Italian sculptor, sienese school.
He was the most significant non-Florentine sculptor of the 15th century: a
transitional figure in the development of Italian Renaissance sculpture, who
infused the Late Gothic art of Nicola Pisano with a new appreciation of
antiquity, paving the way for such later artists as Antonio Federighi and
Francesco di Giorgio in Siena, Niccolo dell’Arca in Bologna and, most notably,
Michelangelo. He worked for a wide spectrum of patrons—the papal states, noble
and mercantile families and the cities of Siena and Florence—and was the only
Sienese artist of his century to achieve a truly national reputation.
Madonna (Silvestri Madonna)
1406
Marble
Cathedral, Ferrara
Virtue
1409-19
Marble
Palazzo Pubblico, Siena
Hope
1409-19
Marble
Palazzo Pubblico, Siena
Acca Laurentia
1414-19
Marble
Palazzo Pubblico, Siena
Rhea Sylvia
1414-19
Marble
Palazzo Pubblico, Siena
Annunciation: the Angel
1421-26
Painted wood
Collegiata, San Gimignano
Annunciation: the Virgin
1421-26
Painted wood
Collegiata, San Gimignano
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