Piet Mondrian
(b Amersfoort, 7 March 1872; d New York, 1 Feb 1944).
Dutch painter, theorist and draughtsman. His work marks the transition at
the start of the 20th century from the Hague school and Symbolism to
Neo-Impressionism and Cubism. His key position within the international
avant-garde is determined by works produced after 1920. He set out his
theory in the periodical of DE STIJL, in a series of articles that were
summarized in a separate booklet published in Paris in 1920 under the
title Le Néo-plasticisme by Léonce Rosenberg. The essence of
Mondrian’s ideas is that painting, composed of the most fundamental
aspects of line and colour, must set an example to the other arts for
achieving a society in which art as such has no place but belongs instead
to the total realization of ‘beauty’. The representation of the universal,
dynamic pulse of life, also expressed in modern jazz and the metropolis,
was Mondrian’s point of departure. Even in his lifetime he was regarded as
the founder of the most modern art. His artistic integrity caused him to
be honoured as a classical master by artists who were aligned with
entirely different styles, as well as by musicians and architects. He was
able to make a living from the sale of his works in the Netherlands,
Germany, Switzerland, England and the USA.