Gothic Era





 

 


Masters of the Gothic Art
      
 
 
   
Gothic Art Map
 
 
   
Masters of the Gothic Art
 
 
    Master M S
Master M Z
Master Thomas de Coloswar
Master of Alkmaar
Master of Avila
Master of Budapest
Master of Moulins
Master of Female Half-length
Master of Heiligenkreuz
Master of Hoogstraeten
Master of Saint Cecilia
Master of Saint Gilles
Master of San Francesco Bardi
Master of the Aix Annunciation
Master of the Aix-en-Chapel Altarpiece
Master of the Avignon School
Master of the Bambino Vispo
Master of the Castello Nativity
Master of the Catholic Kings
Master of the Joseph Legend
Master of the Housebook
Master of the Legend of St. Ursula
Master of the Life of Saint John the Baptist
Master of the Lyversberg Passion
Master of the Pfullendorf Altar
Master of the Saint Lucy Legend
Master of the Polling Panels
Master of the Tegernsee Passion
Master of the Trebon Altarpiece
Master of the Vienna Adoration
Master of the Virgo inter Virgines
Masters Bohemian
Master of the Votive Picture of Sankt Lambrecht
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Master Dutch
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    Exploration: Gothic Era  (Gothic and Early Renaissance)
 

 




Master of the Saint Lucy Legend



 



 
 

Master of the Saint Lucy Legend

( fl c. 1475–1505). South Netherlandish painter and draughtsman. This name was coined by Friedländer to identify the artist responsible for a group of paintings linked stylistically to the panel of the Legend of St Lucy (1480; Bruges, St Jacob). Some 45 to 50 paintings are associated with this master, although variations among them suggest workshop participation in certain cases. Some silverpoint drawings have also been attributed to him (Roberts). Depictions of the city of Bruges in the background of some of his paintings record changes in the belfry, which was being remodelled from 1483 to c. 1502. Verhaegen noted four distinct forms of the belfry recorded in them, and on this and the stylistic evidence of the paintings themselves she proposed a chronology for the artist’s works. The Virgin among Holy Women (Brussels, Mus. A. Anc.), dated to c. 1490, typifies his mature style: ponderous figures occupy a shallow space near the picture plane in a static, symmetrical composition with lush foliage and brocaded garments that display a detailed rendering of surface textures characteristic of 15th-century Netherlandish art. The Master’s paintings are technically proficient reworkings of established themes. As a narrative, the Legend of St Lucy is unusual among the artist’s surviving works, as most of them are devotional images, including, in particular, many images of the Virgin, such as the Brussels Virgin among Holy Women, a Virgin and Child Enthroned (Los Angeles, CA, Co. Mus. A.) and a half-length Virgin and Child (Williamstown, MA, Clark A. Inst.). The static compositions, cool colours and subdued emotion of his works (e.g. the triptych of the Lamentation; Minneapolis, MN, Inst. A.) give his paintings a solemn, rather than expressive, effect.


Mary, Queen of Heaven

c. 1485-1500
National Gallery of Art, Washington
 

 

 
 

St Sebastian

1480-90
Gallery Robert Pintelon, Aalst
 
 
 
 


Legend of St Lucy

1480
Sint-Jacobskerk, Bruges
 

 
 
 


Scene from the St Lucy Legend

1480
Church of St Jacob, Bruges
 

 

 

 

St Nicholas Altarpiece (central panel)

1486-93
Groeninge Museum, Bruges
 
 
 
 

Virgin Surrounded by Female Saints

c. 1488
Musées Royaux des Beaux-Arts, Brussels
 
 
 
 

Lamentation

1490s
Groeninge Museum, Bruges
 
 

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