Sculptor and
wood-carver. Ratti stated that Filippo first worked as a wood-carver and
went to Rome twice, staying for six years each time. The time Parodi
spent in Rome is vital for the understanding of the stylistic
characteristics of his work. The crowning of the pediment of the altar
of the Virgin in S Maria delle Vigne, Genoa, with allegorical figures of
Faith, Hope and Charity follows a composition that
occurs frequently in Roman churches, and four statues representing
characters from Ovid’s Metamorphoses (Narcissus,
Hyacinth, Heliantha and Flora, all Genoa, Pal. Reale)
reveal a thorough knowledge of Roman Baroque sculpture. These works, and
a large carved wooden looking-glass in the Villa Durazzo at Albisola,
Genoa, probably date not much later than 1661.
Adonis
1680s
Marble
Galleria di Palazzo Reale, Genoa
Clytie
1680s
Marble, under life-size
Galleria di Palazzo Reale, Genoa
Immaculate Conception
1660s
White marble, height: 111 cm
Santa Maria della Cella, Genoa
Christ at the Column
1679
Marble, height: 90 cm
Galleria di Palazzo Reale, Genoa
Venus
1680s
Marble
Galleria di Palazzo Reale, Genoa
Hyacinth
1680s
Marble, under life-size
Galleria di Palazzo Reale, Genoa
Boy with a Skull 1690
Allegory of Vice 1684
Monumento funebre di Francesco Morosini
Immaculate Conception
c. 1700
White marble, height: 111 cm
San Luca, Genoa
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