AVIGNON
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Papal Palace, Avignon 1342-52 |
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During the 14th century, the Papal Seat was centred at Avignon. As desired by
Benedict XII. the main pontifical residence reflected the image of a
castle-convent, characterized by turrets and high walls. The Palazzo Nuovo,
commissioned in the middle of the century by Clement VI, conceived the interior
as a sumptuous court, with salons, great stairways, and halls. Everywhere,
decorations abounded with corbels, portals, and windows designed
with great finesse. In these rooms and the adjoining chapels, the
full flowering of the Avignon pictorial school could be found, with
the refined realism of Matteo Giovannetti meeting the graphic
elegance of French artists. Matteo, who painted the frescos between
1343 and 1347 in the chapels of San Marziale and San Giovanni,
reproduced the strong Tuscan architectonic style of the early 14th
century in a lively chromatic way. In many rooms, there were courtly
scenes in elegant natural surroundings, in which every action and
detail carried a moral message that ensured its popularity in
ecclesiastical residences.