Paul
Signac
(b Paris, 11 Nov 1863; d Paris, 15 Aug 1935).
French painter, printmaker and writer. He came from a well-to-do family
of shopkeepers. A visit to the exhibition of Claude Monet’s works
organized by Georges Charpentier at the offices of La Vie moderne
in 1880 decided him on an artistic career and encouraged him to try
painting out of doors. His early works, landscapes or still-lifes of
1882–3 (Still-life, 1883; Berlin, Neue N.G.), show an
Impressionist influence, particularly that of Monet and Alfred Sisley.
In 1883 Signac took courses given by the Prix de Rome winner Jean-Baptiste
Bin (1825–c. 1890), but they had little effect on his style. Such
suburban Paris landscapes as The Gennevilliers Road (1883; Paris,
Mus. d’Orsay) place his works in a world of modern images comparable to
those of Jean François Rafaëlli in which factory chimneys, hoardings and
etiolated trees abound (e.g. Gas Tanks at Clichy, 1886;
Melbourne, N.G. Victoria). Already a friend of Henri Rivière, Signac
soon met Armand Guillaumin, who provided important encouragement. In
1884 he was a founder-member of the Salon des Indépendants, where he met
Georges Seurat who that year was exhibiting Bathers at Asnières
(1884; London, N.G.). In this painting Seurat had already begun to apply
principles of DIVISIONISM (although not yet the dot-like brushstroke),
while Signac was still practising an orthodox form of Impressionism.