(b Kishorganj, East Pakistan [now Bangladesh], 18 Nov 1914; d Dhaka,
28 May 1976). Bangladeshi painter and printmaker. He studied
painting at the Government School of Art in Calcutta from 1933 to
1938, and then taught there until 1947. His work first attracted
public attention in 1943 when he produced a powerful series of
drawings of the Bengal famine. After the partition of India and
Pakistan in 1947 he worked as chief designer in the Pakistan
government’s Information and Publications Division, and also became
principal of the Institute of Fine Arts in Dhaka (later known as the
Bangladesh College of Arts and Crafts), which he helped to found in
1948 and where he remained until 1967. From 1951 to 1952 he visited
Europe and, in addition to exhibiting his work at several locations,
worked at the Slade School of Art in London, and represented
Pakistan at the UNESCO art conference in Venice in 1952. An
exhibition of his work in Lahore in 1953 became the starting-point
for a series of exhibitions aimed at promoting contemporary
Pakistani art. In 1956–7 he travelled to Japan, the United States,
Canada, Mexico and Europe on a Rockefeller Foundation fellowship and
in 1960 visited the Soviet Union. Since Bangladesh became
independent in 1971, he has been regarded as the founding-figure of
modern Bangladeshi art. His works embraced a variety of styles, from the realistic sketches of the Bengal
famine to semi-abstract and abstract paintings. Examples are
preserved in a number of collections including the Zainul Abedin
Sangrahashala at Mymensingh, the Academy of Fine Arts in Calcutta
and the Lahore Museum.
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