Frederick Sommer
(From Wikipedia, the free encyclopedia)
Frederick Sommer (September 7, 1905 - January 23, 1999),
was an artist born in Angri, Italy and raised in Brazil. He earned a M.A.
degree in Landscape Architecture (1927) from Cornell University where he
met Frances Elisabeth Watson (b. September 20, 1904 - d. April 10, 1999)
whom he married in 1928; they had no children. The Sommers moved to
Tucson, Arizona in 1931 and then Prescott, Arizona in 1935. Sommer became
a naturalized citizen of the United States on November 18, 1939.
Considered a master photographer, Sommer first experimented with
photography in 1931 after being diagnosed with tuberculosis the year
prior. Early works on paper (starting in 1931) include watercolors, and
evolve to pen-and-ink or brush plus drawings of visually composed musical
score. Concurrent to the works on paper, Sommer started to seriously
explore the artistic possibilities of photography in 1938 when he acquired
an 8x10 Century Universal Camera, eventually encompassing the genres of
still life (chicken parts and assemblage), horizonless landscapes, jarred
subjects, cut-paper, cliché-verre negatives and nudes. The last artistic
body of work Sommer produced (1989-1999) was collage based largely on
anatomical illustrations.
Frederick Sommer had significant artistic relationships with Edward Weston
(photographer), Max Ernst, Aaron Siskind, Richard Nickel and others. His
archive (of negatives and correspondence) was part of founding the Center
for Creative Photography in 1975 along with Ansel Adams, Harry Callahan,
Wynn Bullock, and Aaron Siskind. He taught briefly at Prescott College
during the late 60s and substituted for Harry Callahan at IIT Institute of
Design in 1957-58 and later at the Rhode Island School of Design.
