The Early Renaissance


 

 


Vittore Carpaccio
 
 

 

 
Vittore Carpaccio
 

(b Venice, ?1460–6; d Venice, 1525–6).

 His name is associated above all with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

 
 
 


The Virgin Reading

1505-10
National Gallery of Art, Washington

 

 
 


Madonna and Blessing Child

1505-10
National Gallery of Art, Washington

 

 
 

The Marriage of the Virgin

1504-08
Pinacoteca di Brera, Milan
 
 
 

The Presentation of the Virgin

1504-08
Pinacoteca di Brera, Milan
 
 
 

Holy Family with Two Donors

1505
Gulbenkian Foundation, Lisbon