The High Renaissance
 
&

Mannerism

 


 

 


Lucas Cranach the Elder
 
 
 

 

Lucas Cranach the Elder

 

(b Kronach, 1472; d Weimar, 16 Oct 1553). Painter, engraver and designer of woodcuts.

No works are known by Lucas Cranach the elder before his arrival in Vienna in 1501 or 1502, when he was already about 30 years old. His earliest surviving painting is presumably a small panel of the Crucifixion (before 1502; Vienna, Ksthist. Mus.) from the Schottenstift in Vienna. This picture reveals the expressive and vigorous handling of the brush that marks his painting technique during this intense two- or three-year period of activity. The rendering of the figures, especially the bloody, crucified bodies, and the composition with its rugged landscape are likewise calculated for an emotional impact. How the artist came by this manner of painting may in part be explained by the colouristically strong and brutal scenes of the Passion by Jan Polack, such as the Crucifixion (1492; Munich, Alte Pin.), which Cranach could have seen in the Franciscan church in Munich en route to Vienna. Otherwise his early stylistic sources are as hard to specify as those for the emerging DANUBE SCHOOL, of which Cranach was a principal founder.

 

 
 

 
 

 


A Princess of Saxony

1517
Wood
National Gallery of Art, Washington



 

 

The Mystic Marriage of St Catherine

c. 1516
Panel, 67,5 x 47,3 cm
Museum of Fine Arts, Budapest



 

The Mystic Marriage of St Catherine
(detail)
c. 1516
Panel, 67,5 x 47,3 cm (full painting)
Museum of Fine Arts, Budapest


 

The Annunciation to Joachim

1516-18
Oil on panel, 60,5 x 51 cm
Museum of Fine Arts, Budapest



 

Portraits of Henry the Pious, Duke of Saxony and his wife Katharina von Mecklenburg

1514
Oil on canvas transferred from wood, 184 x 82,5 cm each
Gemäldegalerie, Dresden



 

A Prince of Saxony

1517
Wood
National Gallery of Art, Washington



 

Amorous Old Woman and Young Man

1520-22
Wood, 37 x 37,5 cm
Museum of Fine Arts, Budapest



 

Old Man and Young Woman

Lime panel, 19,5 x 14,5 cm
Kunsthistorisches Museum, Vienna



 

Samson's Fight with the Lion

1520-25
Panel
Kunstsammlungen, Weimar



 

Portrait of Joachim II
1520



 

Portrat einer sachsischen Edeldame als Maria Magdalena
1525

 

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