Naum Gabo
(b Klimovichi, Belarus, 5 Aug 1890; d Waterbury, CT, 23
Aug 1977).
American sculptor of Belorussian birth. He was brought up in the Russian
town of Bryansk, where his father owned a metallurgy business. Early
paintings display his romantic and literary spirit, for example
Self-portrait (c. 1907–10), but in 1910 he went to the
University of Munich to study medical and scientific subjects (1910–12),
then philosophy and history of art (1912–14). The lectures of Heinrich
Wölfflin and the writings of Henri Bergson were significant influences on
him at this time. Gabo also studied engineering at the Technische
Hochschule, Munich (1912–14), where there was a large collection of
mathematical models. During World War I he took refuge in Norway (1914–17)
and started working with his ‘stereometric method’ of construction, one of
several techniques he adopted from such models, and through which he made
a significant contribution to the development of the language of
Constructivism. This enabled him to make images from sheet materials such
as cardboard, plywood and galvanized iron, incorporating space in the body
of the work and thereby denying the solidity of matter. Around this time
he adopted the surname Gabo to distinguish himself from his brother, the
artist ANTOINE PEVSNER.