van Eyck
Netherlandish family of artists. The brothers Hubert van Eyck, Jan van Eyck and Lambert van Eyck were all painters; a sister, Margaret, was also
identified as a painter by van Vaernewijck (1568), who
recorded that she was unmarried and was buried next to
Hubert in Ghent. The tradition that the family
originated in Maaseick [Maeseyck], near Maastricht,
seems confirmed by the dialect of Jan van Eyck’s motto
and colour notes on his portrait drawing of a man
(Dresden, Kupferstichkab.) and by his gift of vestments
to a convent in Maaseick, where his daughter Lievine
became a nun. The family belonged to the gentry: the
armorials of Jan’s epitaph in St Bavo’s, Ghent, showed
that his father or grandfather came from Brabant,
perhaps near ’s Hertogenbosch, and married a woman from
a Mosan family. It is possible that Barthelemy d’Eyck,
court painter to King René I of Anjou, belonged to the
same family.
Jan
van Eyck
(b ?Maaseick, c. 1395; d Bruges,
22/23 June 1441). Painter and illuminator, brother of
Hubert van Eyck.
According to a 16th-century Ghent tradition,
represented by van Vaernewijck and Lucas d’Heere, Jan
trained with his brother Hubert. Pietro Summonte’s
assertion (1524) that he began work as an illuminator is
supported by the fine technique and small scale of most
of Jan’s works, by manuscript precedents for certain of
his motifs, and by his payment in 1439 for initials in a
book (untraced) for Philip the Good, Duke of Burgundy.
Jan is first documented in The Hague in August 1422 as
an established artist with an assistant and the title of
‘Master’, working for John III, Count of Holland (John
of Bavaria; reg 1419–25), who evidently
discovered the artist while he was bishop (1389–1417) of
the principality of Liege. Jan became the court’s
official painter and was paid, with a second assistant
when the work increased in 1423, continuously, probably
until the count’s death in January 1425.