Baroque and Rococo

 

Baroque and Rococo Art Map




Orazio Gentileschi




 


Orazio Gentileschi



born 1562, Pisa [Italy]
died c. 1639, , London, Eng.


original name Orazio Lomi Italian Baroque painter, one of the more important painters who came under the influence of Caravaggio and who was one of the more successful interpreters of his style.

Gentileschi first studied with his half brother Aurelio Lomi. At some time in the late 1570s or early 1580s he went to Rome, where, with the landscape painter Agostino Tassi, he painted frescoes in churches of Santa Maria Maggiore, San Giovanni Laterano, and Santa Nicola in Carcere from about 1590 to 1600, executing figures for Tassi's landscapes.

In the first years of the 17th century Gentileschi came under the influence of Caravaggio, also in Rome at the time. His paintings of this period (e.g., “David and Goliath,” 1610?, and “St. Cecilia and the Angel,” 1610?) employ Caravaggio's use of dramatic, unconventional gesture and monumental composition, his uncompromising realism and contemporary representation of figure types, and to some extent his strong chiaroscuro, or light-and-dark contrast. Shortly afterward Gentileschi developed a Tuscan lyricism foreign to Caravaggio's almost brutal vitality, a lighter palette, and a more precise treatment reminiscent of his Mannerist beginnings. From 1621 to 1623 Gentileschi was in Genoa, where he painted his masterpiece, “The Annunciation” (1623), a work of consummate grace that shows a weakening of Caravaggio's influence. The composition still depends on dramatic gestures, here of the Virgin and the angel, and there is still a strong immediacy to the incident and an absence of idealization. The mood, however, is more restrained and lyrical than in his earlier works, the colours are light, and the earlier chiaroscuro is absent.

After a stay in France, Gentileschi traveled to England in 1626 at the invitation of King Charles I; he remained there as court painter for the rest of his life, his work becoming increasingly conventional and decorative. His last major work is an ambitious series of ceiling paintings for the Queen's House, Greenwich, painted probably after 1635, and now in Marlborough House, London.


 


The Vision of St Francesca Romana

1615-19
Oil on canvas
Galleria Nazionale delle Marche, Urbino


 

 


Public Felicity Surmounting Perils


 


Lute Player

c. 1626
Oil on canvas, 144 x 130 cm
National Gallery of Art, Washington


 

Verdugo con la cabeza de San Juan


 

St Francis Supported by an Angel

c. 1603
Oil on canvas, 126 x 98 cm
Museo del Prado, Madrid



 

St Francis and the Angel

1612-13
Oil on canvas, 133 x 98 cm
Galleria Nazionale d'Arte Antica, Rome



 

Joseph and Potiphar's Wife

1626-30
Oil on canvas, 204,9 x 261,9 cm
Royal Collection, Windsor



 

Joseph and Potiphar's Wife
(detail)
1626-30
Royal Collection, Windsor



 

Lot and his Daughters

c. 1621
Oil on canvas
Thyssen-Bornemisza Collection, Madrid



 

Madonna

Oil on canvas, 131 x 91 cm
Galleria Nazionale d'Arte Antica, Rome



 

Rest on the Flight into Egypt

1628
Oil on canvas
Musee du Louvre, Paris


 


Saint Cecilia and an Angel

 
 

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