Édouard Dujardin

Édouard Dujardin (November 10,
1861–October 31, 1949) was a French writer,
one of the early users of the stream of
consciousness literary technique,
exemplified by his 1888 novel Les Lauriers
sont coupés.
Édouard
Émile Louis Dujardin was born in Saint-Gervais-la-Forêt,
Loir-et-Cher, and was the only child of
Alphonse Dujardin, a sea captain.
Dujardin
became editor of the journal Revue
Indépendente during 1886, and it was in this
journal that his first works were published.
His association with this journal resulted
in it being termed an "important voice for
the symbolists" (Harry Ransom Humanities
Research Center 2004).
When his
parents died, Dujardin was the sole heir of
their fortune, and he used some of this
money to finance the plays Antonia during
1891 and Le Chevalier Du Passé during 1882.
His
literary works are extensive and include
numerous plays, poems and novels. Dujardin
also produced works of literary and social
criticism and reminiscence. James Joyce
claimed his style of interior monologue owed
its influence to works by Dujardin. He
continued his involvement with journalism
throughout his life and this resulted in
numerous disputes with authorities,
including charges of treason, though he was
never convicted.
Dujardin
had expensive and lavish tastes for clothing
which was deemed "dandyish" for his time,
and was known to frequent Parisian night
life. His many dalliances with females were
noted and he had had numerous relationships
with actresses, models and other glamorous
women. Dujardin was also known to have many
female friends involved in the arts and he
supported some of them financially.
His
frivolous lifestyle eventually reduced his
finances so he began numerous financial
ventures, including gambling and real
estate. He also offered his services to
periodicals for marketing and advertising
campaigns. It was here that the police
noticed an article compiled by Dujardin
which resulted in a jail sentence, though it
was later remitted.
During 1885
Dujardin and Téodor de Wyzewa[1] initiated
the Revue Wagnérienne, imitating Félix
Fénéon and his Revue Indépendante which had
first been published the year before. During
1886 Dujardin and Fénéon joined forces under
the banner of a new improved Revue
Indépendante. One of the innovations at this
time was that the Revue started having small
exhibitions in its rooms.
Dujardin
married a woman named Germaine during 1893
and they later separated during 1901. They
did not divorce until 1924 when he married
Marie Chenou, a woman thirty years his
junior. He fathered two children, lived a
peaceful life during his old age and died
aged 88 years old on October 31, 1949.