to answer; but she learned, that her letter had been forwarded to him, at Paris, which he had previously quitted, and was returning to Gascony, whither the letter also returned, which, at length, informed him of Emily's arrival, and on the receipt of which he had immediately set out for Languedoc. On reaching the monastery, whence she had dated her letter, he found, to his extreme disappointment, that the gates were already closed for the night; and believing, that he should not see Emily, till the morrow, he was returning to his little inn, with the intention of writing to her, when he was overtaken by Henri, with whom he had been intimate at Paris, and was led to her, whom he was secretly lamenting that he should not see, till the following day.

Emily, with Valancourt and Henri, now returned to the green, where the latter presented Valancourt to the Count, who, she fancied, received him with less than his usual benignity, though it appeared, that they were not strangers to each other. He was invited, however, to partake of the diversions of the evening; and, when he had paid his respects to the Count, and while the dancers continued their festivity, he seated himself by Emily, and conversed, without restraint. The lights, which were hung among the trees, under which they sat, allowed her a more perfect view of the countenance she had so frequently in absence endeavoured to recollect, and she perceived, with some regret, that it was not the same as when last she saw it. There was all its wonted intelligence and fire; but it had lost much of the simplicity, and somewhat of the open benevolence, that used to characterise it. Still, however, it was an interesting countenance; but Emily thought she perceived, at intervals, anxiety contract, and melancholy fix the features of Valancourt; sometimes, too, he fell into a momentary musing, and then appeared anxious to dissipate thought; while, at others, as he fixed his eyes on Emily, a kind of sudden distraction seemed to cross his mind. In her he perceived the same goodness and beautiful simplicity, that had charmed him, on their first acquaintance. The bloom of her countenance was somewhat faded, but all its sweetness remained, and it was rendered more interesting, than ever, by the faint expression of melancholy, that sometimes mingled with her smile.

At his request, she related the most important circumstances, that had occurred to her, since she left France, and emotions of pity and indignation alternately prevailed in his mind, when he heard how much she had suffered from the villany of Montoni. More than once, when she was speaking of his conduct, of which the guilt was rather softened, than exaggerated, by her representation, he started from his seat, and walked away, apparently overcome as much by self accusation as by resentment. Her sufferings alone were mentioned in the few words, which he could address to her, and he listened not to the account, which she was careful to give as distinctly as possible, of the present loss of Madame Montoni's estates, and of the little reason there was to expect their restoration. At length, Valancourt remained lost in thought, and then some secret cause seemed to overcome him with anguish. Again he abruptly left her. When he returned, she perceived, that he had been weeping, and tenderly begged, that he would compose himself. 'My sufferings are all passed now,' said she, 'for I have escaped from the tyranny of Montoni, and I see you well—let me also see you happy.'

Valancourt was more agitated, than before. 'I am unworthy of you, Emily,' said he, 'I am unworthy of you;'—words, by his manner of uttering which Emily was then more shocked than by their import. She fixed on him a mournful and enquiring eye. 'Do not look thus on me,' said he, turning away and pressing her hand; 'I cannot bear those looks.'

'I would ask,' said Emily, in a gentle, but agitated voice, 'the meaning of your words; but I perceive, that the question would distress you now. Let us talk on other subjects. To-morrow, perhaps, you may be more composed. Observe those moon light woods, and the towers, which appear obscurely in the perspective. You used to be a great admirer of landscape, and I have heard you say, that the faculty of deriving consolation, under misfortune, from the sublime prospects, which neither oppression, or poverty with-hold from us, was the peculiar blessing of the innocent.' Valancourt was deeply affected. 'Yes,' replied he, 'I had once a taste for innocent and elegant delights—I had once an uncorrupted heart.' Then, checking himself, he added, 'Do you remember our journey together in the Pyrenees?'

'Can I forget it?' said Emily.—'Would that I could!' he replied;—'that was the happiest period of my life. I then loved, with enthusiasm, whatever was truly great, or good.' It was some time before Emily could repress her tears, and try to command her emotions. 'If you wish to forget that journey,' said she, 'it must certainly be my wish to forget it also.' She paused, and then added, 'You make me very uneasy; but this is not the time for further enquiry;—yet, how can I bear to believe, even for a moment, that you are less worthy of my esteem than formerly? I have still sufficient confidence in your candour, to believe, that, when I shall ask for an explanation, you will give it me.'—'Yes,' said Valancourt, 'yes, Emily: I have not yet lost my candour: if I had, I could better have disguised my emotions, on learning what were your sufferings—your virtues, while I—I—but I will say no more. I did not mean to have said even so much—I have been surprised into the self-accusation. Tell me, Emily, that you will not forget that journey—will not wish to forget it, and I will be calm. I would not lose the remembrance of it for the whole earth.'

'How contradictory is this!' said Emily;—'but we may be overheard. My recollection of it shall depend upon yours; I will endeavour to forget, or to recollect it, as you may do. Let us join the Count.'—'Tell me first,' said Valancourt, 'that you forgive the uneasiness I have occasioned you, this evening, and that you will still love me.'—'I sincerely forgive you,' replied Emily. 'You best know whether I shall continue to love you, for you know whether you deserve my esteem. At present, I will believe that you do. It is unnecessary to say,' added she, observing his dejection, 'how much pain it would give me to believe otherwise.—The young lady, who approaches, is the Count's daughter.'

Valancourt and Emily now joined the Lady Blanche; and the party, soon after, sat down with the Count, his son, and the Chevalier Du Pont, at a banquet, spread under a gay awning, beneath the trees. At the table also were seated several of the most venerable of the Count's tenants, and it was a festive repast to all but Valancourt and Emily. When the Count retired to the chateau, he did not invite Valancourt to accompany him, who, therefore, took leave of Emily, and retired to his solitary inn for the night: meanwhile, she soon withdrew to her own apartment, where she mused, with deep anxiety and concern, on his behaviour, and on the Count's reception of him. Her attention was thus so wholly engaged, that she forgot Dorothee and her appointment, till morning was far advanced, when, knowing that the good old woman would not come, she retired, for a few hours, to repose.

On the following day, when the Count had accidentally joined Emily in one of the walks, they talked of the festival of the preceding evening, and this led him to a mention of Valancourt. 'That is a young man of talents,' said he; 'you were formerly acquainted with him, I perceive.' Emily said, that she was. 'He was introduced to me, at Paris,' said the Count, 'and I was much pleased with him, on our first acquaintance.' He paused, and Emily trembled, between the desire of hearing more and the fear of shewing the Count, that she felt an interest on the subject. 'May I ask,' said he, at length, 'how long you have known Monsieur Valancourt?'—'Will you allow me to ask your reason for the question, sir?' said she; 'and I will answer it immediately.'—'Certainly,' said the Count, 'that is but just. I will tell you my reason. I cannot but perceive, that Monsieur Valancourt admires you; in that, however, there is nothing extraordinary; every person, who sees you, must do the same. I am above using common-place compliments; I speak with sincerity. What I fear, is, that he is a favoured admirer.'—'Why do you fear it, sir?' said Emily, endeavouring to conceal her emotion.—'Because,' replied the Count, 'I think him not worthy of your favour.' Emily, greatly agitated, entreated further explanation. 'I will give it,' said he, 'if you will believe, that nothing but a strong interest in your welfare could induce me to hazard that assertion.'—'I must believe so, sir,' replied Emily.

'But let us rest under these trees,' said the Count, observing the paleness of her countenance; 'here is a seat—you are fatigued.' They sat down, and the Count proceeded. 'Many young ladies, circumstanced as you are, would think my conduct, on this occasion, and on so short an acquaintance, impertinent, instead of friendly; from what I have observed of your temper and understanding, I do not fear such a return from you. Our acquaintance has been short, but long enough to make me esteem you, and feel a lively interest in your happiness. You deserve to be very happy, and I trust that you will be so.' Emily sighed softly, and bowed her thanks. The Count paused again. 'I am unpleasantly circumstanced,' said he; 'but an opportunity of rendering you important service shall overcome inferior considerations. Will you inform me of the manner of your first acquaintance with the Chevalier Valancourt, if the subject is not too painful?'

Emily briefly related the accident of their meeting in the presence of her father, and then so earnestly entreated the Count not to hesitate in declaring what he knew, that he perceived the violent emotion, against which she was contending, and, regarding her with a look of tender compassion, considered how he might communicate his information with least pain to his anxious auditor.

'The Chevalier and my son,' said he, 'were introduced to each other, at the table of a brother officer, at whose house I also met him, and invited him to my own, whenever he should be disengaged. I did not then know, that he had formed an acquaintance with a set of men, a disgrace to their species, who live by plunder and pass their lives in continual debauchery. I knew several of the Chevalier's family, resident at Paris, and considered them as sufficient pledges for his introduction to my own. But you are ill; I will leave the subject.'—'No, sir,' said Emily, 'I beg you will proceed: I am only distressed.'—'ONLY!' said the Count, with emphasis; 'however, I will proceed. I soon learned, that these, his associates, had drawn him into a course of dissipation, from which he appeared to have neither the power, nor the inclination, to extricate himself. He lost large sums at the gaming-table; he became infatuated with play; and was ruined. I spoke tenderly of this to his friends, who assured me, that they had remonstrated with him, till they were weary. I afterwards learned, that, in consideration of his talents for play, which were generally successful, when unopposed by the tricks of villany,—that in consideration of these, the party had initiated him into the secrets of their trade, and allotted him a share of their profits.' 'Impossible!' said Emily suddenly; 'but—pardon me, sir, I scarcely know what I say; allow for the distress of my mind. I must, indeed, I must believe, that you have not been truly informed. The Chevalier had, doubtless, enemies, who misrepresented him.'—'I should be most happy to believe so,' replied the Count, 'but I cannot. Nothing short of conviction, and a regard for your happiness, could have urged me to repeat these unpleasant reports.'

Emily was silent. She recollected Valancourt's sayings, on the preceding evening, which discovered the pangs of self-reproach, and seemed to confirm all that the Count had related. Yet she had not fortitude enough to dare conviction. Her heart was overwhelmed with anguish at the mere suspicion of his guilt, and she could not endure a belief of it. After a silence, the Count said, 'I perceive, and can allow for, your want of conviction. It is necessary I should give some proof of what I have asserted; but this I cannot do, without subjecting one, who is very dear to me, to danger.'—'What is the danger you apprehend, sir?' said Emily; 'if I can prevent it, you may safely confide in my honour.'—'On your honour I am certain I can rely,' said the Count; 'but can I trust your fortitude? Do you think you can resist the solicitation of a favoured admirer, when he pleads, in affliction, for the name of one, who has robbed him of a blessing?'—'I shall not be exposed to such a temptation, sir,' said Emily, with modest pride, 'for I cannot favour one, whom I must no longer esteem. I, however, readily give my word.' Tears, in the mean time, contradicted her first assertion; and she felt, that time and effort only could eradicate an affection, which had been formed on virtuous esteem, and cherished by habit and difficulty.

'I will trust you then,' said the Count, 'for conviction is necessary to your peace, and cannot, I perceive, be obtained, without this confidence. My son has too often been an eye-witness of the Chevalier's ill conduct; he was very near being drawn in by it; he was, indeed, drawn in to the commission of many follies, but I rescued him from guilt and destruction. Judge then, Mademoiselle St. Aubert, whether a father, who had nearly lost his only son by the example of the Chevalier, has not, from conviction, reason to warn those, whom he esteems, against trusting their happiness in such hands. I have myself seen the Chevalier engaged in deep play with men, whom I almost shuddered to look upon. If you still doubt, I will refer you to my son.'

'I must not doubt what you have yourself witnessed,' replied Emily, sinking with grief, 'or what you assert. But the Chevalier has, perhaps, been drawn only into a transient folly, which he may never repeat. If you had known the justness of his former principles, you would allow for my present incredulity.'

'Alas!' observed the Count, 'it is difficult to believe that, which will make us wretched. But I will not sooth you by flattering and false hopes. We all know how fascinating the vice of gaming is, and how difficult it is, also, to conquer habits; the Chevalier might, perhaps, reform for a while, but he would soon relapse into dissipation—for I fear, not only the bonds of habit would be powerful, but that his morals are corrupted. And—why should I conceal from you, that play is not his only vice? he appears to have a taste for every vicious pleasure.'

The Count hesitated and paused; while Emily endeavoured to support herself, as, with increasing perturbation, she expected what he might further say. A long pause of silence ensued, during which he was visibly agitated; at length, he said, 'It would be a cruel delicacy, that could prevail with me to be silent—and I will inform you, that the Chevalier's extravagance has brought him twice into the prisons of Paris, from whence he was last extricated, as I was told upon authority, which I cannot doubt, by a well-known Parisian Countess, with whom he continued to reside, when I left Paris.'

He paused again; and, looking at Emily, perceived her countenance change, and that she was falling from the seat; he caught her, but she had fainted, and he called loudly for assistance. They were, however, beyond the hearing of his servants at the chateau, and he feared to leave her while he went thither for assistance, yet knew not how otherwise to obtain it; till a fountain at no great distance caught his eye, and he endeavoured to support Emily against the tree, under which she had been sitting, while he went thither for water. But again he was perplexed, for he had nothing near him, in which water could be brought; but while, with increased anxiety, he watched her, he thought he perceived in her countenance symptoms of returning life.

It was long, however, before she revived, and then she found herself supported—not by the Count, but by Valancourt, who was observing her with looks of earnest apprehension, and who now spoke to her in a tone, tremulous with his anxiety. At the sound of his well-known voice, she raised her eyes, but presently closed them, and a faintness again came over her.

The Count, with a look somewhat stern, waved him to withdraw; but he only sighed heavily, and called on the name of Emily, as he again held the water, that had been brought, to her lips. On the Count's repeating his action, and accompanying it with words, Valancourt answered him with a look of deep resentment, and refused to leave the place, till she should revive, or to resign her for a moment to the care of any person. In the next instant, his conscience seemed to inform him of what had been the subject of the Count's conversation with Emily, and indignation flashed in his eyes; but it was quickly repressed, and succeeded by an expression of serious anguish, that induced the Count to regard him with more pity than resentment, and the view of which so much affected Emily, when she again revived, that she yielded to the weakness of tears. But she soon restrained them, and, exerting her resolution to appear recovered, she rose, thanked the Count and Henri, with whom Valancourt had entered the garden, for their care, and moved towards the chateau, without noticing Valancourt, who, heart-struck by her manner, exclaimed in a low voice—'Good God! how have I deserved this?—what has been said, to occasion this change?'

Emily, without replying, but with increased emotion, quickened her steps. 'What has thus disordered you, Emily?' said he, as he still walked by her side: 'give me a few moments' conversation, I entreat you;—I am very miserable!'

Though this was spoken in a low voice, it was overheard by the Count, who immediately replied, that Mademoiselle St. Aubert was then too much indisposed, to attend to any conversation, but that he would venture to promise she would see Monsieur Valancourt on the morrow, if she was better.

Valancourt's cheek was crimsoned: he looked haughtily at the Count, and then at Emily, with successive expressions of surprise, grief and supplication, which she could neither misunderstand, or resist, and she said languidly—'I shall be better tomorrow, and if you wish to accept the Count's permission, I will see you then.'

'See me!' exclaimed Valancourt, as he threw a glance of mingled pride and resentment upon the Count; and then, seeming to recollect himself, he added—'But I will come, madam; I will accept the Count's PERMISSION.'

When they reached the door of the chateau, he lingered a moment, for his resentment was now fled; and then, with a look so expressive of tenderness and grief, that Emily's heart was not proof against it, he bade her good morning, and, bowing slightly to the Count, disappeared.

Emily withdrew to her own apartment, under such oppression of heart as she had seldom known, when she endeavoured to recollect all that the Count had told, to examine the probability of the circumstances he himself believed, and to consider of her future conduct towards Valancourt. But, when she attempted to think, her mind refused controul, and she could only feel that she was miserable. One moment, she sunk under the conviction, that Valancourt was no longer the same, whom she had so tenderly loved, the idea of whom had hitherto supported her under affliction, and cheered her with the hope of happier days,—but a fallen, a worthless character, whom she must teach herself to despise—if she could not forget. Then, unable to endure this terrible supposition, she rejected it, and disdained to believe him capable of conduct, such as the Count had described, to whom she believed he had been misrepresented by some artful enemy; and there were moments, when she even ventured to doubt the integrity of the Count himself, and to suspect, that he was influenced by some selfish motive, to break her connection with Valancourt. But this was the error of an instant, only; the Count's character, which she had heard spoken of by Du Pont and many other persons, and had herself observed, enabled her to judge, and forbade the supposition; had her confidence, indeed, been less, there appeared to be no temptation to betray him into conduct so treacherous, and so cruel. Nor did reflection suffer her to preserve the hope, that Valancourt had been mis-represented to the Count, who had said, that he spoke chiefly from his own observation, and from his son's experience. She must part from Valancourt, therefore, for ever—for what of either happiness or tranquillity could she expect with a man, whose tastes were degenerated into low inclinations, and to whom vice was become habitual? whom she must no longer esteem, though the remembrance of what he once was, and the long habit of loving him, would render it very difficult for her to despise him. 'O Valancourt!' she would exclaim, 'having been separated so long—do we meet, only to be miserable—only to part for ever?'

Amidst all the tumult of her mind, she remembered pertinaciously the seeming candour and simplicity of his conduct, on the preceding night; and, had she dared to trust her own heart, it would have led her to hope much from this. Still she could not resolve to dismiss him for ever, without obtaining further proof of his ill conduct; yet she saw no probability of procuring it, if, indeed, proof more positive was possible. Something, however, it was necessary to decide upon, and she almost determined to be guided in her opinion solely by the manner, with which Valancourt should receive her hints concerning his late conduct.

Thus passed the hours till dinner-time, when Emily, struggling against the pressure of her grief, dried her tears, and joined the family at table, where the Count preserved towards her the most delicate attention; but the Countess and Mademoiselle Bearn, having looked, for a moment, with surprise, on her dejected countenance, began, as usual, to talk of trifles, while the eyes of Lady Blanche asked much of her friend, who could only reply by a mournful smile.

Emily withdrew as soon after dinner as possible, and was followed by the Lady Blanche, whose anxious enquiries, however, she found herself quite unequal to answer, and whom she entreated to spare her on the subject of her distress. To converse on any topic, was now, indeed, so extremely painful to her, that she soon gave up the attempt, and Blanche left her, with pity of the sorrow, which she perceived she had no power to assuage.

Emily secretly determined to go to her convent in a day or two; for company, especially that of the Countess and Mademoiselle Bearn, was intolerable to her, in the present state of her spirits; and, in the retirement of the convent, as well as the kindness of the abbess, she hoped to recover the command of her mind, and to teach it resignation to the event, which, she too plainly perceived, was approaching.

To have lost Valancourt by death, or to have seen him married to a rival, would, she thought, have given her less anguish, than a conviction of his unworthiness, which must terminate in misery to himself, and which robbed her even of the solitary image her heart so long had cherished. These painful reflections were interrupted, for a moment, by a note from Valancourt, written in evident distraction of mind, entreating, that she would permit him to see her on the approaching evening, instead of the following morning; a request, which occasioned her so much agitation, that she was unable to answer it. She wished to see him, and to terminate her present state of suspense, yet shrunk from the interview, and, incapable of deciding for herself, she, at length, sent to beg a few moments' conversation with the Count in his library, where she delivered to him the note, and requested his advice. After reading it, he said, that, if she believed herself well enough to support the interview, his opinion was, that, for the relief of both parties, it ought to take place, that evening.

'His affection for you is, undoubtedly, a very sincere one,' added the Count; 'and he appears so much distressed, and you, my amiable friend, are so ill at ease—that the sooner the affair is decided, the better.'

Emily replied, therefore, to Valancourt, that she would see him, and then exerted herself in endeavours to attain fortitude and composure, to bear her through the approaching scene—a scene so afflictingly the reverse of any, to which she had looked forward!





 

 

 

 




VOLUME 4





 

CHAPTER I 

  Is all the council that we two have shared,
     the hours that we have spent,
 When we have chid the hasty-footed time
 For parting us—Oh! and is all forgot?

 And will you rend our ancient love asunder?
     MIDSUMMER NIGHT'S DREAM

In the evening, when Emily was at length informed, that Count De Villefort requested to see her, she guessed that Valancourt was below, and, endeavouring to assume composure and to recollect all her spirits, she rose and left the apartment; but on reaching the door of the library, where she imagined him to be, her emotion returned with such energy, that, fearing to trust herself in the room, she returned into the hall, where she continued for a considerable time, unable to command her agitated spirits.

When she could recall them, she found in the library Valancourt, seated with the Count, who both rose on her entrance; but she did not dare to look at Valancourt, and the Count, having led her to a chair, immediately withdrew.

Emily remained with her eyes fixed on the floor, under such oppression of heart, that she could not speak, and with difficulty breathed; while Valancourt threw himself into a chair beside her, and, sighing heavily, continued silent, when, had she raised her eyes, she would have perceived the violent emotions, with which he was agitated.

At length, in a tremulous voice, he said, 'I have solicited to see you this evening, that I might, at least, be spared the further torture of suspense, which your altered manner had occasioned me, and which the hints I have just received from the Count have in part explained. I perceive I have enemies, Emily, who envied me my late happiness, and who have been busy in searching out the means to destroy it: I perceive, too, that time and absence have weakened the affection you once felt for me, and that you can now easily be taught to forget me.'

His last words faltered, and Emily, less able to speak than before, continued silent.

'O what a meeting is this!' exclaimed Valancourt, starting from his seat, and pacing the room with hurried steps, 'what a meeting is this, after our long—long separation!' Again he sat down, and, after the struggle of a moment, he added in a firm but despairing tone, 'This is too much—I cannot bear it! Emily, will you not speak to me?'

He covered his face with his hand, as if to conceal his emotion, and took Emily's, which she did not withdraw. Her tears could no longer be restrained; and, when he raised his eyes and perceived that she was weeping, all his tenderness returned, and a gleam of hope appeared to cross his mind, for he exclaimed, 'O! you do pity me, then, you do love me! Yes, you are still my own Emily—let me believe those tears, that tell me so!'

Emily now made an effort to recover her firmness, and, hastily drying them, 'Yes,' said she, 'I do pity you—I weep for you—but, ought I to think of you with affection? You may remember, that yester-evening I said, I had still sufficient confidence in your candour to believe, that, when I should request an explanation of your words, you would give it. This explanation is now unnecessary, I understand them too well; but prove, at least, that your candour is deserving of the confidence I give it, when I ask you, whether you are conscious of being the same estimable Valancourt—whom I once loved.'

'Once loved!' cried he,—'the same—the same!' He paused in extreme emotion, and then added, in a voice at once solemn, and dejected,—'No—I am not the same!—I am lost—I am no longer worthy of you!'

He again concealed his face. Emily was too much affected by this honest confession to reply immediately, and, while she struggled to overcome the pleadings of her heart, and to act with the decisive firmness, which was necessary for her future peace, she perceived all the danger of trusting long to her resolution, in the presence of Valancourt, and was anxious to conclude an interview, that tortured them both; yet, when she considered, that this was probably their last meeting, her fortitude sunk at once, and she experienced only emotions of tenderness and of despondency.

Valancourt, meanwhile, lost in emotions of remorse and grief, which he had neither the power, or the will to express, sat insensible almost of the presence of Emily, his features still concealed, and his breast agitated by convulsive sighs.

'Spare me the necessity,' said Emily, recollecting her fortitude, 'spare me the necessity of mentioning those circumstances of your conduct, which oblige me to break our connection forever.—We must part, I now see you for the last time.'

'Impossible!' cried Valancourt, roused from his deep silence, 'You cannot mean what you say!—you cannot mean to throw me from you forever!'

'We must part,' repeated Emily, with emphasis,—'and that forever! Your own conduct has made this necessary.'

'This is the Count's determination,' said he haughtily, 'not yours, and I shall enquire by what authority he interferes between us.' He now rose, and walked about the room in great emotion.

'Let me save you from this error,' said Emily, not less agitated—'it is my determination, and, if you reflect a moment on your late conduct, you will perceive, that my future peace requires it.'

'Your future peace requires, that we should part—part forever!' said Valancourt, 'How little did I ever expect to hear you say so!'

'And how little did I expect, that it would be necessary for me to say so!' rejoined Emily, while her voice softened into tenderness, and her tears flowed again.—'That you—you, Valancourt, would ever fall from my esteem!'

He was silent a moment, as if overwhelmed by the consciousness of no longer deserving this esteem, as well as the certainty of having lost it, and then, with impassioned grief, lamented the criminality of his late conduct and the misery to which it had reduced him, till, overcome by a recollection of the past and a conviction of the future, he burst into tears, and uttered only deep and broken sighs.

The remorse he had expressed, and the distress he suffered could not be witnessed by Emily with indifference, and, had she not called to her recollection all the circumstances, of which Count De Villefort had informed her, and all he had said of the danger of confiding in repentance, formed under the influence of passion, she might perhaps have trusted to the assurances of her heart, and have forgotten his misconduct in the tenderness, which that repentance excited.

Valancourt, returning to the chair beside her, at length, said, in a calm voice, ''Tis true, I am fallen—fallen from my own esteem! but could you, Emily, so soon, so suddenly resign, if you had not before ceased to love me, or, if your conduct was not governed by the designs, I will say, the selfish designs of another person! Would you not otherwise be willing to hope for my reformation—and could you bear, by estranging me from you, to abandon me to misery—to myself!'—Emily wept aloud.—'No, Emily—no—you would not do this, if you still loved me. You would find your own happiness in saving mine.'

'There are too many probabilities against that hope,' said Emily, 'to justify me in trusting the comfort of my whole life to it. May I not also ask, whether you could wish me to do this, if you really loved me?'

'Really loved you!' exclaimed Valancourt—'is it possible you can doubt my love! Yet it is reasonable, that you should do so, since you see, that I am less ready to suffer the horror of parting with you, than that of involving you in my ruin. Yes, Emily—I am ruined—irreparably ruined—I am involved in debts, which I can never discharge!' Valancourt's look, which was wild, as he spoke this, soon settled into an expression of gloomy despair; and Emily, while she was compelled to admire his sincerity, saw, with unutterable anguish, new reasons for fear in the suddenness of his feelings and the extent of the misery, in which they might involve him. After some minutes, she seemed to contend against her grief and to struggle for fortitude to conclude the interview. 'I will not prolong these moments,' said she, 'by a conversation, which can answer no good purpose. Valancourt, farewell!'

'You are not going?' said he, wildly interrupting her—'You will not leave me thus—you will not abandon me even before my mind has suggested any possibility of compromise between the last indulgence of my despair and the endurance of my loss!' Emily was terrified by the sternness of his look, and said, in a soothing voice, 'You have yourself acknowledged, that it is necessary we should part;—if you wish, that I should believe you love me, you will repeat the acknowledgment.'—'Never—never,' cried he—'I was distracted when I made it. O! Emily—this is too much;—though you are not deceived as to my faults, you must be deluded into this exasperation against them. The Count is the barrier between us; but he shall not long remain so.'

'You are, indeed, distracted,' said Emily, 'the Count is not your enemy; on the contrary, he is my friend, and that might, in some degree, induce you to consider him as yours.'—'Your friend!' said Valancourt, hastily, 'how long has he been your friend, that he can so easily make you forget your lover? Was it he, who recommended to your favour the Monsieur Du Pont, who, you say, accompanied you from Italy, and who, I say, has stolen your affections? But I have no right to question you;—you are your own mistress. Du Pont, perhaps, may not long triumph over my fallen fortunes!' Emily, more frightened than before by the frantic looks of Valancourt, said, in a tone scarcely audible, 'For heaven's sake be reasonable—be composed. Monsieur Du Pont is not your rival, nor is the Count his advocate. You have no rival; nor, except yourself, an enemy. My heart is wrung with anguish, which must increase while your frantic behaviour shews me, more than ever, that you are no longer the Valancourt I have been accustomed to love.'

He made no reply, but sat with his arms rested on the table and his face concealed by his hands; while Emily stood, silent and trembling, wretched for herself and dreading to leave him in this state of mind.

'O excess of misery!' he suddenly exclaimed, 'that I can never lament my sufferings, without accusing myself, nor remember you, without recollecting the folly and the vice, by which I have lost you! Why was I forced to Paris, and why did I yield to allurements, which were to make me despicable for ever! O! why cannot I look back, without interruption, to those days of innocence and peace, the days of our early love!'—The recollection seemed to melt his heart, and the frenzy of despair yielded to tears. After a long pause, turning towards her and taking her hand, he said, in a softened voice, 'Emily, can you bear that we should part—can you resolve to give up an heart, that loves you like mine—an heart, which, though it has erred—widely erred, is not irretrievable from error, as, you well know, it never can be retrievable from love?' Emily made no reply, but with her tears. 'Can you,' continued he, 'can you forget all our former days of happiness and confidence—when I had not a thought, that I might wish to conceal from you—when I had no taste—no pleasures, in which you did not participate?'

'O do not lead me to the remembrance of those days,' said Emily, 'unless you can teach me to forget the present; I do not mean to reproach you; if I did, I should be spared these tears; but why will you render your present sufferings more conspicuous, by contrasting them with your former virtues?'

'Those virtues,' said Valancourt, 'might, perhaps, again be mine, if your affection, which nurtured them, was unchanged;—but I fear, indeed, I see, that you can no longer love me; else the happy hours, which we have passed together, would plead for me, and you could not look back upon them unmoved. Yet, why should I torture myself with the remembrance—why do I linger here? Am I not ruined—would it not be madness to involve you in my misfortunes, even if your heart was still my own? I will not distress you further. Yet, before I go,' added he, in a solemn voice, 'let me repeat, that, whatever may be my destiny—whatever I may be doomed to suffer, I must always love you—most fondly love you! I am going, Emily, I am going to leave you—to leave you, forever!' As he spoke the last words, his voice trembled, and he threw himself again into the chair, from which he had risen. Emily was utterly unable to leave the room, or to say farewell. All impression of his criminal conduct and almost of his follies was obliterated from her mind, and she was sensible only of pity and grief.

'My fortitude is gone,' said Valancourt at length; 'I can no longer even struggle to recall it. I cannot now leave you—I cannot bid you an eternal farewell; say, at least, that you will see me once again.' Emily's heart was somewhat relieved by the request, and she endeavoured to believe, that she ought not to refuse it. Yet she was embarrassed by recollecting, that she was a visitor in the house of the Count, who could not be pleased by the return of Valancourt. Other considerations, however, soon overcame this, and she granted his request, on the condition, that he would neither think of the Count, as his enemy, nor Du Pont as his rival. He then left her, with a heart, so much lightened by this short respite, that he almost lost every former sense of misfortune.

Emily withdrew to her own room, that she might compose her spirits and remove the traces of her tears, which would encourage the censorious remarks of the Countess and her favourite, as well as excite the curiosity of the rest of the family. She found it, however, impossible to tranquillize her mind, from which she could not expel the remembrance of the late scene with Valancourt, or the consciousness, that she was to see him again, on the morrow. This meeting now appeared more terrible to her than the last, for the ingenuous confession he had made of his ill conduct and his embarrassed circumstances, with the strength and tenderness of affection, which this confession discovered, had deeply impressed her, and, in spite of all she had heard and believed to his disadvantage, her esteem began to return. It frequently appeared to her impossible, that he could have been guilty of the depravities, reported of him, which, if not inconsistent with his warmth and impetuosity, were entirely so with his candour and sensibility. Whatever was the criminality, which had given rise to the reports, she could not now believe them to be wholly true, nor that his heart was finally closed against the charms of virtue. The deep consciousness, which he felt as well as expressed of his errors, seemed to justify the opinion; and, as she understood not the instability of youthful dispositions, when opposed by habit, and that professions frequently deceive those, who make, as well as those, who hear them, she might have yielded to the flattering persuasions of her own heart and the pleadings of Valancourt, had she not been guided by the superior prudence of the Count. He represented to her, in a clear light, the danger of her present situation, that of listening to promises of amendment, made under the influence of strong passion, and the slight hope, which could attach to a connection, whose chance of happiness rested upon the retrieval of ruined circumstances and the reform of corrupted habits. On these accounts, he lamented, that Emily had consented to a second interview, for he saw how much it would shake her resolution and increase the difficulty of her conquest.

Her mind was now so entirely occupied by nearer interests, that she forgot the old housekeeper and the promised history, which so lately had excited her curiosity, but which Dorothee was probably not very anxious to disclose, for night came; the hours passed; and she did not appear in Emily's chamber. With the latter it was a sleepless and dismal night; the more she suffered her memory to dwell on the late scenes with Valancourt, the more her resolution declined, and she was obliged to recollect all the arguments, which the Count had made use of to strengthen it, and all the precepts, which she had received from her deceased father, on the subject of self-command, to enable her to act, with prudence and dignity, on this the most severe occasion of her life. There were moments, when all her fortitude forsook her, and when, remembering the confidence of former times, she thought it impossible, that she could renounce Valancourt. His reformation then appeared certain; the arguments of Count De Villefort were forgotten; she readily believed all she wished, and was willing to encounter any evil, rather than that of an immediate separation.

Thus passed the night in ineffectual struggles between affection and reason, and she rose, in the morning, with a mind, weakened and irresolute, and a frame, trembling with illness.





 

CHAPTER II 

 Come, weep with me;—past hope, past cure, past help!
     ROMEO AND JULIET

Valancourt, meanwhile, suffered the tortures of remorse and despair. The sight of Emily had renewed all the ardour, with which he first loved her, and which had suffered a temporary abatement from absence and the passing scenes of busy life. When, on the receipt of her letter, he set out for Languedoc, he then knew, that his own folly had involved him in ruin, and it was no part of his design to conceal this from her. But he lamented only the delay which his ill-conduct must give to their marriage, and did not foresee, that the information could induce her to break their connection forever. While the prospect of this separation overwhelmed his mind, before stung with self-reproach, he awaited their second interview, in a state little short of distraction, yet was still inclined to hope, that his pleadings might prevail upon her not to exact it. In the morning, he sent to know at what hour she would see him; and his note arrived, when she was with the Count, who had sought an opportunity of again conversing with her of Valancourt; for he perceived the extreme distress of her mind, and feared, more than ever, that her fortitude would desert her. Emily having dismissed the messenger, the Count returned to the subject of their late conversation, urging his fear of Valancourt's entreaties, and again pointing out to her the lengthened misery, that must ensue, if she should refuse to encounter some present uneasiness. His repeated arguments could, indeed, alone have protected her from the affection she still felt for Valancourt, and she resolved to be governed by them.

The hour of interview, at length, arrived. Emily went to it, at least, with composure of manner, but Valancourt was so much agitated, that he could not speak, for several minutes, and his first words were alternately those of lamentation, entreaty, and self-reproach. Afterward, he said, 'Emily, I have loved you—I do love you, better than my life; but I am ruined by my own conduct. Yet I would seek to entangle you in a connection, that must be miserable for you, rather than subject myself to the punishment, which is my due, the loss of you. I am a wretch, but I will be a villain no longer.—I will not endeavour to shake your resolution by the pleadings of a selfish passion. I resign you, Emily, and will endeavour to find consolation in considering, that, though I am miserable, you, at least, may be happy. The merit of the sacrifice is, indeed, not my own, for I should never have attained strength of mind to surrender you, if your prudence had not demanded it.'

He paused a moment, while Emily attempted to conceal the tears, which came to her eyes. She would have said, 'You speak now, as you were wont to do,' but she checked herself.—'Forgive me, Emily,' said he, 'all the sufferings I have occasioned you, and, sometimes, when you think of the wretched Valancourt, remember, that his only consolation would be to believe, that you are no longer unhappy by his folly.' The tears now fell fast upon her cheek, and he was relapsing into the phrensy of despair, when Emily endeavoured to recall her fortitude and to terminate an interview, which only seemed to increase the distress of both. Perceiving her tears and that she was rising to go, Valancourt struggled, once more, to overcome his own feelings and to sooth hers. 'The remembrance of this sorrow,' said he, 'shall in future be my protection. O! never again will example, or temptation have power to seduce me to evil, exalted as I shall be by the recollection of your grief for me.'

Emily was somewhat comforted by this assurance. 'We are now parting for ever,' said she; 'but, if my happiness is dear to you, you will always remember, that nothing can contribute to it more, than to believe, that you have recovered your own esteem.' Valancourt took her hand;—his eyes were covered with tears, and the farewell he would have spoken was lost in sighs. After a few moments, Emily said, with difficulty and emotion, 'Farewell, Valancourt, may you be happy!' She repeated her 'farewell,' and attempted to withdraw her hand, but he still held it and bathed it with his tears. 'Why prolong these moments?' said Emily, in a voice scarcely audible, 'they are too painful to us both.' 'This is too—too much,' exclaimed Valancourt, resigning her hand and throwing himself into a chair, where he covered his face with his hands and was overcome, for some moments, by convulsive sighs. After a long pause, during which Emily wept in silence, and Valancourt seemed struggling with his grief, she again rose to take leave of him. Then, endeavouring to recover his composure, 'I am again afflicting you,' said he, 'but let the anguish I suffer plead for me.' He then added, in a solemn voice, which frequently trembled with the agitation of his heart, 'Farewell, Emily, you will always be the only object of my tenderness. Sometimes you will think of the unhappy Valancourt, and it will be with pity, though it may not be with esteem. O! what is the whole world to me, without you—without your esteem!' He checked himself—'I am falling again into the error I have just lamented. I must not intrude longer upon your patience, or I shall relapse into despair.'

He once more bade Emily adieu, pressed her hand to his lips, looked at her, for the last time, and hurried out of the room.

Emily remained in the chair, where he had left her, oppressed with a pain at her heart, which scarcely permitted her to breathe, and listening to his departing steps, sinking fainter and fainter, as he crossed the hall. She was, at length, roused by the voice of the Countess in the garden, and, her attention being then awakened, the first object, which struck her sight, was the vacant chair, where Valancourt had sat. The tears, which had been, for some time, repressed by the kind of astonishment, that followed his departure, now came to her relief, and she was, at length, sufficiently composed to return to her own room.





 

CHAPTER III 

  This is no mortal business, nor no sound
 That the earth owes!
     SHAKESPEARE

We now return to the mention of Montoni, whose rage and disappointment were soon lost in nearer interests, than any, which the unhappy Emily had awakened. His depredations having exceeded their usual limits, and reached an extent, at which neither the timidity of the then commercial senate of Venice, nor their hope of his occasional assistance would permit them to connive, the same effort, it was resolved, should complete the suppression of his power and the correction of his outrages. While a corps of considerable strength was upon the point of receiving orders to march for Udolpho, a young officer, prompted partly by resentment, for some injury, received from Montoni, and partly by the hope of distinction, solicited an interview with the Minister, who directed the enterprise. To him he represented, that the situation of Udolpho rendered it too strong to be taken by open force, except after some tedious operations; that Montoni had lately shewn how capable he was of adding to its strength all the advantages, which could be derived from the skill of a commander; that so considerable a body of troops, as that allotted to the expedition, could not approach Udolpho without his knowledge, and that it was not for the honour of the republic to have a large part of its regular force employed, for such a time as the siege of Udolpho would require, upon the attack of a handful of banditti. The object of the expedition, he thought, might be accomplished much more safely and speedily by mingling contrivance with force. It was possible to meet Montoni and his party, without their walls, and to attack them then; or, by approaching the fortress, with the secrecy, consistent with the march of smaller bodies of troops, to take advantage either of the treachery, or negligence of some of his party, and to rush unexpectedly upon the whole even in the castle of Udolpho.

This advice was seriously attended to, and the officer, who gave it, received the command of the troops, demanded for his purpose. His first efforts were accordingly those of contrivance alone. In the neighbourhood of Udolpho, he waited, till he had secured the assistance of several of the condottieri, of whom he found none, that he addressed, unwilling to punish their imperious master and to secure their own pardon from the senate. He learned also the number of Montoni's troops, and that it had been much increased, since his late successes. The conclusion of his plan was soon effected. Having returned with his party, who received the watch-word and other assistance from their friends within, Montoni and his officers were surprised by one division, who had been directed to their apartment, while the other maintained the slight combat, which preceded the surrender of the whole garrison. Among the persons, seized with Montoni, was Orsino, the assassin, who had joined him on his first arrival at Udolpho, and whose concealment had been made known to the senate by Count Morano, after the unsuccessful attempt of the latter to carry off Emily. It was, indeed, partly for the purpose of capturing this man, by whom one of the senate had been murdered, that the expedition was undertaken, and its success was so acceptable to them, that Morano was instantly released, notwithstanding the political suspicions, which Montoni, by his secret accusation, had excited against him. The celerity and ease, with which this whole transaction was completed, prevented it from attracting curiosity, or even from obtaining a place in any of the published records of that time; so that Emily, who remained in Languedoc, was ignorant of the defeat and signal humiliation of her late persecutor.

Her mind was now occupied with sufferings, which no effort of reason had yet been able to controul. Count De Villefort, who sincerely attempted whatever benevolence could suggest for softening them, sometimes allowed her the solitude she wished for, sometimes led her into friendly parties, and constantly protected her, as much as possible, from the shrewd enquiries and critical conversation of the Countess. He often invited her to make excursions, with him and his daughter, during which he conversed entirely on questions, suitable to her taste, without appearing to consult it, and thus endeavoured gradually to withdraw her from the subject of her grief, and to awake other interests in her mind. Emily, to whom he appeared as the enlightened friend and protector of her youth, soon felt for him the tender affection of a daughter, and her heart expanded to her young friend Blanche, as to a sister, whose kindness and simplicity compensated for the want of more brilliant qualities. It was long before she could sufficiently abstract her mind from Valancourt to listen to the story, promised by old Dorothee, concerning which her curiosity had once been so deeply interested; but Dorothee, at length, reminded her of it, and Emily desired, that she would come, that night, to her chamber.

Still her thoughts were employed by considerations, which weakened her curiosity, and Dorothee's tap at the door, soon after twelve, surprised her almost as much as if it had not been appointed. 'I am come, at last, lady,' said she; 'I wonder what it is makes my old limbs shake so, to-night. I thought, once or twice, I should have dropped, as I was a-coming.' Emily seated her in a chair, and desired, that she would compose her spirits, before she entered upon the subject, that had brought her thither. 'Alas,' said Dorothee, 'it is thinking of that, I believe, which has disturbed me so. In my way hither too, I passed the chamber, where my dear lady died, and every thing was so still and gloomy about me, that I almost fancied I saw her, as she appeared upon her death-bed.'

Emily now drew her chair near to Dorothee, who went on. 'It is about twenty years since my lady Marchioness came a bride to the chateau. O! I well remember how she looked, when she came into the great hall, where we servants were all assembled to welcome her, and how happy my lord the Marquis seemed. Ah! who would have thought then!—But, as I was saying, ma'amselle, I thought the Marchioness, with all her sweet looks, did not look happy at heart, and so I told my husband, and he said it was all fancy; so I said no more, but I made my remarks, for all that. My lady Marchioness was then about your age, and, as I have often thought, very like you. Well! my lord the Marquis kept open house, for a long time, and gave such entertainments and there were such gay doings as have never been in the chateau since. I was younger, ma'amselle, then, than I am now, and was as gay at the best of them. I remember I danced with Philip, the butler, in a pink gown, with yellow ribbons, and a coif, not such as they wear now, but plaited high, with ribbons all about it. It was very becoming truly;—my lord, the Marquis, noticed me. Ah! he was a good-natured gentleman then—who would have thought that he!'—

'But the Marchioness, Dorothee,' said Emily, 'you was telling me of her.'

'O yes, my lady Marchioness, I thought she did not seem happy at heart, and once, soon after the marriage, I caught her crying in her chamber; but, when she saw me, she dried her eyes, and pretended to smile. I did not dare then to ask what was the matter; but, the next time I saw her crying, I did, and she seemed displeased;—so I said no more. I found out, some time after, how it was. Her father, it seems, had commanded her to marry my lord, the Marquis, for his money, and there was another nobleman, or else a chevalier, that she liked better and that was very fond of her, and she fretted for the loss of him, I fancy, but she never told me so. My lady always tried to conceal her tears from the Marquis, for I have often seen her, after she has been so sorrowful, look so calm and sweet, when he came into the room! But my lord, all of a sudden, grew gloomy and fretful, and very unkind sometimes to my lady. This afflicted her very much, as I saw, for she never complained, and she used to try so sweetly to oblige him and to bring him into a good humour, that my heart has often ached to see it. But he used to be stubborn, and give her harsh answers, and then, when she found it all in vain, she would go to her own room, and cry so! I used to hear her in the anti-room, poor dear lady! but I seldom ventured to go to her. I used, sometimes, to think my lord was jealous. To be sure my lady was greatly admired, but she was too good to deserve suspicion. Among the many chevaliers, that visited at the chateau, there was one, that I always thought seemed just suited for my lady; he was so courteous, yet so spirited, and there was such a grace, as it were, in all he did, or said. I always observed, that, whenever he had been there, the Marquis was more gloomy and my lady more thoughtful, and it came into my head, that this was the chevalier she ought to have married, but I never could learn for certain.'

'What was the chevalier's name, Dorothee?' said Emily.

'Why that I will not tell even to you, ma'amselle, for evil may come of it. I once heard from a person, who is since dead, that the Marchioness was not in law the wife of the Marquis, for that she had before been privately married to the gentleman she was so much attached to, and was afterwards afraid to own it to her father, who was a very stern man; but this seems very unlikely, and I never gave much faith to it. As I was saying, the Marquis was most out of humour, as I thought, when the chevalier I spoke of had been at the chateau, and, at last, his ill treatment of my lady made her quite miserable. He would see hardly any visitors at the castle, and made her live almost by herself. I was her constant attendant, and saw all she suffered, but still she never complained.

'After matters had gone on thus, for near a year, my lady was taken ill, and I thought her long fretting had made her so,—but, alas! I fear it was worse than that.'

'Worse! Dorothee,' said Emily, 'can that be possible?'

'I fear it was so, madam, there were strange appearances. But I will only tell what happened. My lord, the Marquis—'

'Hush, Dorothee, what sounds were those?' said Emily.

Dorothee changed countenance, and, while they both listened, they heard, on the stillness of the night, music of uncommon sweetness.

'I have surely heard that voice before!' said Emily, at length.

'I have often heard it, and at this same hour,' said Dorothee, solemnly, 'and, if spirits ever bring music—that is surely the music of one!'

Emily, as the sounds drew nearer, knew them to be the same she had formerly heard at the time of her father's death, and, whether it was the remembrance they now revived of that melancholy event, or that she was struck with superstitious awe, it is certain she was so much affected, that she had nearly fainted.

'I think I once told you, madam,' said Dorothee, 'that I first heard this music, soon after my lady's death! I well remember the night!'— 'Hark! it comes again!' said Emily, 'let us open the window, and listen.'

They did so; but, soon, the sounds floated gradually away into distance, and all was again still; they seemed to have sunk among the woods, whose tufted tops were visible upon the clear horizon, while every other feature of the scene was involved in the night-shade, which, however, allowed the eye an indistinct view of some objects in the garden below.

As Emily leaned on the window, gazing with a kind of thrilling awe upon the obscurity beneath, and then upon the cloudless arch above, enlightened only by the stars, Dorothee, in a low voice, resumed her narrative.

'I was saying, ma'amselle, that I well remember when first I heard that music. It was one night, soon after my lady's death, that I had sat up later than usual, and I don't know how it was, but I had been thinking a great deal about my poor mistress, and of the sad scene I had lately witnessed. The chateau was quite still, and I was in the chamber at a good distance from the rest of the servants, and this, with the mournful things I had been thinking of, I suppose, made me low spirited, for I felt very lonely and forlorn, as it were, and listened often, wishing to hear a sound in the chateau, for you know, ma'amselle, when one can hear people moving, one does not so much mind, about one's fears. But all the servants were gone to bed, and I sat, thinking and thinking, till I was almost afraid to look round the room, and my poor lady's countenance often came to my mind, such as I had seen her when she was dying, and, once or twice, I almost thought I saw her before me,—when suddenly I heard such sweet music! It seemed just at my window, and I shall never forget what I felt. I had not power to move from my chair, but then, when I thought it was my dear lady's voice, the tears came to my eyes. I had often heard her sing, in her life-time, and to be sure she had a very fine voice; it had made me cry to hear her, many a time, when she has sat in her oriel, of an evening, playing upon her lute such sad songs, and singing so. O! it went to one's heart! I have listened in the anti-chamber, for the hour together, and she would sometimes sit playing, with the window open, when it was summer time, till it was quite dark, and when I have gone in, to shut it, she has hardly seemed to know what hour it was. But, as I said, madam,' continued Dorothee, 'when first I heard the music, that came just now, I thought it was my late lady's, and I have often thought so again, when I have heard it, as I have done at intervals, ever since. Sometimes, many months have gone by, but still it has returned.'

'It is extraordinary,' observed Emily, 'that no person has yet discovered the musician.'

'Aye, ma'amselle, if it had been any thing earthly it would have been discovered long ago, but who could have courage to follow a spirit, and if they had, what good could it do?—for spirits, YOU KNOW, ma'am, can take any shape, or no shape, and they will be here, one minute, and, the next perhaps, in a quite different place!'

'Pray resume your story of the Marchioness,' said Emily, 'and acquaint me with the manner of her death.'

'I will, ma'am,' said Dorothee, 'but shall we leave the window?'

'This cool air refreshes me,' replied Emily, 'and I love to hear it creep along the woods, and to look upon this dusky landscape. You was speaking of my lord, the Marquis, when the music interrupted us.'

'Yes, madam, my lord, the Marquis, became more and more gloomy; and my lady grew worse and worse, till, one night, she was taken very ill, indeed. I was called up, and, when I came to her bedside, I was shocked to see her countenance—it was so changed! She looked piteously up at me, and desired I would call the Marquis again, for he was not yet come, and tell him she had something particular to say to him. At last, he came, and he did, to be sure, seem very sorry to see her, but he said very little. My lady told him she felt herself to be dying, and wished to speak with him alone, and then I left the room, but I shall never forget his look as I went.'

'When I returned, I ventured to remind my lord about sending for a doctor, for I supposed he had forgot to do so, in his grief; but my lady said it was then too late; but my lord, so far from thinking so, seemed to think light of her disorder—till she was seized with such terrible pains! O, I never shall forget her shriek! My lord then sent off a man and horse for the doctor, and walked about the room and all over the chateau in the greatest distress; and I staid by my dear lady, and did what I could to ease her sufferings. She had intervals of ease, and in one of these she sent for my lord again; when he came, I was going, but she desired I would not leave her. O! I shall never forget what a scene passed—I can hardly bear to think of it now! My lord was almost distracted, for my lady behaved with so much goodness, and took such pains to comfort him, that, if he ever had suffered a suspicion to enter his head, he must now have been convinced he was wrong. And to be sure he did seem to be overwhelmed with the thought of his treatment of her, and this affected her so much, that she fainted away.

'We then got my lord out of the room; he went into his library, and threw himself on the floor, and there he staid, and would hear no reason, that was talked to him. When my lady recovered, she enquired for him, but, afterwards, said she could not bear to see his grief, and desired we would let her die quietly. She died in my arms, ma'amselle, and she went off as peacefully as a child, for all the violence of her disorder was passed.'

Dorothee paused, and wept, and Emily wept with her; for she was much affected by the goodness of the late Marchioness, and by the meek patience, with which she had suffered.

'When the doctor came,' resumed Dorothee, 'alas! he came too late; he appeared greatly shocked to see her, for soon after her death a frightful blackness spread all over her face. When he had sent the attendants out of the room, he asked me several odd questions about the Marchioness, particularly concerning the manner, in which she had been seized, and he often shook his head at my answers, and seemed to mean more, than he chose to say. But I understood him too well. However, I kept my remarks to myself, and only told them to my husband, who bade me hold my tongue. Some of the other servants, however, suspected what I did, and strange reports were whispered about the neighbourhood, but nobody dared to make any stir about them. When my lord heard that my lady was dead, he shut himself up, and would see nobody but the doctor, who used to be with him alone, sometimes for an hour together; and, after that, the doctor never talked with me again about my lady. When she was buried in the church of the convent, at a little distance yonder, if the moon was up you might see the towers here, ma'amselle, all my lord's vassals followed the funeral, and there was not a dry eye among them, for she had done a deal of good among the poor. My lord, the Marquis, I never saw any body so melancholy as he was afterwards, and sometimes he would be in such fits of violence, that we almost thought he had lost his senses. He did not stay long at the chateau, but joined his regiment, and, soon after, all the servants, except my husband and I, received notice to go, for my lord went to the wars. I never saw him after, for he would not return to the chateau, though it is such a fine place, and never finished those fine rooms he was building on the west side of it, and it has, in a manner, been shut up ever since, till my lord the Count came here.'

'The death of the Marchioness appears extraordinary,' said Emily, who was anxious to know more than she dared to ask.

'Yes, madam,' replied Dorothee, 'it was extraordinary; I have told you all I saw, and you may easily guess what I think, I cannot say more, because I would not spread reports, that might offend my lord the Count.'

'You are very right,' said Emily;—'where did the Marquis die?'—'In the north of France, I believe, ma'amselle,' replied Dorothee. 'I was very glad, when I heard my lord the Count was coming, for this had been a sad desolate place, these many years, and we heard such strange noises, sometimes, after my lady's death, that, as I told you before, my husband and I left it for a neighbouring cottage. And now, lady, I have told you all this sad history, and all my thoughts, and you have promised, you know, never to give the least hint about it.'—'I have,' said Emily, 'and I will be faithful to my promise, Dorothee;—what you have told has interested me more than you can imagine. I only wish I could prevail upon you to tell the name of the chevalier, whom you thought so deserving of the Marchioness.'

Dorothee, however, steadily refused to do this, and then returned to the notice of Emily's likeness to the late Marchioness. 'There is another picture of her,' added she, 'hanging in a room of the suite, which was shut up. It was drawn, as I have heard, before she was married, and is much more like you than the miniature.' When Emily expressed a strong desire to see this, Dorothee replied, that she did not like to open those rooms; but Emily reminded her, that the Count had talked the other day of ordering them to be opened; of which Dorothee seemed to consider much, and then she owned, that she should feel less, if she went into them with Emily first, than otherwise, and at length promised to shew the picture.

The night was too far advanced and Emily was too much affected by the narrative of the scenes, which had passed in those apartments, to wish to visit them at this hour, but she requested that Dorothee would return on the following night, when they were not likely to be observed, and conduct her thither. Besides her wish to examine the portrait, she felt a thrilling curiosity to see the chamber, in which the Marchioness had died, and which Dorothee had said remained, with the bed and furniture, just as when the corpse was removed for interment. The solemn emotions, which the expectation of viewing such a scene had awakened, were in unison with the present tone of her mind, depressed by severe disappointment. Cheerful objects rather added to, than removed this depression; but, perhaps, she yielded too much to her melancholy inclination, and imprudently lamented the misfortune, which no virtue of her own could have taught her to avoid, though no effort of reason could make her look unmoved upon the self-degradation of him, whom she had once esteemed and loved.

Dorothee promised to return, on the following night, with the keys of the chambers, and then wished Emily good repose, and departed. Emily, however, continued at the window, musing upon the melancholy fate of the Marchioness and listening, in awful expectation, for a return of the music. But the stillness of the night remained long unbroken, except by the murmuring sounds of the woods, as they waved in the breeze, and then by the distant bell of the convent, striking one. She now withdrew from the window, and, as she sat at her bed-side, indulging melancholy reveries, which the loneliness of the hour assisted, the stillness was suddenly interrupted not by music, but by very uncommon sounds, that seemed to come either from the room, adjoining her own, or from one below. The terrible catastrophe, that had been related to her, together with the mysterious circumstances, said to have since occurred in the chateau, had so much shocked her spirits, that she now sunk, for a moment, under the weakness of superstition. The sounds, however, did not return, and she retired, to forget in sleep the disastrous story she had heard.





 

CHAPTER IV 

 Now it is the time of night,
 That, the graves all gaping wide,
 Every one lets forth his spite,
 In the church-way path to glide.
     SHAKESPEARE

On the next night, about the same hour as before, Dorothee came to Emily's chamber, with the keys of that suite of rooms, which had been particularly appropriated to the late Marchioness. These extended along the north side of the chateau, forming part of the old building; and, as Emily's room was in the south, they had to pass over a great extent of the castle, and by the chambers of several of the family, whose observations Dorothee was anxious to avoid, since it might excite enquiry, and raise reports, such as would displease the Count. She, therefore, requested, that Emily would wait half an hour, before they ventured forth, that they might be certain all the servants were gone to bed. It was nearly one, before the chateau was perfectly still, or Dorothee thought it prudent to leave the chamber. In this interval, her spirits seemed to be greatly affected by the remembrance of past events, and by the prospect of entering again upon places, where these had occurred, and in which she had not been for so many years. Emily too was affected, but her feelings had more of solemnity, and less of fear. From the silence, into which reflection and expectation had thrown them, they, at length, roused themselves, and left the chamber. Dorothee, at first, carried the lamp, but her hand trembled so much with infirmity and alarm, that Emily took it from her, and offered her arm, to support her feeble steps.

They had to descend the great stair-case, and, after passing over a wide extent of the chateau, to ascend another, which led to the suite of rooms they were in quest of. They stepped cautiously along the open corridor, that ran round the great hall, and into which the chambers of the Count, Countess, and the Lady Blanche, opened, and, from thence, descending the chief stair-case, they crossed the hall itself. Proceeding through the servants hall, where the dying embers of a wood fire still glimmered on the hearth, and the supper table was surrounded by chairs, that obstructed their passage, they came to the foot of the back stair-case. Old Dorothee here paused, and looked around; 'Let us listen,' said she, 'if any thing is stirring; Ma'amselle, do you hear any voice?' 'None,' said Emily, 'there certainly is no person up in the chateau, besides ourselves.'—'No, ma'amselle,' said Dorothee, 'but I have never been here at this hour before, and, after what I know, my fears are not wonderful.'—'What do you know?' said Emily.—'O, ma'amselle, we have no time for talking now; let us go on. That door on the left is the one we must open.'

They proceeded, and, having reached the top of the stair-case, Dorothee applied the key to the lock. 'Ah,' said she, as she endeavoured to turn it, 'so many years have passed since this was opened, that I fear it will not move.' Emily was more successful, and they presently entered a spacious and ancient chamber.

'Alas!' exclaimed Dorothee, as she entered, 'the last time I passed through this door—I followed my poor lady's corpse!'

Emily, struck with the circumstance, and affected by the dusky and solemn air of the apartment, remained silent, and they passed on through a long suite of rooms, till they came to one more spacious than the rest, and rich in the remains of faded magnificence.

'Let us rest here awhile, madam,' said Dorothee faintly, 'we are going into the chamber, where my lady died! that door opens into it. Ah, ma'amselle! why did you persuade me to come?'

Emily drew one of the massy arm-chairs, with which the apartment was furnished, and begged Dorothee would sit down, and try to compose her spirits.

'How the sight of this place brings all that passed formerly to my mind!' said Dorothee; 'it seems as if it was but yesterday since all that sad affair happened!'

'Hark! what noise is that?' said Emily.

Dorothee, half starting from her chair, looked round the apartment, and they listened—but, every thing remaining still, the old woman spoke again upon the subject of her sorrow. 'This saloon, ma'amselle, was in my lady's time the finest apartment in the chateau, and it was fitted up according to her own taste. All this grand furniture, but you can now hardly see what it is for the dust, and our light is none of the best—ah! how I have seen this room lighted up in my lady's time!—all this grand furniture came from Paris, and was made after the fashion of some in the Louvre there, except those large glasses, and they came from some outlandish place, and that rich tapestry. How the colours are faded already!—since I saw it last!'

'I understood, that was twenty years ago,' observed Emily.

'Thereabout, madam,' said Dorothee, 'and well remembered, but all the time between then and now seems as nothing. That tapestry used to be greatly admired at, it tells the stories out of some famous book, or other, but I have forgot the name.'

Emily now rose to examine the figures it exhibited, and discovered, by verses in the Provencal tongue, wrought underneath each scene, that it exhibited stories from some of the most celebrated ancient romances.

Dorothee's spirits being now more composed, she rose, and unlocked the door that led into the late Marchioness's apartment, and Emily passed into a lofty chamber, hung round with dark arras, and so spacious, that the lamp she held up did not shew its extent; while Dorothee, when she entered, had dropped into a chair, where, sighing deeply, she scarcely trusted herself with the view of a scene so affecting to her. It was some time before Emily perceived, through the dusk, the bed on which the Marchioness was said to have died; when, advancing to the upper end of the room, she discovered the high canopied tester of dark green damask, with the curtains descending to the floor in the fashion of a tent, half drawn, and remaining apparently, as they had been left twenty years before; and over the whole bedding was thrown a counterpane, or pall, of black velvet, that hung down to the floor. Emily shuddered, as she held the lamp over it, and looked within the dark curtains, where she almost expected to have seen a human face, and, suddenly remembering the horror she had suffered upon discovering the dying Madame Montoni in the turret-chamber of Udolpho, her spirits fainted, and she was turning from the bed, when Dorothee, who had now reached it, exclaimed, 'Holy Virgin! methinks I see my lady stretched upon that pall—as when last I saw her!'

Emily, shocked by this exclamation, looked involuntarily again within the curtains, but the blackness of the pall only appeared; while Dorothee was compelled to support herself upon the side of the bed, and presently tears brought her some relief.

'Ah!' said she, after she had wept awhile, 'it was here I sat on that terrible night, and held my lady's hand, and heard her last words, and saw all her sufferings—HERE she died in my arms!'

'Do not indulge these painful recollections,' said Emily, 'let us go. Shew me the picture you mentioned, if it will not too much affect you.'

'It hangs in the oriel,' said Dorothee rising, and going towards a small door near the bed's head, which she opened, and Emily followed with the light, into the closet of the late Marchioness.

'Alas! there she is, ma'amselle,' said Dorothee, pointing to a portrait of a lady, 'there is her very self! just as she looked when she came first to the chateau. You see, madam, she was all blooming like you, then—and so soon to be cut off!'

While Dorothee spoke, Emily was attentively examining the picture, which bore a strong resemblance to the miniature, though the expression of the countenance in each was somewhat different; but still she thought she perceived something of that pensive melancholy in the portrait, which so strongly characterised the miniature.

'Pray, ma'amselle, stand beside the picture, that I may look at you together,' said Dorothee, who, when the request was complied with, exclaimed again at the resemblance. Emily also, as she gazed upon it, thought that she had somewhere seen a person very like it, though she could not now recollect who this was.

In this closet were many memorials of the departed Marchioness; a robe and several articles of her dress were scattered upon the chairs, as if they had just been thrown off. On the floor were a pair of black satin slippers, and, on the dressing-table, a pair of gloves and a long black veil, which, as Emily took it up to examine, she perceived was dropping to pieces with age.

'Ah!' said Dorothee, observing the veil, 'my lady's hand laid it there; it has never been moved since!'

Emily, shuddering, immediately laid it down again. 'I well remember seeing her take it off,' continued Dorothee, 'it was on the night before her death, when she had returned from a little walk I had persuaded her to take in the gardens, and she seemed refreshed by it. I told her how much better she looked, and I remember what a languid smile she gave me; but, alas! she little thought, or I either, that she was to die, that night.'

Dorothee wept again, and then, taking up the veil, threw it suddenly over Emily, who shuddered to find it wrapped round her, descending even to her feet, and, as she endeavoured to throw it off, Dorothee intreated that she would keep it on for one moment. 'I thought,' added she, 'how like you would look to my dear mistress in that veil;—may your life, ma'amselle, be a happier one than hers!'

Emily, having disengaged herself from the veil, laid it again on the dressing-table, and surveyed the closet, where every object, on which her eye fixed, seemed to speak of the Marchioness. In a large oriel window of painted glass, stood a table, with a silver crucifix, and a prayer-book open; and Emily remembered with emotion what Dorothee had mentioned concerning her custom of playing on her lute in this window, before she observed the lute itself, lying on a corner of the table, as if it had been carelessly placed there by the hand, that had so often awakened it.

'This is a sad forlorn place!' said Dorothee, 'for, when my dear lady died, I had no heart to put it to rights, or the chamber either; and my lord never came into the rooms after, so they remain just as they did when my lady was removed for interment.'

While Dorothee spoke, Emily was still looking on the lute, which was a Spanish one, and remarkably large; and then, with a hesitating hand, she took it up, and passed her fingers over the chords. They were out of tune, but uttered a deep and full sound. Dorothee started at their well-known tones, and, seeing the lute in Emily's hand, said, 'This is the lute my lady Marchioness loved so! I remember when last she played upon it—it was on the night that she died. I came as usual to undress her, and, as I entered the bed-chamber, I heard the sound of music from the oriel, and perceiving it was my lady's, who was sitting there, I stepped softly to the door, which stood a little open, to listen; for the music—though it was mournful—was so sweet! There I saw her, with the lute in her hand, looking upwards, and the tears fell upon her cheeks, while she sung a vesper hymn, so soft, and so solemn! and her voice trembled, as it were, and then she would stop for a moment, and wipe away her tears, and go on again, lower than before. O! I had often listened to my lady, but never heard any thing so sweet as this; it made me cry, almost, to hear it. She had been at prayers, I fancy, for there was the book open on the table beside her—aye, and there it lies open still! Pray, let us leave the oriel, ma'amselle,' added Dorothee, 'this is a heart-breaking place!'

Having returned into the chamber, she desired to look once more upon the bed, when, as they came opposite to the open door, leading into the saloon, Emily, in the partial gleam, which the lamp threw into it, thought she saw something glide along into the obscurer part of the room. Her spirits had been much affected by the surrounding scene, or it is probable this circumstance, whether real or imaginary, would not have affected her in the degree it did; but she endeavoured to conceal her emotion from Dorothee, who, however, observing her countenance change, enquired if she was ill.

'Let us go,' said Emily, faintly, 'the air of these rooms is unwholesome;' but, when she attempted to do so, considering that she must pass through the apartment where the phantom of her terror had appeared, this terror increased, and, too faint to support herself, she sad down on the side of the bed.

Dorothee, believing that she was only affected by a consideration of the melancholy catastrophe, which had happened on this spot, endeavoured to cheer her; and then, as they sat together on the bed, she began to relate other particulars concerning it, and this without reflecting, that it might increase Emily's emotion, but because they were particularly interesting to herself. 'A little before my lady's death,' said she, 'when the pains were gone off, she called me to her, and stretching out her hand to me, I sat down just there—where the curtain falls upon the bed. How well I remember her look at the time—death was in it!—I can almost fancy I see her now.—There she lay, ma'amselle—her face was upon the pillow there! This black counterpane was not upon the bed then; it was laid on, after her death, and she was laid out upon it.'

Emily turned to look within the dusky curtains, as if she could have seen the countenance of which Dorothee spoke. The edge of the white pillow only appeared above the blackness of the pall, but, as her eyes wandered over the pall itself, she fancied she saw it move. Without speaking, she caught Dorothee's arm, who, surprised by the action, and by the look of terror that accompanied it, turned her eyes from Emily to the bed, where, in the next moment she, too, saw the pall slowly lifted, and fall again.

Emily attempted to go, but Dorothee stood fixed and gazing upon the bed; and, at length, said—'It is only the wind, that waves it, ma'amselle; we have left all the doors open: see how the air waves the lamp, too.—It is only the wind.'

She had scarcely uttered these words, when the pall was more violently agitated than before; but Emily, somewhat ashamed of her terrors, stepped back to the bed, willing to be convinced that the wind only had occasioned her alarm; when, as she gazed within the curtains, the pall moved again, and, in the next moment, the apparition of a human countenance rose above it.

Screaming with terror, they both fled, and got out of the chamber as fast as their trembling limbs would bear them, leaving open the doors of all the rooms, through which they passed. When they reached the stair-case, Dorothee threw open a chamber door, where some of the female servants slept, and sunk breathless on the bed; while Emily, deprived of all presence of mind, made only a feeble attempt to conceal the occasion of her terror from the astonished servants; and, though Dorothee, when she could speak, endeavoured to laugh at her own fright, and was joined by Emily, no remonstrances could prevail with the servants, who had quickly taken the alarm, to pass even the remainder of the night in a room so near to these terrific chambers.

Dorothee having accompanied Emily to her own apartment, they then began to talk over, with some degree of coolness, the strange circumstance, that had just occurred; and Emily would almost have doubted her own perceptions, had not those of Dorothee attested their truth. Having now mentioned what she had observed in the outer chamber, she asked the housekeeper, whether she was certain no door had been left unfastened, by which a person might secretly have entered the apartments? Dorothee replied, that she had constantly kept the keys of the several doors in her own possession; that, when she had gone her rounds through the castle, as she frequently did, to examine if all was safe, she had tried these doors among the rest, and had always found them fastened. It was, therefore, impossible, she added, that any person could have got admittance into the apartments; and, if they could—it was very improbable they should have chose to sleep in a place so cold and forlorn.

Emily observed, that their visit to these chambers had, perhaps, been watched, and that some person, for a frolic, had followed them into the rooms, with a design to frighten them, and, while they were in the oriel, had taken the opportunity of concealing himself in the bed.

Dorothee allowed, that this was possible, till she recollected, that, on entering the apartments, she had turned the key of the outer door, and this, which had been done to prevent their visit being noticed by any of the family, who might happen to be up, must effectually have excluded every person, except themselves, from the chambers; and she now persisted in affirming, that the ghastly countenance she had seen was nothing human, but some dreadful apparition.

Emily was very solemnly affected. Of whatever nature might be the appearance she had witnessed, whether human or supernatural, the fate of the deceased Marchioness was a truth not to be doubted; and this unaccountable circumstance, occurring in the very scene of her sufferings, affected Emily's imagination with a superstitious awe, to which, after having detected the fallacies at Udolpho, she might not have yielded, had she been ignorant of the unhappy story, related by the housekeeper. Her she now solemnly conjured to conceal the occurrence of this night, and to make light of the terror she had already betrayed, that the Count might not be distressed by reports, which would certainly spread alarm and confusion among his family. 'Time,' she added, 'may explain this mysterious affair; meanwhile let us watch the event in silence.'

Dorothee readily acquiesced; but she now recollected that she had left all the doors of the north suite of rooms open, and, not having courage to return alone to lock even the outer one, Emily, after some effort, so far conquered her own fears, that she offered to accompany her to the foot of the back stair-case, and to wait there while Dorothee ascended, whose resolution being re-assured by this circumstance, she consented to go, and they left Emily's apartment together.

No sound disturbed the stillness, as they passed along the halls and galleries; but, on reaching the foot of the back stair-case, Dorothee's resolution failed again; having, however, paused a moment to listen, and no sound being heard above, she ascended, leaving Emily below, and, scarcely suffering her eye to glance within the first chamber, she fastened the door, which shut up the whole suite of apartments, and returned to Emily.

As they stepped along the passage, leading into the great hall, a sound of lamentation was heard, which seemed to come from the hall itself, and they stopped in new alarm to listen, when Emily presently distinguished the voice of Annette, whom she found crossing the hall, with another female servant, and so terrified by the report, which the other maids had spread, that, believing she could be safe only where her lady was, she was going for refuge to her apartment. Emily's endeavours to laugh, or to argue her out of these terrors, were equally vain, and, in compassion to her distress, she consented that she should remain in her room during the night.





 

CHAPTER V 

  Hail, mildly-pleasing Solitude!
 Companion of the wise and good—

 This is the balmy breath of morn,
 Just as the dew-bent rose is born.

 But chief when evening scenes decay
 And the faint landscape swims away,
 Thine is the doubtful, soft decline,
 And that best hour of musing thine.
     THOMSON

Emily's injunctions to Annette to be silent on the subject of her terror were ineffectual, and the occurrence of the preceding night spread such alarm among the servants, who now all affirmed, that they had frequently heard unaccountable noises in the chateau, that a report soon reached the Count of the north side of the castle being haunted. He treated this, at first, with ridicule, but, perceiving, that it was productive of serious evil, in the confusion it occasioned among his household, he forbade any person to repeat it, on pain of punishment.

The arrival of a party of his friends soon withdrew his thoughts entirely from this subject, and his servants had now little leisure to brood over it, except, indeed, in the evenings after supper, when they all assembled in their hall, and related stories of ghosts, till they feared to look round the room; started, if the echo of a closing door murmured along the passage, and refused to go singly to any part of the castle.

On these occasions Annette made a distinguished figure. When she told not only of all the wonders she had witnessed, but of all that she had imagined, in the castle of Udolpho, with the story of the strange disappearance of Signora Laurentini, she made no trifling impression on the mind of her attentive auditors. Her suspicions, concerning Montoni, she would also have freely disclosed, had not Ludovico, who was now in the service of the Count, prudently checked her loquacity, whenever it pointed to that subject.

Among the visitors at the chateau was the Baron de Saint Foix, an old friend of the Count, and his son, the Chevalier St. Foix, a sensible and amiable young man, who, having in the preceding year seen the Lady Blanche, at Paris, had become her declared admirer. The friendship, which the Count had long entertained for his father, and the equality of their circumstances made him secretly approve of the connection; but, thinking his daughter at this time too young to fix her choice for life, and wishing to prove the sincerity and strength of the Chevalier's attachment, he then rejected his suit, though without forbidding his future hope. This young man now came, with the Baron, his father, to claim the reward of a steady affection, a claim, which the Count admitted and which Blanche did not reject.

While these visitors were at the chateau, it became a scene of gaiety and splendour. The pavilion in the woods was fitted up and frequented, in the fine evenings, as a supper-room, when the hour usually concluded with a concert, at which the Count and Countess, who were scientific performers, and the Chevaliers Henri and St. Foix, with the Lady Blanche and Emily, whose voices and fine taste compensated for the want of more skilful execution, usually assisted. Several of the Count's servants performed on horns and other instruments, some of which, placed at a little distance among the woods, spoke, in sweet response, to the harmony, that proceeded from the pavilion.

At any other period, these parties would have been delightful to Emily; but her spirits were now oppressed with a melancholy, which she perceived that no kind of what is called amusement had power to dissipate, and which the tender and, frequently, pathetic, melody of these concerts sometimes increased to a very painful degree.

She was particularly fond of walking in the woods, that hung on a promontory, overlooking the sea. Their luxuriant shade was soothing to her pensive mind, and, in the partial views, which they afforded of the Mediterranean, with its winding shores and passing sails, tranquil beauty was united with grandeur. The paths were rude and frequently overgrown with vegetation, but their tasteful owner would suffer little to be done to them, and scarcely a single branch to be lopped from the venerable trees. On an eminence, in one of the most sequestered parts of these woods, was a rustic seat, formed of the trunk of a decayed oak, which had once been a noble tree, and of which many lofty branches still flourishing united with beech and pines to over-canopy the spot. Beneath their deep umbrage, the eye passed over the tops of other woods, to the Mediterranean, and, to the left, through an opening, was seen a ruined watch-tower, standing on a point of rock, near the sea, and rising from among the tufted foliage.

Hither Emily often came alone in the silence of evening, and, soothed by the scenery and by the faint murmur, that rose from the waves, would sit, till darkness obliged her to return to the chateau. Frequently, also, she visited the watch-tower, which commanded the entire prospect, and, when she leaned against its broken walls, and thought of Valancourt, she not once imagined, what was so true, that this tower had been almost as frequently his resort, as her own, since his estrangement from the neighbouring chateau.

One evening, she lingered here to a late hour. She had sat on the steps of the building, watching, in tranquil melancholy, the gradual effect of evening over the extensive prospect, till the gray waters of the Mediterranean and the massy woods were almost the only features of the scene, that remained visible; when, as she gazed alternately on these, and on the mild blue of the heavens, where the first pale star of evening appeared, she personified the hour in the following lines:— 

  SONG OF THE EVENING HOUR

 Last of the Hours, that track the fading Day,
 I move along the realms of twilight air,
 And hear, remote, the choral song decay
 Of sister-nymphs, who dance around his car.

 Then, as I follow through the azure void,
 His partial splendour from my straining eye
 Sinks in the depth of space; my only guide
 His faint ray dawning on the farthest sky;

 Save that sweet, lingering strain of gayer Hours,
 Whose close my voice prolongs in dying notes,
 While mortals on the green earth own its pow'rs,
 As downward on the evening gale it floats.

 When fades along the West the Sun's last beam,
 As, weary, to the nether world he goes,
 And mountain-summits catch the purple gleam,
 And slumbering ocean faint and fainter glows,

 Silent upon the globe's broad shade I steal,
 And o'er its dry turf shed the cooling dews,
 And ev'ry fever'd herb and flow'ret heal,
 And all their fragrance on the air diffuse.

 Where'er I move, a tranquil pleasure reigns;
 O'er all the scene the dusky tints I send,
 That forests wild and mountains, stretching plains
 And peopled towns, in soft confusion blend.

 Wide o'er the world I waft the fresh'ning wind,
 Low breathing through the woods and twilight vale,
 In whispers soft, that woo the pensive mind
 Of him, who loves my lonely steps to hail.

 His tender oaten reed I watch to hear,
 Stealing its sweetness o'er some plaining rill,
 Or soothing ocean's wave, when storms are near,
 Or swelling in the breeze from distant hill!

 I wake the fairy elves, who shun the light;
 When, from their blossom'd beds, they slily peep,
 And spy my pale star, leading on the night,—
 Forth to their games and revelry they leap;

 Send all the prison'd sweets abroad in air,
 That with them slumber'd in the flow'ret's cell;
 Then to the shores and moon-light brooks repair,
 Till the high larks their matin-carol swell.

 The wood-nymphs hail my airs and temper'd shade,
 With ditties soft and lightly sportive dance,
 On river margin of some bow'ry glade,
 And strew their fresh buds as my steps advance:

 But, swift I pass, and distant regions trace,
 For moon-beams silver all the eastern cloud,
 And Day's last crimson vestige fades apace;
 Down the steep west I fly from Midnight's shroud.

The moon was now rising out of the sea. She watched its gradual progress, the extending line of radiance it threw upon the waters, the sparkling oars, the sail faintly silvered, and the wood-tops and the battlements of the watch-tower, at whose foot she was sitting, just tinted with the rays. Emily's spirits were in harmony with this scene. As she sat meditating, sounds stole by her on the air, which she immediately knew to be the music and the voice she had formerly heard at midnight, and the emotion of awe, which she felt, was not unmixed with terror, when she considered her remote and lonely situation. The sounds drew nearer. She would have risen to leave the place, but they seemed to come from the way she must have taken towards the chateau, and she awaited the event in trembling expectation. The sounds continued to approach, for some time, and then ceased. Emily sat listening, gazing and unable to move, when she saw a figure emerge from the shade of the woods and pass along the bank, at some little distance before her. It went swiftly, and her spirits were so overcome with awe, that, though she saw, she did not much observe it.

Having left the spot, with a resolution never again to visit it alone, at so late an hour, she began to approach the chateau, when she heard voices calling her from the part of the wood, which was nearest to it. They were the shouts of the Count's servants, who were sent to search for her; and when she entered the supper-room, where he sat with Henri and Blanche, he gently reproached her with a look, which she blushed to have deserved.

This little occurrence deeply impressed her mind, and, when she withdrew to her own room, it recalled so forcibly the circumstances she had witnessed, a few nights before, that she had scarcely courage to remain alone. She watched to a late hour, when, no sound having renewed her fears, she, at length, sunk to repose. But this was of short continuance, for she was disturbed by a loud and unusual noise, that seemed to come from the gallery, into which her chamber opened. Groans were distinctly heard, and, immediately after, a dead weight fell against the door, with a violence, that threatened to burst it open. She called loudly to know who was there, but received no answer, though, at intervals, she still thought she heard something like a low moaning. Fear deprived her of the power to move. Soon after, she heard footsteps in a remote part of the gallery, and, as they approached, she called more loudly than before, till the steps paused at her door. She then distinguished the voices of several of the servants, who seemed too much engaged by some circumstance without, to attend to her calls; but, Annette soon after entering the room for water, Emily understood, that one of the maids had fainted, whom she immediately desired them to bring into her room, where she assisted to restore her. When this girl had recovered her speech, she affirmed, that, as she was passing up the back stair-case, in the way to her chamber, she had seen an apparition on the second landing-place; she held the lamp low, she said, that she might pick her way, several of the stairs being infirm and even decayed, and it was upon raising her eyes, that she saw this appearance. It stood for a moment in the corner of the landing-place, which she was approaching, and then, gliding up the stairs, vanished at the door of the apartment, that had been lately opened. She heard afterwards a hollow sound.

'Then the devil has got a key to that apartment,' said Dorothee, 'for it could be nobody but he; I locked the door myself!'

The girl, springing down the stairs and passing up the great stair-case, had run, with a faint scream, till she reached the gallery, where she fell, groaning, at Emily's door.

Gently chiding her for the alarm she had occasioned, Emily tried to make her ashamed of her fears; but the girl persisted in saying, that she had seen an apparition, till she went to her own room, whither she was accompanied by all the servants present, except Dorothee, who, at Emily's request, remained with her during the night. Emily was perplexed, and Dorothee was terrified, and mentioned many occurrences of former times, which had long since confirmed her superstitions; among these, according to her belief, she had once witnessed an appearance, like that just described, and on the very same spot, and it was the remembrance of it, that had made her pause, when she was going to ascend the stairs with Emily, and which had increased her reluctance to open the north apartments. Whatever might be Emily's opinions, she did not disclose them, but listened attentively to all that Dorothee communicated, which occasioned her much thought and perplexity.

From this night the terror of the servants increased to such an excess, that several of them determined to leave the chateau, and requested their discharge of the Count, who, if he had any faith in the subject of their alarm, thought proper to dissemble it, and, anxious to avoid the inconvenience that threatened him, employed ridicule and then argument to convince them they had nothing to apprehend from supernatural agency. But fear had rendered their minds inaccessible to reason; and it was now, that Ludovico proved at once his courage and his gratitude for the kindness he had received from the Count, by offering to watch, during a night, in the suite of rooms, reputed to be haunted. He feared, he said, no spirits, and, if any thing of human form appeared—he would prove that he dreaded that as little.

The Count paused upon the offer, while the servants, who heard it, looked upon one another in doubt and amazement, and Annette, terrified for the safety of Ludovico, employed tears and entreaties to dissuade him from his purpose.

'You are a bold fellow,' said the Count, smiling, 'Think well of what you are going to encounter, before you finally determine upon it. However, if you persevere in your resolution, I will accept your offer, and your intrepidity shall not go unrewarded.'

'I desire no reward, your excellenza,' replied Ludovico, 'but your approbation. Your excellenza has been sufficiently good to me already; but I wish to have arms, that I may be equal to my enemy, if he should appear.'

'Your sword cannot defend you against a ghost,' replied the Count, throwing a glance of irony upon the other servants, 'neither can bars, or bolts; for a spirit, you know, can glide through a keyhole as easily as through a door.'

'Give me a sword, my lord Count,' said Ludovico, 'and I will lay all the spirits, that shall attack me, in the red sea.'

'Well,' said the Count, 'you shall have a sword, and good cheer, too; and your brave comrades here will, perhaps, have courage enough to remain another night in the chateau, since your boldness will certainly, for this night, at least, confine all the malice of the spectre to yourself.'

Curiosity now struggled with fear in the minds of several of his fellow servants, and, at length, they resolved to await the event of Ludovico's rashness.

Emily was surprised and concerned, when she heard of his intention, and was frequently inclined to mention what she had witnessed in the north apartments to the Count, for she could not entirely divest herself of fears for Ludovico's safety, though her reason represented these to be absurd. The necessity, however, of concealing the secret, with which Dorothee had entrusted her, and which must have been mentioned, with the late occurrence, in excuse for her having so privately visited the north apartments, kept her entirely silent on the subject of her apprehension; and she tried only to sooth Annette, who held, that Ludovico was certainly to be destroyed; and who was much less affected by Emily's consolatory efforts, than by the manner of old Dorothee, who often, as she exclaimed Ludovico, sighed, and threw up her eyes to heaven.





 

CHAPTER VI 

  Ye gods of quiet, and of sleep profound!
 Whose soft dominion o'er this castle sways,
 And all the widely-silent places round,
 Forgive me, if my trembling pen displays
 What never yet was sung in mortal lays.
     THOMSON

The Count gave orders for the north apartments to be opened and prepared for the reception of Ludovico; but Dorothee, remembering what she had lately witnessed there, feared to obey, and, not one of the other servants daring to venture thither, the rooms remained shut up till the time when Ludovico was to retire thither for the night, an hour, for which the whole household waited with impatience.

After supper, Ludovico, by the order of the Count, attended him in his closet, where they remained alone for near half an hour, and, on leaving which, his Lord delivered to him a sword.

'It has seen service in mortal quarrels,' said the Count, jocosely, 'you will use it honourably, no doubt, in a spiritual one. Tomorrow, let me hear that there is not one ghost remaining in the chateau.'

Ludovico received it with a respectful bow. 'You shall be obeyed, my Lord,' said he; 'I will engage, that no spectre shall disturb the peace of the chateau after this night.'

They now returned to the supper-room, where the Count's guests awaited to accompany him and Ludovico to the door of the north apartments, and Dorothee, being summoned for the keys, delivered them to Ludovico, who then led the way, followed by most of the inhabitants of the chateau. Having reached the back stair-case, several of the servants shrunk back, and refused to go further, but the rest followed him to the top of the stair-case, where a broad landing-place allowed them to flock round him, while he applied the key to the door, during which they watched him with as much eager curiosity as if he had been performing some magical rite.

Ludovico, unaccustomed to the lock, could not turn it, and Dorothee, who had lingered far behind, was called forward, under whose hand the door opened slowly, and, her eye glancing within the dusky chamber, she uttered a sudden shriek, and retreated. At this signal of alarm, the greater part of the crowd hurried down the stairs, and the Count, Henri and Ludovico were left alone to pursue the enquiry, who instantly rushed into the apartment, Ludovico with a drawn sword, which he had just time to draw from the scabbard, the Count with the lamp in his hand, and Henri carrying a basket, containing provisions for the courageous adventurer.

Having looked hastily round the first room, where nothing appeared to justify alarm, they passed on to the second; and, here too all being quiet, they proceeded to a third with a more tempered step. The Count had now leisure to smile at the discomposure, into which he had been surprised, and to ask Ludovico in which room he designed to pass the night.

'There are several chambers beyond these, your excellenza,' said Ludovico, pointing to a door, 'and in one of them is a bed, they say. I will pass the night there, and when I am weary of watching, I can lie down.'

'Good;' said the Count; 'let us go on. You see these rooms shew nothing, but damp walls and decaying furniture. I have been so much engaged since I came to the chateau, that I have not looked into them till now. Remember, Ludovico, to tell the housekeeper, to-morrow, to throw open these windows. The damask hangings are dropping to pieces, I will have them taken down, and this antique furniture removed.'

'Dear sir!' said Henri, 'here is an arm-chair so massy with gilding, that it resembles one of the state chairs at the Louvre, more then any thing else.'

'Yes,' said the Count, stopping a moment to survey it, 'there is a history belonging to that chair, but I have not time to tell it.—Let us pass on. This suite runs to a greater extent than I had imagined; it is many years since I was in them. But where is the bed-room you speak of, Ludovico?—these are only anti-chambers to the great drawing-room. I remember them in their splendour!'

'The bed, my Lord,' replied Ludovico, 'they told me, was in a room that opens beyond the saloon, and terminates the suite.'

'O, here is the saloon,' said the Count, as they entered the spacious apartment, in which Emily and Dorothee had rested. He here stood for a moment, surveying the reliques of faded grandeur, which it exhibited—the sumptuous tapestry—the long and low sophas of velvet, with frames heavily carved and gilded—the floor inlaid with small squares of fine marble, and covered in the centre with a piece of very rich tapestry-work—the casements of painted glass, and the large Venetian mirrors, of a size and quality, such as at that period France could not make, which reflected, on every side, the spacious apartment. These had formerly also reflected a gay and brilliant scene, for this had been the state-room of the chateau, and here the Marchioness had held the assemblies, that made part of the festivities of her nuptials. If the wand of a magician could have recalled the vanished groups, many of them vanished even from the earth! that once had passed over these polished mirrors, what a varied and contrasted picture would they have exhibited with the present! Now, instead of a blaze of lights, and a splendid and busy crowd, they reflected only the rays of the one glimmering lamp, which the Count held up, and which scarcely served to shew the three forlorn figures, that stood surveying the room, and the spacious and dusky walls around them.

'Ah!' said the Count to Henri, awaking from his deep reverie, 'how the scene is changed since last I saw it! I was a young man, then, and the Marchioness was alive and in her bloom; many other persons were here, too, who are now no more! There stood the orchestra; here we tripped in many a sprightly maze—the walls echoing to the dance! Now, they resound only one feeble voice—and even that will, ere long, be heard no more! My son, remember, that I was once as young as yourself, and that you must pass away like those, who have preceded you—like those, who, as they sung and danced in this once gay apartment, forgot, that years are made up of moments, and that every step they took carried them nearer to their graves. But such reflections are useless, I had almost said criminal, unless they teach us to prepare for eternity, since, otherwise, they cloud our present happiness, without guiding us to a future one. But enough of this; let us go on.'

Ludovico now opened the door of the bed-room, and the Count, as he entered, was struck with the funereal appearance, which the dark arras gave to it. He approached the bed, with an emotion of solemnity, and, perceiving it to be covered with the pall of black velvet, paused; 'What can this mean?' said he, as he gazed upon it.

'I have heard, my Lord,' said Ludovico, as he stood at the feet, looking within the canopied curtains, 'that the Lady Marchioness de Villeroi died in this chamber, and remained here till she was removed to be buried; and this, perhaps, Signor, may account for the pall.'

The Count made no reply, but stood for a few moments engaged in thought, and evidently much affected. Then, turning to Ludovico, he asked him with a serious air, whether he thought his courage would support him through the night? 'If you doubt this,' added the Count, 'do not be ashamed to own it; I will release you from your engagement, without exposing you to the triumphs of your fellow-servants.'

Ludovico paused; pride, and something very like fear, seemed struggling in his breast; pride, however, was victorious;—he blushed, and his hesitation ceased.

'No, my Lord,' said he, 'I will go through with what I have begun; and I am grateful for your consideration. On that hearth I will make a fire, and, with the good cheer in this basket, I doubt not I shall do well.'

'Be it so,' said the Count; 'but how will you beguile the tediousness of the night, if you do not sleep?'

'When I am weary, my Lord,' replied Ludovico, 'I shall not fear to sleep; in the meanwhile, I have a book, that will entertain me.'

'Well,' said the Count, 'I hope nothing will disturb you; but if you should be seriously alarmed in the night, come to my apartment. I have too much confidence in your good sense and courage, to believe you will be alarmed on slight grounds; or suffer the gloom of this chamber, or its remote situation, to overcome you with ideal terrors. To-morrow, I shall have to thank you for an important service; these rooms shall then be thrown open, and my people will be convinced of their error. Good night, Ludovico; let me see you early in the morning, and remember what I lately said to you.'

'I will, my Lord; good night to your excellenza; let me attend you with the light.'

He lighted the Count and Henri through the chambers to the outer door; on the landing-place stood a lamp, which one of the affrighted servants had left, and Henri, as he took it up, again bade Ludovico good night, who, having respectfully returned the wish, closed the door upon them, and fastened it. Then, as he retired to the bed-chamber, he examined the rooms, through which he passed, with more minuteness than he had done before, for he apprehended, that some person might have concealed himself in them, for the purpose of frightening him. No one, however, but himself, was in these chambers, and, leaving open the doors, through which he passed, he came again to the great drawing-room, whose spaciousness and silent gloom somewhat awed him. For a moment he stood, looking back through the long suite of rooms he had quitted, and, as he turned, perceiving a light and his own figure, reflected in one of the large mirrors, he started. Other objects too were seen obscurely on its dark surface, but he paused not to examine them, and returned hastily into the bed-room, as he surveyed which, he observed the door of the oriel, and opened it. All within was still. On looking round, his eye was arrested by the portrait of the deceased Marchioness, upon which he gazed, for a considerable time, with great attention and some surprise; and then, having examined the closet, he returned into the bed-room, where he kindled a wood fire, the bright blaze of which revived his spirits, which had begun to yield to the gloom and silence of the place, for gusts of wind alone broke at intervals this silence. He now drew a small table and a chair near the fire, took a bottle of wine, and some cold provision out of his basket, and regaled himself. When he had finished his repast, he laid his sword upon the table, and, not feeling disposed to sleep, drew from his pocket the book he had spoken of.—It was a volume of old Provencal tales. Having stirred the fire upon the hearth, he began to read, and his attention was soon wholly occupied by the scenes, which the page disclosed.

The Count, meanwhile, had returned to the supper-room, whither those of the party, who had attended him to the north apartment, had retreated, upon hearing Dorothee's scream, and who were now earnest in their enquiries concerning those chambers. The Count rallied his guests on their precipitate retreat, and on the superstitious inclination which had occasioned it, and this led to the question, Whether the spirit, after it has quitted the body, is ever permitted to revisit the earth; and if it is, whether it was possible for spirits to become visible to the sense. The Baron was of opinion, that the first was probable, and the last was possible, and he endeavoured to justify this opinion by respectable authorities, both ancient and modern, which he quoted. The Count, however, was decidedly against him, and a long conversation ensued, in which the usual arguments on these subjects were on both sides brought forward with skill, and discussed with candour, but without converting either party to the opinion of his opponent. The effect of their conversation on their auditors was various. Though the Count had much the superiority of the Baron in point of argument, he had considerably fewer adherents; for that love, so natural to the human mind, of whatever is able to distend its faculties with wonder and astonishment, attached the majority of the company to the side of the Baron; and, though many of the Count's propositions were unanswerable, his opponents were inclined to believe this the consequence of their own want of knowledge, on so abstracted a subject, rather than that arguments did not exist, which were forcible enough to conquer his.

Blanche was pale with attention, till the ridicule in her father's glance called a blush upon her countenance, and she then endeavoured to forget the superstitious tales she had been told in her convent. Meanwhile, Emily had been listening with deep attention to the discussion of what was to her a very interesting question, and, remembering the appearance she had witnessed in the apartment of the late Marchioness, she was frequently chilled with awe. Several times she was on the point of mentioning what she had seen, but the fear of giving pain to the Count, and the dread of his ridicule, restrained her; and, awaiting in anxious expectation the event of Ludovico's intrepidity, she determined that her future silence should depend upon it.

When the party had separated for the night, and the Count retired to his dressing-room, the remembrance of the desolate scenes he had lately witnessed in his own mansion deeply affected him, but at length he was aroused from his reverie and his silence. 'What music is that I hear?'—said he suddenly to his valet, 'Who plays at this late hour?'

The man made no reply, and the Count continued to listen, and then added, 'That is no common musician; he touches the instrument with a delicate hand; who is it, Pierre?'

'My lord!' said the man, hesitatingly.

'Who plays that instrument?' repeated the Count.

'Does not your lordship know, then?' said the valet.

'What mean you?' said the Count, somewhat sternly.

'Nothing, my Lord, I meant nothing,' rejoined the man submissively—'Only—that music—goes about the house at midnight often, and I thought your lordship might have heard it before.'

'Music goes about the house at midnight! Poor fellow!—does nobody dance to the music, too?'

'It is not in the chateau, I believe, my Lord; the sounds come from the woods, they say, though they seem so near;—but then a spirit can do any thing!'

'Ah, poor fellow!' said the Count, 'I perceive you are as silly as the rest of them; to-morrow, you will be convinced of your ridiculous error. But hark!—what voice is that?'

'O my Lord! that is the voice we often hear with the music.'

'Often!' said the Count, 'How often, pray? It is a very fine one.'

'Why, my Lord, I myself have not heard it more than two or three times, but there are those who have lived here longer, that have heard it often enough.'

'What a swell was that!' exclaimed the Count, as he still listened, 'And now, what a dying cadence! This is surely something more than mortal!'

'That is what they say, my Lord,' said the valet; 'they say it is nothing mortal, that utters it; and if I might say my thoughts'—

'Peace!' said the Count, and he listened till the strain died away.

'This is strange!' said he, as he turned from the window, 'Close the casements, Pierre.'

Pierre obeyed, and the Count soon after dismissed him, but did not so soon lose the remembrance of the music, which long vibrated in his fancy in tones of melting sweetness, while surprise and perplexity engaged his thoughts.

Ludovico, meanwhile, in his remote chamber, heard, now and then, the faint echo of a closing door, as the family retired to rest, and then the hall clock, at a great distance, strike twelve. 'It is midnight,' said he, and he looked suspiciously round the spacious chamber. The fire on the hearth was now nearly expiring, for his attention having been engaged by the book before him, he had forgotten every thing besides; but he soon added fresh wood, not because he was cold, though the night was stormy, but because he was cheerless; and, having again trimmed his lamp, he poured out a glass of wine, drew his chair nearer to the crackling blaze, tried to be deaf to the wind, that howled mournfully at the casements, endeavoured to abstract his mind from the melancholy, that was stealing upon him, and again took up his book. It had been lent to him by Dorothee, who had formerly picked it up in an obscure corner of the Marquis's library, and who, having opened it and perceived some of the marvels it related, had carefully preserved it for her own entertainment, its condition giving her some excuse for detaining it from its proper station. The damp corner into which it had fallen, had caused the cover to be disfigured and mouldy, and the leaves to be so discoloured with spots, that it was not without difficulty the letters could be traced. The fictions of the Provencal writers, whether drawn from the Arabian legends, brought by the Saracens into Spain, or recounting the chivalric exploits performed by the crusaders, whom the Troubadors accompanied to the east, were generally splendid and always marvellous, both in scenery and incident; and it is not wonderful, that Dorothee and Ludovico should be fascinated by inventions, which had captivated the careless imagination in every rank of society, in a former age. Some of the tales, however, in the book now before Ludovico, were of simple structure, and exhibited nothing of the magnificent machinery and heroic manners, which usually characterized the fables of the twelfth century, and of this description was the one he now happened to open, which, in its original style, was of great length, but which may be thus shortly related. The reader will perceive, that it is strongly tinctured with the superstition of the times.

THE PROVENCAL TALE

'There lived, in the province of Bretagne, a noble Baron, famous for his magnificence and courtly hospitalities. His castle was graced with ladies of exquisite beauty, and thronged with illustrious knights; for the honour he paid to feats of chivalry invited the brave of distant countries to enter his lists, and his court was more splendid than those of many princes. Eight minstrels were retained in his service, who used to sing to their harps romantic fictions, taken from the Arabians, or adventures of chivalry, that befel knights during the crusades, or the martial deeds of the Baron, their lord;—while he, surrounded by his knights and ladies, banqueted in the great hall of his castle, where the costly tapestry, that adorned the walls with pictured exploits of his ancestors, the casements of painted glass, enriched with armorial bearings, the gorgeous banners, that waved along the roof, the sumptuous canopies, the profusion of gold and silver, that glittered on the sideboards, the numerous dishes, that covered the tables, the number and gay liveries of the attendants, with the chivalric and splendid attire of the guests, united to form a scene of magnificence, such as we may not hope to see in these DEGENERATE DAYS.

'Of the Baron, the following adventure is related. One night, having retired late from the banquet to his chamber, and dismissed his attendants, he was surprised by the appearance of a stranger of a noble air, but of a sorrowful and dejected countenance. Believing, that this person had been secreted in the apartment, since it appeared impossible he could have lately passed the anti-room, unobserved by the pages in waiting, who would have prevented this intrusion on their lord, the Baron, calling loudly for his people, drew his sword, which he had not yet taken from his side, and stood upon his defence. The stranger slowly advancing, told him, that there was nothing to fear; that he came with no hostile design, but to communicate to him a terrible secret, which it was necessary for him to know.

'The Baron, appeased by the courteous manners of the stranger, after surveying him, for some time, in silence, returned his sword into the scabbard, and desired him to explain the means, by which he had obtained access to the chamber, and the purpose of this extraordinary visit.

'Without answering either of these enquiries, the stranger said, that he could not then explain himself, but that, if the Baron would follow him to the edge of the forest, at a short distance from the castle walls, he would there convince him, that he had something of importance to disclose.

'This proposal again alarmed the Baron, who could scarcely believe, that the stranger meant to draw him to so solitary a spot, at this hour of the night, without harbouring a design against his life, and he refused to go, observing, at the same time, that, if the stranger's purpose was an honourable one, he would not persist in refusing to reveal the occasion of his visit, in the apartment where they were.

'While he spoke this, he viewed the stranger still more attentively than before, but observed no change in his countenance, or any symptom, that might intimate a consciousness of evil design. He was habited like a knight, was of a tall and majestic stature, and of dignified and courteous manners. Still, however, he refused to communicate the subject of his errand in any place, but that he had mentioned, and, at the same time, gave hints concerning the secret he would disclose, that awakened a degree of solemn curiosity in the Baron, which, at length, induced him to consent to follow the stranger, on certain conditions.

'"Sir knight," said he, "I will attend you to the forest, and will take with me only four of my people, who shall witness our conference."

'To this, however, the Knight objected.

'"What I would disclose," said he, with solemnity, "is to you alone. There are only three living persons, to whom the circumstance is known; it is of more consequence to you and your house, than I shall now explain. In future years, you will look back to this night with satisfaction or repentance, accordingly as you now determine. As you would hereafter prosper—follow me; I pledge you the honour of a knight, that no evil shall befall you;—if you are contented to dare futurity—remain in your chamber, and I will depart as I came."

'"Sir knight," replied the Baron, "how is it possible, that my future peace can depend upon my present determination?"

'"That is not now to be told," said the stranger, "I have explained myself to the utmost. It is late; if you follow me it must be quickly;—you will do well to consider the alternative."

'The Baron mused, and, as he looked upon the knight, he perceived his countenance assume a singular solemnity.'

[Here Ludovico thought he heard a noise, and he threw a glance round the chamber, and then held up the lamp to assist his observation; but, not perceiving any thing to confirm his alarm, he took up the book again and pursued the story.]

'The Baron paced his apartment, for some time, in silence, impressed by the last words of the stranger, whose extraordinary request he feared to grant, and feared, also, to refuse. At length, he said, "Sir knight, you are utterly unknown to me; tell me yourself,—is it reasonable, that I should trust myself alone with a stranger, at this hour, in a solitary forest? Tell me, at least, who you are, and who assisted to secrete you in this chamber."

'The knight frowned at these latter words, and was a moment silent; then, with a countenance somewhat stern, he said,

'"I am an English knight; I am called Sir Bevys of Lancaster,—and my deeds are not unknown at the Holy City, whence I was returning to my native land, when I was benighted in the neighbouring forest."

'"Your name is not unknown to fame," said the Baron, "I have heard of it." (The Knight looked haughtily.) "But why, since my castle is known to entertain all true knights, did not your herald announce you? Why did you not appear at the banquet, where your presence would have been welcomed, instead of hiding yourself in my castle, and stealing to my chamber, at midnight?"

'The stranger frowned, and turned away in silence; but the Baron repeated the questions.

'"I come not," said the Knight, "to answer enquiries, but to reveal facts. If you would know more, follow me, and again I pledge the honour of a Knight, that you shall return in safety.—Be quick in your determination—I must be gone."

'After some further hesitation, the Baron determined to follow the stranger, and to see the result of his extraordinary request; he, therefore, again drew forth his sword, and, taking up a lamp, bade the Knight lead on. The latter obeyed, and, opening the door of the chamber, they passed into the anti-room, where the Baron, surprised to find all his pages asleep, stopped, and, with hasty violence, was going to reprimand them for their carelessness, when the Knight waved his hand, and looked so expressively upon the Baron, that the latter restrained his resentment, and passed on.

'The Knight, having descended a stair-case, opened a secret door, which the Baron had believed was known only to himself, and, proceeding through several narrow and winding passages, came, at length, to a small gate, that opened beyond the walls of the castle. Meanwhile, the Baron followed in silence and amazement, on perceiving that these secret passages were so well known to a stranger, and felt inclined to return from an adventure, that appeared to partake of treachery, as well as danger. Then, considering that he was armed, and observing the courteous and noble air of his conductor, his courage returned, he blushed, that it had failed him for a moment, and he resolved to trace the mystery to its source.

'He now found himself on the heathy platform, before the great gates of his castle, where, on looking up, he perceived lights glimmering in the different casements of the guests, who were retiring to sleep; and, while he shivered in the blast, and looked on the dark and desolate scene around him, he thought of the comforts of his warm chamber, rendered cheerful by the blaze of wood, and felt, for a moment, the full contrast of his present situation.'

[Here Ludovico paused a moment, and, looking at his own fire, gave it a brightening stir.]

'The wind was strong, and the Baron watched his lamp with anxiety, expecting every moment to see it extinguished; but, though the flame wavered, it did not expire, and he still followed the stranger, who often sighed as he went, but did not speak.

'When they reached the borders of the forest, the Knight turned, and raised his head, as if he meant to address the Baron, but then, closing his lips in silence, he walked on.

'As they entered, beneath the dark and spreading boughs, the Baron, affected by the solemnity of the scene, hesitated whether to proceed, and demanded how much further they were to go. The Knight replied only by a gesture, and the Baron, with hesitating steps and a suspicious eye, followed through an obscure and intricate path, till, having proceeded a considerable way, he again demanded whither they were going, and refused to proceed unless he was informed.

'As he said this, he looked at his own sword, and at the Knight alternately, who shook his head, and whose dejected countenance disarmed the Baron, for a moment, of suspicion.

'"A little further is the place, whither I would lead you," said the stranger; "no evil shall befall you—I have sworn it on the honour of a knight."

'The Baron, re-assured, again followed in silence, and they soon arrived at a deep recess of the forest, where the dark and lofty chesnuts entirely excluded the sky, and which was so overgrown with underwood, that they proceeded with difficulty. The Knight sighed deeply as he passed, and sometimes paused; and having, at length, reached a spot, where the trees crowded into a knot, he turned, and, with a terrific look, pointing to the ground, the Baron saw there the body of a man, stretched at its length, and weltering in blood; a ghastly wound was on the forehead, and death appeared already to have contracted the features.

'The Baron, on perceiving the spectacle, started in horror, looked at the Knight for explanation, and was then going to raise the body and examine if there were yet any remains of life; but the stranger, waving his hand, fixed upon him a look so earnest and mournful, as not only much surprised him, but made him desist.

'But, what were the Baron's emotions, when, on holding the lamp near the features of the corpse, he discovered the exact resemblance of the stranger his conductor, to whom he now looked up in astonishment and enquiry? As he gazed, he perceived the countenance of the Knight change, and begin to fade, till his whole form gradually vanished from his astonished sense! While the Baron stood, fixed to the spot, a voice was heard to utter these words:—'

[Ludovico started, and laid down the book, for he thought he heard a voice in the chamber, and he looked toward the bed, where, however, he saw only the dark curtains and the pall. He listened, scarcely daring to draw his breath, but heard only the distant roaring of the sea in the storm, and the blast, that rushed by the casements; when, concluding, that he had been deceived by its sighings, he took up his book to finish the story.]

'While the Baron stood, fixed to the spot, a voice was heard to utter these words:—*

(* This repetition seems to be intentional. Ludovico is picking up the thread.)

'The body of Sir Bevys of Lancaster, a noble knight of England, lies before you. He was, this night, waylaid and murdered, as he journeyed from the Holy City towards his native land. Respect the honour of knighthood and the law of humanity; inter the body in christian ground, and cause his murderers to be punished. As ye observe, or neglect this, shall peace and happiness, or war and misery, light upon you and your house for ever!'

'The Baron, when he recovered from the awe and astonishment, into which this adventure had thrown him, returned to his castle, whither he caused the body of Sir Bevys to be removed; and, on the following day, it was interred, with the honours of knighthood, in the chapel of the castle, attended by all the noble knights and ladies, who graced the court of Baron de Brunne.'

Ludovico, having finished this story, laid aside the book, for he felt drowsy, and, after putting more wood on the fire and taking another glass of wine, he reposed himself in the arm-chair on the hearth. In his dream he still beheld the chamber where he really was, and, once or twice, started from imperfect slumbers, imagining he saw a man's face, looking over the high back of his armchair. This idea had so strongly impressed him, that, when he raised his eyes, he almost expected to meet other eyes, fixed upon his own, and he quitted his seat and looked behind the chair, before he felt perfectly convinced, that no person was there.

Thus closed the hour.





 

CHAPTER VII 

  Enjoy the honey-heavy dew of slumber;
 Thou hast no figures, nor no fantasies,
 Which busy care draws in the brains of men;
 Therefore thou sleep'st so sound.
     SHAKESPEARE

The Count, who had slept little during the night, rose early, and, anxious to speak with Ludovico, went to the north apartment; but, the outer door having been fastened, on the preceding night, he was obliged to knock loudly for admittance. Neither the knocking, or his voice was heard; but, considering the distance of this door from the bed-room, and that Ludovico, wearied with watching, had probably fallen into a deep sleep, the Count was not surprised on receiving no answer, and, leaving the door, he went down to walk in his grounds.

It was a gray autumnal morning. The sun, rising over Provence, gave only a feeble light, as his rays struggled through the vapours that ascended from the sea, and floated heavily over the wood-tops, which were now varied with many a mellow tint of autumn. The storm was passed, but the waves were yet violently agitated, and their course was traced by long lines of foam, while not a breeze fluttered in the sails of the vessels, near the shore, that were weighing anchor to depart. The still gloom of the hour was pleasing to the Count, and he pursued his way through the woods, sunk in deep thought.

Emily also rose at an early hour, and took her customary walk along the brow of the promontory, that overhung the Mediterranean. Her mind was now not occupied with the occurrences of the chateau, and Valancourt was the subject of her mournful thoughts; whom she had not yet taught herself to consider with indifference, though her judgment constantly reproached her for the affection, that lingered in her heart, after her esteem for him was departed. Remembrance frequently gave her his parting look and the tones of his voice, when he had bade her a last farewel; and, some accidental associations now recalling these circumstances to her fancy, with peculiar energy, she shed bitter tears to the recollection.

Having reached the watch-tower, she seated herself on the broken steps, and, in melancholy dejection, watched the waves, half hid in vapour, as they came rolling towards the shore, and threw up their light spray round the rocks below. Their hollow murmur and the obscuring mists, that came in wreaths up the cliffs, gave a solemnity to the scene, which was in harmony with the temper of her mind, and she sat, given up to the remembrance of past times, till this became too painful, and she abruptly quitted the place. On passing the little gate of the watch-tower, she observed letters, engraved on the stone postern, which she paused to examine, and, though they appeared to have been rudely cut with a pen-knife, the characters were familiar to her; at length, recognizing the hand-writing of Valancourt, she read, with trembling anxiety the following lines, entitled

SHIPWRECK 
 'Til solemn midnight!  On this lonely steep,
 Beneath this watch-tow'r's desolated wall,
 Where mystic shapes the wonderer appall,
 I rest; and view below the desert deep,
 As through tempestuous clouds the moon's cold light
 Gleams on the wave.  Viewless, the winds of night
 With loud mysterious force the billows sweep,
 And sullen roar the surges, far below.
 In the still pauses of the gust I hear
 The voice of spirits, rising sweet and slow,
 And oft among the clouds their forms appear.
 But hark! what shriek of death comes in the gale,
 And in the distant ray what glimmering sail
 Bends to the storm?—Now sinks the note of fear!
 Ah! wretched mariners!—no more shall day
 Unclose his cheering eye to light ye on your way!

From these lines it appeared, that Valancourt had visited the tower; that he had probably been here on the preceding night, for it was such an one as they described, and that he had left the building very lately, since it had not long been light, and without light it was impossible these letters could have been cut. It was thus even probable, that he might be yet in the gardens.

As these reflections passed rapidly over the mind of Emily, they called up a variety of contending emotions, that almost overcame her spirits; but her first impulse was to avoid him, and, immediately leaving the tower, she returned, with hasty steps, towards the chateau. As she passed along, she remembered the music she had lately heard near the tower, with the figure, which had appeared, and, in this moment of agitation, she was inclined to believe, that she had then heard and seen Valancourt; but other recollections soon convinced her of her error. On turning into a thicker part of the woods, she perceived a person, walking slowly in the gloom at some little distance, and, her mind engaged by the idea of him, she started and paused, imagining this to be Valancourt. The person advanced with quicker steps, and, before she could recover recollection enough to avoid him, he spoke, and she then knew the voice of the Count, who expressed some surprise, on finding her walking at so early an hour, and made a feeble effort to rally her on her love of solitude. But he soon perceived this to be more a subject of concern than of light laughter, and, changing his manner, affectionately expostulated with Emily, on thus indulging unavailing regret; who, though she acknowledged the justness of all he said, could not restrain her tears, while she did so, and he presently quitted the topic. Expressing surprise at not having yet heard from his friend, the Advocate at Avignon, in answer to the questions proposed to him, respecting the estates of the late Madame Montoni, he, with friendly zeal, endeavoured to cheer Emily with hopes of establishing her claim to them; while she felt, that the estates could now contribute little to the happiness of a life, in which Valancourt had no longer an interest.

When they returned to the chateau, Emily retired to her apartment, and Count De Villefort to the door of the north chambers. This was still fastened, but, being now determined to arouse Ludovico, he renewed his calls more loudly than before, after which a total silence ensued, and the Count, finding all his efforts to be heard ineffectual, at length began to fear, that some accident had befallen Ludovico, whom terror of an imaginary being might have deprived of his senses. He, therefore, left the door with an intention of summoning his servants to force it open, some of whom he now heard moving in the lower part of the chateau.

To the Count's enquiries, whether they had seen or heard Ludovico, they replied in affright, that not one of them had ventured on the north side of the chateau, since the preceding night.

'He sleeps soundly then,' said the Count, 'and is at such a distance from the outer door, which is fastened, that to gain admittance to the chambers it will be necessary to force it. Bring an instrument, and follow me.'

The servants stood mute and dejected, and it was not till nearly all the household were assembled, that the Count's orders were obeyed. In the mean time, Dorothee was telling of a door, that opened from a gallery, leading from the great stair-case into the last anti-room of the saloon, and, this being much nearer to the bed-chamber, it appeared probable, that Ludovico might be easily awakened by an attempt to open it. Thither, therefore, the Count went, but his voice was as ineffectual at this door as it had proved at the remoter one; and now, seriously interested for Ludovico, he was himself going to strike upon the door with the instrument, when he observed its singular beauty, and with-held the blow. It appeared, on the first glance, to be of ebony, so dark and close was its grain and so high its polish; but it proved to be only of larch wood, of the growth of Provence, then famous for its forests of larch. The beauty of its polished hue and of its delicate carvings determined the Count to spare this door, and he returned to that leading from the back stair-case, which being, at length, forced, he entered the first anti-room, followed by Henri and a few of the most courageous of his servants, the rest awaiting the event of the enquiry on the stairs and landing-place.

All was silent in the chambers, through which the Count passed, and, having reached the saloon, he called loudly upon Ludovico; after which, still receiving no answer, he threw open the door of the bed-room, and entered.

The profound stillness within confirmed his apprehensions for Ludovico, for not even the breathings of a person in sleep were heard; and his uncertainty was not soon terminated, since the shutters being all closed, the chamber was too dark for any object to be distinguished in it.

The Count bade a servant open them, who, as he crossed the room to do so, stumbled over something, and fell to the floor, when his cry occasioned such panic among the few of his fellows, who had ventured thus far, that they instantly fled, and the Count and Henri were left to finish the adventure.

Henri then sprung across the room, and, opening a window-shutter, they perceived, that the man had fallen over a chair near the hearth, in which Ludovico had been sitting;—for he sat there no longer, nor could any where be seen by the imperfect light, that was admitted into the apartment. The Count, seriously alarmed, now opened other shutters, that he might be enabled to examine further, and, Ludovico not yet appearing, he stood for a moment, suspended in astonishment and scarcely trusting his senses, till, his eyes glancing on the bed, he advanced to examine whether he was there asleep. No person, however, was in it, and he proceeded to the oriel, where every thing remained as on the preceding night, but Ludovico was no where to be found.

The Count now checked his amazement, considering, that Ludovico might have left the chambers, during the night, overcome by the terrors, which their lonely desolation and the recollected reports, concerning them, had inspired. Yet, if this had been the fact, the man would naturally have sought society, and his fellow servants had all declared they had not seen him; the door of the outer room also had been found fastened, with the key on the inside; it was impossible, therefore, for him to have passed through that, and all the outer doors of this suite were found, on examination, to be bolted and locked, with the keys also within them. The Count, being then compelled to believe, that the lad had escaped through the casements, next examined them, but such as opened wide enough to admit the body of a man were found to be carefully secured either by iron bars, or by shutters, and no vestige appeared of any person having attempted to pass them; neither was it probable, that Ludovico would have incurred the risque of breaking his neck, by leaping from a window, when he might have walked safely through a door.

The Count's amazement did not admit of words; but he returned once more to examine the bed-room, where was no appearance of disorder, except that occasioned by the late overthrow of the chair, near which had stood a small table, and on this Ludovico's sword, his lamp, the book he had been reading, and the remnant of his flask of wine still remained. At the foot of the table, too, was the basket with some fragments of provision and wood.

Henri and the servant now uttered their astonishment without reserve, and, though the Count said little, there was a seriousness in his manner, that expressed much. It appeared, that Ludovico must have quitted these rooms by some concealed passage, for the Count could not believe, that any supernatural means had occasioned this event, yet, if there was any such passage, it seemed inexplicable why he should retreat through it, and it was equally surprising, that not even the smallest vestige should appear, by which his progress could be traced. In the rooms every thing remained as much in order as if he had just walked out by the common way.

The Count himself assisted in lifting the arras, with which the bed-chamber, saloon and one of the anti-rooms were hung, that he might discover if any door had been concealed behind it; but, after a laborious search, none was found, and he, at length, quitted the apartments, having secured the door of the last anti-chamber, the key of which he took into his own possession. He then gave orders, that strict search should be made for Ludovico not only in the chateau, but in the neighbourhood, and, retiring with Henri to his closet, they remained there in conversation for a considerable time, and whatever was the subject of it, Henri from this hour lost much of his vivacity, and his manners were particularly grave and reserved, whenever the topic, which now agitated the Count's family with wonder and alarm, was introduced.

On the disappearing of Ludovico, Baron St. Foix seemed strengthened in all his former opinions concerning the probability of apparitions, though it was difficult to discover what connection there could possibly be between the two subjects, or to account for this effect otherwise than by supposing, that the mystery attending Ludovico, by exciting awe and curiosity, reduced the mind to a state of sensibility, which rendered it more liable to the influence of superstition in general. It is, however, certain, that from this period the Baron and his adherents became more bigoted to their own systems than before, while the terrors of the Count's servants increased to an excess, that occasioned many of them to quit the mansion immediately, and the rest remained only till others could be procured to supply their places.

The most strenuous search after Ludovico proved unsuccessful, and, after several days of indefatigable enquiry, poor Annette gave herself up to despair, and the other inhabitants of the chateau to amazement.

Emily, whose mind had been deeply affected by the disastrous fate of the late Marchioness and with the mysterious connection, which she fancied had existed between her and St. Aubert, was particularly impressed by the late extraordinary event, and much concerned for the loss of Ludovico, whose integrity and faithful services claimed both her esteem and gratitude. She was now very desirous to return to the quiet retirement of her convent, but every hint of this was received with real sorrow by the Lady Blanche, and affectionately set aside by the Count, for whom she felt much of the respectful love and admiration of a daughter, and to whom, by Dorothee's consent, she, at length, mentioned the appearance, which they had witnessed in the chamber of the deceased Marchioness. At any other period, he would have smiled at such a relation, and have believed, that its object had existed only in the distempered fancy of the relater; but he now attended to Emily with seriousness, and, when she concluded, requested of her a promise, that this occurrence should rest in silence. 'Whatever may be the cause and the import of these extraordinary occurrences,' added the Count, 'time only can explain them. I shall keep a wary eye upon all that passes in the chateau, and shall pursue every possible means of discovering the fate of Ludovico. Meanwhile, we must be prudent and be silent. I will myself watch in the north chambers, but of this we will say nothing, till the night arrives, when I purpose doing so.'

The Count then sent for Dorothee, and required of her also a promise of silence, concerning what she had already, or might in future witness of an extraordinary nature; and this ancient servant now related to him the particulars of the Marchioness de Villeroi's death, with some of which he appeared to be already acquainted, while by others he was evidently surprised and agitated. After listening to this narrative, the Count retired to his closet, where he remained alone for several hours; and, when he again appeared, the solemnity of his manner surprised and alarmed Emily, but she gave no utterance to her thoughts.

On the week following the disappearance of Ludovico, all the Count's guests took leave of him, except the Baron, his son Mons. St. Foix, and Emily; the latter of whom was soon after embarrassed and distressed by the arrival of another visitor, Mons. Du Pont, which made her determine upon withdrawing to her convent immediately. The delight, that appeared in his countenance, when he met her, told that he brought back the same ardour of passion, which had formerly banished him from Chateau-le-Blanc. He was received with reserve by Emily, and with pleasure by the Count, who presented him to her with a smile, that seemed intended to plead his cause, and who did not hope the less for his friend, from the embarrassment she betrayed.

But M. Du Pont, with truer sympathy, seemed to understand her manner, and his countenance quickly lost its vivacity, and sunk into the languor of despondency.

On the following day, however, he sought an opportunity of declaring the purport of his visit, and renewed his suit; a declaration, which was received with real concern by Emily, who endeavoured to lessen the pain she might inflict by a second rejection, with assurances of esteem and friendship; yet she left him in a state of mind, that claimed and excited her tenderest compassion; and, being more sensible than ever of the impropriety of remaining longer at the chateau, she immediately sought the Count, and communicated to him her intention of returning to the convent.

'My dear Emily,' said he 'I observe, with extreme concern, the illusion you are encouraging—an illusion common to young and sensible minds. Your heart has received a severe shock; you believe you can never entirely recover it, and you will encourage this belief, till the habit of indulging sorrow will subdue the strength of your mind, and discolour your future views with melancholy and regret. Let me dissipate this illusion, and awaken you to a sense of your danger.'

Emily smiled mournfully, 'I know what you would say, my dear sir,' said she, 'and am prepared to answer you. I feel, that my heart can never know a second affection; and that I must never hope even to recover its tranquillity—if I suffer myself to enter into a second engagement.'

'I know, that you feel all this,' replied the Count; 'and I know, also, that time will overcome these feelings, unless you cherish them in solitude, and, pardon me, with romantic tenderness. Then, indeed, time will only confirm habit. I am particularly empowered to speak on this subject, and to sympathize in your sufferings,' added the Count, with an air of solemnity, 'for I have known what it is to love, and to lament the object of my love. Yes,' continued he, while his eyes filled with tears, 'I have suffered!—but those times have passed away—long passed! and I can now look back upon them without emotion.'

'My dear sir,' said Emily, timidly, 'what mean those tears?—they speak, I fear, another language—they plead for me.'

'They are weak tears, for they are useless ones,' replied the Count, drying them, 'I would have you superior to such weakness. These, however, are only faint traces of a grief, which, if it had not been opposed by long continued effort, might have led me to the verge of madness! Judge, then, whether I have not cause to warn you of an indulgence, which may produce so terrible an effect, and which must certainly, if not opposed, overcloud the years, that otherwise might be happy. M. Du Pont is a sensible and amiable man, who has long been tenderly attached to you; his family and fortune are unexceptionable;—after what I have said, it is unnecessary to add, that I should rejoice in your felicity, and that I think M. Du Pont would promote it. Do not weep, Emily,' continued the Count, taking her hand, 'there IS happiness reserved for you.'

He was silent a moment; and then added, in a firmer voice, 'I do not wish, that you should make a violent effort to overcome your feelings; all I, at present, ask, is, that you will check the thoughts, that would lead you to a remembrance of the past; that you will suffer your mind to be engaged by present objects; that you will allow yourself to believe it possible you may yet be happy; and that you will sometimes think with complacency of poor Du Pont, and not condemn him to the state of despondency, from which, my dear Emily, I am endeavouring to withdraw you.'

'Ah! my dear sir,' said Emily, while her tears still fell, 'do not suffer the benevolence of your wishes to mislead Mons. Du Pont with an expectation that I can ever accept his hand. If I understand my own heart, this never can be; your instruction I can obey in almost every other particular, than that of adopting a contrary belief.'

'Leave me to understand your heart,' replied the Count, with a faint smile. 'If you pay me the compliment to be guided by my advice in other instances, I will pardon your incredulity, respecting your future conduct towards Mons. Du Pont. I will not even press you to remain longer at the chateau than your own satisfaction will permit; but though I forbear to oppose your present retirement, I shall urge the claims of friendship for your future visits.'

Tears of gratitude mingled with those of tender regret, while Emily thanked the Count for the many instances of friendship she had received from him; promised to be directed by his advice upon every subject but one, and assured him of the pleasure, with which she should, at some future period, accept the invitation of the Countess and himself—If Mons. Du Pont was not at the chateau.

The Count smiled at this condition. 'Be it so,' said he, 'meanwhile the convent is so near the chateau, that my daughter and I shall often visit you; and if, sometimes, we should dare to bring you another visitor—will you forgive us?'

Emily looked distressed, and remained silent.

'Well,' rejoined the Count, 'I will pursue this subject no further, and must now entreat your forgiveness for having pressed it thus far. You will, however, do me the justice to believe, that I have been urged only by a sincere regard for your happiness, and that of my amiable friend Mons. Du Pont.'

Emily, when she left the Count, went to mention her intended departure to the Countess, who opposed it with polite expressions of regret; after which, she sent a note to acquaint the lady abbess, that she should return to the convent; and thither she withdrew on the evening of the following day. M. Du Pont, in extreme regret, saw her depart, while the Count endeavoured to cheer him with a hope, that Emily would sometimes regard him with a more favourable eye.

She was pleased to find herself once more in the tranquil retirement of the convent, where she experienced a renewal of all the maternal kindness of the abbess, and of the sisterly attentions of the nuns. A report of the late extraordinary occurrence at the chateau had already reached them, and, after supper, on the evening of her arrival, it was the subject of conversation in the convent parlour, where she was requested to mention some particulars of that unaccountable event. Emily was guarded in her conversation on this subject, and briefly related a few circumstances concerning Ludovico, whose disappearance, her auditors almost unanimously agreed, had been effected by supernatural means.

'A belief had so long prevailed,' said a nun, who was called sister Frances, 'that the chateau was haunted, that I was surprised, when I heard the Count had the temerity to inhabit it. Its former possessor, I fear, had some deed of conscience to atone for; let us hope, that the virtues of its present owner will preserve him from the punishment due to the errors of the last, if, indeed, he was a criminal.'

'Of what crime, then, was he suspected?' said a Mademoiselle Feydeau, a boarder at the convent.

'Let us pray for his soul!' said a nun, who had till now sat in silent attention. 'If he was criminal, his punishment in this world was sufficient.'

There was a mixture of wildness and solemnity in her manner of delivering this, which struck Emily exceedingly; but Mademoiselle repeated her question, without noticing the solemn eagerness of the nun.

'I dare not presume to say what was his crime,' replied sister Frances; 'but I have heard many reports of an extraordinary nature, respecting the late Marquis de Villeroi, and among others, that, soon after the death of his lady, he quitted Chateau-le-Blanc, and never afterwards returned to it. I was not here at the time, so I can only mention it from report, and so many years have passed since the Marchioness died, that few of our sisterhood, I believe, can do more.'

'But I can,' said the nun, who had before spoke, and whom they called sister Agnes.

'You then,' said Mademoiselle Feydeau, 'are possibly acquainted with circumstances, that enable you to judge, whether he was criminal or not, and what was the crime imputed to him.'

'I am,' replied the nun; 'but who shall dare to scrutinize my thoughts—who shall dare to pluck out my opinion? God only is his judge, and to that judge he is gone!'

Emily looked with surprise at sister Frances, who returned her a significant glance.

'I only requested your opinion,' said Mademoiselle Feydeau, mildly; 'if the subject is displeasing to you, I will drop it.'

'Displeasing!'—said the nun, with emphasis.—'We are idle talkers; we do not weigh the meaning of the words we use; DISPLEASING is a poor word. I will go pray.' As she said this she rose from her seat, and with a profound sigh quitted the room.

'What can be the meaning of this?' said Emily, when she was gone.

'It is nothing extraordinary,' replied sister Frances, 'she is often thus; but she had no meaning in what she says. Her intellects are at times deranged. Did you never see her thus before?'

'Never,' said Emily. 'I have, indeed, sometimes, thought, that there was the melancholy of madness in her look, but never before perceived it in her speech. Poor soul, I will pray for her!'

'Your prayers then, my daughter, will unite with ours,' observed the lady abbess, 'she has need of them.'

'Dear lady,' said Mademoiselle Feydeau, addressing the abbess, 'what is your opinion of the late Marquis? The strange circumstances, that have occurred at the chateau, have so much awakened my curiosity, that I shall be pardoned the question. What was his imputed crime, and what the punishment, to which sister Agnes alluded?'

'We must be cautious of advancing our opinion,' said the abbess, with an air of reserve, mingled with solemnity, 'we must be cautious of advancing our opinion on so delicate a subject. I will not take upon me to pronounce, that the late Marquis was criminal, or to say what was the crime of which he was suspected; but, concerning the punishment our daughter Agnes hinted, I know of none he suffered. She probably alluded to the severe one, which an exasperated conscience can inflict. Beware, my children, of incurring so terrible a punishment—it is the purgatory of this life! The late Marchioness I knew well; she was a pattern to such as live in the world; nay, our sacred order need not have blushed to copy her virtues! Our holy convent received her mortal part; her heavenly spirit, I doubt not, ascended to its sanctuary!'

As the abbess spoke this, the last bell of vespers struck up, and she rose. 'Let us go, my children,' said she, 'and intercede for the wretched; let us go and confess our sins, and endeavour to purify our souls for the heaven, to which SHE is gone!'

Emily was affected by the solemnity of this exhortation, and, remembering her father, 'The heaven, to which HE, too, is gone!' said she, faintly, as she suppressed her sighs, and followed the abbess and the nuns to the chapel.





 

CHAPTER VIII 

 Be thou a spirit of health, or goblin damn'd,
 Bring with thee airs from heaven, or blasts from hell,
 Be thy intents wicked, or charitable,

 I will speak to thee.
     HAMLET

Count de Villefort, at length, received a letter from the advocate at Avignon, encouraging Emily to assert her claim to the estates of the late Madame Montoni; and, about the same time, a messenger arrived from Monsieur Quesnel with intelligence, that made an appeal to the law on this subject unnecessary, since it appeared, that the only person, who could have opposed her claim, was now no more. A friend of Monsieur Quesnel, who resided at Venice, had sent him an account of the death of Montoni who had been brought to trial with Orsino, as his supposed accomplice in the murder of the Venetian nobleman. Orsino was found guilty, condemned and executed upon the wheel, but, nothing being discovered to criminate Montoni, and his colleagues, on this charge, they were all released, except Montoni, who, being considered by the senate as a very dangerous person, was, for other reasons, ordered again into confinement, where, it was said, he had died in a doubtful and mysterious manner, and not without suspicion of having been poisoned. The authority, from which M. Quesnel had received this information, would not allow him to doubt its truth, and he told Emily, that she had now only to lay claim to the estates of her late aunt, to secure them, and added, that he would himself assist in the necessary forms of this business. The term, for which La Vallee had been let being now also nearly expired, he acquainted her with the circumstance, and advised her to take the road thither, through Tholouse, where he promised to meet her, and where it would be proper for her to take possession of the estates of the late Madame Montoni; adding, that he would spare her any difficulties, that might occur on that occasion from the want of knowledge on the subject, and that he believed it would be necessary for her to be at Tholouse, in about three weeks from the present time.

An increase of fortune seemed to have awakened this sudden kindness in M. Quesnel towards his niece, and it appeared, that he entertained more respect for the rich heiress, than he had ever felt compassion for the poor and unfriended orphan.

The pleasure, with which she received this intelligence, was clouded when she considered, that he, for whose sake she had once regretted the want of fortune, was no longer worthy of sharing it with her; but, remembering the friendly admonition of the Count, she checked this melancholy reflection, and endeavoured to feel only gratitude for the unexpected good, that now attended her; while it formed no inconsiderable part of her satisfaction to know, that La Vallee, her native home, which was endeared to her by it's having been the residence of her parents, would soon be restored to her possession. There she meant to fix her future residence, for, though it could not be compared with the chateau at Tholouse, either for extent, or magnificence, its pleasant scenes and the tender remembrances, that haunted them, had claims upon her heart, which she was not inclined to sacrifice to ostentation. She wrote immediately to thank M. Quesnel for the active interest he took in her concerns, and to say, that she would meet him at Tholouse at the appointed time.

When Count de Villefort, with Blanche, came to the convent to give Emily the advice of the advocate, he was informed of the contents of M. Quesnel's letter, and gave her his sincere congratulations, on the occasion; but she observed, that, when the first expression of satisfaction had faded from his countenance, an unusual gravity succeeded, and she scarcely hesitated to enquire its cause.

'It has no new occasion,' replied the Count; 'I am harassed and perplexed by the confusion, into which my family is thrown by their foolish superstition. Idle reports are floating round me, which I can neither admit to be true, or prove to be false; and I am, also, very anxious about the poor fellow, Ludovico, concerning whom I have not been able to obtain information. Every part of the chateau and every part of the neighbourhood, too, has, I believe, been searched, and I know not what further can be done, since I have already offered large rewards for the discovery of him. The keys of the north apartment I have not suffered to be out of my possession, since he disappeared, and I mean to watch in those chambers, myself, this very night.'

Emily, seriously alarmed for the Count, united her entreaties with those of the Lady Blanche, to dissuade him from his purpose.

'What should I fear?' said he. 'I have no faith in supernatural combats, and for human opposition I shall be prepared; nay, I will even promise not to watch alone.'

'But who, dear sir, will have courage enough to watch with you?' said Emily.

'My son,' replied the Count. 'If I am not carried off in the night,' added he, smiling, 'you shall hear the result of my adventure, tomorrow.'

The Count and Lady Blanche, shortly afterwards, took leave of Emily, and returned to the chateau, where he informed Henri of his intention, who, not without some secret reluctance, consented to be the partner of his watch; and, when the design was mentioned after supper, the Countess was terrified, and the Baron, and M. Du Pont joined with her in entreating, that he would not tempt his fate, as Ludovico had done. 'We know not,' added the Baron, 'the nature, or the power of an evil spirit; and that such a spirit haunts those chambers can now, I think, scarcely be doubted. Beware, my lord, how you provoke its vengeance, since it has already given us one terrible example of its malice. I allow it may be probable, that the spirits of the dead are permitted to return to the earth only on occasions of high import; but the present import may be your destruction.'

The Count could not forbear smiling; 'Do you think then, Baron,' said he, 'that my destruction is of sufficient importance to draw back to earth the soul of the departed? Alas! my good friend, there is no occasion for such means to accomplish the destruction of any individual. Wherever the mystery rests, I trust I shall, this night, be able to detect it. You know I am not superstitious.'

'I know that you are incredulous,' interrupted the Baron.

'Well, call it what you will, I mean to say, that, though you know I am free from superstition—if any thing supernatural has appeared, I doubt not it will appear to me, and if any strange event hangs over my house, or if any extraordinary transaction has formerly been connected with it, I shall probably be made acquainted with it. At all events I will invite discovery; and, that I may be equal to a mortal attack, which in good truth, my friend, is what I most expect, I shall take care to be well armed.'

The Count took leave of his family, for the night, with an assumed gaiety, which but ill concealed the anxiety, that depressed his spirits, and retired to the north apartments, accompanied by his son and followed by the Baron, M. Du Pont and some of the domestics, who all bade him good night at the outer door. In these chambers every thing appeared as when he had last been here; even in the bed-room no alteration was visible, where he lighted his own fire, for none of the domestics could be prevailed upon to venture thither. After carefully examining the chamber and the oriel, the Count and Henri drew their chairs upon the hearth, set a bottle of wine and a lamp before them, laid their swords upon the table, and, stirring the wood into a blaze, began to converse on indifferent topics. But Henri was often silent and abstracted, and sometimes threw a glance of mingled awe and curiosity round the gloomy apartment; while the Count gradually ceased to converse, and sat either lost in thought, or reading a volume of Tacitus, which he had brought to beguile the tediousness of the night.





 

CHAPTER IV 

 Give thy thoughts no tongue.
     SHAKESPEARE

The Baron St. Foix, whom anxiety for his friend had kept awake, rose early to enquire the event of the night, when, as he passed the Count's closet, hearing steps within, he knocked at the door, and it was opened by his friend himself. Rejoicing to see him in safety, and curious to learn the occurrences of the night, he had not immediately leisure to observe the unusual gravity, that overspread the features of the Count, whose reserved answers first occasioned him to notice it. The Count, then smiling, endeavoured to treat the subject of his curiosity with levity, but the Baron was serious, and pursued his enquiries so closely, that the Count, at length, resuming his gravity, said, 'Well, my friend, press the subject no further, I entreat you; and let me request also, that you will hereafter be silent upon any thing you may think extraordinary in my future conduct. I do not scruple to tell you, that I am unhappy, and that the watch of the last night has not assisted me to discover Ludovico; upon every occurrence of the night you must excuse my reserve.'

'But where is Henri?' said the Baron, with surprise and disappointment at this denial.

'He is well in his own apartment,' replied the Count. 'You will not question him on this topic, my friend, since you know my wish.'

'Certainly not,' said the Baron, somewhat chagrined, 'since it would be displeasing to you; but methinks, my friend, you might rely on my discretion, and drop this unusual reserve. However, you must allow me to suspect, that you have seen reason to become a convert to my system, and are no longer the incredulous knight you lately appeared to be.'

'Let us talk no more upon this subject,' said the Count; 'you may be assured, that no ordinary circumstance has imposed this silence upon me towards a friend, whom I have called so for near thirty years; and my present reserve cannot make you question either my esteem, or the sincerity of my friendship.'

'I will not doubt either,' said the Baron, 'though you must allow me to express my surprise, at this silence.'

'To me I will allow it,' replied the Count, 'but I earnestly entreat that you will forbear to notice it to my family, as well as every thing remarkable you may observe in my conduct towards them.'

The Baron readily promised this, and, after conversing for some time on general topics, they descended to the breakfast-room, where the Count met his family with a cheerful countenance, and evaded their enquiries by employing light ridicule, and assuming an air of uncommon gaiety, while he assured them, that they need not apprehend any evil from the north chambers, since Henri and himself had been permitted to return from them in safety.

Henri, however, was less successful in disguising his feelings. From his countenance an expression of terror was not entirely faded; he was often silent and thoughtful, and when he attempted to laugh at the eager enquiries of Mademoiselle Bearn, it was evidently only an attempt.

In the evening, the Count called, as he had promised, at the convent, and Emily was surprised to perceive a mixture of playful ridicule and of reserve in his mention of the north apartment. Of what had occurred there, however, he said nothing, and, when she ventured to remind him of his promise to tell her the result of his enquiries, and to ask if he had received any proof, that those chambers were haunted, his look became solemn, for a moment, then, seeming to recollect himself, he smiled, and said, 'My dear Emily, do not suffer my lady abbess to infect your good understanding with these fancies; she will teach you to expect a ghost in every dark room. But believe me,' added he, with a profound sigh, 'the apparition of the dead comes not on light, or sportive errands, to terrify, or to surprise the timid.' He paused, and fell into a momentary thoughtfulness, and then added, 'We will say no more on this subject.'

Soon after, he took leave, and, when Emily joined some of the nuns, she was surprised to find them acquainted with a circumstance, which she had carefully avoided to mention, and expressing their admiration of his intrepidity in having dared to pass a night in the apartment, whence Ludovico had disappeared; for she had not considered with what rapidity a tale of wonder circulates. The nuns had acquired their information from peasants, who brought fruit to the monastery, and whose whole attention had been fixed, since the disappearance of Ludovico, on what was passing in the castle.

Emily listened in silence to the various opinions of the nuns, concerning the conduct of the Count, most of whom condemned it as rash and presumptuous, affirming, that it was provoking the vengeance of an evil spirit, thus to intrude upon its haunts.

Sister Frances contended, that the Count had acted with the bravery of a virtuous mind. He knew himself guiltless of aught, that should provoke a good spirit, and did not fear the spells of an evil one, since he could claim the protection of an higher Power, of Him, who can command the wicked, and will protect the innocent.

'The guilty cannot claim that protection!' said sister Agnes, 'let the Count look to his conduct, that he do not forfeit his claim! Yet who is he, that shall dare to call himself innocent!—all earthly innocence is but comparative. Yet still how wide asunder are the extremes of guilt, and to what an horrible depth may we fall! Oh!'—

The nun, as she concluded, uttered a shuddering sigh, that startled Emily, who, looking up, perceived the eyes of Agnes fixed on hers, after which the sister rose, took her hand, gazed earnestly upon her countenance, for some moments, in silence, and then said,

'You are young—you are innocent! I mean you are yet innocent of any great crime!—But you have passions in your heart,—scorpions; they sleep now—beware how you awaken them!—they will sting you, even unto death!'

Emily, affected by these words and by the solemnity, with which they were delivered, could not suppress her tears.

'Ah! is it so?' exclaimed Agnes, her countenance softening from its sternness—'so young, and so unfortunate! We are sisters, then indeed. Yet, there is no bond of kindness among the guilty,' she added, while her eyes resumed their wild expression, 'no gentleness,—no peace, no hope! I knew them all once—my eyes could weep—but now they burn, for now, my soul is fixed, and fearless!—I lament no more!'

'Rather let us repent, and pray,' said another nun. 'We are taught to hope, that prayer and penitence will work our salvation. There is hope for all who repent!'

'Who repent and turn to the true faith,' observed sister Frances.

'For all but me!' replied Agnes solemnly, who paused, and then abruptly added, 'My head burns, I believe I am not well. O! could I strike from my memory all former scenes—the figures, that rise up, like furies, to torment me!—I see them, when I sleep, and, when I am awake, they are still before my eyes! I see them now—now!'

She stood in a fixed attitude of horror, her straining eyes moving slowly round the room, as if they followed something. One of the nuns gently took her hand, to lead her from the parlour. Agnes became calm, drew her other hand across her eyes, looked again, and, sighing deeply, said, 'They are gone—they are gone! I am feverish, I know not what I say. I am thus, sometimes, but it will go off again, I shall soon be better. Was not that the vesper-bell?'

'No,' replied Frances, 'the evening service is passed. Let Margaret lead you to your cell.'

'You are right,' replied sister Agnes, 'I shall be better there. Good night, my sisters, remember me in your orisons.'

When they had withdrawn, Frances, observing Emily's emotion, said, 'Do not be alarmed, our sister is often thus deranged, though I have not lately seen her so frantic; her usual mood is melancholy. This fit has been coming on, for several days; seclusion and the customary treatment will restore her.'

'But how rationally she conversed, at first!' observed Emily, 'her ideas followed each other in perfect order.'

'Yes,' replied the nun, 'this is nothing new; nay, I have sometimes known her argue not only with method, but with acuteness, and then, in a moment, start off into madness.'

'Her conscience seems afflicted,' said Emily, 'did you ever hear what circumstance reduced her to this deplorable condition?'

'I have,' replied the nun, who said no more till Emily repeated the question, when she added in a low voice, and looking significantly towards the other boarders, 'I cannot tell you now, but, if you think it worth your while, come to my cell, to-night, when our sisterhood are at rest, and you shall hear more; but remember we rise to midnight prayers, and come either before, or after midnight.'

Emily promised to remember, and, the abbess soon after appearing, they spoke no more of the unhappy nun.

The Count meanwhile, on his return home, had found M. Du Pont in one of those fits of despondency, which his attachment to Emily frequently occasioned him, an attachment, that had subsisted too long to be easily subdued, and which had already outlived the opposition of his friends. M. Du Pont had first seen Emily in Gascony, during the lifetime of his parent, who, on discovering his son's partiality for Mademoiselle St. Aubert, his inferior in point of fortune, forbade him to declare it to her family, or to think of her more. During the life of his father, he had observed the first command, but had found it impracticable to obey the second, and had, sometimes, soothed his passion by visiting her favourite haunts, among which was the fishing-house, where, once or twice, he addressed her in verse, concealing his name, in obedience to the promise he had given his father. There too he played the pathetic air, to which she had listened with such surprise and admiration; and there he found the miniature, that had since cherished a passion fatal to his repose. During his expedition into Italy, his father died; but he received his liberty at a moment, when he was the least enabled to profit by it, since the object, that rendered it most valuable, was no longer within the reach of his vows. By what accident he discovered Emily, and assisted to release her from a terrible imprisonment, has already appeared, and also the unavailing hope, with which he then encouraged his love, and the fruitless efforts, that he had since made to overcome it.

The Count still endeavoured, with friendly zeal, to sooth him with a belief, that patience, perseverance and prudence would finally obtain for him happiness and Emily: 'Time,' said he, 'will wear away the melancholy impression, which disappointment has left on her mind, and she will be sensible of your merit. Your services have already awakened her gratitude, and your sufferings her pity; and trust me, my friend, in a heart so sensible as hers, gratitude and pity lead to love. When her imagination is rescued from its present delusion, she will readily accept the homage of a mind like yours.'

Du Pont sighed, while he listened to these words; and, endeavouring to hope what his friend believed, he willingly yielded to an invitation to prolong his visit at the chateau, which we now leave for the monastery of St. Claire.

When the nuns had retired to rest, Emily stole to her appointment with sister Frances, whom she found in her cell, engaged in prayer, before a little table, where appeared the image she was addressing, and, above, the dim lamp that gave light to the place. Turning her eyes, as the door opened, she beckoned to Emily to come in, who, having done so, seated herself in silence beside the nun's little mattress of straw, till her orisons should conclude. The latter soon rose from her knees, and, taking down the lamp and placing it on the table, Emily perceived there a human scull and bones, lying beside an hour-glass; but the nun, without observing her emotion, sat down on the mattress by her, saying, 'Your curiosity, sister, has made you punctual, but you have nothing remarkable to hear in the history of poor Agnes, of whom I avoided to speak in the presence of my lay-sisters, only because I would not publish her crime to them.'

'I shall consider your confidence in me as a favour,' said Emily, 'and will not misuse it.'

'Sister Agnes,' resumed the nun, 'is of a noble family, as the dignity of her air must already have informed you, but I will not dishonour their name so much as to reveal it. Love was the occasion of her crime and of her madness. She was beloved by a gentleman of inferior fortune, and her father, as I have heard, bestowing her on a nobleman, whom she disliked, an ill-governed passion proved her destruction.—Every obligation of virtue and of duty was forgotten, and she prophaned her marriage vows; but her guilt was soon detected, and she would have fallen a sacrifice to the vengeance of her husband, had not her father contrived to convey her from his power. By what means he did this, I never could learn; but he secreted her in this convent, where he afterwards prevailed with her to take the veil, while a report was circulated in the world, that she was dead, and the father, to save his daughter, assisted the rumour, and employed such means as induced her husband to believe she had become a victim to his jealousy. You look surprised,' added the nun, observing Emily's countenance; 'I allow the story is uncommon, but not, I believe, without a parallel.'

'Pray proceed,' said Emily, 'I am interested.'

'The story is already told,' resumed the nun, 'I have only to mention, that the long struggle, which Agnes suffered, between love, remorse and a sense of the duties she had taken upon herself in becoming of our order, at length unsettled her reason. At first, she was frantic and melancholy by quick alternatives; then, she sunk into a deep and settled melancholy, which still, however, has, at times, been interrupted by fits of wildness, and, of late, these have again been frequent.'

Emily was affected by the history of the sister, some parts of whose story brought to her remembrance that of the Marchioness de Villeroi, who had also been compelled by her father to forsake the object of her affections, for a nobleman of his choice; but, from what Dorothee had related, there appeared no reason to suppose, that she had escaped the vengeance of a jealous husband, or to doubt for a moment the innocence of her conduct. But Emily, while she sighed over the misery of the nun, could not forbear shedding a few tears to the misfortunes of the Marchioness; and, when she returned to the mention of sister Agnes, she asked Frances if she remembered her in her youth, and whether she was then beautiful.

'I was not here at the time, when she took the vows,' replied Frances, 'which is so long ago, that few of the present sisterhood, I believe, were witnesses of the ceremony; nay, ever our lady mother did not then preside over the convent: but I can remember, when sister Agnes was a very beautiful woman. She retains that air of high rank, which always distinguished her, but her beauty, you must perceive, is fled; I can scarcely discover even a vestige of the loveliness, that once animated her features.'

'It is strange,' said Emily, 'but there are moments, when her countenance has appeared familiar to my memory! You will think me fanciful, and I think myself so, for I certainly never saw sister Agnes, before I came to this convent, and I must, therefore, have seen some person, whom she strongly resembles, though of this I have no recollection.'

'You have been interested by the deep melancholy of her countenance,' said Frances, 'and its impression has probably deluded your imagination; for I might as reasonably think I perceive a likeness between you and Agnes, as you, that you have seen her any where but in this convent, since this has been her place of refuge, for nearly as many years as make your age.'

'Indeed!' said Emily.

'Yes,' rejoined Frances, 'and why does that circumstance excite your surprise?'

Emily did not appear to notice this question, but remained thoughtful, for a few moments, and then said, 'It was about that same period that the Marchioness de Villeroi expired.'

'That is an odd remark,' said Frances.

Emily, recalled from her reverie, smiled, and gave the conversation another turn, but it soon came back to the subject of the unhappy nun, and Emily remained in the cell of sister Frances, till the mid-night bell aroused her; when, apologizing for having interrupted the sister's repose, till this late hour, they quitted the cell together. Emily returned to her chamber, and the nun, bearing a glimmering taper, went to her devotion in the chapel.

Several days followed, during which Emily saw neither the Count, or any of his family; and, when, at length, he appeared, she remarked, with concern, that his air was unusually disturbed.

'My spirits are harassed,' said he, in answer to her anxious enquiries, 'and I mean to change my residence, for a little while, an experiment, which, I hope, will restore my mind to its usual tranquillity. My daughter and myself will accompany the Baron St. Foix to his chateau. It lies in a valley of the Pyrenees, that opens towards Gascony, and I have been thinking, Emily, that, when you set out for La Vallee, we may go part of the way together; it would be a satisfaction to me to guard you towards your home.'

She thanked the Count for his friendly consideration, and lamented, that the necessity for her going first to Tholouse would render this plan impracticable. 'But, when you are at the Baron's residence,' she added, 'you will be only a short journey from La Vallee, and I think, sir, you will not leave the country without visiting me; it is unnecessary to say with what pleasure I should receive you and the Lady Blanche.'

'I do not doubt it,' replied the Count, 'and I will not deny myself and Blanche the pleasure of visiting you, if your affairs should allow you to be at La Vallee, about the time when we can meet you there.'

When Emily said that she should hope to see the Countess also, she was not sorry to learn that this lady was going, accompanied by Mademoiselle Bearn, to pay a visit, for a few weeks, to a family in lower Languedoc.

The Count, after some further conversation on his intended journey and on the arrangement of Emily's, took leave; and many days did not succeed this visit, before a second letter from M. Quesnel informed her, that he was then at Tholouse, that La Vallee was at liberty, and that he wished her to set off for the former place, where he awaited her arrival, with all possible dispatch, since his own affairs pressed him to return to Gascony. Emily did not hesitate to obey him, and, having taken an affecting leave of the Count's family, in which M. Du Pont was still included, and of her friends at the convent, she set out for Tholouse, attended by the unhappy Annette, and guarded by a steady servant of the Count.





 

CHAPTER X 

 Lull'd in the countless chambers of the brain,
 Our thoughts are link'd by many a hidden chain:
 Awake but one, and lo! what myriads rise!
 Each stamps its image as the other flies!
     PLEASURES OF MEMORY

Emily pursued her journey, without any accident, along the plains of Languedoc towards the north-west; and, on this her return to Tholouse, which she had last left with Madame Montoni, she thought much on the melancholy fate of her aunt, who, but for her own imprudence, might now have been living in happiness there! Montoni, too, often rose to her fancy, such as she had seen him in his days of triumph, bold, spirited and commanding; such also as she had since beheld him in his days of vengeance; and now, only a few short months had passed—and he had no longer the power, or the will to afflict;—he had become a clod of earth, and his life was vanished like a shadow! Emily could have wept at his fate, had she not remembered his crimes; for that of her unfortunate aunt she did weep, and all sense of her errors was overcome by the recollection of her misfortunes.

Other thoughts and other emotions succeeded, as Emily drew near the well-known scenes of her early love, and considered, that Valancourt was lost to her and to himself, for ever. At length, she came to the brow of the hill, whence, on her departure for Italy, she had given a farewell look to this beloved landscape, amongst whose woods and fields she had so often walked with Valancourt, and where he was then to inhabit, when she would be far, far away! She saw, once more, that chain of the Pyrenees, which overlooked La Vallee, rising, like faint clouds, on the horizon. 'There, too, is Gascony, extended at their feet!' said she, 'O my father,—my mother! And there, too, is the Garonne!' she added, drying the tears, that obscured her sight,—'and Tholouse, and my aunt's mansion—and the groves in her garden!—O my friends! are ye all lost to me—must I never, never see ye more!' Tears rushed again to her eyes, and she continued to weep, till an abrupt turn in the road had nearly occasioned the carriage to overset, when, looking up, she perceived another part of the well-known scene around Tholouse, and all the reflections and anticipations, which she had suffered, at the moment, when she bade it last adieu, came with recollected force to her heart. She remembered how anxiously she had looked forward to the futurity, which was to decide her happiness concerning Valancourt, and what depressing fears had assailed her; the very words she had uttered, as she withdrew her last look from the prospect, came to her memory. 'Could I but be certain,' she had then said, 'that I should ever return, and that Valancourt would still live for me—I should go in peace!'

Now, that futurity, so anxiously anticipated, was arrived, she was returned—but what a dreary blank appeared!—Valancourt no longer lived for her! She had no longer even the melancholy satisfaction of contemplating his image in her heart, for he was no longer the same Valancourt she had cherished there—the solace of many a mournful hour, the animating friend, that had enabled her to bear up against the oppression of Montoni—the distant hope, that had beamed over her gloomy prospect! On perceiving this beloved idea to be an illusion of her own creation, Valancourt seemed to be annihilated, and her soul sickened at the blank, that remained. His marriage with a rival, even his death, she thought she could have endured with more fortitude, than this discovery; for then, amidst all her grief, she could have looked in secret upon the image of goodness, which her fancy had drawn of him, and comfort would have mingled with her suffering!

Drying her tears, she looked, once more, upon the landscape, which had excited them, and perceived, that she was passing the very bank, where she had taken leave of Valancourt, on the morning of her departure from Tholouse, and she now saw him, through her returning tears, such as he had appeared, when she looked from the carriage to give him a last adieu—saw him leaning mournfully against the high trees, and remembered the fixed look of mingled tenderness and anguish, with which he had then regarded her. This recollection was too much for her heart, and she sunk back in the carriage, nor once looked up, till it stopped at the gates of what was now her own mansion.

These being opened, and by the servant, to whose care the chateau had been entrusted, the carriage drove into the court, where, alighting, she hastily passed through the great hall, now silent and solitary, to a large oak parlour, the common sitting room of the late Madame Montoni, where, instead of being received by M. Quesnel, she found a letter from him, informing her that business of consequence had obliged him to leave Tholouse two days before. Emily was, upon the whole, not sorry to be spared his presence, since his abrupt departure appeared to indicate the same indifference, with which he had formerly regarded her. This letter informed her, also, of the progress he had made in the settlement of her affairs, and concluded with directions, concerning the forms of some business, which remained for her to transact. But M. Quesnel's unkindness did not long occupy her thoughts, which returned the remembrance of the persons she had been accustomed to see in this mansion, and chiefly of the ill-guided and unfortunate Madame Montoni. In the room, where she now sat, she had breakfasted with her on the morning of their departure for Italy; and the view of it brought most forcibly to her recollection all she had herself suffered, at that time, and the many gay expectations, which her aunt had formed, respecting the journey before her. While Emily's mind was thus engaged, her eyes wandered unconsciously to a large window, that looked upon the garden, and here new memorials of the past spoke to her heart, for she saw extended before her the very avenue, in which she had parted with Valancourt, on the eve of her journey; and all the anxiety, the tender interest he had shewn, concerning her future happiness, his earnest remonstrances against her committing herself to the power of Montoni, and the truth of his affection, came afresh to her memory. At this moment, it appeared almost impossible, that Valancourt could have become unworthy of her regard, and she doubted all that she had lately heard to his disadvantage, and even his own words, which had confirmed Count De Villefort's report of him. Overcome by the recollections, which the view of this avenue occasioned, she turned abruptly from the window, and sunk into a chair beside it, where she sat, given up to grief, till the entrance of Annette, with coffee, aroused her.

'Dear madam, how melancholy this place looks now,' said Annette, 'to what it used to do! It is dismal coming home, when there is nobody to welcome one!'

This was not the moment, in which Emily could bear the remark; her tears fell again, and, as soon as she had taken the coffee, she retired to her apartment, where she endeavoured to repose her fatigued spirits. But busy memory would still supply her with the visions of former times: she saw Valancourt interesting and benevolent, as he had been wont to appear in the days of their early love, and, amidst the scenes, where she had believed that they should sometimes pass their years together!—but, at length, sleep closed these afflicting scenes from her view.

On the following morning, serious occupation recovered her from such melancholy reflections; for, being desirous of quitting Tholouse, and of hastening on to La Vallee, she made some enquiries into the condition of the estate, and immediately dispatched a part of the necessary business concerning it, according to the directions of Mons. Quesnel. It required a strong effort to abstract her thoughts from other interests sufficiently to attend to this, but she was rewarded for her exertions by again experiencing, that employment is the surest antidote to sorrow.

This day was devoted entirely to business; and, among other concerns, she employed means to learn the situation of all her poor tenants, that she might relieve their wants, or confirm their comforts.

In the evening, her spirits were so much strengthened, that she thought she could bear to visit the gardens, where she had so often walked with Valancourt; and, knowing, that, if she delayed to do so, their scenes would only affect her the more, whenever they should be viewed, she took advantage of the present state of her mind, and entered them.

Passing hastily the gate leading from the court into the gardens, she hurried up the great avenue, scarcely permitting her memory to dwell for a moment on the circumstance of her having here parted with Valancourt, and soon quitted this for other walks less interesting to her heart. These brought her, at length, to the flight of steps, that led from the lower garden to the terrace, on seeing which, she became agitated, and hesitated whether to ascend, but, her resolution returning, she proceeded.

'Ah!' said Emily, as she ascended, 'these are the same high trees, that used to wave over the terrace, and these the same flowery thickets—the liburnum, the wild rose, and the cerinthe—which were wont to grow beneath them! Ah! and there, too, on that bank, are the very plants, which Valancourt so carefully reared!—O, when last I saw them!'—she checked the thought, but could not restrain her tears, and, after walking slowly on for a few moments, her agitation, upon the view of this well-known scene, increased so much, that she was obliged to stop, and lean upon the wall of the terrace. It was a mild, and beautiful evening. The sun was setting over the extensive landscape, to which his beams, sloping from beneath a dark cloud, that overhung the west, gave rich and partial colouring, and touched the tufted summits of the groves, that rose from the garden below, with a yellow gleam. Emily and Valancourt had often admired together this scene, at the same hour; and it was exactly on this spot, that, on the night preceding her departure for Italy, she had listened to his remonstrances against the journey, and to the pleadings of passionate affection. Some observations, which she made on the landscape, brought this to her remembrance, and with it all the minute particulars of that conversation;—the alarming doubts he had expressed concerning Montoni, doubts, which had since been fatally confirmed; the reasons and entreaties he had employed to prevail with her to consent to an immediate marriage; the tenderness of his love, the paroxysms of this grief, and the conviction that he had repeatedly expressed, that they should never meet again in happiness! All these circumstances rose afresh to her mind, and awakened the various emotions she had then suffered. Her tenderness for Valancourt became as powerful as in the moments, when she thought, that she was parting with him and happiness together, and when the strength of her mind had enabled her to triumph over present suffering, rather than to deserve the reproach of her conscience by engaging in a clandestine marriage.—'Alas!' said Emily, as these recollections came to her mind, 'and what have I gained by the fortitude I then practised?—am I happy now?—He said, we should meet no more in happiness; but, O! he little thought his own misconduct would separate us, and lead to the very evil he then dreaded!'

Her reflections increased her anguish, while she was compelled to acknowledge, that the fortitude she had formerly exerted, if it had not conducted her to happiness, had saved her from irretrievable misfortune—from Valancourt himself! But in these moments she could not congratulate herself on the prudence, that had saved her; she could only lament, with bitterest anguish, the circumstances, which had conspired to betray Valancourt into a course of life so different from that, which the virtues, the tastes, and the pursuits of his early years had promised; but she still loved him too well to believe, that his heart was even now depraved, though his conduct had been criminal. An observation, which had fallen from M. St. Aubert more than once, now occurred to her. 'This young man,' said he, speaking of Valancourt, 'has never been at Paris;' a remark, that had surprised her at the time it was uttered, but which she now understood, and she exclaimed sorrowfully, 'O Valancourt! if such a friend as my father had been with you at Paris—your noble, ingenuous nature would not have fallen!'

The sun was now set, and, recalling her thoughts from their melancholy subject, she continued her walk; for the pensive shade of twilight was pleasing to her, and the nightingales from the surrounding groves began to answer each other in the long-drawn, plaintive note, which always touched her heart; while all the fragrance of the flowery thickets, that bounded the terrace, was awakened by the cool evening air, which floated so lightly among their leaves, that they scarcely trembled as it passed.

Emily came, at length, to the steps of the pavilion, that terminated the terrace, and where her last interview with Valancourt, before her departure from Tholouse, had so unexpectedly taken place. The door was now shut, and she trembled, while she hesitated whether to open it; but her wish to see again a place, which had been the chief scene of her former happiness, at length overcoming her reluctance to encounter the painful regret it would renew, she entered. The room was obscured by a melancholy shade; but through the open lattices, darkened by the hanging foliage of the vines, appeared the dusky landscape, the Garonne reflecting the evening light, and the west still glowing. A chair was placed near one of the balconies, as if some person had been sitting there, but the other furniture of the pavilion remained exactly as usual, and Emily thought it looked as if it had not once been moved since she set out for Italy. The silent and deserted air of the place added solemnity to her emotions, for she heard only the low whisper of the breeze, as it shook the leaves of the vines, and the very faint murmur of the Garonne.

She seated herself in a chair, near the lattice, and yielded to the sadness of her heart, while she recollected the circumstances of her parting interview with Valancourt, on this spot. It was here too, that she had passed some of the happiest hours of her life with him, when her aunt favoured the connection, for here she had often sat and worked, while he conversed, or read; and she now well remembered with what discriminating judgment, with what tempered energy, he used to repeat some of the sublimest passages of their favourite authors; how often he would pause to admire with her their excellence, and with what tender delight he would listen to her remarks, and correct her taste.

'And is it possible,' said Emily, as these recollections returned—'is it possible, that a mind, so susceptible of whatever is grand and beautiful, could stoop to low pursuits, and be subdued by frivolous temptations?'

She remembered how often she had seen the sudden tear start in his eye, and had heard his voice tremble with emotion, while he related any great or benevolent action, or repeated a sentiment of the same character. 'And such a mind,' said she, 'such a heart, were to be sacrificed to the habits of a great city!'

These recollections becoming too painful to be endured, she abruptly left the pavilion, and, anxious to escape from the memorials of her departed happiness, returned towards the chateau. As she passed along the terrace, she perceived a person, walking, with a slow step, and a dejected air, under the trees, at some distance. The twilight, which was now deep, would not allow her to distinguish who it was, and she imagined it to be one of the servants, till, the sound of her steps seeming to reach him, he turned half round, and she thought she saw Valancourt!

Whoever it was, he instantly struck among the thickets on the left, and disappeared, while Emily, her eyes fixed on the place, whence he had vanished, and her frame trembling so excessively, that she could scarcely support herself, remained, for some moments, unable to quit the spot, and scarcely conscious of existence. With her recollection, her strength returned, and she hurried toward the house, where she did not venture to enquire who had been in the gardens, lest she should betray her emotion; and she sat down alone, endeavouring to recollect the figure, air and features of the person she had just seen. Her view of him, however, had been so transient, and the gloom had rendered it so imperfect, that she could remember nothing with exactness; yet the general appearance of his figure, and his abrupt departure, made her still believe, that this person was Valancourt. Sometimes, indeed, she thought, that her fancy, which had been occupied by the idea of him, had suggested his image to her uncertain sight: but this conjecture was fleeting. If it was himself whom she had seen, she wondered much, that he should be at Tholouse, and more, how he had gained admittance into the garden; but as often as her impatience prompted her to enquire whether any stranger had been admitted, she was restrained by an unwillingness to betray her doubts; and the evening was passed in anxious conjecture, and in efforts to dismiss the subject from her thoughts. But, these endeavours were ineffectual, and a thousand inconsistent emotions assailed her, whenever she fancied that Valancourt might be near her; now, she dreaded it to be true, and now she feared it to be false; and, while she constantly tried to persuade herself, that she wished the person, whom she had seen, might not be Valancourt, her heart as constantly contradicted her reason.

The following day was occupied by the visits of several neighbouring families, formerly intimate with Madame Montoni, who came to condole with Emily on her death, to congratulate her upon the acquisition of these estates, and to enquire about Montoni, and concerning the strange reports they had heard of her own situation; all which was done with the utmost decorum, and the visitors departed with as much composure as they had arrived.

Emily was wearied by these formalities, and disgusted by the subservient manners of many persons, who had thought her scarcely worthy of common attention, while she was believed to be a dependant on Madame Montoni.

'Surely,' said she, 'there is some magic in wealth, which can thus make persons pay their court to it, when it does not even benefit themselves. How strange it is, that a fool or a knave, with riches, should be treated with more respect by the world, than a good man, or a wise man in poverty!'

It was evening, before she was left alone, and she then wished to have refreshed her spirits in the free air of her garden; but she feared to go thither, lest she should meet again the person, whom she had seen on the preceding night, and he should prove to be Valancourt. The suspense and anxiety she suffered, on this subject, she found all her efforts unable to controul, and her secret wish to see Valancourt once more, though unseen by him, powerfully prompted her to go, but prudence and a delicate pride restrained her, and she determined to avoid the possibility of throwing herself in his way, by forbearing to visit the gardens, for several days.

When, after near a week, she again ventured thither, she made Annette her companion, and confined her walk to the lower grounds, but often started as the leaves rustled in the breeze, imagining, that some person was among the thickets; and, at the turn of every alley, she looked forward with apprehensive expectation. She pursued her walk thoughtfully and silently, for her agitation would not suffer her to converse with Annette, to whom, however, thought and silence were so intolerable, that she did not scruple at length to talk to her mistress.

'Dear madam,' said she, 'why do you start so? one would think you knew what has happened.'

'What has happened?' said Emily, in a faltering voice, and trying to command her emotion.

'The night before last, you know, madam'—

'I know nothing, Annette,' replied her lady in a more hurried voice.

'The night before last, madam, there was a robber in the garden.'

'A robber!' said Emily, in an eager, yet doubting tone.

'I suppose he was a robber, madam. What else could he be?'

'Where did you see him, Annette?' rejoined Emily, looking round her, and turning back towards the chateau.

'It was not I that saw him, madam, it was Jean the gardener. It was twelve o'clock at night, and, as he was coming across the court to go the back way into the house, what should he see—but somebody walking in the avenue, that fronts the garden gate! So, with that, Jean guessed how it was, and he went into the house for his gun.'

'His gun!' exclaimed Emily.

'Yes, madam, his gun; and then he came out into the court to watch him. Presently, he sees him come slowly down the avenue, and lean over the garden gate, and look up at the house for a long time; and I warrant he examined it well, and settled what window he should break in at.'

'But the gun,' said Emily—'the gun!'

'Yes, madam, all in good time. Presently, Jean says, the robber opened the gate, and was coming into the court, and then he thought proper to ask him his business: so he called out again, and bade him say who he was, and what he wanted. But the man would do neither; but turned upon his heel, and passed into the garden again. Jean knew then well enough how it was, and so he fired after him.'

'Fired!' exclaimed Emily.

'Yes, madam, fired off his gun; but, Holy Virgin! what makes you look so pale, madam? The man was not killed,—I dare say; but if he was, his comrades carried him off: for, when Jean went in the morning, to look for the body, it was gone, and nothing to be seen but a track of blood on the ground. Jean followed it, that he might find out where the man got into the garden, but it was lost in the grass, and'—

Annette was interrupted: for Emily's spirits died away, and she would have fallen to the ground, if the girl had not caught her, and supported her to a bench, close to them.

When, after a long absence, her senses returned, Emily desired to be led to her apartment; and, though she trembled with anxiety to enquire further on the subject of her alarm, she found herself too ill at present, to dare the intelligence which it was possible she might receive of Valancourt. Having dismissed Annette, that she might weep and think at liberty, she endeavoured to recollect the exact air of the person, whom she had seen on the terrace, and still her fancy gave her the figure of Valancourt. She had, indeed, scarcely a doubt, that it was he whom she had seen, and at whom the gardener had fired: for the manner of the latter person, as described by Annette, was not that of a robber; nor did it appear probable, that a robber would have come alone, to break into a house so spacious as this.

When Emily thought herself sufficiently recovered, to listen to what Jean might have to relate, she sent for him; but he could inform her of no circumstance, that might lead to a knowledge of the person, who had been shot, or of the consequence of the wound; and, after severely reprimanding him, for having fired with bullets, and ordering diligent enquiry to be made in the neighbourhood for the discovery of the wounded person, she dismissed him, and herself remained in the same state of terrible suspense. All the tenderness she had ever felt for Valancourt, was recalled by the sense of his danger; and the more she considered the subject, the more her conviction strengthened, that it was he, who had visited the gardens, for the purpose of soothing the misery of disappointed affection, amidst the scenes of his former happiness.

'Dear madam,' said Annette, when she returned, 'I never saw you so affected before! I dare say the man is not killed.'

Emily shuddered, and lamented bitterly the rashness of the gardener in having fired.

'I knew you would be angry enough about that, madam, or I should have told you before; and he knew so too; for, says he, "Annette, say nothing about this to my lady. She lies on the other side of the house, so did not hear the gun, perhaps; but she would be angry with me, if she knew, seeing there is blood. But then," says he, "how is one to keep the garden clear, if one is afraid to fire at a robber, when one sees him?"'

'No more of this,' said Emily, 'pray leave me.'

Annette obeyed, and Emily returned to the agonizing considerations, that had assailed her before, but which she, at length, endeavoured to sooth by a new remark. If the stranger was Valancourt, it was certain he had come alone, and it appeared, therefore, that he had been able to quit the gardens, without assistance; a circumstance which did not seem probable, had his wound been dangerous. With this consideration, she endeavoured to support herself, during the enquiries, that were making by her servants in the neighbourhood; but day after day came, and still closed in uncertainty, concerning this affair: and Emily, suffering in silence, at length, drooped, and sunk under the pressure of her anxiety. She was attacked by a slow fever, and when she yielded to the persuasion of Annette to send for medical advice, the physicians prescribed little beside air, gentle exercise and amusement: but how was this last to be obtained? She, however, endeavoured to abstract her thoughts from the subject of her anxiety, by employing them in promoting that happiness in others, which she had lost herself; and, when the evening was fine, she usually took an airing, including in her ride the cottages of some of her tenants, on whose condition she made such observations, as often enabled her, unasked, to fulfil their wishes.

Her indisposition and the business she engaged in, relative to this estate, had already protracted her stay at Tholouse, beyond the period she had formerly fixed for her departure to La Vallee; and now she was unwilling to leave the only place, where it seemed possible, that certainty could be obtained on the subject of her distress. But the time was come, when her presence was necessary at La Vallee, a letter from the Lady Blanche now informing her, that the Count and herself, being then at the chateau of the Baron St. Foix, purposed to visit her at La Vallee, on their way home, as soon as they should be informed of her arrival there. Blanche added, that they made this visit, with the hope of inducing her to return with them to Chateau-le-Blanc.

Emily, having replied to the letter of her friend, and said that she should be at La Vallee in a few days, made hasty preparations for the journey; and, in thus leaving Tholouse, endeavoured to support herself with a belief, that, if any fatal accident had happened to Valancourt, she must in this interval have heard of it.

On the evening before her departure, she went to take leave of the terrace and the pavilion. The day had been sultry, but a light shower, that fell just before sun-set, had cooled the air, and given that soft verdure to the woods and pastures, which is so refreshing to the eye; while the rain drops, still trembling on the shrubs, glittered in the last yellow gleam, that lighted up the scene, and the air was filled with fragrance, exhaled by the late shower, from herbs and flowers and from the earth itself. But the lovely prospect, which Emily beheld from the terrace, was no longer viewed by her with delight; she sighed deeply as her eye wandered over it, and her spirits were in a state of such dejection, that she could not think of her approaching return to La Vallee, without tears, and seemed to mourn again the death of her father, as if it had been an event of yesterday. Having reached the pavilion, she seated herself at the open lattice, and, while her eyes settled on the distant mountains, that overlooked Gascony, still gleaming on the horizon, though the sun had now left the plains below, 'Alas!' said she, 'I return to your long-lost scenes, but shall meet no more the parents, that were wont to render them delightful!—no more shall see the smile of welcome, or hear the well-known voice of fondness:—all will now be cold and silent in what was once my happy home.'

Tears stole down her cheek, as the remembrance of what that home had been, returned to her; but, after indulging her sorrow for some time, she checked it, accusing herself of ingratitude in forgetting the friends, that she possessed, while she lamented those that were departed; and she, at length, left the pavilion and the terrace, without having observed a shadow of Valancourt or of any other person.





 

CHAPTER XI 

  Ah happy hills! ah pleasing shade!
 Ah fields belov'd in vain!
 Where once my careless childhood stray'd,
 A stranger yet to pain!
 I feel the gales, that from ye blow,
 A momentary bliss bestow,
 As waving fresh their gladsome wing,
 My weary soul they seem to sooth.
     GRAY

On the following morning, Emily left Tholouse at an early hour, and reached La Vallee about sun-set. With the melancholy she experienced on the review of a place which had been the residence of her parents, and the scene of her earliest delight, was mingled, after the first shock had subsided, a tender and undescribable pleasure. For time had so far blunted the acuteness of her grief, that she now courted every scene, that awakened the memory of her friends; in every room, where she had been accustomed to see them, they almost seemed to live again; and she felt that La Vallee was still her happiest home. One of the first apartments she visited, was that, which had been her father's library, and here she seated herself in his arm-chair, and, while she contemplated, with tempered resignation, the picture of past times, which her memory gave, the tears she shed could scarcely be called those of grief.

Soon after her arrival, she was surprised by a visit from the venerable M. Barreaux, who came impatiently to welcome the daughter of his late respected neighbour, to her long-deserted home. Emily was comforted by the presence of an old friend, and they passed an interesting hour in conversing of former times, and in relating some of the circumstances, that had occurred to each, since they parted.

The evening was so far advanced, when M. Barreaux left Emily, that she could not visit the garden that night; but, on the following morning, she traced its long-regretted scenes with fond impatience; and, as she walked beneath the groves, which her father had planted, and where she had so often sauntered in affectionate conversation with him, his countenance, his smile, even the accents of his voice, returned with exactness to her fancy, and her heart melted to the tender recollections.

This, too, was his favourite season of the year, at which they had often together admired the rich and variegated tints of these woods and the magical effect of autumnal lights upon the mountains; and now, the view of these circumstances made memory eloquent. As she wandered pensively on, she fancied the following address 

 TO AUTUMN

 Sweet Autumn! how thy melancholy grace
 Steals on my heart, as through these shades I wind!
 Sooth'd by thy breathing sigh, I fondly trace
 Each lonely image of the pensive mind!
 Lov'd scenes, lov'd friends—long lost! around me rise,
 And wake the melting thought, the tender tear!
 That tear, that thought, which more than mirth I prize—
 Sweet as the gradual tint, that paints thy year!
 Thy farewel smile, with fond regret, I view,
 Thy beaming lights, soft gliding o'er the woods;
 Thy distant landscape, touch'd with yellow hue
 While falls the lengthen'd gleam; thy winding floods,
 Now veil'd in shade, save where the skiff's white sails
 Swell to the breeze, and catch thy streaming ray.
 But now, e'en now!—the partial vision fails,
 And the wave smiles, as sweeps the cloud away!
 Emblem of life!—Thus checquer'd is its plan,
 Thus joy succeeds to grief—thus smiles the varied man!

One of Emily's earliest enquiries, after her arrival at La Vallee, was concerning Theresa, her father's old servant, whom it may be remembered that M. Quesnel had turned from the house when it was let, without any provision. Understanding that she lived in a cottage at no great distance, Emily walked thither, and, on approaching, was pleased to see, that her habitation was pleasantly situated on a green slope, sheltered by a tuft of oaks, and had an appearance of comfort and extreme neatness. She found the old woman within, picking vine-stalks, who, on perceiving her young mistress, was nearly overcome with joy.

'Ah! my dear young lady!' said she, 'I thought I should never see you again in this world, when I heard you was gone to that outlandish country. I have been hardly used, since you went; I little thought they would have turned me out of my old master's family in my old age!'

Emily lamented the circumstance, and then assured her, that she would make her latter days comfortable, and expressed satisfaction, on seeing her in so pleasant an habitation.

Theresa thanked her with tears, adding, 'Yes, mademoiselle, it is a very comfortable home, thanks to the kind friend, who took me out of my distress, when you was too far off to help me, and placed me here! I little thought!—but no more of that—'

'And who was this kind friend?' said Emily: 'whoever it was, I shall consider him as mine also.'

'Ah, mademoiselle! that friend forbad me to blazon the good deed—I must not say, who it was. But how you are altered since I saw you last! You look so pale now, and so thin, too; but then, there is my old master's smile! Yes, that will never leave you, any more than the goodness, that used to make him smile. Alas-a-day! the poor lost a friend indeed, when he died!'

Emily was affected by this mention of her father, which Theresa observing, changed the subject. 'I heard, mademoiselle,' said she, 'that Madame Cheron married a foreign gentleman, after all, and took you abroad; how does she do?'

Emily now mentioned her death. 'Alas!' said Theresa, 'if she had not been my master's sister, I should never have loved her; she was always so cross. But how does that dear young gentleman do, M. Valancourt? he was an handsome youth, and a good one; is he well, mademoiselle?'

Emily was much agitated.

'A blessing on him!' continued Theresa. 'Ah, my dear young lady, you need not look so shy; I know all about it. Do you think I do not know, that he loves you? Why, when you was away, mademoiselle, he used to come to the chateau and walk about it, so disconsolate! He would go into every room in the lower part of the house, and, sometimes, he would sit himself down in a chair, with his arms across, and his eyes on the floor, and there he would sit, and think, and think, for the hour together. He used to be very fond of the south parlour, because I told him it used to be yours; and there he would stay, looking at the pictures, which I said you drew, and playing upon your lute, that hung up by the window, and reading in your books, till sunset, and then he must go back to his brother's chateau. And then—'

'It is enough, Theresa,' said Emily.—'How long have you lived in this cottage—and how can I serve you? Will you remain here, or return and live with me?'

'Nay, mademoiselle,' said Theresa, 'do not be so shy to your poor old servant. I am sure it is no disgrace to like such a good young gentleman.'

A deep sigh escaped from Emily.

'Ah! how he did love to talk of you! I loved him for that. Nay, for that matter, he liked to hear me talk, for he did not say much himself. But I soon found out what he came to the chateau about. Then, he would go into the garden, and down to the terrace, and sit under that great tree there, for the day together, with one of your books in his hand; but he did not read much, I fancy; for one day I happened to go that way, and I heard somebody talking. Who can be here? says I: I am sure I let nobody into the garden, but the Chevalier. So I walked softly, to see who it could be; and behold! it was the Chevalier himself, talking to himself about you. And he repeated your name, and sighed so! and said he had lost you for ever, for that you would never return for him. I thought he was out in his reckoning there, but I said nothing, and stole away.'

'No more of this trifling,' said Emily, awakening from her reverie: 'it displeases me.'

'But, when M. Quesnel let the chateau, I thought it would have broke the Chevalier's heart.'

'Theresa,' said Emily seriously, 'you must name the Chevalier no more!'

'Not name him, mademoiselle!' cried Theresa: 'what times are come up now? Why, I love the Chevalier next to my old master and you, mademoiselle.'

'Perhaps your love was not well bestowed, then,' replied Emily, trying to conceal her tears; 'but, however that might be, we shall meet no more.'

'Meet no more!—not well bestowed!' exclaimed Theresa. 'What do I hear? No, mademoiselle, my love was well bestowed, for it was the Chevalier Valancourt, who gave me this cottage, and has supported me in my old age, ever since M. Quesnel turned me from my master's house.'

'The Chevalier Valancourt!' said Emily, trembling extremely.

'Yes, mademoiselle, he himself, though he made me promise not to tell; but how could one help, when one heard him ill spoken of? Ah! dear young lady, you may well weep, if you have behaved unkindly to him, for a more tender heart than his never young gentleman had. He found me out in my distress, when you was too far off to help me; and M. Quesnel refused to do so, and bade me go to service again—Alas! I was too old for that!—The Chevalier found me, and bought me this cottage, and gave me money to furnish it, and bade me seek out another poor woman to live with me; and he ordered his brother's steward to pay me, every quarter, that which has supported me in comfort. Think then, mademoiselle, whether I have not reason to speak well of the Chevalier. And there are others, who could have afforded it better than he: and I am afraid he has hurt himself by his generosity, for quarter day is gone by long since, and no money for me! But do not weep so, mademoiselle: you are not sorry surely to hear of the poor Chevalier's goodness?'

'Sorry!' said Emily, and wept the more. 'But how long is it since you have seen him?'

'Not this many a day, mademoiselle.'

'When did you hear of him?' enquired Emily, with increased emotion.

'Alas! never since he went away so suddenly into Languedoc; and he was but just come from Paris then, or I should have seen him, I am sure. Quarter day is gone by long since, and, as I said, no money for me; and I begin to fear some harm has happened to him: and if I was not so far from Estuviere and so lame, I should have gone to enquire before this time; and I have nobody to send so far.'

Emily's anxiety, as to the fate of Valancourt, was now scarcely endurable, and, since propriety would not suffer her to send to the chateau of his brother, she requested that Theresa would immediately hire some person to go to his steward from herself, and, when he asked for the quarterage due to her, to make enquiries concerning Valancourt. But she first made Theresa promise never to mention her name in this affair, or ever with that of the Chevalier Valancourt; and her former faithfulness to M. St. Aubert induced Emily to confide in her assurances. Theresa now joyfully undertook to procure a person for this errand, and then Emily, after giving her a sum of money to supply her with present comforts, returned, with spirits heavily oppressed, to her home, lamenting, more than ever, that an heart, possessed of so much benevolence as Valancourt's, should have been contaminated by the vices of the world, but affected by the delicate affection, which his kindness to her old servant expressed for herself.





 

CHAPTER XII 

  Light thickens, and the crow
 Makes wing to the rooky wood:
 Good things of day begin to droop, and drowze;
 While night's black agents to their preys do rouze.
     MACBETH

Meanwhile Count De Villefort and Lady Blanche had passed a pleasant fortnight at the chateau de St. Foix, with the Baron and Baroness, during which they made frequent excursions among the mountains, and were delighted with the romantic wildness of Pyrenean scenery. It was with regret, that the Count bade adieu to his old friends, although with the hope of being soon united with them in one family; for it was settled that M. St. Foix, who now attended them into Gascony, should receive the hand of the Lady Blanche, upon their arrival at Chateau-le-Blanc. As the road, from the Baron's residence to La Vallee, was over some of the wildest tract of the Pyrenees, and where a carriage-wheel had never passed, the Count hired mules for himself and his family, as well as a couple of stout guides, who were well armed, informed of all the passes of the mountains, and who boasted, too, that they were acquainted with every brake and dingle in the way, could tell the names of all the highest points of this chain of Alps, knew every forest, that spread along their narrow vallies, the shallowest part of every torrent they must cross, and the exact distance of every goat-herd's and hunter's cabin they should have occasion to pass,—which last article of learning required no very capacious memory, for even such simple inhabitants were but thinly scattered over these wilds.

The Count left the chateau de St. Foix, early in the morning, with an intention of passing the night at a little inn upon the mountains, about half way to La Vallee, of which his guides had informed him; and, though this was frequented chiefly by Spanish muleteers, on their route into France, and, of course, would afford only sorry accommodation, the Count had no alternative, for it was the only place like an inn, on the road.

After a day of admiration and fatigue, the travellers found themselves, about sun-set, in a woody valley, overlooked, on every side, by abrupt heights. They had proceeded for many leagues, without seeing a human habitation, and had only heard, now and then, at a distance, the melancholy tinkling of a sheep-bell; but now they caught the notes of merry music, and presently saw, within a little green recess among the rocks, a group of mountaineers, tripping through a dance. The Count, who could not look upon the happiness, any more than on the misery of others, with indifference, halted to enjoy this scene of simple pleasure. The group before him consisted of French and Spanish peasants, the inhabitants of a neighbouring hamlet, some of whom were performing a sprightly dance, the women with castanets in their hands, to the sounds of a lute and a tamborine, till, from the brisk melody of France, the music softened into a slow movement, to which two female peasants danced a Spanish Pavan.

The Count, comparing this with the scenes of such gaiety as he had witnessed at Paris, where false taste painted the features, and, while it vainly tried to supply the glow of nature, concealed the charms of animation—where affectation so often distorted the air, and vice perverted the manners—sighed to think, that natural graces and innocent pleasures flourished in the wilds of solitude, while they drooped amidst the concourse of polished society. But the lengthening shadows reminded the travellers, that they had no time to lose; and, leaving this joyous group, they pursued their way towards the little inn, which was to shelter them from the night.

The rays of the setting sun now threw a yellow gleam upon the forests of pine and chesnut, that swept down the lower region of the mountains, and gave resplendent tints to the snowy points above. But soon, even this light faded fast, and the scenery assumed a more tremendous appearance, invested with the obscurity of twilight. Where the torrent had been seen, it was now only heard; where the wild cliffs had displayed every variety of form and attitude, a dark mass of mountains now alone appeared; and the vale, which far, far below had opened its dreadful chasm, the eye could no longer fathom. A melancholy gleam still lingered on the summits of the highest Alps, overlooking the deep repose of evening, and seeming to make the stillness of the hour more awful.

Blanche viewed the scene in silence, and listened with enthusiasm to the murmur of the pines, that extended in dark lines along the mountains, and to the faint voice of the izard, among the rocks, that came at intervals on the air. But her enthusiasm sunk into apprehension, when, as the shadows deepened, she looked upon the doubtful precipice, that bordered the road, as well as on the various fantastic forms of danger, that glimmered through the obscurity beyond it; and she asked her father, how far they were from the inn, and whether he did not consider the road to be dangerous at this late hour. The Count repeated the first question to the guides, who returned a doubtful answer, adding, that, when it was darker, it would be safest to rest, till the moon rose. 'It is scarcely safe to proceed now,' said the Count; but the guides, assuring him that there was no danger, went on. Blanche, revived by this assurance, again indulged a pensive pleasure, as she watched the progress of twilight gradually spreading its tints over the woods and mountains, and stealing from the eye every minuter feature of the scene, till the grand outlines of nature alone remained. Then fell the silent dews, and every wild flower, and aromatic plant, that bloomed among the cliffs, breathed forth its sweetness; then, too, when the mountain-bee had crept into its blossomed bed, and the hum of every little insect, that had floated gaily in the sun-beam, was hushed, the sound of many streams, not heard till now, murmured at a distance.—The bats alone, of all the animals inhabiting this region, seemed awake; and, while they flitted across the silent path, which Blanche was pursuing, she remembered the following lines, which Emily had given her: 

 TO THE BAT

 From haunt of man, from day's obtrusive glare,
 Thou shroud'st thee in the ruin's ivy'd tow'r.
 Or in some shadowy glen's romantic bow'r,
 Where wizard forms their mystic charms prepare,
 Where Horror lurks, and ever-boding Care!
 But, at the sweet and silent ev'ning hour,
 When clos'd in sleep is ev'ry languid flow'r,
 Thou lov'st to sport upon the twilight air,
 Mocking the eye, that would thy course pursue,
 In many a wanton-round, elastic, gay,
 Thou flit'st athwart the pensive wand'rer's way,
 As his lone footsteps print the mountain-dew.
 From Indian isles thou com'st, with Summer's car,
 Twilight thy love—thy guide her beaming star!

To a warm imagination, the dubious forms, that float, half veiled in darkness, afford a higher delight, than the most distinct scenery, that the sun can shew. While the fancy thus wanders over landscapes partly of its own creation, a sweet complacency steals upon the mind, and 

 Refines it all to subtlest feeling,
 Bids the tear of rapture roll.

The distant note of a torrent, the weak trembling of the breeze among the woods, or the far-off sound of a human voice, now lost and heard again, are circumstances, which wonderfully heighten the enthusiastic tone of the mind. The young St. Foix, who saw the presentations of a fervid fancy, and felt whatever enthusiasm could suggest, sometimes interrupted the silence, which the rest of the party seemed by mutual consent to preserve, remarking and pointing out to Blanche the most striking effect of the hour upon the scenery; while Blanche, whose apprehensions were beguiled by the conversation of her lover, yielded to the taste so congenial to his, and they conversed in a low restrained voice, the effect of the pensive tranquillity, which twilight and the scene inspired, rather than of any fear, that they should be heard. But, while the heart was thus soothed to tenderness, St. Foix gradually mingled, with his admiration of the country, a mention of his affection; and he continued to speak, and Blanche to listen, till the mountains, the woods, and the magical illusions of twilight, were remembered no more.

The shadows of evening soon shifted to the gloom of night, which was somewhat anticipated by the vapours, that, gathering fast round the mountains, rolled in dark wreaths along their sides; and the guides proposed to rest, till the moon should rise, adding, that they thought a storm was coming on. As they looked round for a spot, that might afford some kind of shelter, an object was perceived obscurely through the dusk, on a point of rock, a little way down the mountain, which they imagined to be a hunter's or a shepherd's cabin, and the party, with cautious steps, proceeded towards it. Their labour, however, was not rewarded, or their apprehensions soothed; for, on reaching the object of their search, they discovered a monumental cross, which marked the spot to have been polluted by murder.

The darkness would not permit them to read the inscription; but the guides knew this to be a cross, raised to the memory of a Count de Beliard, who had been murdered here by a horde of banditti, that had infested this part of the Pyrenees, a few years before; and the uncommon size of the monument seemed to justify the supposition, that it was erected for a person of some distinction. Blanche shuddered, as she listened to some horrid particulars of the Count's fate, which one of the guides related in a low, restrained tone, as if the sound of his own voice frightened him; but, while they lingered at the cross, attending to his narrative, a flash of lightning glanced upon the rocks, thunder muttered at a distance, and the travellers, now alarmed, quitted this scene of solitary horror, in search of shelter.

Having regained their former track, the guides, as they passed on, endeavoured to interest the Count by various stories of robbery, and even of murder, which had been perpetrated in the very places they must unavoidably pass, with accounts of their own dauntless courage and wonderful escapes. The chief guide, or rather he, who was the most completely armed, drawing forth one of the four pistols, that were tucked into his belt, swore, that it had shot three robbers within the year. He then brandished a clasp-knife of enormous length, and was going to recount the wonderful execution it had done, when St. Foix, perceiving, that Blanche was terrified, interrupted him. The Count, meanwhile, secretly laughing at the terrible histories and extravagant boastings of the man, resolved to humour him, and, telling Blanche in a whisper, his design, began to recount some exploits of his own, which infinitely exceeded any related by the guide.

To these surprising circumstances he so artfully gave the colouring of truth, that the courage of the guides was visibly affected by them, who continued silent, long after the Count had ceased to speak. The loquacity of the chief hero thus laid asleep, the vigilance of his eyes and ears seemed more thoroughly awakened, for he listened, with much appearance of anxiety, to the deep thunder, which murmured at intervals, and often paused, as the breeze, that was now rising, rushed among the pines. But, when he made a sudden halt before a tuft of cork trees, that projected over the road, and drew forth a pistol, before he would venture to brave the banditti which might lurk behind it, the Count could no longer refrain from laughter.

Having now, however, arrived at a level spot, somewhat sheltered from the air, by overhanging cliffs and by a wood of larch, that rose over the precipice on the left, and the guides being yet ignorant how far they were from the inn, the travellers determined to rest, till the moon should rise, or the storm disperse. Blanche, recalled to a sense of the present moment, looked on the surrounding gloom, with terror; but giving her hand to St. Foix, she alighted, and the whole party entered a kind of cave, if such it could be called, which was only a shallow cavity, formed by the curve of impending rocks. A light being struck, a fire was kindled, whose blaze afforded some degree of cheerfulness, and no small comfort, for, though the day had been hot, the night air of this mountainous region was chilling; a fire was partly necessary also to keep off the wolves, with which those wilds were infested.

Provisions being spread upon a projection of the rock, the Count and his family partook of a supper, which, in a scene less rude, would certainly have been thought less excellent. When the repast was finished, St. Foix, impatient for the moon, sauntered along the precipice, to a point, that fronted the east; but all was yet wrapt in gloom, and the silence of night was broken only by the murmuring of woods, that waved far below, or by distant thunder, and, now and then, by the faint voices of the party he had quitted. He viewed, with emotions of awful sublimity, the long volumes of sulphureous clouds, that floated along the upper and middle regions of the air, and the lightnings that flashed from them, sometimes silently, and, at others, followed by sullen peals of thunder, which the mountains feebly prolonged, while the whole horizon, and the abyss, on which he stood, were discovered in the momentary light. Upon the succeeding darkness, the fire, which had been kindled in the cave, threw a partial gleam, illumining some points of the opposite rocks, and the summits of pine-woods, that hung beetling on the cliffs below, while their recesses seemed to frown in deeper shade.

St. Foix stopped to observe the picture, which the party in the cave presented, where the elegant form of Blanche was finely contrasted by the majestic figure of the Count, who was seated by her on a rude stone, and each was rendered more impressive by the grotesque habits and strong features of the guides and other attendants, who were in the back ground of the piece. The effect of the light, too, was interesting; on the surrounding figures it threw a strong, though pale gleam, and glittered on their bright arms; while upon the foliage of a gigantic larch, that impended its shade over the cliff above, appeared a red, dusky tint, deepening almost imperceptibly into the blackness of night.

While St. Foix contemplated the scene, the moon, broad and yellow, rose over the eastern summits, from among embattled clouds, and shewed dimly the grandeur of the heavens, the mass of vapours, that rolled half way down the precipice beneath, and the doubtful mountains. 

 What dreadful pleasure! there to stand sublime,
 Like shipwreck'd mariner on desert coast,
 And view th'enormous waste of vapour, tost
 In billows length'ning to th'horizon round!
     THE MINSTREL

From this romantic reverie he was awakened by the voices of the guides, repeating his name, which was reverbed from cliff to cliff, till an hundred tongues seemed to call him; when he soon quieted the fears of the Count and the Lady Blanche, by returning to the cave. As the storm, however, seemed approaching, they did not quit their place of shelter; and the Count, seated between his daughter and St. Foix, endeavoured to divert the fears of the former, and conversed on subjects, relating to the natural history of the scene, among which they wandered. He spoke of the mineral and fossile substances, found in the depths of these mountains,—the veins of marble and granite, with which they abounded, the strata of shells, discovered near their summits, many thousand fathom above the level of the sea, and at a vast distance from its present shore;—of the tremendous chasms and caverns of the rocks, the grotesque form of the mountains, and the various phaenomena, that seem to stamp upon the world the history of the deluge. From the natural history he descended to the mention of events and circumstances, connected with the civil story of the Pyrenees; named some of the most remarkable fortresses, which France and Spain had erected in the passes of these mountains; and gave a brief account of some celebrated sieges and encounters in early times, when Ambition first frightened Solitude from these her deep recesses, made her mountains, which before had echoed only to the torrent's roar, tremble with the clang of arms, and, when man's first footsteps in her sacred haunts had left the print of blood!

As Blanche sat, attentive to the narrative, that rendered the scenes doubly interesting, and resigned to solemn emotion, while she considered, that she was on the very ground, once polluted by these events, her reverie was suddenly interrupted by a sound, that came in the wind.—It was the distant bark of a watch-dog. The travellers listened with eager hope, and, as the wind blew stronger, fancied, that the sound came from no great distance; and, the guides having little doubt, that it proceeded from the inn they were in search of, the Count determined to pursue his way. The moon now afforded a stronger, though still an uncertain light, as she moved among broken clouds; and the travellers, led by the sound, recommenced their journey along the brow of the precipice, preceded by a single torch, that now contended with the moon-light; for the guides, believing they should reach the inn soon after sun-set, had neglected to provide more. In silent caution they followed the sound, which was heard but at intervals, and which, after some time entirely ceased. The guides endeavoured, however, to point their course to the quarter, whence it had issued, but the deep roaring of a torrent soon seized their attention, and presently they came to a tremendous chasm of the mountain, which seemed to forbid all further progress. Blanche alighted from her mule, as did the Count and St. Foix, while the guides traversed the edge in search of a bridge, which, however rude, might convey them to the opposite side, and they, at length, confessed, what the Count had begun to suspect, that they had been, for some time, doubtful of their way, and were now certain only, that they had lost it.

At a little distance, was discovered a rude and dangerous passage, formed by an enormous pine, which, thrown across the chasm, united the opposite precipices, and which had been felled probably by the hunter, to facilitate his chace of the izard, or the wolf. The whole party, the guides excepted, shuddered at the prospect of crossing this alpine bridge, whose sides afforded no kind of defence, and from which to fall was to die. The guides, however, prepared to lead over the mules, while Blanche stood trembling on the brink, and listening to the roar of the waters, which were seen descending from rocks above, overhung with lofty pines, and thence precipitating themselves into the deep abyss, where their white surges gleamed faintly in the moon-light. The poor animals proceeded over this perilous bridge with instinctive caution, neither frightened by the noise of the cataract, or deceived by the gloom, which the impending foliage threw athwart their way. It was now, that the solitary torch, which had been hitherto of little service, was found to be an inestimable treasure; and Blanche, terrified, shrinking, but endeavouring to re-collect all her firmness and presence of mind, preceded by her lover and supported by her father, followed the red gleam of the torch, in safety, to the opposite cliff.

As they went on, the heights contracted, and formed a narrow pass, at the bottom of which, the torrent they had just crossed, was heard to thunder. But they were again cheered by the bark of a dog, keeping watch, perhaps, over the flocks of the mountains, to protect them from the nightly descent of the wolves. The sound was much nearer than before, and, while they rejoiced in the hope of soon reaching a place of repose, a light was seen to glimmer at a distance. It appeared at a height considerably above the level of their path, and was lost and seen again, as if the waving branches of trees sometimes excluded and then admitted its rays. The guides hallooed with all their strength, but the sound of no human voice was heard in return, and, at length, as a more effectual means of making themselves known, they fired a pistol. But, while they listened in anxious expectation, the noise of the explosion was alone heard, echoing among the rocks, and it gradually sunk into silence, which no friendly hint of man disturbed. The light, however, that had been seen before, now became plainer, and, soon after, voices were heard indistinctly on the wind; but, upon the guides repeating the call, the voices suddenly ceased, and the light disappeared.

The Lady Blanche was now almost sinking beneath the pressure of anxiety, fatigue and apprehension, and the united efforts of the Count and St. Foix could scarcely support her spirits. As they continued to advance, an object was perceived on a point of rock above, which, the strong rays of the moon then falling on it, appeared to be a watch-tower. The Count, from its situation and some other circumstances, had little doubt, that it was such, and believing, that the light had proceeded from thence, he endeavoured to re-animate his daughter's spirits by the near prospect of shelter and repose, which, however rude the accommodation, a ruined watch-tower might afford.

'Numerous watch-towers have been erected among the Pyrenees,' said the Count, anxious only to call Blanche's attention from the subject of her fears; 'and the method, by which they give intelligence of the approach of the enemy, is, you know, by fires, kindled on the summits of these edifices. Signals have thus, sometimes, been communicated from post to post, along a frontier line of several hundred miles in length. Then, as occasion may require, the lurking armies emerge from their fortresses and the forests, and march forth, to defend, perhaps, the entrance of some grand pass, where, planting themselves on the heights, they assail their astonished enemies, who wind along the glen below, with fragments of the shattered cliff, and pour death and defeat upon them. The ancient forts, and watch-towers, overlooking the grand passes of the Pyrenees, are carefully preserved; but some of those in inferior stations have been suffered to fall into decay, and are now frequently converted into the more peaceful habitation of the hunter, or the shepherd, who, after a day of toil, retires hither, and, with his faithful dogs, forgets, near a cheerful blaze, the labour of the chace, or the anxiety of collecting his wandering flocks, while he is sheltered from the nightly storm.'

'But are they always thus peacefully inhabited?' said the Lady Blanche.

'No,' replied the Count, 'they are sometimes the asylum of French and Spanish smugglers, who cross the mountains with contraband goods from their respective countries, and the latter are particularly numerous, against whom strong parties of the king's troops are sometimes sent. But the desperate resolution of these adventurers, who, knowing, that, if they are taken, they must expiate the breach of the law by the most cruel death, travel in large parties, well armed, often daunts the courage of the soldiers. The smugglers, who seek only safety, never engage, when they can possibly avoid it; the military, also, who know, that in these encounters, danger is certain, and glory almost unattainable, are equally reluctant to fight; an engagement, therefore, very seldom happens, but, when it does, it never concludes till after the most desperate and bloody conflict. You are inattentive, Blanche,' added the Count: 'I have wearied you with a dull subject; but see, yonder, in the moon-light, is the edifice we have been in search of, and we are fortunate to be so near it, before the storm bursts.'

Blanche, looking up, perceived, that they were at the foot of the cliff, on whose summit the building stood, but no light now issued from it; the barking of the dog too had, for some time, ceased, and the guides began to doubt, whether this was really the object of their search. From the distance, at which they surveyed it, shewn imperfectly by a cloudy moon, it appeared to be of more extent than a single watch-tower; but the difficulty was how to ascend the height, whose abrupt declivities seemed to afford no kind of pathway.

While the guides carried forward the torch to examine the cliff, the Count, remaining with Blanche and St. Foix at its foot, under the shadow of the woods, endeavoured again to beguile the time by conversation, but again anxiety abstracted the mind of Blanche; and he then consulted, apart with St. Foix, whether it would be advisable, should a path be found, to venture to an edifice, which might possibly harbour banditti. They considered, that their own party was not small, and that several of them were well armed; and, after enumerating the dangers, to be incurred by passing the night in the open wild, exposed, perhaps, to the effects of a thunder-storm, there remained not a doubt, that they ought to endeavour to obtain admittance to the edifice above, at any hazard respecting the inhabitants it might harbour; but the darkness, and the dead silence, that surrounded it, appeared to contradict the probability of its being inhabited at all.

A shout from the guides aroused their attention, after which, in a few minutes, one of the Count's servants returned with intelligence, that a path was found, and they immediately hastened to join the guides, when they all ascended a little winding way cut in the rock among thickets of dwarf wood, and, after much toil and some danger, reached the summit, where several ruined towers, surrounded by a massy wall, rose to their view, partially illumined by the moon-light. The space around the building was silent, and apparently forsaken, but the Count was cautious; 'Step softly,' said he, in a low voice, 'while we reconnoitre the edifice.'

Having proceeded silently along for some paces, they stopped at a gate, whose portals were terrible even in ruins, and, after a moment's hesitation, passed on to the court of entrance, but paused again at the head of a terrace, which, branching from it, ran along the brow of a precipice. Over this, rose the main body of the edifice, which was now seen to be, not a watch-tower, but one of those ancient fortresses, that, from age and neglect, had fallen to decay. Many parts of it, however, appeared to be still entire; it was built of grey stone, in the heavy Saxon-gothic style, with enormous round towers, buttresses of proportionable strength, and the arch of the large gate, which seemed to open into the hall of the fabric, was round, as was that of a window above. The air of solemnity, which must so strongly have characterized the pile even in the days of its early strength, was now considerably heightened by its shattered battlements and half-demolished walls, and by the huge masses of ruin, scattered in its wide area, now silent and grass grown. In this court of entrance stood the gigantic remains of an oak, that seemed to have flourished and decayed with the building, which it still appeared frowningly to protect by the few remaining branches, leafless and moss-grown, that crowned its trunk, and whose wide extent told how enormous the tree had been in a former age. This fortress was evidently once of great strength, and, from its situation on a point of rock, impending over a deep glen, had been of great power to annoy, as well as to resist; the Count, therefore, as he stood surveying it, was somewhat surprised, that it had been suffered, ancient as it was, to sink into ruins, and its present lonely and deserted air excited in his breast emotions of melancholy awe. While he indulged, for a moment, these emotions, he thought he heard a sound of remote voices steal upon the stillness, from within the building, the front of which he again surveyed with scrutinizing eyes, but yet no light was visible. He now determined to walk round the fort, to that remote part of it, whence he thought the voices had arisen, that he might examine whether any light could be discerned there, before he ventured to knock at the gate; for this purpose, he entered upon the terrace, where the remains of cannon were yet apparent in the thick walls, but he had not proceeded many paces, when his steps were suddenly arrested by the loud barking of a dog within, and which he fancied to be the same, whose voice had been the means of bringing the travellers thither. It now appeared certain, that the place was inhabited, and the Count returned to consult again with St. Foix, whether he should try to obtain admittance, for its wild aspect had somewhat shaken his former resolution; but, after a second consultation, he submitted to the considerations, which before determined him, and which were strengthened by the discovery of the dog, that guarded the fort, as well as by the stillness that pervaded it. He, therefore, ordered one of his servants to knock at the gate, who was advancing to obey him, when a light appeared through the loop-hole of one of the towers, and the Count called loudly, but, receiving no answer, he went up to the gate himself, and struck upon it with an iron-pointed pole, which had assisted him to climb the steep. When the echoes had ceased, that this blow had awakened, the renewed barking,—and there were now more than one dog,—was the only sound, that was heard. The Count stepped back, a few paces, to observe whether the light was in the tower, and, perceiving, that it was gone, he returned to the portal, and had lifted the pole to strike again, when again he fancied he heard the murmur of voices within, and paused to listen. He was confirmed in the supposition, but they were too remote, to be heard otherwise than in a murmur, and the Count now let the pole fall heavily upon the gate; when almost immediately a profound silence followed. It was apparent, that the people within had heard the sound, and their caution in admitting strangers gave him a favourable opinion of them. 'They are either hunters or shepherds,' said he, 'who, like ourselves, have probably sought shelter from the night within these walls, and are fearful of admitting strangers, lest they should prove robbers. I will endeavour to remove their fears.' So saying, he called aloud, 'We are friends, who ask shelter from the night.' In a few moments, steps were heard within, which approached, and a voice then enquired—'Who calls?' 'Friends,' repeated the Count; 'open the gates, and you shall know more.'—Strong bolts were now heard to be undrawn, and a man, armed with a hunting spear, appeared. 'What is it you want at this hour?' said he. The Count beckoned his attendants, and then answered, that he wished to enquire the way to the nearest cabin. 'Are you so little acquainted with these mountains,' said the man, 'as not to know, that there is none, within several leagues? I cannot shew you the way; you must seek it—there's a moon.' Saying this, he was closing the gate, and the Count was turning away, half disappointed and half afraid, when another voice was heard from above, and, on looking up, he saw a light, and a man's face, at the grate of the portal. 'Stay, friend, you have lost your way?' said the voice. 'You are hunters, I suppose, like ourselves: I will be with you presently.' The voice ceased, and the light disappeared. Blanche had been alarmed by the appearance of the man, who had opened the gate, and she now entreated her father to quit the place; but the Count had observed the hunter's spear, which he carried; and the words from the tower encouraged him to await the event. The gate was soon opened, and several men in hunters' habits, who had heard above what had passed below, appeared, and, having listened some time to the Count, told him he was welcome to rest there for the night. They then pressed him, with much courtesy, to enter, and to partake of such fare as they were about to sit down to. The Count, who had observed them attentively while they spoke, was cautious, and somewhat suspicious; but he was also weary, fearful of the approaching storm, and of encountering alpine heights in the obscurity of night; being likewise somewhat confident in the strength and number of his attendants, he, after some further consideration, determined to accept the invitation. With this resolution he called his servants, who, advancing round the tower, behind which some of them had silently listened to this conference, followed their Lord, the Lady Blanche, and St. Foix into the fortress. The strangers led them on to a large and rude hall, partially seen by a fire that blazed at its extremity, round which four men, in the hunter's dress, were seated, and on the hearth were several dogs stretched in sleep. In the middle of the hall stood a large table, and over the fire some part of an animal was boiling. As the Count approached, the men arose, and the dogs, half raising themselves, looked fiercely at the strangers, but, on hearing their masters' voices, kept their postures on the hearth.

Blanche looked round this gloomy and spacious hall; then at the men, and to her father, who, smiling cheerfully at her, addressed himself to the hunters. 'This is an hospitable hearth,' said he, 'the blaze of a fire is reviving after having wandered so long in these dreary wilds. Your dogs are tired; what success have you had?' 'Such as we usually have,' replied one of the men, who had been seated in the hall, 'we kill our game with tolerable certainty.' 'These are fellow hunters,' said one of the men who had brought the Count hither, 'that have lost their way, and I have told them there is room enough in the fort for us all.' 'Very true, very true,' replied his companion, 'What luck have you had in the chace, brothers? We have killed two izards, and that, you will say, is pretty well.' 'You mistake, friend,' said the Count, 'we are not hunters, but travellers; but, if you will admit us to hunters' fare, we shall be well contented, and will repay your kindness.' 'Sit down then, brother,' said one of the men: 'Jacques, lay more fuel on the fire, the kid will soon be ready; bring a seat for the lady too. Ma'amselle, will you taste our brandy? it is true Barcelona, and as bright as ever flowed from a keg.' Blanche timidly smiled, and was going to refuse, when her father prevented her, by taking, with a good humoured air, the glass offered to his daughter; and Mons. St. Foix, who was seated next her, pressed her hand, and gave her an encouraging look, but her attention was engaged by a man, who sat silently by the fire, observing St. Foix, with a steady and earnest eye.

'You lead a jolly life here,' said the Count. 'The life of a hunter is a pleasant and a healthy one; and the repose is sweet, which succeeds to your labour.'

'Yes,' replied one of his hosts, 'our life is pleasant enough. We live here only during the summer, and autumnal months; in winter, the place is dreary, and the swoln torrents, that descend from the heights, put a stop to the chace.'

''Tis a life of liberty and enjoyment,' said the Count: 'I should like to pass a month in your way very well.'

'We find employment for our guns too,' said a man who stood behind the Count: 'here are plenty of birds, of delicious flavour, that feed upon the wild thyme and herbs, that grow in the vallies. Now I think of it, there is a brace of birds hung up in the stone gallery; go fetch them, Jacques, we will have them dressed.'

The Count now made enquiry, concerning the method of pursuing the chace among the rocks and precipices of these romantic regions, and was listening to a curious detail, when a horn was sounded at the gate. Blanche looked timidly at her father, who continued to converse on the subject of the chace, but whose countenance was somewhat expressive of anxiety, and who often turned his eyes towards that part of the hall nearest the gate. The horn sounded again, and a loud halloo succeeded. 'These are some of our companions, returned from their day's labour,' said a man, going lazily from his seat towards the gate; and in a few minutes, two men appeared, each with a gun over his shoulder, and pistols in his belt. 'What cheer, my lads? what cheer?' said they, as they approached. 'What luck?' returned their companions: 'have you brought home your supper? You shall have none else.'

'Hah! who the devil have you brought home?' said they in bad Spanish, on perceiving the Count's party, 'are they from France, or Spain?—where did you meet with them?'

'They met with us, and a merry meeting too,' replied his companion aloud in good French. 'This chevalier, and his party, had lost their way, and asked a night's lodging in the fort.' The others made no reply, but threw down a kind of knapsack, and drew forth several brace of birds. The bag sounded heavily as it fell to the ground, and the glitter of some bright metal within glanced on the eye of the Count, who now surveyed, with a more enquiring look, the man, that held the knapsack. He was a tall robust figure, of a hard countenance, and had short black hair, curling in his neck. Instead of the hunter's dress, he wore a faded military uniform; sandals were laced on his broad legs, and a kind of short trowsers hung from his waist. On his head he wore a leathern cap, somewhat resembling in shape an ancient Roman helmet; but the brows that scowled beneath it, would have characterized those of the barbarians, who conquered Rome, rather than those of a Roman soldier. The Count, at length, turned away his eyes, and remained silent and thoughtful, till, again raising them, he perceived a figure standing in an obscure part of the hall, fixed in attentive gaze on St. Foix, who was conversing with Blanche, and did not observe this; but the Count, soon after, saw the same man looking over the shoulder of the soldier as attentively at himself. He withdrew his eye, when that of the Count met it, who felt mistrust gathering fast upon his mind, but feared to betray it in his countenance, and, forcing his features to assume a smile, addressed Blanche on some indifferent subject. When he again looked round, he perceived, that the soldier and his companion were gone.

The man, who was called Jacques, now returned from the stone gallery. 'A fire is lighted there,' said he, 'and the birds are dressing; the table too is spread there, for that place is warmer than this.'

His companions approved of the removal, and invited their guests to follow to the gallery, of whom Blanche appeared distressed, and remained seated, and St. Foix looked at the Count, who said, he preferred the comfortable blaze of the fire he was then near. The hunters, however, commended the warmth of the other apartment, and pressed his removal with such seeming courtesy, that the Count, half doubting, and half fearful of betraying his doubts, consented to go. The long and ruinous passages, through which they went, somewhat daunted him, but the thunder, which now burst in loud peals above, made it dangerous to quit this place of shelter, and he forbore to provoke his conductors by shewing that he distrusted them. The hunters led the way, with a lamp; the Count and St. Foix, who wished to please their hosts by some instances of familiarity, carried each a seat, and Blanche followed, with faltering steps. As she passed on, part of her dress caught on a nail in the wall, and, while she stopped, somewhat too scrupulously, to disengage it, the Count, who was talking to St. Foix, and neither of whom observed the circumstance, followed their conductor round an abrupt angle of the passage, and Blanche was left behind in darkness. The thunder prevented them from hearing her call but, having disengaged her dress, she quickly followed, as she thought, the way they had taken. A light, that glimmered at a distance, confirmed this belief, and she proceeded towards an open door, whence it issued, conjecturing the room beyond to be the stone gallery the men had spoken of. Hearing voices as she advanced, she paused within a few paces of the chamber, that she might be certain whether she was right, and from thence, by the light of a lamp, that hung from the ceiling, observed four men, seated round a table, over which they leaned in apparent consultation. In one of them she distinguished the features of him, whom she had observed, gazing at St. Foix, with such deep attention; and who was now speaking in an earnest, though restrained voice, till, one of his companions seeming to oppose him, they spoke together in a loud and harsher tone. Blanche, alarmed by perceiving that neither her father, or St. Foix were there, and terrified at the fierce countenances and manners of these men, was turning hastily from the chamber, to pursue her search of the gallery, when she heard one of the men say:

'Let all dispute end here. Who talks of danger? Follow my advice, and there will be none—secure THEM, and the rest are an easy prey.' Blanche, struck with these words, paused a moment, to hear more. 'There is nothing to be got by the rest,' said one of his companions, 'I am never for blood when I can help it—dispatch the two others, and our business is done; the rest may go.'

'May they so?' exclaimed the first ruffian, with a tremendous oath—'What! to tell how we have disposed of their masters, and to send the king's troops to drag us to the wheel! You was always a choice adviser—I warrant we have not yet forgot St. Thomas's eve last year.'

Blanche's heart now sunk with horror. Her first impulse was to retreat from the door, but, when she would have gone, her trembling frame refused to support her, and, having tottered a few paces, to a more obscure part of the passage, she was compelled to listen to the dreadful councils of those, who, she was no longer suffered to doubt, were banditti. In the next moment, she heard the following words, 'Why you would not murder the whole GANG?'

'I warrant our lives are as good as theirs,' replied his comrade. 'If we don't kill them, they will hang us: better they should die than we be hanged.'

'Better, better,' cried his comrades.

'To commit murder, is a hopeful way of escaping the gallows!' said the first ruffian—'many an honest fellow has run his head into the noose that way, though.' There was a pause of some moments, during which they appeared to be considering.

'Confound those fellows,' exclaimed one of the robbers impatiently, 'they ought to have been here by this time; they will come back presently with the old story, and no booty: if they were here, our business would be plain and easy. I see we shall not be able to do the business to-night, for our numbers are not equal to the enemy, and in the morning they will be for marching off, and how can we detain them without force?'

'I have been thinking of a scheme, that will do,' said one of his comrades: 'if we can dispatch the two chevaliers silently, it will be easy to master the rest.'

'That's a plausible scheme, in good faith,' said another with a smile of scorn—'If I can eat my way through the prison wall, I shall be at liberty!—How can we dispatch them SILENTLY?'

'By poison,' replied his companions.

'Well said! that will do,' said the second ruffian, 'that will give a lingering death too, and satisfy my revenge. These barons shall take care how they again tempt our vengeance.'

'I knew the son, the moment I saw him,' said the man, whom Blanche had observed gazing on St. Foix, 'though he does not know me; the father I had almost forgotten.'

'Well, you may say what you will,' said the third ruffian, 'but I don't believe he is the Baron, and I am as likely to know as any of you, for I was one of them, that attacked him, with our brave lads, that suffered.'

'And was not I another?' said the first ruffian, 'I tell you he is the Baron; but what does it signify whether he is or not?—shall we let all this booty go out of our hands? It is not often we have such luck at this. While we run the chance of the wheel for smuggling a few pounds of tobacco, to cheat the king's manufactory, and of breaking our necks down the precipices in the chace of our food; and, now and then, rob a brother smuggler, or a straggling pilgrim, of what scarcely repays us the powder we fire at them, shall we let such a prize as this go? Why they have enough about them to keep us for—'

'I am not for that, I am not for that,' replied the third robber, 'let us make the most of them: only, if this is the Baron, I should like to have a flash the more at him, for the sake of our brave comrades, that he brought to the gallows.'

'Aye, aye, flash as much as you will,' rejoined the first man, 'but I tell you the Baron is a taller man.'

'Confound your quibbling,' said the second ruffian, 'shall we let them go or not? If we stay here much longer, they will take the hint, and march off without our leave. Let them be who they will, they are rich, or why all those servants? Did you see the ring, he, you call the Baron, had on his finger?—it was a diamond; but he has not got it on now: he saw me looking at it, I warrant, and took it off.'

'Aye, and then there is the picture; did you see that? She has not taken that off,' observed the first ruffian, 'it hangs at her neck; if it had not sparkled so, I should not have found it out, for it was almost hid by her dress; those are diamonds too, and a rare many of them there must be, to go round such a large picture.'

'But how are we to manage this business?' said the second ruffian: 'let us talk of that, there is no fear of there being booty enough, but how are we to secure it?'

'Aye, aye,' said his comrades, 'let us talk of that, and remember no time is to be lost.'

'I am still for poison,' observed the third, 'but consider their number; why there are nine or ten of them, and armed too; when I saw so many at the gate, I was not for letting them in, you know, nor you either.'

'I thought they might be some of our enemies,' replied the second, 'I did not so much mind numbers.'

'But you must mind them now,' rejoined his comrade, 'or it will be worse for you. We are not more than six, and how can we master ten by open force? I tell you we must give some of them a dose, and the rest may then be managed.'

'I'll tell you a better way,' rejoined the other impatiently, 'draw closer.'

Blanche, who had listened to this conversation, in an agony, which it would be impossible to describe, could no longer distinguish what was said, for the ruffians now spoke in lowered voices; but the hope, that she might save her friends from the plot, if she could find her way quickly to them, suddenly re-animated her spirits, and lent her strength enough to turn her steps in search of the gallery. Terror, however, and darkness conspired against her, and, having moved a few yards, the feeble light, that issued from the chamber, no longer even contended with the gloom, and, her foot stumbling over a step that crossed the passage, she fell to the ground.

The noise startled the banditti, who became suddenly silent, and then all rushed to the passage, to examine whether any person was there, who might have overheard their councils. Blanche saw them approaching, and perceived their fierce and eager looks: but, before she could raise herself, they discovered and seized her, and, as they dragged her towards the chamber they had quitted, her screams drew from them horrible threatenings.

Having reached the room, they began to consult what they should do with her. 'Let us first know what she had heard,' said the chief robber. 'How long have you been in the passage, lady, and what brought you there?'

'Let us first secure that picture,' said one of his comrades, approaching the trembling Blanche. 'Fair lady, by your leave that picture is mine; come, surrender it, or I shall seize it.'

Blanche, entreating their mercy, immediately gave up the miniature, while another of the ruffians fiercely interrogated her, concerning what she had overheard of their conversation, when, her confusion and terror too plainly telling what her tongue feared to confess, the ruffians looked expressively upon one another, and two of them withdrew to a remote part of the room, as if to consult further.

'These are diamonds, by St. Peter!' exclaimed the fellow, who had been examining the miniature, 'and here is a very pretty picture too, 'faith; as handsome a young chevalier, as you would wish to see by a summer's sun. Lady, this is your spouse, I warrant, for it is the spark, that was in your company just now.'

Blanche, sinking with terror, conjured him to have pity on her, and, delivering him her purse, promised to say nothing of what had passed, if he would suffer her to return to her friends.

He smiled ironically, and was going to reply, when his attention was called off by a distant noise; and, while he listened, he grasped the arm of Blanche more firmly, as if he feared she would escape from him, and she again shrieked for help.

The approaching sounds called the ruffians from the other part of the chamber. 'We are betrayed,' said they; 'but let us listen a moment, perhaps it is only our comrades come in from the mountains, and if so, our work is sure; listen!'

A distant discharge of shot confirmed this supposition for a moment, but, in the next, the former sounds drawing nearer, the clashing of swords, mingled with the voices of loud contention and with heavy groans, were distinguished in the avenue leading to the chamber. While the ruffians prepared their arms, they heard themselves called by some of their comrades afar off, and then a shrill horn was sounded without the fortress, a signal, it appeared, they too well understood; for three of them, leaving the Lady Blanche to the care of the fourth, instantly rushed from the chamber.

While Blanche, trembling, and nearly fainting, was supplicating for release, she heard amid the tumult, that approached, the voice of St. Foix, and she had scarcely renewed her shriek, when the door of the room was thrown open, and he appeared, much disfigured with blood, and pursued by several ruffians. Blanche neither saw, or heard any more; her head swam, her sight failed, and she became senseless in the arms of the robber, who had detained her.

When she recovered, she perceived, by the gloomy light, that trembled round her, that she was in the same chamber, but neither the Count, St. Foix, or any other person appeared, and she continued, for some time, entirely still, and nearly in a state of stupefaction. But, the dreadful images of the past returning, she endeavoured to raise herself, that she might seek her friends, when a sullen groan, at a little distance, reminded her of St. Foix, and of the condition, in which she had seen him enter this room; then, starting from the floor, by a sudden effort of horror, she advanced to the place whence the sound had proceeded, where a body was lying stretched upon the pavement, and where, by the glimmering light of a lamp, she discovered the pale and disfigured countenance of St. Foix. Her horrors, at that moment, may be easily imagined. He was speechless; his eyes were half closed, and, on the hand, which she grasped in the agony of despair, cold damps had settled. While she vainly repeated his name, and called for assistance, steps approached, and a person entered the chamber, who, she soon perceived, was not the Count, her father; but, what was her astonishment, when, supplicating him to give his assistance to St. Foix, she discovered Ludovico! He scarcely paused to recognise her, but immediately bound up the wounds of the Chevalier, and, perceiving, that he had fainted probably from loss of blood, ran for water; but he had been absent only a few moments, when Blanche heard other steps approaching, and, while she was almost frantic with apprehension of the ruffians, the light of a torch flashed upon the walls, and then Count De Villefort appeared, with an affrighted countenance, and breathless with impatience, calling upon his daughter. At the sound of his voice, she rose, and ran to his arms, while he, letting fall the bloody sword he held, pressed her to his bosom in a transport of gratitude and joy, and then hastily enquired for St. Foix, who now gave some signs of life. Ludovico soon after returning with water and brandy, the former was applied to his lips, and the latter to his temples and hands, and Blanche, at length, saw him unclose his eyes, and then heard him enquire for her; but the joy she felt, on this occasion, was interrupted by new alarms, when Ludovico said it would be necessary to remove Mons. St. Foix immediately, and added, 'The banditti, that are out, my Lord, were expected home, an hour ago, and they will certainly find us, if we delay. That shrill horn, they know, is never sounded by their comrades but on most desperate occasions, and it echoes among the mountains for many leagues round. I have known them brought home by its sound even from the Pied de Melicant. Is any body standing watch at the great gate, my Lord?'

'Nobody,' replied the Count; 'the rest of my people are now scattered about, I scarcely know where. Go, Ludovico, collect them together, and look out yourself, and listen if you hear the feet of mules.'

Ludovico then hurried away, and the Count consulted as to the means of removing St. Foix, who could not have borne the motion of a mule, even if his strength would have supported him in the saddle.

While the Count was telling, that the banditti, whom they had found in the fort, were secured in the dungeon, Blanche observed that he was himself wounded, and that his left arm was entirely useless; but he smiled at her anxiety, assuring her the wound was trifling.

The Count's servants, except two who kept watch at the gate, now appeared, and, soon after, Ludovico. 'I think I hear mules coming along the glen, my Lord,' said he, 'but the roaring of the torrent below will not let me be certain; however, I have brought what will serve the Chevalier,' he added, shewing a bear's skin, fastened to a couple of long poles, which had been adapted for the purpose of bringing home such of the banditti as happened to be wounded in their encounters. Ludovico spread it on the ground, and, placing the skins of several goats upon it, made a kind of bed, into which the Chevalier, who was however now much revived, was gently lifted; and, the poles being raised upon the shoulders of the guides, whose footing among these steeps could best be depended upon, he was borne along with an easy motion. Some of the Count's servants were also wounded—but not materially, and, their wounds being bound up, they now followed to the great gate. As they passed along the hall, a loud tumult was heard at some distance, and Blanche was terrified. 'It is only those villains in the dungeon, my Lady,' said Ludovico. 'They seem to be bursting it open,' said the Count. 'No, my Lord,' replied Ludovico, 'it has an iron door; we have nothing to fear from them; but let me go first, and look out from the rampart.'

They quickly followed him, and found their mules browsing before the gates, where the party listened anxiously, but heard no sound, except that of the torrent below and of the early breeze, sighing among the branches of the old oak, that grew in the court; and they were now glad to perceive the first tints of dawn over the mountain-tops. When they had mounted their mules, Ludovico, undertaking to be their guide, led them by an easier path, than that by which they had formerly ascended, into the glen. 'We must avoid that valley to the east, my Lord,' said he, 'or we may meet the banditti; they went out that way in the morning.'

The travellers, soon after, quitted this glen, and found themselves in a narrow valley that stretched towards the north-west. The morning light upon the mountains now strengthened fast, and gradually discovered the green hillocks, that skirted the winding feet of the cliffs, tufted with cork tree, and ever-green oak. The thunder-clouds being dispersed, had left the sky perfectly serene, and Blanche was revived by the fresh breeze, and by the view of verdure, which the late rain had brightened. Soon after, the sun arose, when the dripping rocks, with the shrubs that fringed their summits, and many a turfy slope below, sparkled in his rays. A wreath of mist was seen, floating along the extremity of the valley, but the gale bore it before the travellers, and the sun-beams gradually drew it up towards the summit of the mountains. They had proceeded about a league, when, St. Foix having complained of extreme faintness, they stopped to give him refreshment, and, that the men, who bore him, might rest. Ludovico had brought from the fort some flasks of rich Spanish wine, which now proved a reviving cordial not only to St. Foix but to the whole party, though to him it gave only temporary relief, for it fed the fever, that burned in his veins, and he could neither disguise in his countenance the anguish he suffered, or suppress the wish, that he was arrived at the inn, where they had designed to pass the preceding night.

While they thus reposed themselves under the shade of the dark green pines, the Count desired Ludovico to explain shortly, by what means he had disappeared from the north apartment, how he came into the hands of the banditti, and how he had contributed so essentially to serve him and his family, for to him he justly attributed their present deliverance. Ludovico was going to obey him, when suddenly they heard the echo of a pistol-shot, from the way they had passed, and they rose in alarm, hastily to pursue their route.





 

CHAPTER XIII 

  Ah why did Fate his steps decoy
 In stormy paths to roam,
 Remote from all congenial joy!
     BEATTIE

Emily, mean while, was still suffering anxiety as to the fate of Valancourt; but Theresa, having, at length, found a person, whom she could entrust on her errand to the steward, informed her, that the messenger would return on the following day; and Emily promised to be at the cottage, Theresa being too lame to attend her.

In the evening, therefore, Emily set out alone for the cottage, with a melancholy foreboding, concerning Valancourt, while, perhaps, the gloom of the hour might contribute to depress her spirits. It was a grey autumnal evening towards the close of the season; heavy mists partially obscured the mountains, and a chilling breeze, that sighed among the beech woods, strewed her path with some of their last yellow leaves. These, circling in the blast and foretelling the death of the year, gave an image of desolation to her mind, and, in her fancy, seemed to announce the death of Valancourt. Of this she had, indeed, more than once so strong a presentiment, that she was on the point of returning home, feeling herself unequal to an encounter with the certainty she anticipated, but, contending with her emotions, she so far commanded them, as to be able to proceed.

While she walked mournfully on, gazing on the long volumes of vapour, that poured upon the sky, and watching the swallows, tossed along the wind, now disappearing among tempestuous clouds, and then emerging, for a moment, in circles upon the calmer air, the afflictions and vicissitudes of her late life seemed pourtrayed in these fleeting images;—thus had she been tossed upon the stormy sea of misfortune for the last year, with but short intervals of peace, if peace that could be called, which was only the delay of evils. And now, when she had escaped from so many dangers, was become independent of the will of those, who had oppressed her, and found herself mistress of a large fortune, now, when she might reasonably have expected happiness, she perceived that she was as distant from it as ever. She would have accused herself of weakness and ingratitude in thus suffering a sense of the various blessings she possessed to be overcome by that of a single misfortune, had this misfortune affected herself alone; but, when she had wept for Valancourt even as living, tears of compassion had mingled with those of regret, and while she lamented a human being degraded to vice, and consequently to misery, reason and humanity claimed these tears, and fortitude had not yet taught her to separate them from those of love; in the present moments, however, it was not the certainty of his guilt, but the apprehension of his death (of a death also, to which she herself, however innocently, appeared to have been in some degree instrumental) that oppressed her. This fear increased, as the means of certainty concerning it approached; and, when she came within view of Theresa's cottage, she was so much disordered, and her resolution failed her so entirely, that, unable to proceed, she rested on a bank, beside her path; where, as she sat, the wind that groaned sullenly among the lofty branches above, seemed to her melancholy imagination to bear the sounds of distant lamentation, and, in the pauses of the gust, she still fancied she heard the feeble and far-off notes of distress. Attention convinced her, that this was no more than fancy; but the increasing gloom, which seemed the sudden close of day, soon warned her to depart, and, with faltering steps, she again moved toward the cottage. Through the casement appeared the cheerful blaze of a wood fire, and Theresa, who had observed Emily approaching, was already at the door to receive her.

'It is a cold evening, madam,' said she, 'storms are coming on, and I thought you would like a fire. Do take this chair by the hearth.'

Emily, thanking her for this consideration, sat down, and then, looking in her face, on which the wood fire threw a gleam, she was struck with its expression, and, unable to speak, sunk back in her chair with a countenance so full of woe, that Theresa instantly comprehended the occasion of it, but she remained silent. 'Ah!' said Emily, at length, 'it is unnecessary for me to ask the result of your enquiry, your silence, and that look, sufficiently explain it;—he is dead!'

'Alas! my dear young lady,' replied Theresa, while tears filled her eyes, 'this world is made up of trouble! the rich have their share as well as the poor! But we must all endeavour to bear what Heaven pleases.'

'He is dead, then!'—interrupted Emily—'Valancourt is dead!'

'A-well-a-day! I fear he is,' replied Theresa.

'You fear!' said Emily, 'do you only fear?'

'Alas! yes, madam, I fear he is! neither the steward, or any of the Epourville family, have heard of him since he left Languedoc, and the Count is in great affliction about him, for he says he was always punctual in writing, but that now he has not received a line from him, since he left Languedoc; he appointed to be at home, three weeks ago, but he has neither come, or written, and they fear some accident has befallen him. Alas! that ever I should live to cry for his death! I am old, and might have died without being missed, but he'—Emily was faint, and asked for some water, and Theresa, alarmed by the voice, in which she spoke, hastened to her assistance, and, while she held the water to Emily's lips, continued, 'My dear young mistress, do not take it so to heart; the Chevalier may be alive and well, for all this; let us hope the best!'

'O no! I cannot hope,' said Emily, 'I am acquainted with circumstances, that will not suffer me to hope. I am somewhat better now, and can hear what you have to say. Tell me, I entreat, the particulars of what you know.'

'Stay, till you are a little better, mademoiselle, you look sadly!'

'O no, Theresa, tell me all, while I have the power to hear it,' said Emily, 'tell me all, I conjure you!'

'Well, madam, I will then; but the steward did not say much, for Richard says he seemed shy of talking about Mons. Valancourt, and what he gathered was from Gabriel, one of the servants, who said he had heard it from my lord's gentleman.'

'What did he hear?' said Emily.

'Why, madam, Richard has but a bad memory, and could not remember half of it, and, if I had not asked him a great many questions, I should have heard little indeed. But he says that Gabriel said, that he and all the other servants were in great trouble about M. Valancourt, for that he was such a kind young gentleman, they all loved him, as well as if he had been their own brother—and now, to think what was become of him! For he used to be so courteous to them all, and, if any of them had been in fault, M. Valancourt was the first to persuade my lord to forgive them. And then, if any poor family was in distress, M. Valancourt was the first, too, to relieve them, though some folks, not a great way off, could have afforded that much better than he. And then, said Gabriel, he was so gentle to every body, and, for all he had such a noble look with him, he never would command, and call about him, as some of your quality people do, and we never minded him the less for that. Nay, says Gabriel, for that matter, we minded him the more, and would all have run to obey him at a word, sooner than if some folks had told us what to do at full length; aye, and were more afraid of displeasing him, too, than of them, that used rough words to us.'

Emily, who no longer considered it to be dangerous to listen to praise, bestowed on Valancourt, did not attempt to interrupt Theresa, but sat, attentive to her words, though almost overwhelmed with grief. 'My Lord,' continued Theresa, 'frets about M. Valancourt sadly, and the more, because, they say, he had been rather harsh against him lately. Gabriel says he had it from my Lord's valet, that M. Valancourt had COMPORTED himself wildly at Paris, and had spent a great deal of money, more a great deal than my Lord liked, for he loves money better than M. Valancourt, who had been led astray sadly. Nay, for that matter, M. Valancourt had been put into prison at Paris, and my Lord, says Gabriel, refused to take him out, and said he deserved to suffer; and, when old Gregoire, the butler, heard of this, he actually bought a walking-stick to take with him to Paris, to visit his young master; but the next thing we hear is, that M. Valancourt is coming home. O, it was a joyful day when he came; but he was sadly altered, and my Lord looked very cool upon him, and he was very sad, indeed. And, soon after, he went away again into Languedoc, and, since that time, we have never seen him.'

Theresa paused, and Emily, sighing deeply, remained with her eyes fixed upon the floor, without speaking. After a long pause, she enquired what further Theresa had heard. 'Yet why should I ask?' she added; 'what you have already told is too much. O Valancourt! thou art gone—forever gone! and I—I have murdered thee!' These words, and the countenance of despair which accompanied them, alarmed Theresa, who began to fear, that the shock of the intelligence Emily had just received, had affected her senses. 'My dear young lady, be composed,' said she, 'and do not say such frightful words. You murder M. Valancourt,—dear heart!' Emily replied only by a heavy sigh.

'Dear lady, it breaks my heart to see you look so,' said Theresa, 'do not sit with your eyes upon the ground, and all so pale and melancholy; it frightens me to see you.' Emily was still silent, and did not appear to hear any thing that was said to her. 'Besides, mademoiselle,' continued Theresa, 'M. Valancourt may be alive and merry yet, for what we know.'

At the mention of his name, Emily raised her eyes, and fixed them, in a wild gaze, upon Theresa, as if she was endeavouring to understand what had been said. 'Aye, my dear lady,' said Theresa, mistaking the meaning of this considerate air, 'M. Valancourt may be alive and merry yet.'

On the repetition of these words, Emily comprehended their import, but, instead of producing the effect intended, they seemed only to heighten her distress. She rose hastily from her chair, paced the little room, with quick steps, and, often sighing deeply, clasped her hands, and shuddered.

Meanwhile, Theresa, with simple, but honest affection, endeavoured to comfort her; put more wood on the fire, stirred it up into a brighter blaze, swept the hearth, set the chair, which Emily had left, in a warmer situation, and then drew forth from a cupboard a flask of wine. 'It is a stormy night, madam,' said she, 'and blows cold—do come nearer the fire, and take a glass of this wine; it will comfort you, as it has done me, often and often, for it is not such wine as one gets every day; it is rich Languedoc, and the last of six flasks that M. Valancourt sent me, the night before he left Gascony for Paris. They have served me, ever since, as cordials, and I never drink it, but I think of him, and what kind words he said to me when he gave them. Theresa, says he, you are not young now, and should have a glass of good wine, now and then. I will send you a few flasks, and, when you taste them, you will sometimes remember me your friend. Yes—those were his very words—me your friend!' Emily still paced the room, without seeming to hear what Theresa said, who continued speaking. 'And I have remembered him, often enough, poor young gentleman!—for he gave me this roof for a shelter, and that, which has supported me. Ah! he is in heaven, with my blessed master, if ever saint was!'

Theresa's voice faltered; she wept, and set down the flask, unable to pour out the wine. Her grief seemed to recall Emily from her own, who went towards her, but then stopped, and, having gazed on her, for a moment, turned suddenly away, as if overwhelmed by the reflection, that it was Valancourt, whom Theresa lamented.

While she yet paced the room, the still, soft note of an oboe, or flute, was heard mingling with the blast, the sweetness of which affected Emily's spirits; she paused a moment in attention; the tender tones, as they swelled along the wind, till they were lost again in the ruder gust, came with a plaintiveness, that touched her heart, and she melted into tears.

'Aye,' said Theresa, drying her eyes, 'there is Richard, our neighbour's son, playing on the oboe; it is sad enough, to hear such sweet music now.' Emily continued to weep, without replying. 'He often plays of an evening,' added Theresa, 'and, sometimes, the young folks dance to the sound of his oboe. But, dear young lady! do not cry so; and pray take a glass of this wine,' continued she, pouring some into a glass, and handing it to Emily, who reluctantly took it.

'Taste it for M. Valancourt's sake,' said Theresa, as Emily lifted the glass to her lips, 'for he gave it me, you know, madam.' Emily's hand trembled, and she spilt the wine as she withdrew it from her lips. 'For whose sake!—who gave the wine?' said she in a faltering voice. 'M. Valancourt, dear lady. I knew you would be pleased with it. It is the last flask I have left.'

Emily set the wine upon the table, and burst into tears, while Theresa, disappointed and alarmed, tried to comfort her; but she only waved her hand, entreated she might be left alone, and wept the more.

A knock at the cottage door prevented Theresa from immediately obeying her mistress, and she was going to open it, when Emily, checking her, requested she would not admit any person; but, afterwards, recollecting, that she had ordered her servant to attend her home, she said it was only Philippe, and endeavoured to restrain her tears, while Theresa opened the door.

A voice, that spoke without, drew Emily's attention. She listened, turned her eyes to the door, when a person now appeared, and immediately a bright gleam, that flashed from the fire, discovered—Valancourt!

Emily, on perceiving him, started from her chair, trembled, and, sinking into it again, became insensible to all around her.

A scream from Theresa now told, that she knew Valancourt, whom her imperfect sight, and the duskiness of the place had prevented her from immediately recollecting; but his attention was immediately called from her to the person, whom he saw, falling from a chair near the fire; and, hastening to her assistance,—he perceived, that he was supporting Emily! The various emotions, that seized him upon thus unexpectedly meeting with her, from whom he had believed he had parted for ever, and on beholding her pale and lifeless in his arms—may, perhaps, be imagined, though they could neither be then expressed, or now described, any more than Emily's sensations, when, at length, she unclosed her eyes, and, looking up, again saw Valancourt. The intense anxiety, with which he regarded her, was instantly changed to an expression of mingled joy and tenderness, as his eye met hers, and he perceived, that she was reviving. But he could only exclaim, 'Emily!' as he silently watched her recovery, while she averted her eye, and feebly attempted to withdraw her hand; but, in these the first moments, which succeeded to the pangs his supposed death had occasioned her, she forgot every fault, which had formerly claimed indignation, and beholding Valancourt such as he had appeared, when he won her early affection, she experienced emotions of only tenderness and joy. This, alas! was but the sunshine of a few short moments; recollections rose, like clouds, upon her mind, and, darkening the illusive image, that possessed it, she again beheld Valancourt, degraded—Valancourt unworthy of the esteem and tenderness she had once bestowed upon him; her spirits faltered, and, withdrawing her hand, she turned from him to conceal her grief, while he, yet more embarrassed and agitated, remained silent.

A sense of what she owed to herself restrained her tears, and taught her soon to overcome, in some degree, the emotions of mingled joy and sorrow, that contended at her heart, as she rose, and, having thanked him for the assistance he had given her, bade Theresa good evening. As she was leaving the cottage, Valancourt, who seemed suddenly awakened as from a dream, entreated, in a voice, that pleaded powerfully for compassion, a few moments attention. Emily's heart, perhaps, pleaded as powerfully, but she had resolution enough to resist both, together with the clamorous entreaties of Theresa, that she would not venture home alone in the dark, and had already opened the cottage door, when the pelting storm compelled her to obey their requests.

Silent and embarrassed, she returned to the fire, while Valancourt, with increasing agitation, paced the room, as if he wished, yet feared, to speak, and Theresa expressed without restraint her joy and wonder upon seeing him.

'Dear heart! sir,' said she, 'I never was so surprised and overjoyed in my life. We were in great tribulation before you came, for we thought you was dead, and were talking, and lamenting about you, just when you knocked at the door. My young mistress there was crying, fit to break her heart—'

Emily looked with much displeasure at Theresa, but, before she could speak, Valancourt, unable to repress the emotion, which Theresa's imprudent discovery occasioned, exclaimed, 'O my Emily! am I then still dear to you! Did you, indeed, honour me with a thought—a tear? O heavens! you weep—you weep now!'

'Theresa, sir,' said Emily, with a reserved air, and trying to conquer her tears, 'has reason to remember you with gratitude, and she was concerned, because she had not lately heard of you. Allow me to thank you for the kindness you have shewn her, and to say, that, since I am now upon the spot, she must not be further indebted to you.''

'Emily,' said Valancourt, no longer master of his emotions, 'is it thus you meet him, whom once you meant to honour with your hand—thus you meet him, who has loved you—suffered for you?—Yet what do I say? Pardon me, pardon me, mademoiselle St. Aubert, I know not what I utter. I have no longer any claim upon your remembrance—I have forfeited every pretension to your esteem, your love. Yes! let me not forget, that I once possessed your affections, though to know that I have lost them, is my severest affliction. Affliction—do I call it!—that is a term of mildness.'

'Dear heart!' said Theresa, preventing Emily from replying, 'talk of once having her affections! Why, my dear young lady loves you now, better than she does any body in the whole world, though she pretends to deny it.'

'This is insupportable!' said Emily; 'Theresa, you know not what you say. Sir, if you respect my tranquillity, you will spare me from the continuance of this distress.'

'I do respect your tranquillity too much, voluntarily to interrupt it,' replied Valancourt, in whose bosom pride now contended with tenderness; 'and will not be a voluntary intruder. I would have entreated a few moments attention—yet I know not for what purpose. You have ceased to esteem me, and to recount to you my sufferings will degrade me more, without exciting even your pity. Yet I have been, O Emily! I am indeed very wretched!' added Valancourt, in a voice, that softened from solemnity into grief.

'What! is my dear young master going out in all this rain!' said Theresa. 'No, he shall not stir a step. Dear! dear! to see how gentlefolks can afford to throw away their happiness! Now, if you were poor people, there would be none of this. To talk of unworthiness, and not caring about one another, when I know there are not such a kind-hearted lady and gentleman in the whole province, nor any that love one another half so well, if the truth was spoken!'

Emily, in extreme vexation, now rose from her chair, 'I must be gone,' said she, 'the storm is over.'

'Stay, Emily, stay, mademoiselle St. Aubert!' said Valancourt, summoning all his resolution, 'I will no longer distress you by my presence. Forgive me, that I did not sooner obey you, and, if you can, sometimes, pity one, who, in losing you—has lost all hope of peace! May you be happy, Emily, however wretched I remain, happy as my fondest wish would have you!'

His voice faltered with the last words, and his countenance changed, while, with a look of ineffable tenderness and grief, he gazed upon her for an instant, and then quitted the cottage.

'Dear heart! dear heart!' cried Theresa, following him to the door, 'why, Monsieur Valancourt! how it rains! what a night is this to turn him out in! Why it will give him his death; and it was but now you was crying, mademoiselle, because he was dead. Well! young ladies do change their mind in a minute, as one may say!'

Emily made no reply, for she heard not what was said, while, lost in sorrow and thought, she remained in her chair by the fire, with her eyes fixed, and the image of Valancourt still before them.

'M. Valancourt is sadly altered! madam,' said Theresa; 'he looks so thin to what he used to do, and so melancholy, and then he wears his arm in a sling.'

Emily raised her eyes at these words, for she had not observed this last circumstance, and she now did not doubt, that Valancourt had received the shot of her gardener at Tholouse; with this conviction her pity for him returning, she blamed herself for having occasioned him to leave the cottage, during the storm.

Soon after her servants arrived with the carriage, and Emily, having censured Theresa for her thoughtless conversation to Valancourt, and strictly charging her never to repeat any hints of the same kind to him, withdrew to her home, thoughtful and disconsolate.

Meanwhile, Valancourt had returned to a little inn of the village, whither he had arrived only a few moments before his visit to Theresa's cottage, on the way from Tholouse to the chateau of the Count de Duvarney, where he had not been since he bade adieu to Emily at Chateau-le-Blanc, in the neighbourhood of which he had lingered for a considerable time, unable to summon resolution enough to quit a place, that contained the object most dear to his heart. There were times, indeed, when grief and despair urged him to appear again before Emily, and, regardless of his ruined circumstances, to renew his suit. Pride, however, and the tenderness of his affection, which could not long endure the thought of involving her in his misfortunes, at length, so far triumphed over passion, that he relinquished this desperate design, and quitted Chateau-le-Blanc. But still his fancy wandered among the scenes, which had witnessed his early love, and, on his way to Gascony, he stopped at Tholouse, where he remained when Emily arrived, concealing, yet indulging his melancholy in the gardens, where he had formerly passed with her so many happy hours; often recurring, with vain regret, to the evening before her departure for Italy, when she had so unexpectedly met him on the terrace, and endeavouring to recall to his memory every word and look, which had then charmed him, the arguments he had employed to dissuade her from the journey, and the tenderness of their last farewel. In such melancholy recollections he had been indulging, when Emily unexpectedly arrived to him on this very terrace, the evening after her arrival at Tholouse. His emotions, on thus seeing her, can scarcely be imagined; but he so far overcame the first promptings of love, that he forbore to discover himself, and abruptly quitted the gardens. Still, however, the vision he had seen haunted his mind; he became more wretched than before, and the only solace of his sorrow was to return in the silence of the night; to follow the paths which he believed her steps had pressed, during the day; and, to watch round the habitation where she reposed. It was in one of these mournful wanderings, that he had received by the fire of the gardener, who mistook him for a robber, a wound in his arm, which had detained him at Tholouse till very lately, under the hands of a surgeon. There, regardless of himself and careless of his friends, whose late unkindness had urged him to believe, that they were indifferent as to his fate, he remained, without informing them of his situation; and now, being sufficiently recovered to bear travelling, he had taken La Vallee in his way to Estuviere, the Count's residence, partly for the purpose of hearing of Emily, and of being again near her, and partly for that of enquiring into the situation of poor old Theresa, who, he had reason to suppose, had been deprived of her stipend, small as it was, and which enquiry had brought him to her cottage, when Emily happened to be there.

This unexpected interview, which had at once shewn him the tenderness of her love and the strength of her resolution, renewed all the acuteness of the despair, that had attended their former separation, and which no effort of reason could teach him, in these moments, to subdue. Her image, her look, the tones of her voice, all dwelt on his fancy, as powerfully as they had late appeared to his senses, and banished from his heart every emotion, except those of love and despair.

Before the evening concluded, he returned to Theresa's cottage, that he might hear her talk of Emily, and be in the place, where she had so lately been. The joy, felt and expressed by that faithful servant, was quickly changed to sorrow, when she observed, at one moment, his wild and phrensied look, and, at another, the dark melancholy, that overhung him.

After he had listened, and for a considerable time, to all she had to relate, concerning Emily, he gave Theresa nearly all the money he had about him, though she repeatedly refused it, declaring, that her mistress had amply supplied her wants; and then, drawing a ring of value from his finger, he delivered it her with a solemn charge to present it to Emily, of whom he entreated, as a last favour, that she would preserve it for his sake, and sometimes, when she looked upon it, remember the unhappy giver.

Theresa wept, as she received the ring, but it was more from sympathy, than from any presentiment of evil; and before she could reply, Valancourt abruptly left the cottage. She followed him to the door, calling upon his name and entreating him to return; but she received no answer, and saw him no more.





 

CHAPTER XIV 

  Call up him, that left half told
 The story of Cambuscan bold.
     MILTON

On the following morning, as Emily sat in the parlour adjoining the library, reflecting on the scene of the preceding night, Annette rushed wildly into the room, and, without speaking, sunk breathless into a chair. It was some time before she could answer the anxious enquiries of Emily, as to the occasion of her emotion, but, at length, she exclaimed, 'I have seen his ghost, madam, I have seen his ghost!'

'Who do you mean?' said Emily, with extreme impatience.

'It came in from the hall, madam,' continued Annette, 'as I was crossing to the parlour.'

'Who are you speaking of?' repeated Emily, 'Who came in from the hall?

'It was dressed just as I have seen him, often and often,' added Annette. 'Ah! who could have thought—'

Emily's patience was now exhausted, and she was reprimanding her for such idle fancies, when a servant entered the room, and informed her, that a stranger without begged leave to speak with her.

It immediately occurred to Emily, that this stranger was Valancourt, and she told the servant to inform him, that she was engaged, and could not see any person.

The servant, having delivered his message, returned with one from the stranger, urging the first request, and saying, that he had something of consequence to communicate; while Annette, who had hitherto sat silent and amazed, now started up, and crying, 'It is Ludovico!—it is Ludovico!' ran out of the room. Emily bade the servant follow her, and, if it really was Ludovico, to shew him into the parlour.

In a few minutes, Ludovico appeared, accompanied by Annette, who, as joy rendered her forgetful of all rules of decorum towards her mistress, would not suffer any person to be heard, for some time, but herself. Emily expressed surprise and satisfaction, on seeing Ludovico in safety, and the first emotions increased, when he delivered letters from Count De Villefort and the Lady Blanche, informing her of their late adventure, and of their present situation at an inn among the Pyrenees, where they had been detained by the illness of Mons. St. Foix, and the indisposition of Blanche, who added, that the Baron St. Foix was just arrived to attend his son to his chateau, where he would remain till the perfect recovery of his wounds, and then return to Languedoc, but that her father and herself purposed to be at La Vallee, on the following day. She added, that Emily's presence would be expected at the approaching nuptials, and begged she would be prepared to proceed, in a few days to Chateau-le-Blanc. For an account of Ludovico's adventure, she referred her to himself; and Emily, though much interested, concerning the means, by which he had disappeared from the north apartments, had the forbearance to suspend the gratification of her curiosity, till he had taken some refreshment, and had conversed with Annette, whose joy, on seeing him in safety, could not have been more extravagant, had he arisen from the grave.

Meanwhile, Emily perused again the letters of her friends, whose expressions of esteem and kindness were very necessary consolations to her heart, awakened as it was by the late interview to emotions of keener sorrow and regret.

The invitation to Chateau-le-Blanc was pressed with so much kindness by the Count and his daughter, who strengthened it by a message from the Countess, and the occasion of it was so important to her friend, that Emily could not refuse to accept it, nor, though she wished to remain in the quiet shades of her native home, could she avoid perceiving the impropriety of remaining there alone, since Valancourt was again in the neighbourhood. Sometimes, too, she thought, that change of scenery and the society of her friends might contribute, more than retirement, to restore her to tranquillity.

When Ludovico again appeared, she desired him to give a detail of his adventure in the north apartments, and to tell by what means he became a companion of the banditti, with whom the Count had found him.

He immediately obeyed, while Annette, who had not yet had leisure to ask him many questions, on the subject, prepared to listen, with a countenance of extreme curiosity, venturing to remind her lady of her incredulity, concerning spirits, in the castle of Udolpho, and of her own sagacity in believing in them; while Emily, blushing at the consciousness of her late credulity, observed, that, if Ludovico's adventure could justify Annette's superstition, he had probably not been here to relate it.

Ludovico smiled at Annette, and bowed to Emily, and then began as follows:

'You may remember, madam, that, on the night, when I sat up in the north chamber, my lord, the Count, and Mons. Henri accompanied me thither, and that, while they remained there, nothing happened to excite any alarm. When they were gone I made a fire in the bed-room, and, not being inclined to sleep, I sat down on the hearth with a book I had brought with me to divert my mind. I confess I did sometimes look round the chamber, with something like apprehension—'

'O very like it, I dare say,' interrupted Annette, 'and I dare say too, if the truth was known, you shook from head to foot.'

'Not quite so bad as that,' replied Ludovico, smiling, 'but several times, as the wind whistled round the castle, and shook the old casements, I did fancy I heard odd noises, and, once or twice, I got up and looked about me; but nothing was to be seen, except the grim figures in the tapestry, which seemed to frown upon me, as I looked at them. I had sat thus for above an hour,' continued Ludovico, 'when again I thought I heard a noise, and glanced my eyes round the room, to discover what it came from, but, not perceiving any thing, I began to read again, and, when I had finished the story I was upon, I felt drowsy, and dropped asleep. But presently I was awakened by the noise I had heard before, and it seemed to come from that part of the chamber, where the bed stood; and then, whether it was the story I had been reading that affected my spirits, or the strange reports, that had been spread of these apartments, I don't know, but, when I looked towards the bed again, I fancied I saw a man's face within the dusky curtains.'

At the mention of this, Emily trembled, and looked anxiously, remembering the spectacle she had herself witnessed there with Dorothee.

'I confess, madam, my heart did fail me, at that instant,' continued Ludovico, 'but a return of the noise drew my attention from the bed, and I then distinctly heard a sound, like that of a key, turning in a lock, but what surprised me more was, that I saw no door where the sound seemed to come from. In the next moment, however, the arras near the bed was slowly lifted, and a person appeared behind it, entering from a small door in the wall. He stood for a moment as if half retreating, with his head bending under the arras which concealed the upper part of his face except his eyes scowling beneath the tapestry as he held it; and then, while he raised it higher, I saw the face of another man behind, looking over his shoulder. I know not how it was, but, though my sword was upon the table before me, I had not the power just then to seize it, but sat quite still, watching them, with my eyes half shut as if I was asleep. I suppose they thought me so, and were debating what they should do, for I heard them whisper, and they stood in the same posture for the value of a minute, and then, I thought I perceived other faces in the duskiness beyond the door, and heard louder whispers.'

'This door surprises me,' said Emily, 'because I understood, that the Count had caused the arras to be lifted, and the walls examined, suspecting, that they might have concealed a passage through which you had departed.'

'It does not appear so extraordinary to me, madam,' replied Ludovico, 'that this door should escape notice, because it was formed in a narrow compartment, which appeared to be part of the outward wall, and, if the Count had not passed over it, he might have thought it was useless to search for a door where it seemed as if no passage could communicate with one; but the truth was, that the passage was formed within the wall itself.—But, to return to the men, whom I saw obscurely beyond the door, and who did not suffer me to remain long in suspense, concerning their design. They all rushed into the room, and surrounded me, though not before I had snatched up my sword to defend myself. But what could one man do against four? They soon disarmed me, and, having fastened my arms, and gagged my mouth, forced me through the private door, leaving my sword upon the table, to assist, as they said, those who should come in the morning to look for me, in fighting against the ghosts. They then led me through many narrow passages, cut, as I fancied, in the walls, for I had never seen them before, and down several flights of steps, till we came to the vaults underneath the castle; and then opening a stone door, which I should have taken for the wall itself, we went through a long passage, and down other steps cut in the solid rock, when another door delivered us into a cave. After turning and twining about, for some time, we reached the mouth of it, and I found myself on the sea-beach at the foot of the cliffs, with the chateau above. A boat was in waiting, into which the ruffians got, forcing me along with them, and we soon reached a small vessel, that was at anchor, where other men appeared, when setting me aboard, two of the fellows who had seized me, followed, and the other two rowed back to the shore, while we set sail. I soon found out what all this meant, and what was the business of these men at the chateau. We landed in Rousillon, and, after lingering several days about the shore, some of their comrades came down from the mountains, and carried me with them to the fort, where I remained till my Lord so unexpectedly arrived, for they had taken good care to prevent my running away, having blindfolded me, during the journey, and, if they had not done this, I think I never could have found my road to any town, through the wild country we traversed. After I reached the fort I was watched like a prisoner, and never suffered to go out, without two or three companions, and I became so weary of life, that I often wished to get rid of it.'

'Well, but they let you talk,' said Annette, 'they did not gagg you after they got you away from the chateau, so I don't see what reason there was to be so very weary of living; to say nothing about the chance you had of seeing me again.'

Ludovico smiled, and Emily also, who enquired what was the motive of these men for carrying him off.

'I soon found out, madam,' resumed Ludovico, 'that they were pirates, who had, during many years, secreted their spoil in the vaults of the castle, which, being so near the sea, suited their purpose well. To prevent detection they had tried to have it believed, that the chateau was haunted, and, having discovered the private way to the north apartments, which had been shut up ever since the death of the lady marchioness, they easily succeeded. The housekeeper and her husband, who were the only persons, that had inhabited the castle, for some years, were so terrified by the strange noises they heard in the nights, that they would live there no longer; a report soon went abroad, that it was haunted, and the whole country believed this the more readily, I suppose, because it had been said, that the lady marchioness had died in a strange way, and because my lord never would return to the place afterwards.'

'But why,' said Emily, 'were not these pirates contented with the cave—why did they think it necessary to deposit their spoil in the castle?'

'The cave, madam,' replied Ludovico, 'was open to any body, and their treasures would not long have remained undiscovered there, but in the vaults they were secure so long as the report prevailed of their being haunted. Thus then, it appears, that they brought at midnight, the spoil they took on the seas, and kept it till they had opportunities of disposing of it to advantage. The pirates were connected with Spanish smugglers and banditti, who live among the wilds of the Pyrenees, and carry on various kinds of traffic, such as nobody would think of; and with this desperate horde of banditti I remained, till my lord arrived. I shall never forget what I felt, when I first discovered him—I almost gave him up for lost! but I knew, that, if I shewed myself, the banditti would discover who he was, and probably murder us all, to prevent their secret in the chateau being detected. I, therefore, kept out of my lord's sight, but had a strict watch upon the ruffians, and determined, if they offered him or his family violence, to discover myself, and fight for our lives. Soon after, I overheard some of them laying a most diabolical plan for the murder and plunder of the whole party, when I contrived to speak to some of my lord's attendants, telling them what was going forward, and we consulted what was best to be done; meanwhile my lord, alarmed at the absence of the Lady Blanche, demanded her, and the ruffians having given some unsatisfactory answer, my lord and Mons. St. Foix became furious, so then we thought it a good time to discover the plot, and rushing into the chamber, I called out, "Treachery! my lord count, defend yourself!" His lordship and the chevalier drew their swords directly, and a hard battle we had, but we conquered at last, as, madam, you are already informed of by my Lord Count.'

'This is an extraordinary adventure,' said Emily, 'and much praise is due, Ludovico, to your prudence and intrepidity. There are some circumstances, however, concerning the north apartments, which still perplex me; but, perhaps, you may be able to explain them. Did you ever hear the banditti relate any thing extraordinary of these rooms?'

'No, madam,' replied Ludovico, 'I never heard them speak about the rooms, except to laugh at the credulity of the old housekeeper, who once was very near catching one of the pirates; it was since the Count arrived at the chateau, he said, and he laughed heartily as he related the trick he had played off.'

A blush overspread Emily's cheek, and she impatiently desired Ludovico to explain himself.

'Why, my lady,' said he, 'as this fellow was, one night in the bed-room, he heard somebody approaching through the next apartment, and not having time to lift up the arras, and unfasten the door, he hid himself in the bed just by. There he lay for some time in as great a fright, I suppose—'

'As you was in,' interrupted Annette, 'when you sat up so boldly to watch by yourself.'

'Aye,' said Ludovico, 'in as great a fright as he ever made any body else suffer; and presently the housekeeper and some other person came up to the bed, when he, thinking they were going to examine it, bethought him, that his only chance of escaping detection, was by terrifying them; so he lifted up the counterpane, but that did not do, till he raised his face above it, and then they both set off, he said, as if they had seen the devil, and he got out of the rooms undiscovered.'

Emily could not forbear smiling at this explanation of the deception, which had given her so much superstitious terror, and was surprised, that she could have suffered herself to be thus alarmed, till she considered, that, when the mind has once begun to yield to the weakness of superstition, trifles impress it with the force of conviction. Still, however, she remembered with awe the mysterious music, which had been heard, at midnight, near Chateau-le-Blanc, and she asked Ludovico if he could give any explanation of it; but he could not.

'I only know, madam,' he added, 'that it did not belong to the pirates, for I have heard them laugh about it, and say, they believed the devil was in league with them there.'

'Yes, I will answer for it he was,' said Annette, her countenance brightening, 'I was sure all along, that he or his spirits had something to do with the north apartments, and now you see, madam, I am right at last.'

'It cannot be denied, that his spirits were very busy in that part of the chateau,' replied Emily, smiling. 'But I am surprised, Ludovico, that these pirates should persevere in their schemes, after the arrival of the Count; what could they expect but certain detection?'

'I have reason to believe, madam,' replied Ludovico, 'that it was their intention to persevere no longer than was necessary for the removal of the stores, which were deposited in the vaults; and it appeared, that they had been employed in doing so from within a short period after the Count's arrival; but, as they had only a few hours in the night for this business, and were carrying on other schemes at the same time, the vaults were not above half emptied, when they took me away. They gloried exceedingly in this opportunity of confirming the superstitious reports, that had been spread of the north chambers, were careful to leave every thing there as they had found it, the better to promote the deception, and frequently, in their jocose moods, would laugh at the consternation, which they believed the inhabitants of the castle had suffered upon my disappearing, and it was to prevent the possibility of my betraying their secret, that they had removed me to such a distance. From that period they considered the chateau as nearly their own; but I found from the discourse of their comrades, that, though they were cautious, at first, in shewing their power there, they had once very nearly betrayed themselves. Going, one night, as was their custom, to the north chambers to repeat the noises, that had occasioned such alarm among the servants, they heard, as they were about to unfasten the secret door, voices in the bed-room. My lord has since told me, that himself and M. Henri were then in the apartment, and they heard very extraordinary sounds of lamentation, which it seems were made by these fellows, with their usual design of spreading terror; and my lord has owned, he then felt somewhat more, than surprise; but, as it was necessary to the peace of his family, that no notice should be taken, he was silent on the subject, and enjoined silence to his son.'

Emily, recollecting the change, that had appeared in the spirits of the Count, after the night, when he had watched in the north room, now perceived the cause of it; and, having made some further enquiries upon this strange affair, she dismissed Ludovico, and went to give orders for the accommodation of her friends, on the following day.

In the evening, Theresa, lame as she was, came to deliver the ring, with which Valancourt had entrusted her, and, when she presented it, Emily was much affected, for she remembered to have seen him wear it often in happier days. She was, however, much displeased, that Theresa had received it, and positively refused to accept it herself, though to have done so would have afforded her a melancholy pleasure. Theresa entreated, expostulated, and then described the distress of Valancourt, when he had given the ring, and repeated the message, with which he had commissioned her to deliver it; and Emily could not conceal the extreme sorrow this recital occasioned her, but wept, and remained lost in thought.

'Alas! my dear young lady!' said Theresa, 'why should all this be? I have known you from your infancy, and it may well be supposed I love you, as if you was my own, and wish as much to see you happy. M. Valancourt, to be sure, I have not known so long, but then I have reason to love him, as though he was my own son. I know how well you love one another, or why all this weeping and wailing?' Emily waved her hand for Theresa to be silent, who, disregarding the signal, continued, 'And how much you are alike in your tempers and ways, and, that, if you were married, you would be the happiest couple in the whole province—then what is there to prevent your marrying? Dear dear! to see how some people fling away their happiness, and then cry and lament about it, just as if it was not their own doing, and as if there was more pleasure in wailing and weeping, than in being at peace. Learning, to be sure, is a fine thing, but, if it teaches folks no better than that, why I had rather be without it; if it would teach them to be happier, I would say something to it, then it would be learning and wisdom too.'

Age and long services had given Theresa a privilege to talk, but Emily now endeavoured to check her loquacity, and, though she felt the justness of some of her remarks, did not choose to explain the circumstances, that had determined her conduct towards Valancourt. She, therefore, only told Theresa, that it would much displease her to hear the subject renewed; that she had reasons for her conduct, which she did not think it proper to mention, and that the ring must be returned, with an assurance, that she could not accept it with propriety; and, at the same time, she forbade Theresa to repeat any future message from Valancourt, as she valued her esteem and kindness. Theresa was afflicted, and made another attempt, though feeble, to interest her for Valancourt, but the unusual displeasure, expressed in Emily's countenance, soon obliged her to desist, and she departed in wonder and lamentation.

To relieve her mind, in some degree, from the painful recollections, that intruded upon it, Emily busied herself in preparations for the journey into Languedoc, and, while Annette, who assisted her, spoke with joy and affection of the safe return of Ludovico, she was considering how she might best promote their happiness, and determined, if it appeared, that his affection was as unchanged as that of the simple and honest Annette, to give her a marriage portion, and settle them on some part of her estate. These considerations led her to the remembrance of her father's paternal domain, which his affairs had formerly compelled him to dispose of to M. Quesnel, and which she frequently wished to regain, because St. Aubert had lamented, that the chief lands of his ancestors had passed into another family, and because they had been his birth-place and the haunt of his early years. To the estate at Tholouse she had no peculiar attachment, and it was her wish to dispose of this, that she might purchase her paternal domains, if M. Quesnel could be prevailed on to part with them, which, as he talked much of living in Italy, did not appear very improbable.





 

CHAPTER XV 

  Sweet is the breath of vernal shower,
 The bees' collected treasures sweet,
 Sweet music's melting fall, but sweeter yet
 The still, small voice of gratitude.
     GRAY

On the following day, the arrival of her friend revived the drooping Emily, and La Vallee became once more the scene of social kindness and of elegant hospitality. Illness and the terror she had suffered had stolen from Blanche much of her sprightliness, but all her affectionate simplicity remained, and, though she appeared less blooming, she was not less engaging than before. The unfortunate adventure on the Pyrenees had made the Count very anxious to reach home, and, after little more than a week's stay at La Vallee, Emily prepared to set out with her friends for Languedoc, assigning the care of her house, during her absence, to Theresa. On the evening, preceding her departure, this old servant brought again the ring of Valancourt, and, with tears, entreated her mistress to receive it, for that she had neither seen, or heard of M. Valancourt, since the night when he delivered it to her. As she said this, her countenance expressed more alarm, than she dared to utter; but Emily, checking her own propensity to fear, considered, that he had probably returned to the residence of his brother, and, again refusing to accept the ring, bade Theresa preserve it, till she saw him, which, with extreme reluctance, she promised to do.

On the following day, Count De Villefort, with Emily and the Lady Blanche, left La Vallee, and, on the ensuing evening, arrived at the Chateau-le-Blanc, where the Countess, Henri, and M. Du Pont, whom Emily was surprised to find there, received them with much joy and congratulation. She was concerned to observe, that the Count still encouraged the hopes of his friend, whose countenance declared, that his affection had suffered no abatement from absence; and was much distressed, when, on the second evening after her arrival, the Count, having withdrawn her from the Lady Blanche, with whom she was walking, renewed the subject of M. Du Pont's hopes. The mildness, with which she listened to his intercessions at first, deceiving him, as to her sentiments, he began to believe, that, her affection for Valancourt being overcome, she was, at length, disposed to think favourably of M. Du Pont; and, when she afterwards convinced him of his mistake, he ventured, in the earnestness of his wish to promote what he considered to be the happiness of two persons, whom he so much esteemed, gently to remonstrate with her, on thus suffering an ill-placed affection to poison the happiness of her most valuable years.

Observing her silence and the deep dejection of her countenance, he concluded with saying, 'I will not say more now, but I will still believe, my dear Mademoiselle St. Aubert, that you will not always reject a person, so truly estimable as my friend Du Pont.'

He spared her the pain of replying, by leaving her; and she strolled on, somewhat displeased with the Count for having persevered to plead for a suit, which she had repeatedly rejected, and lost amidst the melancholy recollections, which this topic had revived, till she had insensibly reached the borders of the woods, that screened the monastery of St. Clair, when, perceiving how far she had wandered, she determined to extend her walk a little farther, and to enquire about the abbess and some of her friends among the nuns.

Though the evening was now drawing to a close, she accepted the invitation of the friar, who opened the gate, and, anxious to meet some of her old acquaintances, proceeded towards the convent parlour. As she crossed the lawn, that sloped from the front of the monastery towards the sea, she was struck with the picture of repose, exhibited by some monks, sitting in the cloisters, which extended under the brow of the woods, that crowned this eminence; where, as they meditated, at this twilight hour, holy subjects, they sometimes suffered their attention to be relieved by the scene before them, nor thought it profane to look at nature, now that it had exchanged the brilliant colours of day for the sober hue of evening. Before the cloisters, however, spread an ancient chesnut, whose ample branches were designed to screen the full magnificence of a scene, that might tempt the wish to worldly pleasures; but still, beneath the dark and spreading foliage, gleamed a wide extent of ocean, and many a passing sail; while, to the right and left, thick woods were seen stretching along the winding shores. So much as this had been admitted, perhaps, to give to the secluded votary an image of the dangers and vicissitudes of life, and to console him, now that he had renounced its pleasures, by the certainty of having escaped its evils. As Emily walked pensively along, considering how much suffering she might have escaped, had she become a votaress of the order, and remained in this retirement from the time of her father's death, the vesper-bell struck up, and the monks retired slowly toward the chapel, while she, pursuing her way, entered the great hall, where an unusual silence seemed to reign. The parlour too, which opened from it, she found vacant, but, as the evening bell was sounding, she believed the nuns had withdrawn into the chapel, and sat down to rest, for a moment, before she returned to the chateau, where, however, the increasing gloom made her now anxious to be.

Not many minutes had elapsed, before a nun, entering in haste, enquired for the abbess, and was retiring, without recollecting Emily, when she made herself known, and then learned, that a mass was going to be performed for the soul of sister Agnes, who had been declining, for some time, and who was now believed to be dying.

Of her sufferings the sister gave a melancholy account, and of the horrors, into which she had frequently started, but which had now yielded to a dejection so gloomy, that neither the prayers, in which she was joined by the sisterhood, or the assurances of her confessor, had power to recall her from it, or to cheer her mind even with a momentary gleam of comfort.

To this relation Emily listened with extreme concern, and, recollecting the frenzied manners and the expressions of horror, which she had herself witnessed of Agnes, together with the history, that sister Frances had communicated, her compassion was heightened to a very painful degree. As the evening was already far advanced, Emily did not now desire to see her, or to join in the mass, and, after leaving many kind remembrances with the nun, for her old friends, she quitted the monastery, and returned over the cliffs towards the chateau, meditating upon what she had just heard, till, at length she forced her mind upon less interesting subjects.

The wind was high, and as she drew near the chateau, she often paused to listen to its awful sound, as it swept over the billows, that beat below, or groaned along the surrounding woods; and, while she rested on a cliff at a short distance from the chateau, and looked upon the wide waters, seen dimly beneath the last shade of twilight, she thought of the following address: 

 TO THE WINDS

 Viewless, through heaven's vast vault your course ye steer,
 Unknown from whence ye come, or whither go!
 Mysterious pow'rs! I hear ye murmur low,
 Till swells your loud gust on my startled ear,
 And, awful! seems to say—some God is near!
 I love to list your midnight voices float
 In the dread storm, that o'er the ocean rolls,
 And, while their charm the angry wave controuls,
 Mix with its sullen roar, and sink remote.
 Then, rising in the pause, a sweeter note,
 The dirge of spirits, who your deeds bewail,
 A sweeter note oft swells while sleeps the gale!
 But soon, ye sightless pow'rs! your rest is o'er,
 Solemn and slow, ye rise upon the air,
 Speak in the shrouds, and bid the sea-boy fear,
 And the faint-warbled dirge—is heard no more!
  Oh! then I deprecate your awful reign!
 The loud lament yet bear not on your breath!
 Bear not the crash of bark far on the main,
 Bear not the cry of men, who cry in vain,
 The crew's dread chorus sinking into death!
 Oh! give not these, ye pow'rs!  I ask alone,
 As rapt I climb these dark romantic steeps,
 The elemental war, the billow's moan;
 I ask the still, sweet tear, that listening Fancy weeps!




 

CHAPTER XVI 

  Unnatural deeds
 Do breed unnatural troubles:  infected minds
 To their deaf pillows will discharge their secrets.
 More needs she the divine, than the physician.
     MACBETH

On the following evening, the view of the convent towers, rising among the shadowy woods, reminded Emily of the nun, whose condition had so much affected her; and, anxious to know how she was, as well as to see some of her former friends, she and the Lady Blanche extended their walk to the monastery. At the gate stood a carriage, which, from the heat of the horses, appeared to have just arrived; but a more than common stillness pervaded the court and the cloisters, through which Emily and Blanche passed in their way to the great hall, where a nun, who was crossing to the stair-case, replied to the enquiries of the former, that sister Agnes was still living, and sensible, but that it was thought she could not survive the night. In the parlour, they found several of the boarders, who rejoiced to see Emily, and told her many little circumstances that had happened in the convent since her departure, and which were interesting to her only because they related to persons, whom she had regarded with affection. While they thus conversed the abbess entered the room, and expressed much satisfaction at seeing Emily, but her manner was unusually solemn, and her countenance dejected. 'Our house,' said she, after the first salutations were over, 'is truly a house of mourning—a daughter is now paying the debt of nature.—You have heard, perhaps, that our daughter Agnes is dying?'

Emily expressed her sincere concern.

'Her death presents to us a great and awful lesson,' continued the abbess; 'let us read it, and profit by it; let it teach us to prepare ourselves for the change, that awaits us all! You are young, and have it yet in your power to secure "the peace that passeth all understanding"—the peace of conscience. Preserve it in your youth, that it may comfort you in age; for vain, alas! and imperfect are the good deeds of our latter years, if those of our early life have been evil!'

Emily would have said, that good deeds, she hoped, were never vain; but she considered that it was the abbess who spoke, and she remained silent.

'The latter days of Agnes,' resumed the abbess, 'have been exemplary; would they might atone for the errors of her former ones! Her sufferings now, alas! are great; let us believe, that they will make her peace hereafter! I have left her with her confessor, and a gentleman, whom she has long been anxious to see, and who is just arrived from Paris. They, I hope, will be able to administer the repose, which her mind has hitherto wanted.'

Emily fervently joined in the wish.

'During her illness, she has sometimes named you,' resumed the abbess; 'perhaps, it would comfort her to see you; when her present visitors have left her, we will go to her chamber, if the scene will not be too melancholy for your spirits. But, indeed, to such scenes, however painful, we ought to accustom ourselves, for they are salutary to the soul, and prepare us for what we are ourselves to suffer.'

Emily became grave and thoughtful; for this conversation brought to her recollection the dying moments of her beloved father, and she wished once more to weep over the spot, where his remains were buried. During the silence, which followed the abbess' speech, many minute circumstances attending his last hours occurred to her—his emotion on perceiving himself to be in the neighbourhood of Chateau-le-Blanc—his request to be interred in a particular spot in the church of this monastery—and the solemn charge he had delivered to her to destroy certain papers, without examining them.—She recollected also the mysterious and horrible words in those manuscripts, upon which her eye had involuntarily glanced; and, though they now, and, indeed, whenever she remembered them, revived an excess of painful curiosity, concerning their full import, and the motives for her father's command, it was ever her chief consolation, that she had strictly obeyed him in this particular.

Little more was said by the abbess, who appeared too much affected by the subject she had lately left, to be willing to converse, and her companions had been for some time silent from the same cause, when this general reverie was interrupted by the entrance of a stranger, Monsieur Bonnac, who had just quitted the chamber of sister Agnes. He appeared much disturbed, but Emily fancied, that his countenance had more the expression of horror, than of grief. Having drawn the abbess to a distant part of the room, he conversed with her for some time, during which she seemed to listen with earnest attention, and he to speak with caution, and a more than common degree of interest. When he had concluded, he bowed silently to the rest of the company, and quitted the room. The abbess, soon after, proposed going to the chamber of sister Agnes, to which Emily consented, though not without some reluctance, and Lady Blanche remained with the boarders below.

At the door of the chamber they met the confessor, whom, as he lifted up his head on their approach, Emily observed to be the same that had attended her dying father; but he passed on, without noticing her, and they entered the apartment, where, on a mattress, was laid sister Agnes, with one nun watching in the chair beside her. Her countenance was so much changed, that Emily would scarcely have recollected her, had she not been prepared to do so: it was ghastly, and overspread with gloomy horror; her dim and hollow eyes were fixed on a crucifix, which she held upon her bosom; and she was so much engaged in thought, as not to perceive the abbess and Emily, till they stood at the bed-side. Then, turning her heavy eyes, she fixed them, in wild horror, upon Emily, and, screaming, exclaimed, 'Ah! that vision comes upon me in my dying hours!'

Emily started back in terror, and looked for explanation to the abbess, who made her a signal not to be alarmed, and calmly said to Agnes, 'Daughter, I have brought Mademoiselle St. Aubert to visit you: I thought you would be glad to see her.'

Agnes made no reply; but, still gazing wildly upon Emily, exclaimed, 'It is her very self! Oh! there is all that fascination in her look, which proved my destruction! What would you have—what is it you came to demand—Retribution?—It will soon be yours—it is yours already. How many years have passed, since last I saw you! My crime is but as yesterday.—Yet I am grown old beneath it; while you are still young and blooming—blooming as when you forced me to commit that most abhorred deed! O! could I once forget it!—yet what would that avail?—the deed is done!'

Emily, extremely shocked, would now have left the room; but the abbess, taking her hand, tried to support her spirits, and begged she would stay a few moments, when Agnes would probably be calm, whom now she tried to sooth. But the latter seemed to disregard her, while she still fixed her eyes on Emily, and added, 'What are years of prayers and repentance? they cannot wash out the foulness of murder!—Yes, murder! Where is he—where is he?—Look there—look there!—see where he stalks along the room! Why do you come to torment me now?' continued Agnes, while her straining eyes were bent on air, 'why was not I punished before?—O! do not frown so sternly! Hah! there again! 'til she herself! Why do you look so piteously upon me—and smile, too? smile on me! What groan was that?'

Agnes sunk down, apparently lifeless, and Emily, unable to support herself, leaned against the bed, while the abbess and the attendant nun were applying the usual remedies to Agnes. 'Peace,' said the abbess, when Emily was going to speak, 'the delirium is going off, she will soon revive. When was she thus before, daughter?'

'Not of many weeks, madam,' replied the nun, 'but her spirits have been much agitated by the arrival of the gentleman she wished so much to see.'

'Yes,' observed the abbess, 'that has undoubtedly occasioned this paroxysm of frenzy. When she is better, we will leave her to repose.'

Emily very readily consented, but, though she could now give little assistance, she was unwilling to quit the chamber, while any might be necessary.

When Agnes recovered her senses, she again fixed her eyes on Emily, but their wild expression was gone, and a gloomy melancholy had succeeded. It was some moments before she recovered sufficient spirits to speak; she then said feebly—'The likeness is wonderful!—surely it must be something more than fancy. Tell me, I conjure you,' she added, addressing Emily, 'though your name is St. Aubert, are you not the daughter of the Marchioness?'

'What Marchioness?' said Emily, in extreme surprise; for she had imagined, from the calmness of Agnes's manner, that her intellects were restored. The abbess gave her a significant glance, but she repeated the question.

'What Marchioness?' exclaimed Agnes, 'I know but of one—the Marchioness de Villeroi.'

Emily, remembering the emotion of her late father, upon the unexpected mention of this lady, and his request to be laid near to the tomb of the Villerois, now felt greatly interested, and she entreated Agnes to explain the reason of her question. The abbess would now have withdrawn Emily from the room, who being, however, detained by a strong interest, repeated her entreaties.

'Bring me that casket, sister,' said Agnes; 'I will shew her to you; yet you need only look in that mirror, and you will behold her; you surely are her daughter: such striking resemblance is never found but among near relations.'

The nun brought the casket, and Agnes, having directed her how to unlock it, she took thence a miniature, in which Emily perceived the exact resemblance of the picture, which she had found among her late father's papers. Agnes held out her hand to receive it; gazed upon it earnestly for some moments in silence; and then, with a countenance of deep despair, threw up her eyes to Heaven, and prayed inwardly. When she had finished, she returned the miniature to Emily. 'Keep it,' said she, 'I bequeath it to you, for I must believe it is your right. I have frequently observed the resemblance between you; but never, till this day, did it strike upon my conscience so powerfully! Stay, sister, do not remove the casket—there is another picture I would shew.'

Emily trembled with expectation, and the abbess again would have withdrawn her. 'Agnes is still disordered,' said she, 'you observe how she wanders. In these moods she says any thing, and does not scruple, as you have witnessed, to accuse herself of the most horrible crimes.'

Emily, however, thought she perceived something more than madness in the inconsistencies of Agnes, whose mention of the Marchioness, and production of her picture, had interested her so much, that she determined to obtain further information, if possible, respecting the subject of it.

The nun returned with the casket, and, Agnes pointing out to her a secret drawer, she took from it another miniature. 'Here,' said Agnes, as she offered it to Emily, 'learn a lesson for your vanity, at least; look well at this picture, and see if you can discover any resemblance between what I was, and what I am.'

Emily impatiently received the miniature, which her eyes had scarcely glanced upon, before her trembling hands had nearly suffered it to fall—it was the resemblance of the portrait of Signora Laurentini, which she had formerly seen in the castle of Udolpho—the lady, who had disappeared in so mysterious a manner, and whom Montoni had been suspected of having caused to be murdered.

In silent astonishment, Emily continued to gaze alternately upon the picture and the dying nun, endeavouring to trace a resemblance between them, which no longer existed.

'Why do you look so sternly on me?' said Agnes, mistaking the nature of Emily's emotion.

'I have seen this face before,' said Emily, at length; 'was it really your resemblance?'

'You may well ask that question,' replied the nun,—'but it was once esteemed a striking likeness of me. Look at me well, and see what guilt has made me. I then was innocent; the evil passions of my nature slept. Sister!' added she solemnly, and stretching forth her cold, damp hand to Emily, who shuddered at its touch—'Sister! beware of the first indulgence of the passions; beware of the first! Their course, if not checked then, is rapid—their force is uncontroulable—they lead us we know not whither—they lead us perhaps to the commission of crimes, for which whole years of prayer and penitence cannot atone!—Such may be the force of even a single passion, that it overcomes every other, and sears up every other approach to the heart. Possessing us like a fiend, it leads us on to the acts of a fiend, making us insensible to pity and to conscience. And, when its purpose is accomplished, like a fiend, it leaves us to the torture of those feelings, which its power had suspended—not annihilated,—to the tortures of compassion, remorse, and conscience. Then, we awaken as from a dream, and perceive a new world around us—we gaze in astonishment, and horror—but the deed is committed; not all the powers of heaven and earth united can undo it—and the spectres of conscience will not fly! What are riches—grandeur—health itself, to the luxury of a pure conscience, the health of the soul;—and what the sufferings of poverty, disappointment, despair—to the anguish of an afflicted one! O! how long is it since I knew that luxury! I believed, that I had suffered the most agonizing pangs of human nature, in love, jealousy, and despair—but these pangs were ease, compared with the stings of conscience, which I have since endured. I tasted too what was called the sweet of revenge—but it was transient, it expired even with the object, that provoked it. Remember, sister, that the passions are the seeds of vices as well as of virtues, from which either may spring, accordingly as they are nurtured. Unhappy they who have never been taught the art to govern them!'

'Alas! unhappy!' said the abbess, 'and ill-informed of our holy religion!' Emily listened to Agnes, in silent awe, while she still examined the miniature, and became confirmed in her opinion of its strong resemblance to the portrait at Udolpho. 'This face is familiar to me,' said she, wishing to lead the nun to an explanation, yet fearing to discover too abruptly her knowledge of Udolpho.

'You are mistaken,' replied Agnes, 'you certainly never saw that picture before.'

'No,' replied Emily, 'but I have seen one extremely like it.' 'Impossible,' said Agnes, who may now be called the Lady Laurentini.

'It was in the castle of Udolpho,' continued Emily, looking stedfastly at her.

'Of Udolpho!' exclaimed Laurentini, 'of Udolpho in Italy!' 'The same,' replied Emily.

'You know me then,' said Laurentini, 'and you are the daughter of the Marchioness.' Emily was somewhat surprised at this abrupt assertion. 'I am the daughter of the late Mons. St. Aubert,' said she; 'and the lady you name is an utter stranger to me.'

'At least you believe so,' rejoined Laurentini.

Emily asked what reasons there could be to believe otherwise.

'The family likeness, that you bear her,' said the nun. 'The Marchioness, it is known, was attached to a gentleman of Gascony, at the time when she accepted the hand of the Marquis, by the command of her father. Ill-fated, unhappy woman!'

Emily, remembering the extreme emotion which St. Aubert had betrayed on the mention of the Marchioness, would now have suffered something more than surprise, had her confidence in his integrity been less; as it was, she could not, for a moment, believe what the words of Laurentini insinuated; yet she still felt strongly interested, concerning them, and begged, that she would explain them further.

'Do not urge me on that subject,' said the nun, 'it is to me a terrible one! Would that I could blot it from my memory!' She sighed deeply, and, after the pause of a moment, asked Emily, by what means she had discovered her name?

'By your portrait in the castle of Udolpho, to which this miniature bears a striking resemblance,' replied Emily.

'You have been at Udolpho then!' said the nun, with great emotion. 'Alas! what scenes does the mention of it revive in my fancy—scenes of happiness—of suffering—and of horror!'

At this moment, the terrible spectacle, which Emily had witnessed in a chamber of that castle, occurred to her, and she shuddered, while she looked upon the nun—and recollected her late words—that 'years of prayer and penitence could not wash out the foulness of murder.' She was now compelled to attribute these to another cause, than that of delirium. With a degree of horror, that almost deprived her of sense, she now believed she looked upon a murderer; all the recollected behaviour of Laurentini seemed to confirm the supposition, yet Emily was still lost in a labyrinth of perplexities, and, not knowing how to ask the questions, which might lead to truth, she could only hint them in broken sentences.

'Your sudden departure from Udolpho'—said she.

Laurentini groaned.

'The reports that followed it,' continued Emily—'The west chamber—the mournful veil—the object it conceals!—when murders are committed—'

The nun shrieked. 'What! there again!' said she, endeavouring to raise herself, while her starting eyes seemed to follow some object round the room—'Come from the grave! What! Blood—blood too!—There was no blood—thou canst not say it!—Nay, do not smile,—do not smile so piteously!'

Laurentini fell into convulsions, as she uttered the last words; and Emily, unable any longer to endure the horror of the scene, hurried from the room, and sent some nuns to the assistance of the abbess.

The Lady Blanche, and the boarders, who were in the parlour, now assembled round Emily, and, alarmed by her manner and affrighted countenance, asked a hundred questions, which she avoided answering further, than by saying, that she believed sister Agnes was dying. They received this as a sufficient explanation of her terror, and had then leisure to offer restoratives, which, at length, somewhat revived Emily, whose mind was, however, so much shocked with the terrible surmises, and perplexed with doubts by some words from the nun, that she was unable to converse, and would have left the convent immediately, had she not wished to know whether Laurentini would survive the late attack. After waiting some time, she was informed, that, the convulsions having ceased, Laurentini seemed to be reviving, and Emily and Blanche were departing, when the abbess appeared, who, drawing the former aside, said she had something of consequence to say to her, but, as it was late, she would not detain her then, and requested to see her on the following day.

Emily promised to visit her, and, having taken leave, returned with the Lady Blanche towards the chateau, on the way to which the deep gloom of the woods made Blanche lament, that the evening was so far advanced; for the surrounding stillness and obscurity rendered her sensible of fear, though there was a servant to protect her; while Emily was too much engaged by the horrors of the scene she had just witnessed, to be affected by the solemnity of the shades, otherwise than as they served to promote her gloomy reverie, from which, however, she was at length recalled by the Lady Blanche, who pointed out, at some distance, in the dusky path they were winding, two persons slowly advancing. It was impossible to avoid them without striking into a still more secluded part of the wood, whither the strangers might easily follow; but all apprehension vanished, when Emily distinguished the voice of Mons. Du Pont, and perceived, that his companion was the gentleman, whom she had seen at the monastery, and who was now conversing with so much earnestness as not immediately to perceive their approach. When Du Pont joined the ladies, the stranger took leave, and they proceeded to the chateau, where the Count, when he heard of Mons. Bonnac, claimed him for an acquaintance, and, on learning the melancholy occasion of his visit to Languedoc, and that he was lodged at a small inn in the village, begged the favour of Mons. Du Pont to invite him to the chateau.

The latter was happy to do so, and the scruples of reserve, which made M. Bonnac hesitate to accept the invitation, being at length overcome, they went to the chateau, where the kindness of the Count and the sprightliness of his son were exerted to dissipate the gloom, that overhung the spirits of the stranger. M. Bonnac was an officer in the French service, and appeared to be about fifty; his figure was tall and commanding, his manners had received the last polish, and there was something in his countenance uncommonly interesting; for over features, which, in youth, must have been remarkably handsome, was spread a melancholy, that seemed the effect of long misfortune, rather than of constitution, or temper.

The conversation he held, during supper, was evidently an effort of politeness, and there were intervals in which, unable to struggle against the feelings, that depressed him, he relapsed into silence and abstraction, from which, however, the Count, sometimes, withdrew him in a manner so delicate and benevolent, that Emily, while she observed him, almost fancied she beheld her late father.

The party separated, at an early hour, and then, in the solitude of her apartment, the scenes, which Emily had lately witnessed, returned to her fancy, with dreadful energy. That in the dying nun she should have discovered Signora Laurentini, who, instead of having been murdered by Montoni, was, as it now seemed, herself guilty of some dreadful crime, excited both horror and surprise in a high degree; nor did the hints, which she had dropped, respecting the marriage of the Marchioness de Villeroi, and the enquiries she had made concerning Emily's birth, occasion her a less degree of interest, though it was of a different nature.

The history, which sister Frances had formerly related, and had said to be that of Agnes, it now appeared, was erroneous; but for what purpose it had been fabricated, unless the more effectually to conceal the true story, Emily could not even guess. Above all, her interest was excited as to the relation, which the story of the late Marchioness de Villeroi bore to that of her father; for, that some kind of relation existed between them, the grief of St. Aubert, upon hearing her named, his request to be buried near her, and her picture, which had been found among his papers, certainly proved. Sometimes it occurred to Emily, that he might have been the lover, to whom it was said the Marchioness was attached, when she was compelled to marry the Marquis de Villeroi; but that he had afterwards cherished a passion for her, she could not suffer herself to believe, for a moment. The papers, which he had so solemnly enjoined her to destroy, she now fancied had related to this connection, and she wished more earnestly than before to know the reasons, that made him consider the injunction necessary, which, had her faith in his principles been less, would have led to believe, that there was a mystery in her birth dishonourable to her parents, which those manuscripts might have revealed.

Reflections, similar to these, engaged her mind, during the greater part of the night, and when, at length, she fell into a slumber, it was only to behold a vision of the dying nun, and to awaken in horrors, like those she had witnessed.

On the following morning, she was too much indisposed to attend her appointment with the abbess, and, before the day concluded, she heard, that sister Agnes was no more. Mons. Bonnac received this intelligence, with concern; but Emily observed, that he did not appear so much affected now, as on the preceding evening, immediately after quitting the apartment of the nun, whose death was probably less terrible to him, than the confession he had been then called upon to witness. However this might be, he was perhaps consoled, in some degree, by a knowledge of the legacy bequeathed him, since his family was large, and the extravagance of some part of it had lately been the means of involving him in great distress, and even in the horrors of a prison; and it was the grief he had suffered from the wild career of a favourite son, with the pecuniary anxieties and misfortunes consequent upon it, that had given to his countenance the air of dejection, which had so much interested Emily.

To his friend Mons. Du Pont he recited some particulars of his late sufferings, when it appeared, that he had been confined for several months in one of the prisons of Paris, with little hope of release, and without the comfort of seeing his wife, who had been absent in the country, endeavouring, though in vain, to procure assistance from his friends. When, at length, she had obtained an order for admittance, she was so much shocked at the change, which long confinement and sorrow had made in his appearance, that she was seized with fits, which, by their long continuance, threatened her life.

'Our situation affected those, who happened to witness it,' continued Mons. Bonnac, 'and one generous friend, who was in confinement at the same time, afterwards employed the first moments of his liberty in efforts to obtain mine. He succeeded; the heavy debt, that oppressed me, was discharged; and, when I would have expressed my sense of the obligation I had received, my benefactor was fled from my search. I have reason to believe he was the victim of his own generosity, and that he returned to the state of confinement, from which he had released me; but every enquiry after him was unsuccessful. Amiable and unfortunate Valancourt!'

'Valancourt!' exclaimed Mons. Du Pont. 'Of what family?'

'The Valancourts, Counts Duvarney,' replied Mons. Bonnac.

The emotion of Mons. Du Pont, when he discovered the generous benefactor of his friend to be the rival of his love, can only be imagined; but, having overcome his first surprise, he dissipated the apprehensions of Mons. Bonnac by acquainting him, that Valancourt was at liberty, and had lately been in Languedoc; after which his affection for Emily prompted him to make some enquiries, respecting the conduct of his rival, during his stay at Paris, of which M. Bonnac appeared to be well informed. The answers he received were such as convinced him, that Valancourt had been much misrepresented, and, painful as was the sacrifice, he formed the just design of relinquishing his pursuit of Emily to a lover, who, it now appeared, was not unworthy of the regard, with which she honoured him.

The conversation of Mons. Bonnac discovered, that Valancourt, some time after his arrival at Paris, had been drawn into the snares, which determined vice had spread for him, and that his hours had been chiefly divided between the parties of the captivating Marchioness and those gaming assemblies, to which the envy, or the avarice, of his brother officers had spared no art to seduce him. In these parties he had lost large sums, in efforts to recover small ones, and to such losses the Count De Villefort and Mons. Henri had been frequent witnesses. His resources were, at length, exhausted; and the Count, his brother, exasperated by his conduct, refused to continue the supplies necessary to his present mode of life, when Valancourt, in consequence of accumulated debts, was thrown into confinement, where his brother suffered him to remain, in the hope, that punishment might effect a reform of conduct, which had not yet been confirmed by long habit.

In the solitude of his prison, Valancourt had leisure for reflection, and cause for repentance; here, too, the image of Emily, which, amidst the dissipation of the city had been obscured, but never obliterated from his heart, revived with all the charms of innocence and beauty, to reproach him for having sacrificed his happiness and debased his talents by pursuits, which his nobler faculties would formerly have taught him to consider were as tasteless as they were degrading. But, though his passions had been seduced, his heart was not depraved, nor had habit riveted the chains, that hung heavily on his conscience; and, as he retained that energy of will, which was necessary to burst them, he, at length, emancipated himself from the bondage of vice, but not till after much effort and severe suffering.

Being released by his brother from the prison, where he had witnessed the affecting meeting between Mons. Bonnac and his wife, with whom he had been for some time acquainted, the first use of his liberty formed a striking instance of his humanity and his rashness; for with nearly all the money, just received from his brother, he went to a gaming-house, and gave it as a last stake for the chance of restoring his friend to freedom, and to his afflicted family. The event was fortunate, and, while he had awaited the issue of this momentous stake, he made a solemn vow never again to yield to the destructive and fascinating vice of gaming.

Having restored the venerable Mons. Bonnac to his rejoicing family, he hurried from Paris to Estuviere; and, in the delight of having made the wretched happy, forgot, for a while, his own misfortunes. Soon, however, he remembered, that he had thrown away the fortune, without which he could never hope to marry Emily; and life, unless passed with her, now scarcely appeared supportable; for her goodness, refinement, and simplicity of heart, rendered her beauty more enchanting, if possible, to his fancy, than it had ever yet appeared. Experience had taught him to understand the full value of the qualities, which he had before admired, but which the contrasted characters he had seen in the world made him now adore; and these reflections, increasing the pangs of remorse and regret, occasioned the deep dejection, that had accompanied him even into the presence of Emily, of whom he considered himself no longer worthy. To the ignominy of having received pecuniary obligations from the Marchioness Chamfort, or any other lady of intrigue, as the Count De Villefort had been informed, or of having been engaged in the depredating schemes of gamesters, Valancourt had never submitted; and these were some of such scandals as often mingle with truth, against the unfortunate. Count De Villefort had received them from authority which he had no reason to doubt, and which the imprudent conduct he had himself witnessed in Valancourt, had certainly induced him the more readily to believe. Being such as Emily could not name to the Chevalier, he had no opportunity of refuting them; and, when he confessed himself to be unworthy of her esteem, he little suspected, that he was confirming to her the most dreadful calumnies. Thus the mistake had been mutual, and had remained so, when Mons. Bonnac explained the conduct of his generous, but imprudent young friend to Du Pont, who, with severe justice, determined not only to undeceive the Count on this subject, but to resign all hope of Emily. Such a sacrifice as his love rendered this, was deserving of a noble reward, and Mons. Bonnac, if it had been possible for him to forget the benevolent Valancourt, would have wished that Emily might accept the just Du Pont.

When the Count was informed of the error he had committed, he was extremely shocked at the consequence of his credulity, and the account which Mons. Bonnac gave of his friend's situation, while at Paris, convinced him, that Valancourt had been entrapped by the schemes of a set of dissipated young men, with whom his profession had partly obliged him to associate, rather than by an inclination to vice; and, charmed by the humanity, and noble, though rash generosity, which his conduct towards Mons. Bonnac exhibited, he forgave him the transient errors, that had stained his youth, and restored him to the high degree of esteem, with which he had regarded him, during their early acquaintance. But, as the least reparation he could now make Valancourt was to afford him an opportunity of explaining to Emily his former conduct, he immediately wrote, to request his forgiveness of the unintentional injury he had done him, and to invite him to Chateau-le-Blanc. Motives of delicacy with-held the Count from informing Emily of this letter, and of kindness from acquainting her with the discovery respecting Valancourt, till his arrival should save her from the possibility of anxiety, as to its event; and this precaution spared her even severer inquietude, than the Count had foreseen, since he was ignorant of the symptoms of despair, which Valancourt's late conduct had betrayed.





 

CHAPTER XVII 

  But in these cases,
 We still have judgment here; that we but teach
 Bloody instructions, which, being taught, return
 To plague the inventor:  thus even-handed justice
 Commends the ingredients of our poison'd chalice
 To our own lips.
     MACBETH

Some circumstances of an extraordinary nature now withdrew Emily from her own sorrows, and excited emotions, which partook of both surprise and horror.

A few days followed that, on which Signora Laurentini died, her will was opened at the monastery, in the presence of the superiors and Mons. Bonnac, when it was found, that one third of her personal property was bequeathed to the nearest surviving relative of the late Marchioness de Villeroi, and that Emily was the person.

With the secret of Emily's family the abbess had long been acquainted, and it was in observance of the earnest request of St. Aubert, who was known to the friar, that attended him on his death-bed, that his daughter had remained in ignorance of her relationship to the Marchioness. But some hints, which had fallen from Signora Laurentini, during her last interview with Emily, and a confession of a very extraordinary nature, given in her dying hours, had made the abbess think it necessary to converse with her young friend, on the topic she had not before ventured to introduce; and it was for this purpose, that she had requested to see her on the morning that followed her interview with the nun. Emily's indisposition had then prevented the intended conversation; but now, after the will had been examined, she received a summons, which she immediately obeyed, and became informed of circumstances, that powerfully affected her. As the narrative of the abbess was, however, deficient in many particulars, of which the reader may wish to be informed, and the history of the nun is materially connected with the fate of the Marchioness de Villeroi, we shall omit the conversation, that passed in the parlour of the convent, and mingle with our relation a brief history of 

 LAURENTINI DI UDOLPHO,

Who was the only child of her parents, and heiress of the ancient house of Udolpho, in the territory of Venice. It was the first misfortune of her life, and that which led to all her succeeding misery, that the friends, who ought to have restrained her strong passions, and mildly instructed her in the art of governing them, nurtured them by early indulgence. But they cherished their own failings in her; for their conduct was not the result of rational kindness, and, when they either indulged, or opposed the passions of their child, they gratified their own. Thus they indulged her with weakness, and reprehended her with violence; her spirit was exasperated by their vehemence, instead of being corrected by their wisdom; and their oppositions became contest for victory, in which the due tenderness of the parents, and the affectionate duties of the child, were equally forgotten; but, as returning fondness disarmed the parents' resentment soonest, Laurentini was suffered to believe that she had conquered, and her passions became stronger by every effort, that had been employed to subdue them.

The death of her f