Leonardo
da Vinci

1452 - 1519

 
 
     
 Renaissance Art Map
   
         
     Leonardo da Vinci - biography (Encyclopaedia Britannica)
 
   
     Leonardo da Vinci (Text by Francesca Debolini)
 
   
     CONTENTS:
 
   
     1452-1481 Leonardo in the Florence of the Medici    
     1482-1499 At the court of Ludovico il Moro    
     1500-1508 The return to Florence    
     1508-1513 The Milan of Charles d'Amboise    
     1513-1519 The last years: Rome and France    
         
 
 

                  

 


Leonardo da Vinci
Self-Portrait
c. 1512

   

     



1482-1499


At the court of Ludovico il Moro
               

 

 

 


The Sala delle Asse
 

    

In 1498 Leonardo decorated the north-east room of the Sforza Castle with a painting depicting clusters of rock out of which grow eighteen huge trees. The branches of the trees rise from the walls to form a broad canopy, leaving only some patches of sky visible. A rope of golden knots intertwines with the foliage, the composition culminating in the centre of the vaulted ceiling where the Sforza ducal coat-of-arms appears. The naturalistic design has been seen by some as a symbolic depiction of the valley of Tempe, locus amoenus of classical literature.
                                           

 


Leonardo da Vinci
Ceiling decoration
1496-98
Fresco and tempera
Sala delle Asse, Castello Sforzesco, Milan


Sforza Bearings on the Ceiling in an Arabesque of Black Mulberry Branches.
The mulberry (a symbol of prudence and wisdom) is a metaphor for the government of Ludovico, depicted here in a jagged,
unrepeating geometrical pattern.
The mulberry also alludes to the power of il Moro.

           


Leonardo da Vinci
Ceiling decoration
1496-98
Fresco and tempera
Sala delle Asse, Castello Sforzesco, Milan

          

Plinth with Rocks and Roots, North Wall. Revealed with the rest of the decoration after the restoration (1893-94), these monochrome images were spared the repaintings of 1901-02. Concealed by wooden boards until 1954, they offer a glimpse of the continually conflicting forces of nature.

 

 
               




Engraving from the Vincian Academy, c.1495, Biblioteca Ambrosiana, Milan.
The knots, an emblem of Leonardo himself,
are in keeping with the decoration of the room.
The Sala delle Asse was possibly intended as a meeting place for cultural events.

                       

        

The Durer version is an important document of Renaissance graphic art.