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Dictionary of Art
and Artists

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CHAPTER THREE
TWENTIETH-CENTURY ARCHITECTURE
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Part I.
ARCHITECTURE -
1,
2,
3,
4,
5,
6,
7,
8,
9,
10,
Part II. ARCHITECTURE -
11,
12,
13,
14,
15,
16, 17,
18,
19, 20,
Part III. ARCHITECTURE -
21,
22, 23,
24,
25, 26,
27,
28, 29
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ARCHITECTURE
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Skidmore, Owings and Merrill.
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Skidmore, Owings and Merrill LLP (SOM) is an American
architectural and engineering firm that was formed in
Chicago in 1936 by Louis Skidmore and Nathaniel Owings; in
1939 they were joined by John O. Merrill. They opened their
first branch in New York City, New York in 1937. SOM is one
of the largest architectural firms in the world. Their
primary expertise is in high-end commercial buildings, as it
was SOM that led the way to the widespread use of the modern
international-style or "glass box" skyscraper. They have
built several of the tallest buildings in the world,
including the John Hancock Center (1969, second tallest in
the world when built), Sears Tower (1973, tallest in the
world for over twenty years), and Burj Khalifa (2010,
current world's tallest building). SOM provides services in
Architecture, Building Services/MEP Engineering, Digital
Design, Graphics, Interior Design, Structural Engineering,
Civil Engineering, Sustainable Design and Urban Design &
Planning.
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Skidmore, Owings and Merrill.
Administrtion Building for theLevel Brothers Company in New York,
1951-1952

Skidmore, Owings and Merrill.
US Air Force Academy Church in Colorado Springs, Colorado, 1956-1962

Skidmore, Owings and Merrill.
Solar Telescope, Kitt Peak National Observatory,
Pima County, Arizona, 1962
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Helmut Hentrich, Hubert Petschnigg,
Fritz Eller, Erich Moser, Robert Walter, Josef Ruping.
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Helmut Hentrich and Hubert Petschnigg with Fritz Eller, Erich Moser,
Robert Walter and Josef Ruping.
Administration Building for Phoenix-Rheinrohr AG in Dusseldorf,
Germany, 1955-1960
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Egon Eiermann.
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Egon Eiermann
Egon Eiermann (September 29, 1904, Neuendorf – July 20,
1970, Baden-Baden) was one of Germany's most prominent
architects in the second half of the 20th century.
Eiermann studied at the
Technical University of Berlin. He worked for the Karstadt
building department for a time, and before World War II had
an office with fellow architect Fritz Jaenecke. He joined
the faculty of the university in Karlsruhe in 1947, working
there on developing steel frame construction methods.
A functionalist, his major works include: the textile mill
at Blumberg (1951); the West German pavilion at the Brussels
World Exhibition (with Sep Ruf, 1958); the West German
embassy in Washington, D.C. (1958-1964); a building for the
German Parliament (Bundestag) in Bonn (1965-1969); the
IBM-Germany Headquarters in Stuttgart (1967-1972); and, the
Olivetti building in Frankfurt (1968-1972). By far his most
famous work is the new church on the site of the Kaiser
Wilhelm Memorial Church in Berlin (1959-1963).
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Egon Eiermann.
Pavilions for the Federal Republic of Germany at the
World's Fair in Brussels, 1956-1958

Egon Eiermann.
Josef Neckermann KG Distribution Centre, Frankfurt am Main, 1958-1961

Egon Eiermann.
Josef Neckermann KG Distribution Centre, Frankfurt am Main, 1958-1961

Egon Eiermann.
Headquarters of Olivetti Deutschland in Frankfurt am Main,
1968-1972
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C. F. Murphy and Helmut Jahn; Jacgues
Brownson, Gene Summers.
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C. F. Murphy
Charles Francis Murphy (1890 – 1985) was an American
architect based in Chicago, Illinois.
Born in Jersey City, New Jersey, Murphy was educated at the
De La Salle Institute in Chicago.
Murphy's first job was as a
secretary, joining the offices of D.H. Burnham & Company in
1911, where he was steadily promoted to become personal
secretary to the architect Ernest Graham. When Graham died
in 1937, Murphy moved on to co-found the architectural
practice Shaw, Naess & Murphy, despite that fact that he
still had no formal training as an architect. The practice
was later renamed C.F. Murphy Associates and then Murphy/Jahn
Inc. in 1981 as Helmut Jahn took over as president.
Murphy was awarded an
honorary degree from St. Xavier University in 1961, and
became a fellow of the American Institute of Architects in
1964.
C. F. Murphy Associates
Chicago architecture firm, strongly influenced by Ludwig
Mies van der Rohe, succeeded by Murphy/Jahn.
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Helmut Jahn
(b. Nuremberg, Germany 1940)
Helmut Jahn was born in
Nuremberg in 1940. From 1960 to 1965 he trained at the
Technische Hochschule in Munich, after which he emigrated to
the U.S. where he spent a year at the Illinois Institute of
Technology studying under Ludwig Mies van der Rohe. In 1967
he joined the office of C.F. Murphy Associates and six years
later became partner and Director of Design. The practice
was renamed Murphy/Jahn in 1981.
During the 1960s the firm
designed some of the more distinguished buildings in Chicago
using a vocabulary of Miesian geometry. In later works
Jahn's rigid adherence to pure Modernist doctrine lessened
as he began to embrace an architectural philosophy which
stressed the intuitive nature of creative rationalism. This
shift led to a more flexible approach to design and
signalled a decisive break with the unchallenged ideology of
the Modernist past.
Using a "variable,
wide-ranging architectural language" to describe a
buildings' contextual relationship, Jahn generated a
symbolic code which could be appreciated by both
professional architects and the general public.
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Jacques Calman Brownson
was born in 1923 in Aurora, Illinois. He studied
architecture with Mies van der Rohe at the Illinois
Institute of Technology in Chicago where he earned his B.S.
in 1948 and his M.S. in 1954. For his master's thesis he
built his own home in Geneva, Illinois--a house of glass
that brought Brownson's work much favorable national
attention. He worked for various Chicago architects,
including A. James Speyer in 1947 and Frazier & Raftery from
1950 until 1953, before he and Bruno Conterato, another
student of Mies's, opened their own office in 1955. In 1959
Brownson joined Naess & Murphy (later C.F. Murphy
Associates) where he stayed for six years, during which time
he designed the award-winning Chicago Civic Center (now the
Daley Center and Plaza). From 1968 until 1972 Brownson
worked as managing architect for Chicago's Public Building
Commission and in 1972 was appointed director of planning
and development of the Auraria Higher Education Center in
Denver, Colorado. In 1976 Brownson became director of
Colorado's State Buildings Division (1976-1986). Brownson,
like his mentor Mies van der Rohe, was both a builder and a
teacher. He taught at IIT (1948-59), was chairman of the
department of architecture at the University of Michigan,
Ann Arbor (1966-68), and was guest lecturer at various
academic institutions from 1961 until 1986. Brownson's
designs have been included in numerous exhibitions
throughout the United States and Europe.
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Gene R. Summers was
born in 1928 in San Antonio, Texas. He studied architecture
at Texas A & M, where he received his bachelor's degree, and
at the Illinois Institute of Technology under Mies van der
Rohe, where he received his master's degree in 1951. From
1950 until 1966 Summers served as project architect for Mies
van der Rohe, working on important commissions such as the
Seagram Building in New York City and the National Gallery
in Berlin. In 1967 he became partner in charge of design in
the Chicago architectural firm of C. F. Murphy Associates,
where he remained until 1973. His best-known project from
that time, the McCormick Place convention center in Chicago,
was completed in 1970. From 1973 until 1985 Summers, in
association with Phyllis Lambert, worked as a real estate
developer in California, where they restored, among other
projects, several industrial parks, the Biltmore Hotel in
Los Angeles, and the Newporter Resort Hotel in Newport
Beach. In 1985 Summers moved to France but returned to
Chicago in 1989 to become dean of the College of
Architecture at the Illinois Institute of Technology, a
position he held until 1993. Summers was elected to the
College of Fellows of the American Institute of Architects
in 1972. He now lives in Healdsburg, California.
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C. F. Murphy and Helmut Jahn; Jacgues
Brownson, Gene Summers.
Richard Daley Center in Chicago, Illinois, 1965

C. F. Murphy and Helmut Jahn. State of Ollinois Center in Chicago,
Illinois, 1979-1984
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Bruce Goff.
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Bruce Alonzo Goff
Bruce Alonzo Goff (June 8, 1904 – August 4, 1982) was an
American architect distinguished by his organic, eclectic,
and often flamboyant designs for houses and other buildings
in Oklahoma and elsewhere.
Born in Alton, Kansas, Goff was a child prodigy who
apprenticed at the age of twelve to Rush, Endacott and Rush
of Tulsa, Oklahoma. Goff became a partner with the firm in
1930. He is credited, along with his high-school art teacher
Adah Robinson, with the design of Boston Avenue Methodist
Church in Tulsa, one of the finest examples of Art Deco
architecture in the United States.
After stints in Chicago and Berkeley, Goff accepted a
teaching position with the School of Architecture at the
University of Oklahoma in 1942. By 1943, despite a lack of
credentials, he was chairman of the school. This was his
most productive period. In his private practice, Goff built
an impressive number of residences in the American Midwest,
developing his singular style of organic architecture that
was client- and site-specific.
Goff's accumulated design portfolio of 500 projects (about
one quarter of them built) demonstrates a restless, sped-up
evolution through conventional styles and forms at a young
age, through the Prairie style of his heroes and
correspondents Frank Lloyd Wright and Louis Sullivan, then
into original design. Finding inspiration in sources as
varied as Antoni Gaudi, Balinese music, Claude Debussy,
Japanese ukiyo-e prints, and seashells, Goff's mature work
had no precedent and he has few heirs other than his former
assistant, New Mexico architect Bart Prince, and former
student, Herb Greene. His contemporaries primarily followed
tight functionalistic floorplans with flat roofs and no
ornament. Goff's idiosyncratic floorplans, attention to
spatial effect, and use of recycled and/or unconventional
materials such as gilded zebrawood, cellophane strips, cake
pans, glass cullet, Quonset Hut ribs, ashtrays, and white
turkey feathers, challenge conventional distinctions between
order and disorder.
A number of Goff's original
designs are on display at the Modern Wind at the Art
Institute of Chicago.
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Bruce Goff. Hause for Eugene and Nancy Bavinger near Norman, Oklahoma,
1950-1955

Bruce Goff. Hause for Eugene and Nancy Bavinger near Norman, Oklahoma,
1950-1955

Hause for Eugene and Nancy Bavinger. Section

Bruce Goff. House for Glen and Luetta Harder near Montain Lake,
Minnesota, 1970-1971.
Plan

Bruce Goff. Home for Ruth Van Sickle Ford, Aurora, Illinois, 1947-1950
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