Paul Delvaux
(b Antheit, nr Huy, 23 Sept 1897; d Veurne, 20 July
1994).
Belgian painter and printmaker. He was, with René Magritte, one of the
major exponents of SURREALISM in Belgium. He began his training in 1920 at
the Académie des Beaux-Arts in Brussels, initially as an architect, but he
soon changed to decorative painting, and he completed his studies in 1924.
In his earliest works, such as Seascape (1923; Ostend, Mus. S. Kst.)
and The Couple (1929; Brussels, Mus. A. Mod.), he was strongly
influenced by the Flemish Expressionism of painters such as Constant
Permeke and Gustav De Smet. In the mid-1930s, however, he turned
decisively to Surrealism, not as an orthodox member of the movement but to
a large extent under the influence of Giorgio De Chirico’s Pittura
Metafisica, which he had first seen c. 1926. Among his first
characteristic works in this vein are Pink Bows (1937) and
Phases of the Moon (1939; New York, MOMA), in both of which he
incorporated the somnambulant figures that were to become his trademark.