(b Winterthur, 14 Nov 1723; d Berne, 17 Oct 1786). Swiss painter,
draughtsman and engraver. In 1741 he moved to Berne, where he took
drawing lessons with Johann Grimm (1675–1747), whose school of
drawing he took over in 1747. He visited the Bernese Oberland with
Emanuel Handmann, Christian Georg Schütz (1718–91) and Friedrich
Wilhelm Hirt (1721–72) in 1759 and in the same year travelled to
Paris with Adrian Zingg (1734–86). This was his only trip abroad,
but it determined him to work exclusively as a landscape painter.
After nine months he returned to Berne, where his landscape views
became popular, particularly with foreign travellers, enamoured of
‘Nature’ and keen to retain souvenirs of their travels. He was one
of the first artists to portray the beauties of the Swiss
countryside; his favourite subjects were the Aare Valley and views
of Swiss lakes (e.g. View of Erlach on the Lake of Biel; Berne,
Kstmus.). He invented a technique known as the ‘Aberli style’, which
consisted of watercolour washes added to an image in which slightly
smudged outlines were achieved through a combination of engraving
and etching. The prints were made from drawings taken from nature
and finished in the studio. His style was characterized by delicate
execution, an intimate narrative approach, refined colours and the
ability to convey a light and vaporous atmosphere. Aberli’s success
was such that he had to employ assistants and pupils to aid him in
the coloration process; his pupils included Erasmus Ritter, Johann
Jakob Biedermann, Marquard Wocher (1760–1830), Gabriel Ludwig Lory
the elder (1763–1840) and Peter Birmann. From 1773 to 1775 Aberli
also painted a series of costumes in response to tourist demand.
Wagmühle bei Bern
Vue d’Yverdon prise depuis Clindi, 1776
Vachers d'un lac suisse
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