The Early Renaissance
 

 


Vittore Carpaccio
 
 


 

 
Vittore Carpaccio
 

(b Venice, ?1460–6; d Venice, 1525–6).

 His name is associated above all with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

              


 
 
 

 
 


St Thomas in Glory between St Mark and St Louis of Toulouse

1507
Staatsgalerie, Stuttgart

 

 

 


Holy Conversation

c. 1505
Musée du Petit Palais, Avignon

 
 
 

Vision of St Augustin

1502
Scuola di San Giorgio degli Schiavoni, Venice
 
 
 

St Jerome and the Lion

1502
Scuola di San Giorgio degli Schiavoni, Venice