(b Isola di Carturo, nr Padua, 1430–31; d Mantua 13
Sept 1506).
Italian painter and printmaker. He occupies a pre-eminent position among
Italian artists of the 15th century. The profound enthusiasm for the
civilization of ancient Rome that infuses his entire oeuvre was
unprecedented in a painter. In addition to its antiquarian content, his
art is characterized by brilliant compositional solutions, the bold and
innovative use of perspective and foreshortening and a precise and
deliberate manner of execution, an aspect that was commented upon during
his lifetime. He was held in great esteem by his contemporaries for his
learning and skill and, significantly, he is the only artist of the
period to have left a small corpus of self-portraits: two in the Ovetari
Chapel; his presumed self-portrait in the Presentation in the Temple
(Berlin, Gemaldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and
the funerary bust in his burial chapel in S Andrea, Mantua, designed and
probably executed by himself. His printmaking activity is technically
advanced and of great importance, although certain aspects of the
execution remain to be clarified. Due to the survival of both the Paduan
and Mantuan archives Mantegna is one of the best-documented artists of
the 15th century.
Death of the Virgin
c. 1461
Museo del Prado, Madrid
Portrait of a Man
c. 1460
National Gallery of Art, Washington
The Adoration of the Shepherds
c. 1451-53
Metropolitan Museum of Art, New York
Agony in the Garden
c. 1459
National Gallery, London
Agony in the Garden (detail)
c. 1459
National Gallery, Londo
San Luca Altarpiece
1453
Pinacoteca di Brera, Milan
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