The High Renaissance
 
&

Mannerism



 

 


Bernardino Luini

 
 
 
Bernardino Luini

(b ?Luini, c. 1480–85; d ?Lugano, before 1 July 1532)

Renaissance painter of Lombardy, best known for his mythological and religious frescoes.
Little is known of Luini's life; the earliest surviving painting that is certainly his work is a fresco (1512) of the “Madonna and Child” at the Cistercian monastery of Chiaravalle, near Milan. It shows the dependence upon the style of the Lombardian painter Il Bergognone (c. 1455–after 1522), which Luini retained throughout his life. The majority of his panel paintings depict the Virgin.
Luini was influenced by Leonardo da Vinci during the latter's second stay in Milan (1506–13), as is seen in the facial types and the composition of Luini's “Holy Family” (Pinacoteca Ambrosiana, Milan). Of his frescoes, many of which are now detached and dispersed, the most notable are the “Story of Europa” (c. 1520; Berlin) and the “Story of Cephalus and Procris” (c. 1520; National Gallery of Art, Washington, D.C.) from either the Casa Rabia or the Villa Pelucca (both in Milan) and the “Story of Moses” and various mythological subjects from the Villa Pelucca (Brera, Milan).

 

 
 


Lamentation Over the Dead Christ
1512
 

 

 


Madonna and Child Enthroned with Angels


 


The Christ Child and the Infant John the Baptist with a Lamb


 

Young Woman
1525


 

Salome
1525


 

La Nativite



 

Tete de sainte Catherine



 

Madonna and Child


 

Saint Alexander
1525


 

Madonna and Child with Saints Sebastian and Roche
1522
 

 

The Conversion of the Magdalene
1510


 

Venus, Bernardino Luini
1530


 

The Virgin and Child in a Landscape