Baroque and Rococo

 

Baroque and Rococo Art Map




Orazio Gentileschi




 


Orazio Gentileschi



born 1562, Pisa [Italy]
died c. 1639, , London, Eng.


original name Orazio Lomi Italian Baroque painter, one of the more important painters who came under the influence of Caravaggio and who was one of the more successful interpreters of his style.

Gentileschi first studied with his half brother Aurelio Lomi. At some time in the late 1570s or early 1580s he went to Rome, where, with the landscape painter Agostino Tassi, he painted frescoes in churches of Santa Maria Maggiore, San Giovanni Laterano, and Santa Nicola in Carcere from about 1590 to 1600, executing figures for Tassi's landscapes.

In the first years of the 17th century Gentileschi came under the influence of Caravaggio, also in Rome at the time. His paintings of this period (e.g., “David and Goliath,” 1610?, and “St. Cecilia and the Angel,” 1610?) employ Caravaggio's use of dramatic, unconventional gesture and monumental composition, his uncompromising realism and contemporary representation of figure types, and to some extent his strong chiaroscuro, or light-and-dark contrast. Shortly afterward Gentileschi developed a Tuscan lyricism foreign to Caravaggio's almost brutal vitality, a lighter palette, and a more precise treatment reminiscent of his Mannerist beginnings. From 1621 to 1623 Gentileschi was in Genoa, where he painted his masterpiece, “The Annunciation” (1623), a work of consummate grace that shows a weakening of Caravaggio's influence. The composition still depends on dramatic gestures, here of the Virgin and the angel, and there is still a strong immediacy to the incident and an absence of idealization. The mood, however, is more restrained and lyrical than in his earlier works, the colours are light, and the earlier chiaroscuro is absent.

After a stay in France, Gentileschi traveled to England in 1626 at the invitation of King Charles I; he remained there as court painter for the rest of his life, his work becoming increasingly conventional and decorative. His last major work is an ambitious series of ceiling paintings for the Queen's House, Greenwich, painted probably after 1635, and now in Marlborough House, London.


 


Madonna and Child


 

 


Annunciation

c. 1623
Oil on canvas, 286 x 196 cm
Galleria Sabauda, Turin



 


David Contemplating the Head of Goliath

c. 1610
Oil on canvas, 173 x 142 cm
Galleria Spada, Rome


 


Danae

c. 1621
Oil on canvas, 163,5 x 228,5 cm
Cleveland Museum of Art, Cleveland



 

El nino Jesus dormido sobre la cruz



 

Finding of Moses

1630-33
Oil on canvas, 242 x 281 cm
Museo del Prado, Madrid



 

Judith and Her Maidservant with the Head of Holofernes



 

Landscape with St. Christopher


 

Two Women with a Mirror

Oil on canvas, 132,7 x 154 cm
Alte Pinakothek, Munich



 

Sts Cecilia, Valerianus and Tiburtius

c. 1620
Oil on canvas, 350 x 218 cm
Pinacoteca di Brera, Milan



 

Cupid and Psyche

1628-30
Oil on canvas, 137 x 160 cm
The Hermitage, St. Petersburg



 

Madonna Nursing the Christ Child



 

Young Woman with a Violin

 

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