Giovanni
Bellini
(b ?1431–6; d Venice, 29 Nov 1516).
Painter and draughtsman, son of Jacopo Bellini. Although the
professional needs of his family background may have encouraged him to
specialize at an early date in devotional painting, by the 1480s he had
become a leading master in all types of painting practised in
15th-century Venice. Later, towards the end of his long life, he added
the new genres of mythological painting and secular allegory to his
repertory of subject-matter. His increasing dominance of Venetian art
led to an enormous expansion of his workshop after c. 1490; and
this provided the training-ground not only for his numerous shop-hands
and imitators (generically known as Belliniani) but probably also for a
number of major Venetian painters of the next generation. Throughout his
career, Giovanni showed an extraordinary capacity for absorbing a wide
range of artistic influences, both from within Venetian tradition and
from outside. He also oversaw a technical revolution in the art of
painting, involving the gradual abandonment of the traditional Italian
use of egg tempera in favour of the technique of oil painting pioneered
in the Netherlands. It was thanks to Giovanni Bellini that the Venetian
school of painting was transformed during the later 15th century from
one mainly of local significance to one with an international
reputation. He thus set the stage for the triumphs of Venetian painting
in the 16th century and for the central contribution that Venice was to
make to the history of European art.